TusCon 45

Next weekend, I’m proud to be a participant at TusCon 45 being held at the Sheraton Tucson Hotel and Suites in Tucson, Arizona. The guest of honor is Joe R. Lansdale, the author of more than forty novels and numerous short stories, including Paradise Sky, the Edgar Award-winning The Bottoms, Sunset and Sawdust, and Leather Maiden. This year’s toastmaster is Weston Ochse. TusCon is a small convention but one that attracts dedicated and enthusiastic fans of all ages who share a love of the written word.

My schedule at the convention is as follows:

Friday, November 9

  • 4:00-5:00pm – Panel Room 2 (Mesa) – Letting your personal secrets out in your stories. Alcoholic writers with alcoholic characters. Gay writers with gay characters. Abused writers with abused characters. How much of yourself should be in your story. On the panel with me are Joe R. Lansdale, Eric T. Knight, Gemma Lauren Krebs, and Gloria McMillan.
  • 7:00-9:00PM – Ballroom (Sabino) – Meet the Guests. Come rub elbows with the guests, enjoy the cash bar, and be regaled by Toastmaster Weston Ochse.
  • 10:00-11:00pm – Ballroom (Sabino) – Drake & McTrowell’s Hot Potato School of Writing. The authors of “The Adventures of Drake & McTrowell” will lead two guest authors and the audience in a madcap improvisational writing game show reminiscent of their signature “Hot Potato” team writing style. Two audience volunteers will each team up with two guest authors to form two “writing teams.” The audience will select three plot elements from a list provided by Drake & McTrowell. The two teams will take turns “writing” the beginning, middle, and end of a story incorporating all three elements with two audience-created “Hot Potatoes” thrown in for excitement. Erasmus Drake and Sparky McTrowell host the show. Ross Lampert and I will be the guest authors.

Saturday, November 10

  • 11:00am-noon – Ballroom (Sabino) – Have We Lost the Spirit of Exploration? NASA is a joke, deep sea exploration is dead, and nobody is listening to SETI. What happened to our frontiers? On the panel with me are Bob Nelson, Hal C.F. Astell, Wolf Forrest, Ross Lampert, and Joe Palmer.
  • 1:00-2:00pm – Catalina Ballroom Foyer – Autographs. I’ll be signing autographs alongside such luminaries are Ken St. Andre, Jennifer Roberson and Frankie Robertson.
  • 6:30-9:00pm – Ballroom (Sabino) – Revenge of Zoe. Premier of the film Revenge of Zoe, starring Bradford Trojan, Nathan Campbell, Eric Schumacher, and Rachel Netherton as Zoe/Fren-Zee. In the film, screenwriter Billy Shaw must face his inner demons while convincing comic book store owners John and Pete to help him write a sequel to his greatest work; a movie about comic book super heroine Fren-Zee. Filmed in, and around, Tucson. Hosted by actor/producer Geoff Notkin, followed by Q&A with cast & crew from the film. I play one of the customers in the shop and I’m looking forward to my motion picture debut.

Sunday, November 11

  • Noon-1:00pm – Ballroom (Sabino) – Great Art Comes From Limitations. How what you can’t do influences your art. On the panel with me are Diana Terrill Clark, William Herr, Julie Verley, and Curt Booth.

In addition to all these great programming options, Hadrosaur Productions will have a table in the dealer’s room. Come by and see what great books we have to offer. Also, Hadrosaur Productions along with Massoglia Books will be sponsoring the annual birthday party for Marty Massoglia and myself on Saturday night. Drop by our booths in the dealer’s room to learn to learn the time and location of the party!

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October Adventures Continue

In my last post, I shared some of my adventures traveling around the country this month. Admittedly, a travelogue may seem a little out of place for a post appearing just two days before Halloween, but I’ll share a book at the end to put you in the spirit of the season and it’s even a quick read.

I left Kansas City on the train on Sunday night, October 14. By the time I woke up on Monday morning, the ground was covered in snow. I like traveling by train when I can. It’s a great way to see the countryside and although it takes longer than traveling by plane, it feels much more civilized. I enjoy flying, but the hassle of crowds, airport security, and flights filled to the brim take away much of the fun. Besides, my grandfather, dad, and brother all worked on the railroad, so I feel a certain family connection when I travel by rail.

I met my wife in Albuquerque where she brought my faithful Smart Car in for a service. We then drove down to Las Cruces with a brief stop in Socorro for some chicken mole enchiladas. For me, chocolate and chile come together to form the ultimate comfort food. After a four-hour sleep, I then drove to Tucson for a daytime shift at Kitt Peak where we’re continuing to refit the Mayall 4-meter for the Dark Energy Spectroscopic Survey.

After three days on the mountain, I gritted my teeth for another short sleep, got up early in the morning to drive to the airport where I caught a plane for Denver, Colorado. There, I celebrated MileHiCon 50. The highlight of the event was that every living convention guest was invited back as a guest. Here you see them assembled at opening ceremonies.

MileHiCon is always a special for me because I get to connect with so many people I’ve worked with over the years. These include Bob Vardeman who was one of the honored guests and who created the Empires of Steam and Rust Series,  David B. Riley one of the co-authors of Legends of the Dragon Cowboys, J Alan Erwine and Carol Hightshoe who have edited many anthologies I’ve been in and who appeared in A Kepler’s Dozen. Denver is also home to Laura Givens, the talented artist who has done many of my covers, and also the co-author of Legends of the Dragon Cowboys.

A particular high point of MileHiCon was the annual poetry reading. This year it was moderated by Stace Johnson. Ronnie Seagren joined us and read poems by several different people. Sadly, Gail Barton, a staple of past MileHiCon poetry readings had passed away, but I was fortunate enough to have a copy of the poetry journal she often handed out at the event, which allowed me to share some of her poems. It was lovely to have her voice at the event at least one more time.

Once MileHiCon was finished, I returned to Kitt Peak to continue work on the DESI spectrograph. This time, I helped a team from Ohio State University build the racks that will hold the spectrographs themselves once they all arrive. I have to admit, building the racks was a process not unlike assembling a piece of Ikea furniture!

At last, I am back home for Halloween. I’m turning my attention to some editorial projects, including a new novella from David B. Riley and two great books from Greg Ballan. In my off hours, I’m reading some spooky comic books and watching a few hair-raising films.

If you’re looking for something good to read between trick-or-treaters on Wednesday night, may I recommend the collection Blood Sampler? This book collects thirty-five vampire flash fiction stories written by Lee Clark Zumpe and me. The cover is by Laura Givens and the book features interior illustrations by Marge Simon. Chris Paige, writing for the fan newspaper ConNotations in Arizona said, “If you like vampire stories, this may be the best seven dollars you can spend.” Admittedly the new edition of the paperback went up to $8.00, but the ebook is only $4.00. You can learn how to get your claws on a copy by visiting  http://www.davidleesummers.com/Blood-Sampler.html

Bombshells

While visiting Bisbee, Arizona a couple of weeks ago, I found a fun figurine of Batgirl with something of a steampunk makeover in a boutique called Va Voom! I walked around the shop two or three times and finally decided she had to come home with me. I also decided I had to know whether she had a formal appearance in the comics. As it turns out, she did. She was the star of DC’s Bombshells Annual #1.

For those not familiar with DC’s Bombshells, the comic was set during an alternate World War II and imagines that many of the DC Universe’s female superheroes have gathered together to fight for the Allied cause. Among the Bombshells are familiar heroines such as Wonder Woman and Supergirl. Batwoman, who I remember discovering in reprints of vintage Batman comics, also takes a major role here. The team is spearheaded by Amanda Waller, who readers of Suicide Squad are sure to recognize. I’m sad to say the comic has ceased publication, but the last three years are widely available in collected graphic novels both in print and ebook editions.

The Batgirl story in this world actually opens in the swamps of Louisiana during 1941. Killer Croc has gone in search of the Batgirl of the swamps and he succeeds. What’s more, he discovers she’s a vampire! The action moves to West Point in 1941 where Amanda Waller is talking to a new recruit named Francine Charles. Waller sends Charles on a mission to recruit Batgirl to the Bombshells. When she asks why, Waller tells her Batgirl’s story.

We learn that Barbara Gourdon was a French girl living during World War I who loved tinkering with machinery. Her mother has fields of lavender and her father is a police officer. He buys her an airplane and she learns to fly. She ultimately falls in love, but disappears when she must save her lover. It’s up to Francine Charles to learn how the ace pilot became a vampire and to see if that vampire can be recruited to the Bombshells.

At the beginning of the summer, I talked about “superhero fatigue.” In that case, I spoke primarily of finding nothing but superhero movies at the cinema. One place I rarely suffer superhero fatigue is in my local comic shop. There are many fun and innovative titles on the shelves and I see the superheroes I grew up with being taken in new and interesting directions. Superhero fatigue in the movies has much to do with the fact that we’re seeing stuff that happened 20 years ago or more in the comic pages!

I love the idea of a feminist superhero team like the Bombshells. After reading Annual #1, I picked up the entire first year of collected stories and was impressed by the writing and the artwork. I love the exploration of characters who received too little page time back when I read comics more regularly many years ago. In the Batgirl comic in particular, I liked how they gave her a lavender bat costume like she had in the Adam West series, but also created a good reason for her to have that costume.

I also liked how Batgirl took a dark turn and became a vampire. The opening scenes in the Louisiana swamps with Killer Croc reminded me not a little of Marcella DuBois’s debut in my own novel Vampires of the Scarlet Order. What’s more, Marcella is one of my own characters who I’ve explored in an alternate timeline. That version of Marcella appears in Straight Outta Tombstone which has just appeared in a nifty trade paperback edition. I have a feeling Marcella would be right at home with Amanda Waller’s Bombshells

You can learn more about Vampires of the Scarlet Order at http://www.davidleesummers.com/VSO.html

You can learn more about Straight Outta Tombstone at https://www.amazon.com/Straight-Outta-Tombstone-David-Boop/dp/1481483498/

Good Art by Bad People

It can be a real shock to learn that people you admire have done terrible things. Recently the news has been filled with stories of Bill Cosby’s sexual assaults. Just a few years ago, the speculative fiction world was shaken by allegations of Marion Zimmer Bradley’s child sexual abuse. It hurts and even feels like these people we’ve allowed into our hearts and homes through their work have betrayed us. This in turn raises a challenge. What do we do with the art created by such people?

Thee’s a good and thoughtful article at the Paris Review by Claire Dederer on this subject, with a special focus on the films of Woody Allen. You can read the article here: https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/

I believe Ms. Dederer makes an important point in her article. None of us are perfect. We’ve all done stupid, mean, or hurtful things at one time or another. Hopefully most of us haven’t committed acts as terrible as those committed by Bill Cosby or Marion Zimmer Bradley, but all of us get caught up in our own selfish or thoughtless needs and desires at times. What’s more, this struggle against our worst natures is at the very root of what makes good art.

As an editor, I’ve read and published numerous submissions from prisoners. I’ve never been good about keeping detailed statistics on things like this, but my impression is that the acceptance rate among prisoners is about the same as the general population. Now, it’s rare for a prisoner to tell me why they’re serving time, but clearly they were convicted of a sufficiently serious crime to be incarcerated. Despite that, I have found in these works something worth sharing with a wider audience. I also feel like these people are paying their debt to society by serving time. Many of them are honestly trying to improve themselves by expressing their feelings through art. I feel the effort deserves reward.

Thinking about this subject has also helped me to understand my inherent problem with America’s celebrity worship. As a culture, we seem all too ready to give people power simply because they’re famous. People become afraid to speak up when a famous person does terrible things. Admittedly many famous people do hold real power. They’re heads of companies or manage staffs, but the fact that they’re famous makes people more afraid to speak up. People know they’ll be judged in the court of public opinion when they say a famous person did terrible things. In fact, certain celebrities are quite adept at turning their fans against accusers.

I think there is a real danger when society attempts to dictate what art is available for people to consume. Imagine the government telling you to throw out your video tapes of I Spy and burn your copies of The Mists of Avalon. Now imagine what else they’ll decide is not moral enough for you to consume. Another possible and more subtle consequence is that you could create a situation where the only artists available are the famous ones, which would only exacerbate the celebrity problem. Turning that around does offer something to consider when you feel betrayed by an artist. Always remember, there are many other artists out there eager to tell you stories, show you their movies, and paint amazing canvases.

Just remember, those artists are human and subject to temptation. Just like you.

Road Trip to the Grand Canyon

This year, the Airship Ambassador’s Steampunk Hands Around the World event is going on a road trip and exploring new places. One of the things I’ve enjoyed doing when writing my Clockwork Legion books is visiting places around the world and imagining them with a steampunk twist. So, I thought it would be fun to visit some of the places that appear in the novels and share my connection to them. For this first post, I’m going to the Grand Canyon in Northern Arizona.

A lot of steampunk has a very urban and gritty feel set in places like London of the nineteenth century. However, in my novel Owl Dance, I introduced Professor M.K. Maravilla, an engineer and naturalist who builds machines to mimic the animals he studies. Because of that, you don’t tend to find him in urban environments, but out in nature. In Owl Dance, Ramon Morales and Fatemeh Karimi encounter the professor at the Grand Canyon.

The reason the professor is at the Grand Canyon is that he’s built ornithopters in the shape of owls so he can study how they fly. An ornithopter is an aircraft that flies by flapping its wings like birds. I actually had the idea for the ornithopters from a visit to canyon and seeing California Condors gliding on the canyon’s air currents. This was especially amazing to me because I grew up in California and remember a museum exhibit that discussed how California Condors were near extinction. I never figured I would ever see them in real life, yet I saw them flying and swooping over the canyon and couldn’t help but think how much fun it would be to be them, swooping and flying over the canyon.

The reason I used owls instead of condors in the story is two-fold. First off, the condors were introduced to the canyon as part of a breeding program to help increase their numbers. Even in 1877, while there likely would have been condors in the canyon, their numbers wouldn’t have been numerous. Second, Professor Maravilla develops an interest in owls from his association with Fatemeh Karimi. So, the interest had a direct narrative connection.

Back in 2015, while at Her Royal Majesty’s Steampunk Symposium, artist Laura Tempest Zakroff was selling her art next to us. I admired her wonderful artwork and commissioned an illustration of Professor Maravilla’s owl ornithopter. You can see her work above. In the novels, the professor sells the ornithopters to the army and the industrialist, Captain Cisneros, also develops his own version. The owl ornithopter in Laura Givens’ cover for Owl Riders is different from Tempest’s design, but Givens’ design reflects several years of in-world development!

I hope you’ve enjoyed this steampunk road trip stop. If you would like to explore Owl Dance and all the places visited in the novel, you visit http://www.davidleesummers.com/owl_dance.html to get more information and find all the places the novel is available.

Mannheim Steamroller

Back on December 5, my wife and I had the opportunity to see Mannheim Steamroller in concert at the Pan American Center in Las Cruces, New Mexico. This was a special treat for me since I’ve been a big fan of this group of musicians since I first heard them way back in 1974. It was also a special treat because my youngest daughter was part of the choir selected to greet concert goers on their way into the show.

Now, I should note that I didn’t originally discover the Mannheim Steamroller musicians AS Mannheim Steamroller. Like many people I first heard them playing as the backup band for a country artist named C.W. McCall, whose hits at the time included such songs as “Convoy” and “Wolf Creek Pass.” C.W. McCall, in turn, was the nom de guerre of ad man Bill Fries. I’m still a fan of C.W. McCall, and in fact the space pirate story I posted this week at my Patreon site is inspired by “Convoy.”

I learned about Mannheim Steamroller as a separate entity from C.W. McCall when I went to college in 1984. My dorm’s RA was a fan of both groups and introduced me to their four albums at that point, the original Fresh Aire albums. A Mannheim Steamroller Christmas came out that very year and really defined the band for many people. For me, Mannheim Steamroller’s instrumental mix of renaissance, classical, jazz, and modern instruments was great music to study by and it’s still among my favorite music to write to. They currently seem to refer to themselves as a neo-classical group and the classification fits pretty well.

One of the first things I noticed when I got the program was that there are two touring groups for Mannheim Steamroller, nicknamed the Red and Green groups. This seemed quite fitting for a concert in New Mexico. The group that played for us was the “Green” Tour group. Most of their names were unfamiliar and when they came out, I realized that many of the people on stage were too young to have been playing since 1974. I came to realize that Mannheim Steamroller is now more like a classical ensemble with players who change out with time and less like a rock or a country band where you see a set of specific personalities.

The one personality who seems indelibly connected with Mannheim Steamroller is composer and one-time drummer Chip Davis. I gather he no longer tours with the group, but they showed videos during the concert where Davis spoke. They were interesting from a marketing standpoint. In one of the videos, Davis spoke about the band’s history and success, including clips from various television shows. Another was a direct appeal to visit the merchandise booth. The videos combined with the band’s performance brought to mind some great points about artists marketing themselves.

  1. First and foremost, create something your passionate about.
  2. Collaborate with experts in the craft to make your art shine.
  3. Tout your successes.
  4. Remind people to support your art through purchases.

Point one, should be pretty obvious. For a writer, point two can be as simple as working with a good editor or a good cover artist to breathe life into your work. It can also take other forms like working with a narrator on an audio book, or a team on a short film. Numbers three and four require some balance. To be honest, I was almost turned off by the video of the successes, but I came back around because the group in concert showed me what wonderful music they perform. That’s why the order of the list is actually important. You have to do as well as you can with steps one and two before you move on to steps three and four. What’s more, you need to remember that the art itself takes precedence.

Art on Your Own Terms

In addition to Dexter Dogwood’s Fables from Elsewhere, which I wrote about on Saturday, Paul McComas sent me the fifteenth anniversary edition of his novel Unplugged. I have to admit, I looked at it with some skepticism. It’s the tale of a rock star named Dayna Clay who survived childhood sexual abuse and suffers from depression. On the last night of a big tour, she disappears off stage to go home and attempt suicide by asphyxiating herself with carbon monoxide fumes in her garage. Fortunately, a squirrel falls from the rafters and she feels she can’t take another life with her, even a small one, so she moves herself and the squirrel to safety.

After the suicide attempt, she gets in the car and retreats out west to the Badlands of South Dakota. Once there, she goes on a personal quest to discover who she is and whether or not she can continue with her music career. On the surface, it seems a lot more introspective and possibly even sad book than I would go in for. I will admit that I’ve had low points in my life and have even heard that frightening siren call from the back of my brain that made me think about suicide. Fortunately, between my amazing family and my own stubborn self-preservation instinct, I never got all that close to the brink, but I’ve glimpsed enough to know how scary it is and hesitated getting closer, even in fictional form. Despite that, I found myself captivated with Dayna’s story and how she becomes enchanted by the Badlands and the people she meets along her journey. Even though the novel opens with Dayna in a dark place, the novel proves hopeful and even fun at times as Dayna finds help for her depression and rebuilds her life.

One aspect of the novel that I particularly enjoyed was Dayna’s early decision that if she was going to return to the music world, she would return on her own terms. Dayna has a demanding agent, a full public appearance schedule, and pressure to get into the studio to record more songs. Dayna’s story actually parallels a lot of writers I know, who have numerous publishing obligations and travel to science fiction and comic conventions every available weekend. There are intense pressures to move the books already published and produce more books at a steady rate. In fact, I know some writers, editors, and agents who will insist that this kind of intense schedule is the only viable career path available. Anyone not on this path is a failure as a writer and should quit wasting their time.

I’m sorry. I just don’t accept that. All it takes to be a musician is to make music. All it takes to be a writer is to write. All it takes to be a painter is to paint. All it takes for something to be a career is that money from the occupation must flow to the person doing the job in some sustainable way. How an artist makes that happen is between the artist and those paying for the art. For any occupation to be sustainable, the person occupied must feel satisfied with their life as a whole. For me, right now, satisfaction with life includes spending time contributing to astronomy through my work at Kitt Peak, spending time with family, in addition to writing. I choose writing jobs and projects that both give me satisfaction and allow me to do the other things that give me satisfaction.

I’m glad I joined Dayna on her journey to the South Dakota Badlands and visiting the real Badlands is now something I must do. You can find the novel at: https://www.amazon.com/Unplugged-Anniversary-Novel-Paul-McComas/dp/1564746046. As I’ve mentioned, this is a novel about a musician. It turns out that Paul McComas has collaborated with Maya Kuper to create an album of Dayna’s music and it’s a pretty amazing listen. It’s also a great example of what can happen when you do art on your own terms. It frees you to explore and I was delighted to hear Dayna’s songs come to life. “Jack-o’-Lantern” and “Karma Bomb” will likely get frequent play from me, but all of the songs are great. You can listen and buy at: https://daynaclay.bandcamp.com/

Proceeds from both the novel and album go to benefit two causes. One is the Kennedy Forum, which works to improve the way mental health and addiction issues are treated in this country. You can learn more at kennedyforum.org. The other cause is the Rape, Abuse, & Incest National Network which runs the National Sexual Assault Hotline at 1-800-656-HOPE. In addition to these two great causes, I want to share the number for the National Suicide Prevention Lifeline in case anyone reading this needs it: 1-800-273-8255