About a month ago, after a meeting in Tucson, I saw the 2016 remake of The Magnificent Seven starring Denzel Washington, Chris Pratt, and Ethan Hawke. Because I was in Tucson for work, I was on my own, but I was pleasantly surprised when David B. Riley, an editor I’ve had the pleasure of working with on several projects walked in behind me. So, we got to enjoy watching the new version together.
In this version of the movie, a mine has opened near the town of Rose Creek. The mine owner, played by Peter Sarsgaard, wants to drive away the townspeople so he can have the entire valley for his mine. A woman played by Haley Bennett seeks out gunmen who will drive out the mine owner. It’s an interesting variation on the premise of a village terrorized by bandits.
The movie is, of course, the latest remake of Akira Kurosawa’s Seven Samurai. The premise of the 2016 version is a bit different from the others I’ve seen. Overall, the revised premise works. I only had one quibble and that was the mine owner’s implicit statement about America being founded on capitalism. In the 1870s where the film is set, venture capitalism was still a relatively newfangled approach to business. Most businessmen of the day would have been entrepreneurs relying on their own money and not the investments of others.
As for the other remakes, I’ve spoken a bit about the steampunk-flavored, futuristic anime remake, Samurai 7 in an earlier blog post. I was recently reminded of Roger Corman’s low budget science fiction remake called Battle Beyond the Stars, which is interesting because it stars Robert Vaughn, who played in the 1960 Magnificent Seven and featured one of the first soundtracks by James Horner. Sadly the new Magnificent Seven was Horner’s last soundtrack composition before he died in a plane accident.
One of the things that makes Seven Samurai or The Magnificent Seven compelling is the idea of seven very different people coming together to battle insurmountable odds for little or no reward. I especially liked the very diverse group in the latest movie which included an African-American, a Latino, a Native American, and an Asian. As pointed out by director Antoine Fuqua, this not only represents a cross section of America today, but America as it was in the 1800s.
In thinking about The Magnificent Seven, I’ve come to realize how much it and versions of Seven Samurai have influenced my Clockwork Legion series. In retrospect, it’s especially cool that I watched the movie with David Riley, who published the first of my stories featuring Ramon and Fatemeh in his anthology Trails: Intriguing Stories of the Weird West. In the Clockwork Legion series, I bring together seven heroes, more or less: Sheriff Ramon Morales, Healer Fatemeh Karimi, Captain Onofre Cisneros, Professor M.K. Maravilla, Bounty Hunter Larissa Crimson, Rancher Billy McCarty, and Samurai-turned-farmer Masuda Hoshi. They fight against the insurmountable odds of the Russian Empire aided by an intelligence from the stars. In The Brazen Shark, I even include a few direct homages to the original Seven Samurai. It opens when a village is attacked by samurai bandits and several minor characters in the novel are named after the original seven samurai.
Despite a few similarities, I see Seven Samurai and its successors as just one of many inspirations for my series. I hope you’ll saddle up and come along for the ride. You might just discover a few inspirations I didn’t even see!