Back in March, I had the honor of meeting Kazumitsu Akamatsu at Wild Wild West Con in Tucson, Arizona. Akamatsu is not only a steampunk fanatic, he’s also written for anime and Japanese cinema, he’s an artist, and he’s a SOFUBI master. SOFUBI are Japanese soft vinyl figures, often depicting monsters. Here I am with Akamatsu and one of the other vendors, posing with steampunk guns he made. I’m the one with the red hair in a costume inspired by my Captain Firebrandt character.
I have been watching Gravion, one of the anime series Akamatsu contributed to. The premise is familiar to fans of anime from the early 2000s. A team of young people fly fighter craft which can combine with a smaller robot into a giant robot called Gravion, which is Earth’s best defense against alien invasion. The show has good action and a fun sense of humor. One thing that makes it stand out for me is that we have more young women in this team than men.
While at Wild Wild West Con, my wife and I bought Akamatsu’s book, The Quest for R’LYEH. In this steampunk book, a young Japanese woman named Mari enlists the aid of Sherlock Holmes and Dr. Watson to keep evil forces from traveling to Atlantis so they can wake the greatest of the old ones himself, Cthulhu. They get help from the mysterious Lady Steam and even take a ride on the Nautilus with Captain Nemo. Along the way, they must face a menagerie of Lovecraftian abominations, pirates, and even Rasputin. The story could be the basis for a terrific anime series or even a movie.
Although the plot was great fun, the prose was a challenge to follow. It felt like a word-for-word translation from the Japanese, without taking into account English grammar and idiom. The cover does say “Draft” so I wonder if a more polished translation will eventually be available. That said, the real gems in this book are Akamatsu’s beautiful illustrations of steampunk gadgets and Lovecraftian horrors. As a fan of Jules Verne, and now a fan of Kazumitsu Akamatsu’s work, I would love a model of his Nautilus design.
One of the reasons I enjoy going to conventions like Wild Wild West Con is having the opportunity to meet artists that I might not encounter in other venues. Meeting Mr. Akamatsu led me to explore his work and learn more about his art. I’ve long been inspired by Japanese television, cinema, and writing. Mr. Akamatsu’s writing has already inspired me to add an airship cameo to my novel The Pirates of Sufiro. I’m sure his work will inspire me in other ways as well.
Sounds like a cool book, but yeah, the broken English would be hard to get through.
It is a cool book. I found some of the classic speed reading techniques to be a helpful strategy for understanding the plot flow without dwelling too much on sentence structure.