Alita Battle Angel – The Movie

Two weeks ago, I shared my thoughts about the Robert Rodriguez film, From Dusk till Dawn. This past week, I watched Robert Rodriguez’s adaptation of the manga Battle Angel Alita, which I discussed here at the Web Journal back in December. There was a lot about From Dusk till Dawn that suggested Rodriguez would be a good director for this manga. He clearly had a good sense of both character and action, both of which would be essential for adapting Alita for mainstream American audiences.

The American movie adaptation largely follows the plot of the first two volumes of the Alita manga. Set in somewhat grungy city under a pristine floating city, Dr. Ido finds Alita’s cybernetic head in a scrap heap and attaches it to a new body. We learn that Dr. Ido supplements his income as a bounty hunter. While following Dr. Ido, Alita unlocks some of her latent combat abilities. She also decides to become a bounty hunter. As all of this is going on, she meets a young man named Hugo who teaches her about life in the city. He also shares his dreams of traveling to the floating city, Zalem. In the film, Hugo takes Alita to a fallen spaceship from an ancient war, where she learns more about her past. He also introduces her to a futuristic, rocket-propelled version of roller derby called motorball. These last two elements weren’t in the first two volumes of the manga, but I gather are introduced in later volumes.

Overall, the movie felt like a faithful adaptation of the manga. It stayed true to the story of Alita and her journey of self-discovery and independence. It also kept the manga’s spirit of fighting for justice even when the odds are against you. I liked how even though we’re presented with something of a dystopia, the film’s “Iron City” didn’t seem an entirely bad place. You could get chocolate, make friends, and find moments of joy.

One element of the script that bothered me was the need to change and anglicize some of the names. The manga came from an era when anglicizing names was common. For example, Alita’s name in the original manga was Gally. However, in the movie, they change Dr. Daisuke Ido to Dr. Dyson Ido. They also change Yugo to Hugo, which doesn’t bother me as much since they sound similar. Still, it seems anime and manga translation has largely moved past the need to anglicize Asian names for American audiences. It’s time for more mainstream movies to follow suit.

I have mixed feelings about the movie’s choice to give Rosa Salazar’s Alita large eyes reminiscent of the style seen in anime and manga. On one hand, it’s an interesting nod to the story’s artistic roots. Also, it makes some sense that a battle cyborg might have enhanced, larger eyes to take in more than ordinary human eyes. The large eyes serve to emphasize that Alita isn’t human. However, that’s where I think the filmmakers missed the mark somewhat. Alita is supposed to be very human despite the fact she’s manufactured. Also, in manga and anime, the large eyes are something of an artistic style designed to emphasize the role eyes play in conveying emotion. It seems unnecessary to give one character literal anime eyes. It also had a tendency to remind me I’m watching a “special effects movie” instead of letting me disappear into the story.

So far, Alita: Battle Angel is my favorite American live-action adaptation of an anime. It may be flawed, but it largely stayed true to the source material. It gives me hope for better adaptations in the future and if it introduces some new readers to the source material, so much the better.

eSPEC EXCERPTS – BREAKING THE CODE — eSpec Books

My novella, Breaking the Code, will be released in ten days. I thought this would be a good time to share another post from my publisher, NeoParadoxa, which is an imprint of eSpec Books. In this post, you can read Chapter One in it’s entirety absolutely free. I hope it hooks you enough to want to read the whole thing!

As it turns out, I pitched this novella while taking my youngest child to college. In a normal year, I would have been exploring places around the beautiful city of Flagstaff, Arizona and may even have paid a visit to Lowell Observatory, which is one of my favorite places in the area. Lowell had been closed due to the pandemic and when I wasn’t moving boxes into a dorm room, I was largely sitting in a motel room maintaining a careful social distance from others. I found myself thinking back to my own early college days when I first moved to New Mexico and friends from those days. I thought about stories they told me about one of New Mexico’s very own mysterious creatures, the skinwalker. As I looked through the history of the part of the state where most skinwalker sightings occur, I realized there was a very interesting story to tell. My story is fiction, but it takes inspiration from real events.

You can find all the places to order the book at my website: http://davidleesummers.com/Breaking-the-Code.html

With that, I invite you to step over to eSpec’s blog so you can read the first chapter of my novella.


We have another Systema Paradoxa title for you, Breaking the Code by David Lee Summers, a part of the Systema Paradoxa series created in conjunction with Cryptid Crate. It releases May 21, but you can pre-order it now via the link. Chapter One Friday, February 20, 1942 Cheryl Davis parked her Ford Coup in the […]

eSPEC EXCERPTS – BREAKING THE CODE — eSpec Books

Time Traveler with a Celery Boutonniere

As I’ve mentioned in other posts, I first learned about the television series Doctor Who from an article in Starlog Magazine. The article announced that Peter Davison would take over the role of the Doctor from Tom Baker, who had played the part for seven years. I knew nothing about who any of these people were or what the show was about, but I do remember blond-haired Peter Davison in a light colored outfit standing next to the ubiquitous blue police box, which I would later learn was his machine for traveling in time and space. When I finally saw an episode of Doctor Who, it featured Tom Baker, a jovial fellow with a mop of curly hair and a scarf that went on forever. I was curious how the young blond actor and the curly-haired actor could play the same part. Eventually, I would learn that the Doctor can regenerate into a whole new body. Still, I was curious what Peter Davison would be like compared to Tom Baker.

The Doctor and the Master face off in Peter Davison’s first season as the Doctor.

Around this time, I discovered that my local bookstore started carrying novelizations of Doctor Who episodes. Right there on the shelf was that blond-haired fellow smiling at me from the cover of a story called “The Visitation.” I picked it up and found myself transported back to medieval England in a story where aliens crashed on Earth. In the final struggle, a lamp is knocked into some hay and the great fire of London is started. In college, I would finally see the episode as part of season nineteen of the series, which was Peter Davison’s first. That season is now out on Blu-Ray and I recently revisited the first year of this blond-haired fellow as the Doctor.

I had fond memories of this season from college. Tom Baker played the Doctor for so long, a new actor seemed a breath of fresh air. I remember Peter Davison as an affable, breezy personality. As a quirk, he wore a stalk of celery as a boutonniere on clothes suitable for a cricket match. I remember liking how the writers created something of a Holmes/Moriarty relationship between the Doctor and his old nemesis the Master.

Rewatching it, the nineteenth season didn’t quite match my memories. Peter Davison’s Doctor seemed to snap at people more than I remembered. He also looked a little uncomfortable in the part at times. He was, after all, the first actor to play the part who had also grown up watching it. The season also presented the Doctor with three companions. This wasn’t unheard of in the series’ run, but it wasn’t common. In this case, I could see that four regular characters were a challenge for the writers. Often they’d find a way to put one companion on the sideline while giving one or two others the limelight.

I had fond memories of an episode called “Black Orchid.” It’s a short episode in the middle of the season where the Doctor ends up in the middle of a 1920s mystery. It’s not very science fictional, but it seemed like it made the best use of all the characters and it remains one of my favorite of the season. The episode I first read in novel form, “The Visitation” also held up pretty well. The only part I thought could have been improved were the aliens, who looked too much like people in stiff, rubber suits.

The season felt longer than other Doctor Who seasons I’ve purchased. Indeed, most seasons I’ve watched only have four or five distinct stories. This one had seven. Classic Doctor Who stories were serialized from half-hour episodes. Most of the actual stories were shorter than stories in earlier seasons. Still, I had a feeling that in some cases the writers struggled to find material for all four episodes of a story. Some stories in the nineteenth season might have been stronger as only two or three-part stories. This is probably one of the reasons “Black Orchid” remains a favorite. It doesn’t feel padded out.

As with other Doctor Who Blu-Rays I’ve purchased, this one is chalk full of interviews and behind-the-scenes documentaries. All in all, it was fun to go back and spend a season with the first Doctor I’d ever actually seen, if only in a magazine photo.

COVER REVEAL – BREAKING THE CODE — eSpec Books

Happy Star Wars day! May the Fourth be with you! One of the things I’ve always loved about the Star Wars Universe were all the creatures George Lucas and his team dreamed up. Whether it be the Bith who played mean jazz in the first movie’s cantina scene, the Mon Calamari fish people who fought for the Rebel Alliance, or the Wookies, like Chewbacca who was Han Solo’s best friend, there was something about these creatures that made me want to believe they were real.

Around the same time as Star Wars, there was a television series hosted by Leonard Nimoy called In Search Of…. That show introduced me to strange creatures purported to exist in the shadows of our own planet. Among these creatures were the Sasquatch, the Loch Ness monster and the Yeti. I’ll admit, now that I’m older, I’m skeptical of many of these stories. And yet, I have heard stories from friends and people I’ve met that make me wonder if there could be some truth to these tales of cryptids. Friends who have lived in Gallup, New Mexico have told me stories about the Skinwalker and that helped to inspire my tale, Breaking the Code, which comes out later this month from NeoParadoxa Press, an imprint of eSpec Books.

Breaking the Code is volume 3 of the Systema Paradoxa series. Just because it’s volume 3 doesn’t mean you need to read volumes 1 and 2 to understand my story. Each volume tells its own story of a cryptid. That said, I know many of the contributing authors and you’ll definitely want to read every volume in the series.

I have updated my website to include a page for Breaking the Code. Just visit http://www.davidleesummers.com/Breaking-the-Code.html to be updated with all the places where the book is currently available. Or better yet, subscribe to https://www.cryptidcrate.com where you’ll not only receive the book later this year, you’ll also get all kinds of goodies and many of the other books in the series. With that, I’ll let you take a look at the eSpec Books post.


A part of the Systema Paradoxa series under eSpec’s new NeoParadoxa imprint, this is Breaking the Code by David Lee Summers. A cryptid novella based on the skinwalker. There are creatures lurking in our world. Obscure creatures long relegated to myth and legend. They have been sighted by a lucky—or unlucky—few, some have even been […]

COVER REVEAL – BREAKING THE CODE — eSpec Books

Lucid Dreams

Operating telescopes at Kitt Peak National Observatory means that I work a night shift. My working days typically start at 4pm and end in morning twilight, about a half hour before sunrise. Despite that, I often spend my off time on a day schedule. Originally this was a matter of necessity. Being on a day schedule allowed me to interact with my kids before they went to school and after they came home. I also find that I don’t do well staying on a night schedule all the time. I find I do need occasional time out in the sunshine. Also, the neighbors get a little cranky if I mow the yard at midnight!

One of the ways I’ve adapted to swapping schedules is that I drive to work the night before my shift begins. I stay up as late as I can and then sleep as long as I can during the next day. This works pretty well, though I do find the older I get the more my circadian rhythms resist the change back to nights. No matter how late I’ve stayed up, my eyes will tend to pop open for a while around 8am. If I’m tired enough, I will usually go right back to sleep. What I’ve also noticed is that especially on the first night getting ready for a shift, I’m prone to lucid dreams. In short, lucid dreams are ones where you’re consciously aware you’re dreaming. This has become common enough that I’ve discovered I can sometimes interact with my dreams. I can decide where to go or what to look at.

The experience of lucid dreaming feels at once profound and limited. It feels profound because it feels like I’ve gained control of a realm where we normally have no control. It feels limited because the control isn’t complete. The best way I can describe it is that it’s like playing a video game. I can move around, explore some things, but I don’t really control the “plot” or what other people in the dream do. Still, I can see why there’s a history of spiritual teachers, especially in the Hindu and Buddhist traditions, ascribing special significance to lucid dreaming.

When I re-read Children of the Old Stars in preparation for starting a new edition, I noticed that I used dreams and dream imagery quite a bit. In my revisions for the forthcoming edition, I decided to enhance this and bring in some of my experience with lucid dreaming. I plan to expand these themes in the next book, Heirs of the New Earth. There, the protagonist’s experience with lucid dreams from Children of the Old Stars, prepares him for being able to move around a non-corporeal reality.

My Patreon supporters have been joining me as I rewrite Children of the Old Stars for a new edition. That journey will wrap up later this month. In fact, I’ve already started the process of giving the book a complete, comprehensive re-read for consistency and last-minute corrections. I’ve also gone ahead and set the ebook up for pre-order. It’s currently available for pre-order at the following stores:

From Dusk till Dawn

From Dusk till Dawn, directed by Robert Rodriguez, is a movie set in the borderland region of West Texas and Northern Mexico. It’s been on my radar for some time, but it’s taken me a while to finally watch it. Released in 1996, this movie tells the story of two brothers on the run from the law. At a motel, they take a family hostage and flee across the border to Mexico. The brothers go to a strip club to wait for their contacts only to find the strip club is, in fact, home to a nest of vampires. The exact fictional settings are a little vague, although it’s implied the motel is in El Paso. Much of the film was made near Barstow, California, where I was born. The edition of the film I watched included the bonus movie Full-Tilt Boogie, which is a documentary about the making of From Dusk till Dawn.

One of the things that makes this movie interesting is that it takes its time introducing the horror elements. As noted in Full-Tilt Boogie, a lot of horror movies get right to the scary parts, but the best horror novels often give you a chance to become acquainted with the characters before throwing them into the horrific situation. This allows you to care more whether or not the characters make it out the other side. The mix of characters was interesting, because the Gecko brothers were not sympathetic at all. Both of them are murderers and one of them is a rapist. However, the family they kidnap is relatable. We meet a dad and his two children. The dad is a minister who recently lost his wife and suffers a crisis of faith.

Once the vampires are introduced, the movie is mostly about action as the human characters fight to survive the night. I thought the strip club was an interesting front for a nest of vampires. It allows vampires in their sexier human form to lure the unsuspecting into their trap. Beyond that, we learn little about the vampires themselves until a compelling hint about their origins and how it might be tied to history and mythology is dropped in the movie’s last scene. I won’t discuss the specifics in case that would spoil it for anyone, but I gather the hint is developed in the made-for-TV sequels and TV series. The vampires themselves are portrayed as pure monsters and they take many different forms.

Although it’s ostensibly a vampire film, the plot structure involving sympathetic characters mixed up with gangsters followed by a frightening second act reminded me most of my novel The Astronomer’s Crypt, which is also set in the borderland region. You can learn more about that novel at: http://davidleesummers.com/Astronomers-Crypt.html.

Even though my Scarlet Order vampires are not outwardly monstrous, they do have ties to history and world lore, including Native American cultural lore. I would have enjoyed more exploration of these ideas in From Dusk till Dawn and may have to watch at least some of the TV series to see how they explore it there. The best place to see these ideas explored in my writing is in my novel Vampires of the Scarlet order. Learn more about it at: http://davidleesummers.com/VSO.html

Guinevere and the Stranger Cover Reveal

Back in March, I teased the comic Guinevere and the Stranger that I had been working on in collaboration with artist Michael Ellis. The project is now far enough along that I can give a few more details about the release. The first people who will get to read the comic in its entirety are my Patreon supporters. I plan to present the pages of the comic over a two-week span in June, essentially sharing a page per day after I’ve finished sharing the work I’m doing on the twentieth anniversary edition of my novel Children of the Old Stars. If you want to be one of the first people to read the comic, be sure to sign up for my Patreon at https://patreon.com/davidleesummers by June 1. You don’t have to wait to see the cover, though. I’ll share that today. The cover features art by Michael Ellis. The layout is by Bram Meehan who was responsible for lettering the interior.

Guinevere and the Stranger Cover.

Inside the front cover, I set up the story. It reads: “In the sixth century, the vampire Desmond persuaded King Arthur to seek the lost Book of Jesus and the Holy Grail. While Arthur’s knights sought these artifacts, the king’s son began a campaign to usurp the throne. It’s said Guinevere went to a convent after King Arthur’s final battle. What happened to her has long been a mystery. At last, this book tells a lost tale from Queen Guinevere’s final years.” As you can see, Dragon’s Fall elaborates on Arthurian legend. I first started delving into the early tales of Arthur in college. Of course, my Scarlet Order vampires are mercenaries involved with the highest level of government, so there was never any doubt that some of them would have known King Arthur. The involvement with the grail legend came from the realization that vampires would no doubt find an artifact so connected with the “blood of Christ” and forgiveness irresistible.

As I mentioned before, this is a retelling of a chapter from my novel Dragon’s Fall: Rise of the Scarlet Order Vampires. I had several goals for this project when I started. First and foremost, I’m a longtime fan of the comic book medium and I’ve long wanted to try my hand at scripting a comic. I have sat in on some online courses and some panels given by the group 7000 BC, based in Albuquerque and had learned some of the basics, but realized the only way I would learn more about the process would be to actually dive in, write a script, and hire someone to illustrate it.

When I set out to create this comic, I thought it would be something I would share here at my blog as a fun way to introduce new readers to my novel. In effect, it would serve as a comic book “trailer” for the novel. If I liked how it turned out, I thought I might print some copies to give away at conventions.

What lurks outside?

The thing is, much as I enjoyed the work at Michael’s online portfolio, it really didn’t prepare me for how well he could capture the images I had in my head. As I saw the quality of the work he delivered, I realized it deserved better distribution than I had originally planned. In fact, if you go over to his page, you’ll see several of the pages from Guinevere and the Stranger without dialogue. What’s more, I realized I didn’t want this one 8-page experiment to be the end of our collaboration. Dragon’s Fall contains four short self-contained stories like Guinevere and the Stranger. each one is a brief look into the lives of the Scarlet Order vampires providing insight into who they are. What’s more, I’ve written numerous vignettes about the Scarlet Order vampires. If I can raise sufficient funds to keep paying Michael and Bram what they deserve for their work, I’d love to create more of these books.

As a first step toward this goal, I’m releasing the comic as an exclusive for those people who are signed up for my Patreon. Supporting me there will not only give you a first look at this comic, but you’ll help support the artists I’m collaborating with. After the comic is released on Patreon, a print edition will be released that I will sell at conventions and at hadrosaur.com. Look for that to appear by the middle of June. I’ll likely approach some of my friends in retail about carrying this as well. The print edition will give you the opportunity to hold a copy of the comic in your hand. Finally, I have taken the time to learn how to submit the comic to the Comixology platform for distribution, which I’ve discussed in other comic book reviews. Presuming they accept the book, I’ll share when it’s available there. Out of necessity, the print edition will be the most expensive and most of the income will go to printing costs. Likewise, much as I like Comixology, they will take a large cut of the sales. For now, supporting me on Patreon will be the least expensive way for readers to support this project, but also the way that allows most of the funds to actually go to the artists who created it. Click on the button below to go to my site and sign up.

The Airship Rustlers

This week, the poem “The Airship Rustlers” that I wrote with Kurt MacPhearson appeared in the the Science Fiction and Fantasy Poetry Association’s online magazine, Eye to the Telescope. You can read it at: http://eyetothetelescope.com/archives/040issue.html. The issue’s theme is “Weird West” and the editor is Gary Every, who I’ve been pleased to work with on a number of other occasions.

A while back, Kurt MacPhearson and I collaborated on a handful of poems and a short story. The way we worked on the poems was that one of us would write a verse or two of a poem, then email it to the other. Effectively, we played a game of literary hot potato, passing the poem back and forth until we came to a conclusion we liked. We also allowed each other to edit the poem as it stood, to make sure all the ideas worked together and to make sure it had a uniform voice.

As I recall, I started this particular poem. I would have been working on my Clockwork Legion novels at the time, very much entrenched in reading about airships and wild west lore. I was also inspired by the TV series Firefly and the episode where Captain Reynolds transports cattle from one planet to another aboard his space ship. Kurt gave the poem a somewhat darker tone than I originally imagined, but it fits how seriously people took cattle rustling in the wild west. In passing the poem back and forth, the poem’s narrative took some interesting turns and by the end, it’s not altogether clear the title refers to those people aboard the airship rustling cattle.

Not only did Kurt and I collaborate on poetry, we also tried our hand at a steampunk short story. Again, we played literary hot potato with the story. I introduced the brave Captain Penelope Todd of the airship Endeavor and immediately thrust the crew into a nasty storm from which there seemed to be no escape. Kurt took the idea and ran with it, sweeping the Endeavor and its hapless crew off to a strange new land called Halcyon along with the crew of a sea-going pirate ship. Kurt had Captain Todd taken prisoner with no apparent way of escape and left me to find a way out of the situation. That story was picked up for the anthology Gears and Levers 2, edited by Phyllis Irene Radford and you can get a copy at: https://www.amazon.com/gp/product/B00AYAF6X2/

Another interesting aspect of all this is that Gary Every, the editor of the Weird West issue of Eye to the Telescope, and I also played literary hot potato on a story for a while. It was all about exploring underground waterways on Mars. Unfortunately, life got in the way for both of us and we never finished the tale, but we did have fun and it took a lot of inspiration from stories of people on the Western frontier. Even though Gary and I never finished that story, I did publish a pair of his fantasy tales under the title Inca Butterflies. In the book, Incan Emperor, Huaina Capac, comes of age as Alejo Garcia and his band of mutineers arrive in America carrying a weapon far more devastating that cannons. Huaina Capac’s successor, Manco Inca, must lead his remaining people as bearded men from Europe swarm the countryside like butterflies sweeping the plains. Set in the last days of the Inca Empire, Inca Butterflies is a tale for all times. You can get the book at: https://hadrosaur.com/IncaButterflies.php

Steampunk CommuniTea Weekend

This coming weekend, I’m honored to be one of the participants in a great virtual event and everyone is invited! The event is the Steampunk CommuniTea Weekend, which is presented by the Tucson Steampunk Society, the Tea Scouts, Madame Askew and the Grand Arbiter, and the Temporal Entourage. This will be a weekend full of virtual panels, performances, and sundry adventures. To register for the weekend and receive a complete schedule of events once it’s available, go to: https://madame-askew.ticketleap.com/steampunk-communitea-weekend/

Registration for the event is free and includes access to the Zoom panels and Discord chats. There will be additional performances that will include an extra charge. You can get all the details on the event’s Facebook page at: https://www.facebook.com/events/336440080917274

Guests for this event include a number of my favorite writers, including Gail Carriger, Danielle Ackley-McPhail, Nicole Givens Kurtz, Karen Carlisle, and Beth Cato. There are also events with makers, artists, and costumers. I see many familiar faces from other steampunk events I’ve attended in the past such as my alter ego, David Lee, the Airship Ambassador, Kevin Steil, and costumer, Tayliss Forge. I’m especially excited to see that there will be a concert by Nathaniel Johnstone, one of my favorite musicians. The concert does cost extra, but it’s a very reasonable price.

You can see a complete listing of the guests along with information about them at: https://madameaskew.com/covidween-2020/

As of this writing, I will be participating in at least three events this weekend. At 7pm Pacific Daylight Time on Friday, April 8, I’ll join a discussion called “Libations with Literati.” I gather this will be a social hour where the guest authors and publisher will be on hand to chat about their work and and be available to ask questions. At 9pm, I will give my presentation “Mars: A Land Across the Aether” as Mars itself sits high in the sky. This has been a popular presentation at several steampunk events and this is a great opportunity for folks who can’t ordinarily travel to events to watch the presentation. At 2pm Pacific Standard Time on Saturday, I’ll join some of the other authors for “The Care and Feeding of Great Steampunk Stories.” I will certainly be sitting in on other events as well through the weekend.

I do hope you will join us for this wonderful, virtual steampunk event. It will be an opportunity to connect with steampunks from around the world and learn more about the fun of steampunk literature, arts, craft, and music.

Revenge of Zoe

Back in the spring of 2018, I was asked to drop by a Tucson comic shop for a brief walk-on appearance as one of the customers in a film called Revenge of Zoe. The film actually debuted at the TusCon science fiction convention in November 2018, but as with many small indie films, it then went onto the festival circuit. As it turns out, it won the Grand Prize for best Science Fiction Feature at one of those festivals, the Silver State Film Festival in Las Vegas. At last, the film is now available for anyone to view.

Revenge of Zoe Lobby Card

The premise of the movie is that two years ago, screenwriter Billy Shaw wrote a blockbuster superhero movie about the golden age classic comic book heroine “Fren-Zee”, aka “Zoe Muldoom Zephyr.” However, Billy couldn’t have done it without the help of nerdy comic book store owners Pete Raynoso and John Burns. But Billy got a little too full of himself and publicly took all the credit for the film.

Now, Billy is friendless, drug addicted, and broke. He’s also convinced that he’s being haunted by the ghosts of Fren-Zee’s creator Nick Levine and, more impossibly, by Fren-Zee herself. After losing his last valuable possession in a drunken poker game, Billy gets a miraculous phone call from his agent with an offer to write the sequel to “Fren-Zee” for a huge payday.

But first he must find a way to mend his relationship with Pete and John and get them to help him write the screenplay. Then, maybe the ghosts of Nick Levine and Fren-Zee will leave him alone.

Revenge of Zoe is a hilarious feel-good comedy feature film about a bunch of dysfunctional people who make their living in the world of fan culture. Shot largely in  real life, functioning comic book and game stores, Revenge of Zoe is about creativity, acceptance,  friendship and everything that makes fan culture awesome.

​The film features a terrific cast of skilled and likable comedic actors, and includes industry cameos from comic book creators, authors, at least one science celebrity and an amazing soundtrack contributed by some popular indie rock bands.

As with many people, I have long been fascinated with the process of television and film production. Back in 1989, I worked as an extra on the television series, Unsolved Mysteries. So, it was fun to return to another film set and this time actually have a real speaking part. As I say, my part was brief, but it still earned me a listing in the opening credits. Here we see me carrying my purchase to the counter just before my big moment.

In the foreground, you see Nathan Campbell as Pete, Eric Schumacher as John, and Michael Guyll as Owen sharing a group hug. Clearly I’m not sure what to make of all this. One thing that made this day memorable was meeting Robert Francis and his wife Elisa Costa-Francis who, a few months after this was filmed, would be on the production team for the cinematic trailer we filmed for The Astronomer’s Crypt.

As I said at the outset, the movie is now available for anyone to stream and it’s absolutely free to watch at: https://tubitv.com/movies/578850/revenge-of-zoe

Be sure to check it out!