Dracula, motherf**ker!

One challenge of the pandemic is that its kept me from spending quality time at my favorite bookstores and comic shops. I’ve still been patronizing them when I can, but I have missed spending a luxurious hour just wandering the shelves looking for new things to catch my eye. With that in mind, about two weeks ago, I started browsing some lists of the best comics and graphic novels of 2020 just to see if I missed something I would want to know about. One graphic novel that popped up on several of those lists was Dracula, motherf**ker! written by Alex de Campi with art by Erica Henderson. I was already well acquainted with Erica Henderson’s art from her work on Unbeatable Squirrel Girl and Jughead. Also, she’s one of those artists I’ve known of from way back when, since I used to do a lot of work with her father, C.J. Henderson. Between Erica’s work and the description of the graphic novel as a grindhouse-inspired Dracula story set in 1970s Los Angeles, I knew this was something I needed to read. A quick search of my local comic shop’s website revealed they had the book on the shelf.

Nosferatu recommends Dracula, motherf**ker!

Dracula, motherf**ker! opens in 1889 Vienna. Dracula’s brides capture the count and nail him into his coffin. The action then jumps ahead to 1974 Los Angeles where Hollywood star Bebe Beauland opens his crypt. A short time later, photographer Quincy Harker appears on the scene to take photos of the carnage that results. We soon learn that Bebe Beauland is not as dead as she first appeared and, of course, Dracula is on the loose again. Dracula’s brides from the opening of the story appear and begin helping Quincy.

The story is told largely through the visuals. Many pages are nighttime dark cut through with bright neon-like colors. The graphic novel format gives Henderson the freedom to design the story around two-page visual spreads. Even when there are two discrete pages of narrative panels, there’s a visual cohesion across the two-page spreads. Dracula himself seems inspired by Nosferatu but ratcheted up a few notches. He’s a monstrous creature of eyes and teeth with an old man’s arms and a cape of night. The story’s stars, though, are the brides and Quincy. Henderson does a great job of conveying emotion through the characters’ facial expressions and body language.

This was the rare graphic novel that I actually read three times back-to-back. I kept seeing things in the art and picking up things from de Campi’s minimalist, but effective dialogue. I recommend this volume for fans of vampires and good comic books. I picked up my copy at Zia Comics in Las Cruces.

Some of my interest in this graphic novel came from the fact that I’m collaborating on a vampire book project based on a short episode in my novel Dragon’s Fall: Rise of the Scarlet Order Vampires. It was fascinating to see so many of the lessons I’ve been learning applied effectively in Dracula, motherf**cker! Next week, I’ll be back with a little sneak peek at the project I’m working on.

Saturn’s Shrouded Moon

I love a good mystery and I love exploring new places. These two facts go a long way to explaining why I love astronomy. The universe is vast and we know so little about it. The NEID spectrograph at the WIYN telescope on Kitt Peak is just getting started on its mission helping to learn about planets around other stars. The DESI spectrograph on the Mayall telescope is starting its mission of mapping the northern sky with hopes of understanding dark energy. Of course, dark energy is one of those fundamentally great mysteries because we see evidence of its existence, but we really don’t know yet what it is. Fun space operas like Star Trek or even my Space Pirates’ Legacy series make space exploration look inevitable and even easy, but in fact, we’ve barely started. People have only been to the moon a few times and robots have just visited a few of our neighbor worlds in our own solar system. We have almost a hundred billion stars in our galaxy alone.

But, let’s not get ahead of ourselves. Today, I want to focus on one small world within our own solar system, Saturn’s moon Titan. It’s the second largest moon in the solar system and one covered with a dense atmosphere. It’s a place of real interest for those people seeking life in the solar system. The Cassini mission discovered that Titan has a salty sea underneath its icy crust. Its atmosphere is teaming with organic molecules that get deposited on its methane-ethane lakes and seas. We’ve sent a probe to Titan’s surface and we’ve even made good headway at mapping the surface. We’ve even started naming some of the features on Titan’s surface as you can see in this map from the US Geological Survey.

Map of Titan

By the way, you can download a good, high resolution PDF of this map at: https://planetarynames.wr.usgs.gov/Page/Images. It’s the one called Titan with VIMS Bacground and Radar Strips. I love that we have a map of Titan with this much detail, but this map also makes me think of old maps of the Earth with great undefined places. You can even imagine the legend “There be dragons here” somewhere on this map. We have learned a lot about the solar system and the universe in the last century, but this map makes it clear we still have a lot to learn about Titan.

This is one of the reasons I enjoy writing science fiction. I like to dream about the things we might find in the solar system and in the galaxy. I like to consider the more blurry places on the Titan map and wonder what might be there that could surprise us. In my novel, The Solar Sea, I imagine scientists discovering particles that travel through time on Earth’s moon. Once they understand the energy signature of these particles they go looking for them throughout the solar system and discover them in great abundance on Titan. This becomes the reason the Quinn Corporation decides to build a solar sail spacecraft to go find these valuable particles. The thing is, when they get to Titan, they look beneath the shroud and find…

Well, that would be spoilers. Fortunately though, you can get the book as part of the amazing Expansive Futures SciFi Bundle. The bundle includes eighteen great science fiction novels curated for the SFWA by Amy DuBoff. This is last call. The bundle is only available until Thursday March 4 at https://storybundle.com/scifi

A History in Blood

Back in November, my novel Vampires of the Scarlet Order was a featured novel at the Vampyre Library Book Club hosted by Boutique du Vampyre in New Orleans. I started following the book club before my book was featured and I’ve continued to follow it afterward, though I have to admit that I fell somewhat behind in my reading! Still, I’m glad I’ve continued to follow the club’s activities. The club has featured well known books by major publishers such as Dead Until Dark by Charlaine Harris and Dracul by Dacre Stoker and J.D. Barker. However, the beauty of book clubs is that they introduce me to great books from smaller presses that I might have missed simply because they don’t have as much distribution. One such book was A History in Blood by Chris DeFazio, which was featured in December.

A History in Blood introduces us to Julian Brownell, an ER doctor in Boston who also happens to be a vampire. The book opens when Julian’s human wife, Lisa, announces that wants a divorce. We soon learn that Lisa has not only been having an affair with her boss, but she’s carrying his baby. Julian decides he’s had enough of playing human and goes to one of his old haunting grounds, New Orleans. Along the way, we learn that Julian actually started life as a Roman soldier. In New Orleans, we meet several vampires who have a shared history with Julian. While all of this is going on, we have two serious situations brewing. A husband and wife team, Helen and Bill Harrison, head up a team of vampire hunters that would give the team from John Steakley’s Vampire$ a run for their money! Helen is known as the Genealogist and she’s found a surefire way to track down vampires and send her strike forces after them. Of course, these vampires include Julian and his friends. The other brewing situation is that Lisa’s boss has uncovered the assets Julian has stashed away over the years and believes Julian has a money-making racket, and he wants in on the action. The great plot and colorful characters propelled me through the book’s pages.

Part of what made this book great is that Chris DeFazio is, himself, an ER doctor. Not only did he bring a certain reality to Julian’s chosen profession at the start of the novel, it’s clear he took time and thought about how vampire physiology would work. He came up with some fascinating reasons why vampires could heal rapidly and live a long time and used those elements well in the book.

Another aspect of the book I appreciated was getting to visit cities I love such as Boston and New Orleans. The New Orleans scenes, in particular, took me back to French Quarter and I enjoyed revisiting such places as Fritzel’s Jazz Club and Jackson Square. In one chapter, Julian visits Martha’s Vineyard. I’ve never been to the Vineyard, but I did live on nearby Nantucket Island for a summer and his portrayal of island life felt authentic to me.

If you want to join me in the Vampyre Library Book Club and discover more cool novels, the club is on Facebook at: https://www.facebook.com/groups/663608917753704

You can get Chris DeFazio’s novel at Boutique du Vampyre in New Orleans: https://feelthebite.com/collections/vampire-library-books-for-sale/products/a-history-in-blood

While you’re there, don’t forget to pick up a copy of Vampires of the Scarlet Order or Dragon’s Fall: Rise of the Scarlet Order Vampires!

The Masque of the Red Death

In November 2020, I resumed my regular commute to Kitt Peak National Observatory to operate the Mayall 4-meter and WIYN 3.5-meter telescopes. The observatory is quieter now than it was in March 2020, when I worked my last shift before the observatory closed for the pandemic. Only approved staff, tenants, and contractors are allowed on the mountain. The visitor center is closed and no tours are given. Still, twice a month, I make the drive to the observatory from my home in Las Cruces, New Mexico to the observatory west of Tucson, Arizona. I have an old iPod Classic that keeps me company on my drives. Sometimes I listen to audio books. Sometimes I just put it on random shuffle and see what plays. This week, after a nice assortment of songs, the iPod played Basil Rathbone’s reading of Edgar Allan Poe’s “The Masque of the Red Death.” While it may seems a little silly to worry about spoilers in a 179-year-old short story, I may share some in this post. If you haven’t read the story, here’s a link to it at Poe Museum in Richmond, Virginia: https://www.poemuseum.org/the-masque-of-the-red-death

I’ve always enjoyed this story, but it seemed to take on a more personal meaning now that we’re living through a pandemic. Poe’s “red death” is fictitious, but COVID-19 is real. I’ve known several people affected. Also, when I walk through my neighborhood, I often walk through the local cemetery, which is a quiet place with little traffic. However, I have noticed that it’s been much busier during the months of the pandemic. There have been times when I’ve seen the grave diggers preparing three or four graves in a single day. Before the pandemic, I typically saw them digging fewer than one grave per week.

As the story opened and Basil Rathbone described the crenelated abbey and all of its compartments, I found myself thinking of the remote observatory, high on a mountaintop. Each dome and building a little like the compartments of the story.

Kitt Peak National Observatory

While at the observatory, I tend to be alone in my “bubble,” whether that be in my dorm room or at the telescope. However, when I’m outside of my bubble, I wear a mask. Though my mask may not be a festive one, it still struck me when Poe described the masked revelers Prince Prospero invited to the abbey. Also, while I may be alone, I’m often on a video conference with several people taking data, so it can be something like a revel. I’m far from a prince like Prospero. Some days I feel more like the jesters or the staff in the abbey, still I know I’ve been fortunate to have relative job security during this year that’s been difficult for so many people.

Donning my mask for the festivities

The rooms where I work have new air cleaners and UV lights. Again, these new features bring to mind the eerie atmosphere of the apartments in the abbeys, but I stay alone in my bubble and these things have been installed to keep away the uninvited guest who crashed the party in Poe’s story.

This little exercise just goes to show how the best stories have a lasting power and can maintain a personal relevance. It also shows how I sometimes can see beyond the ordinary world around me into something fantastical. It’s much the process I used when writing my novel The Astronomer’s Crypt. I took what I had experienced at observatories I’d worked at and stretched those experiences just a little bit and asked what could be. The hope is that I produced something that’s both realistic and scary. And I hope the scares work because they seem like they could happen. If you want to learn more about the novel and watch the book trailer, visit: http://davidleesummers.com/Astronomers-Crypt.html

Barbarella

Barbarella

I recently came across Kelly Sue DeConnick’s 2014 translation of Jean-Claude Forest’s 1962 comic, Barbarella. I was already familiar with DeConnick’s work on the Captain Marvel comic from around the time this translation was released. I mostly knew Barbarella from the 1968 Jane Fonda film which I first watched in college. The film sticks with me as something of a relic from its time and place. Produced by Dino De Laurentiis and directed by Roger Vadim, it tells the story of an agent from Earth sent to Tau Ceti to prevent a super weapon from falling into the wrong hands. The film is also famous for Jane Fonda’s anti-gravity striptease and the scenes where she learns about the joys of primitive old-fashioned sex, as opposed to the safe sex practiced on Earth with the help of pills.

I decided to give the comic a try. In effect, the story reminds me of Alex Raymond’s Flash Gordon comics. Barbarella is an adventurer whose space ship breaks down on an alien world and she moves from adventure to adventure across land and sea to a remote island. From there, she goes to a snow-covered land where she’s menaced by a gang of youths with biting dolls. She escapes from them and acquires a mole machine and turns up at a labyrinth surrounding a castle-like city. Barbarella herself comes off like the female version of the Captain Kirk-stereotype. She’s willing to have sex with just about any good looking male she meets. Although it was billed as an erotic comic back when it was released, it seems rather tame by modern standards, in part because of the simple art style and in part because Barbarella only occasionally loses her clothes and it’s typically only for a panel or two before the next action/adventure scenes start. What I enjoyed most about the sexual part of the story is that it just presented sex as a natural, fun thing for consenting adults to enjoy without bothering to nod and wink. That’s not to say there aren’t innuendos and double entendres. Kelly Sue DeConnick gives us plenty of those, but it’s all presented in the spirit of good fun.

After we each read the comic, my wife and I decided to go back and watch the film again. What surprised me is how much of the film’s plot is pulled from the comic’s pages. We have the labyrinth and Pygar the angel. We have Barbarella menaced by biting dolls. Durand, the old man in the labyrinth becomes Marcel Marceau’s character, Professor Ping. Meanwhile Durand’s name is taken and doubled for the scientist with the secret weapon: Durand Durand. Of course, I was delighted that the venue is Tau Ceti, a real-life contender for being a habitable world. Clearly the movie and comic aren’t for all audiences, but both have fun moments and my wife and I enjoyed sharing them as part of our Valentine’s weekend.

The Expansive Futures Sci-Fi Bundle

“Since the early days of science fiction, authors have explored the future of humanity and what other life might be out there among the stars. From cybernetics to spaceships to alien contact, future-focused sci-fi lets us explore complex issues while escaping from everyday life. Eighteen diverse visions of Expansive Futures have been gathered in a special collection curated by SFWA members, now available in a limited-time bundle,” says Nebula nominated and USA Today Bestselling author, Amy DuBoff.

Learn more about the Expansive Futures Sci-Fi Bundle at: https://storybundle.com/scifi

The Science Fiction and Fantasy Writers of America (SFWA) is an organization dedicated to promoting and supporting science fiction and fantasy writer in the United States and Worldwide. I have been a member since 2001 and they have helped me with legal and contract questions as well as providing me some great networking opportunities. The Expansive Futures StoryBundle is a collection of science fiction novels featuring award-winning authors along with fresh new voices. I’m excited that my novel The Solar Sea was chosen to be part of this collection which is sure to please fans of futuristic sci-fi and space opera. The Solar Sea imagines humanity’s first voyage through the solar system aboard a solar sail space vessel.

In addition to my novel, this bundle includes the Nebula Award finalist novel Eternity’s End by Jeffrey A. Carver; When You Had Power, the first novel in a new hopepunk series by bestselling author Susan Kaye Quinn; and Starship Hope: Exodus by rising star author T.S. Valmond, among many others. The Expansive Futures bundle will run for three weeks only, so grab this fantastic deal while you can and discover great new writers!

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  • The Solar Sea by David Lee Summers
  • Eternity’s End by Jeffrey A. Carver
  • A Fall in Autumn by Michael G. Williams
  • Knight Errant by Paul Barrett and Steve Murphy
  • Warrior Wench by Marie Andreas
  • Annihilation Aria by Michael R. Underwood
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  • The Hammer Falls by Travis Heermann

This bundle is available only for a limited time via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub, .mobi) for all books!

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StoryBundle was created to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price. Before starting StoryBundle, Founder Jason Chen covered technology and software as an editor for Gizmodo.com and Lifehacker.com.

Two New Readings

Back in September, I shared two readings from the eSpec Books Author Reading series. I recently had the opportunity to record two new readings for eSpec Books. One comes from my story “The Steampowered Dragon” which appears in the anthology Gaslight and Grimm. The other is from Breaking the Code, my forthcoming novella.

My German Grimm collection.

The anthology Gaslight and Grimm presents thirteen steampunked fairy tales by authors like Jody Lynn Nye, Jeff Young, Christine Norris, Gail Z. and Larry N. Martin. As you might expect from the title, most tales in the volume are reimaginings of stories originally collected by the Brothers Grimm over two centuries ago. The project fascinated me a great deal in part because I studied the Grimm Brothers as part of a German literature class at New Mexico Tech. One of our projects was even to translate “Schneewittchen,” or “Little Snow White” into English.

Since that time, I picked up a copy of the Grimm tales published in Germany. One of the fascinating things about this collection is that it includes some notes by the Grimm brothers about the tales and variants they had heard. I have translated a few of the stories over the years for my own amusement with a particular interest in some of the lesser known tales, such as “The Griffin” and “The Dragon and his Grandmother.”

The story I wrote for Gaslight and Grimm, is a reimagining of “The Dragon and his Grandmother.” The original is set during a nameless war and three soldiers desert the battlefield. A dragon (or is it the devil, depends on how you translate it!) appears and offers the soldiers unlimited wealth. The catch is, the dragon will return after a few years and, unless the soldiers can answer some riddles, they will be the dragon’s servants for the rest of their lives. To give this story its steampunk twist, I made the villain a mechanical, steam-powered dragon. I also set the story in Afghanistan during the period of the “Great Game” when Britain and Russia vied for control of central Asia. Here’s my reading from the beginning of “The Steampowered Dragon.”

David Lee Summers reads from “The Steampowered Dragon”

You can learn what happens in “The Steampowered Dragon” by buying a copy from Amazon.com, Barnes and Noble, or wherever fine books are sold.

My other new reading is something of a sneak peek at a forthcoming work. I recently shared the cover and the description from my novella, Breaking the Code. This excerpt comes from chapter one of the novella. Set in 1942, two Marine sergeants are in Gallup, New Mexico recruiting soldiers for the war effort. One of the young men they recruit is a Jerry Begay. In this scene, he returns home from the recruitment rally at his high school and tells his parents what happened.

David Lee Summers reads from Breaking the Code.

The very best way to get a copy of the novella is by subscribing to Cryptid Crate at: https://www.cryptidcrate.com. Not only will you get my novella and the goodies that come with it, you’ll get the other novellas in the series as they’re released.

If you would rather just get the book by itself, it is available for pre-order at fine bookstores including:

If you enjoyed these readings and want to listen to more, go over and subscribe to eSpec’s YouTube channel at: https://www.youtube.com/c/DanielleAckleyMcPhail/videos. Not only will you find a whole bunch of great readings, Danielle Ackley-McPhail has an unboxing video for the Cryptid Crate, which will give you an idea of what you’ll get when you subscribe!

Space: 1999 Redux

Saturday’s post about Space: 1999 didn’t come out of a vacuum. On Christmas day, when I went to the Big Finish Productions website to download some Doctor Who audio, I discovered they had produced an audio re-imagining of the Space: 1999 pilot episode, “Breakaway.” This is the episode where a nuclear stockpile on the Moon explodes, blasting it out of Earth orbit and sending it on a journey through space. This appealed to the part of me that really enjoys writing retrofuturistic stories. After all, 1999 is now in the past and the series is now a look at “what could have been” more than “what will be.” Big Finish didn’t just create a new version, they expanded it into a two-hour movie-length version with more details. I recently downloaded it and gave it a listen and I’ll share my thoughts. Before I do, I thought it would be fun to go back and read the original novelization of “Breakaway” released when the series was on the air. Novelizations often give a chance to explain more about the characters and the story than you see on screen, so I thought that might give me a little more background. It turns out that my neighborhood used bookstore had four copies of the novelization in their science fiction section.

As it turns out, Breakaway by E.C. Tubb is not simply a novelization of the first episode. It attempts to weave four episodes from the series into a single narrative arc. With a mere 141 pages, Tubb doesn’t spend a lot of time delving into backstory or character. What we get are effectively novelettes of the episodes “Breakaway” and “A Matter of Life and Death.” The two episodes “Ring Around the Moon” and “Black Sun” are combined into a third novelette. We don’t really learn anything from these stories that we didn’t learn from watching the episodes. Tubb does work to develop the romance between Commander Koenig and Dr. Russell. He also provides a more direct narrative link between the resolution of “Ring Around the Moon” and the events of “Black Sun.” It was interesting to see that Tubb killed off Commissioner Simmonds, an annoying politician from “Breakaway” even though the character would actually meet a far more interesting end later in the series.

The Big Finish production of “Breakaway” proved much more ambitious. Writer Nicholas Briggs, who has written many of the Big Finish Doctor Who stories teamed up with Jamie Anderson, son of Gerry and Sylvia Anderson, the original Space: 1999 producers, to re-imagine the series. The plot is effectively the same as the original plot, Commander John Koenig has been dispatched to Moonbase Alpha to launch a mission to the distant planet Meta. The mission is in danger because the crew of the probe has started to succumb to a mysterious illness.

Solving the mystery is the primary impetus of the original pilot. In the new version, Koenig learns that his predecessor has been ordered to cover up that the illness is even happening and Dr. Russell is trying desperately not only to learn what’s happening but trying to keep the mission from getting launched until they are sure the people going to Meta won’t get sick. In effect, this new version takes a dramatic situation that already existed and ratchets it up so that it becomes much more engaging. What’s more, Briggs and Anderson developed a clever new way to get the Moon to break away from Earth orbit. I won’t say too much about how it’s done, because that ends up being something of a spoiler for the end of the episode. However, where the original meant packing an implausible amount of explosives on the moon, this one gives us an explanation that makes me think it could happen. Certainly, I’m much more willing to suspend my disbelief for the new explanation than the original one.

Briggs left us with something of a cliffhanger at the end of his version of Breakaway. Fortunately, new episodes of Big Finish’s Space: 1999 are due this month. I’ve already reserved my copies to find out what happens! You can get details about the Big Finish version of Space: 1999 at: https://www.bigfinish.com/hubs/v/space-1999

One of the things I love about this re-imagining of Space: 1999 is how it improves on something that was good albeit flawed. This was one of the things I tried to do when I created my new edition of The Pirates of Sufiro. I worked to keep the parts of the novel that were good, the characters people responded to, but I also tried to take a good hard look at parts of the book that didn’t work so well for readers and revise them and make sure I created good, solid explanations for why things happened. You can learn about The Pirates of Sufiro at: http://davidleesummers.com/pirates_of_sufiro.html

Revisiting Space: 1999

I’m sure everyone remembers where they were on September 13, 1999. Or, at least, they would remember that momentous day if the events of the television show Space: 1999 had come to pass. In the show, that’s the day a nuclear waste dump exploded on Earth’s moon sending it out of orbit and on a long, harrowing journey out of the solar system. I recently found myself thinking about Sylvia and Gerry Anderson’s series. I remember watching it when it first aired, but it occurred to me that I didn’t remember many details about the series, so I went back and watched most of the first season’s episodes.

The first thing that occurred to me as I watched the series is how much it owed to two sources: Stanley Kubrick’s film 2001: A Space Odyssey and Sylvia and Gerry Anderson’s previous live-action television series, UFO. The show reminded me of 2001: A Space Odyssey in the sense that it’s less about space as a setting for the story’s action as it’s a place where mankind will encounter phenomena that will stretch the mind and maybe even spur the next stage of human evolution. The uniforms, the moon base, and the overall feel of the show reminded me a lot of UFO and I’ve read that some elements of the series were, in fact, originally developed for a second season of UFO, which never materialized.

The science of Space: 1999 is much maligned. Isaac Asimov once famously remarked that an explosion big enough to knock the moon out of orbit would destroy it. Physicist Kevin Grazier has taken a much more balanced approach and calculated the energy it actually would take to knock the moon out of Earth’s orbit. He notes that enough energy to knock the moon out of orbit would be highly improbable and also remarks that getting the moon to leave Earth’s orbit isn’t as hard a problem as getting the moon to leave the solar system. You can read Grazier’s thoughts here: https://www.gerryanderson.co.uk/science-of-space-1999/

In his article, Grazier does point out one way in which Space: 1999’s science was ahead of its time and that was it’s presentation of rogue planets. In the series, the moon encounters numerous planets away from the sun wandering by themselves with no nearby star. Rogue planets were pure speculation when the series was created, but we now know them to be something that does exist. We still do have a science issue in that some of these rogue planets seem to support human-like life, despite the lack of a nearby star.

Part of how Space: 1999 sells its improbable physics is by giving us some of the most believable tech I’ve seen in a science fiction series. The Eagle spacecraft look like the kind of things you might have expected NASA to have developed if they had continued building on the Apollo program. The only real problem with the Eagles is their use in atmosphere and high gravity worlds as the series progresses. I believe them on the moon, but not necessarily flying through dense planetary atmospheres. The comlocks that people use to unlock doors and talk to each other feel like the kind of combination remote control, video cell phone that could have been developed in the 1990s.

One of the things I found remarkable about revisiting Space: 1999 was the quality of the cast. Of course, Martin Landau, Barbara Bain, and Barry Morse all had wonderful, understated performances. They felt like humans coming to grips with the weird reality they found themselves in. I had forgotten that actors such as Peter Cushing and Christopher Lee appeared in the series. Speaking of Cushing and Lee, I had forgotten how well the series did at presenting science fiction horror. The denizens encounter some truly frightening situations such as aliens who take over people’s bodies, or implacable tentacled aliens who dine on people’s flesh and spit out corpses.

One of the episodes I found especially interesting was one called “The Guardian of Piri.” In it, Catherine Schell plays an alien who convinces the Alphans they can have complete contentment if they settle. Much of it reminds me of the kinds of visions John Mark Ellis experiences in Children of the Old Stars and the Cluster’s eventual takeover of Earth in Heirs of the New Earth. The structures on Piri are even spheres, reminding me of the Cluster. Although I don’t remember the episode specifically, it does make me wonder how much the episode seeped into my subconscious and was reprocessed in my story.

So, where was I on September 13, 1999? I was working at New Mexico State University on the 1-meter telescope project based at Apache Point Observatory. We were about a month into a new semester, which meant that I was probably busy getting classroom demonstrations ready. I was also working on the novel Children of the Old Stars and thinking about some of the more metaphysical topics I wanted to explore in my series. You can help me create the new edition of my novel by supporting my Patreon campaign at: https://www.patreon.com/davidleesummers

Remembering David B. Riley

I was saddened to learn last week that my friend and long-time Hadrosaur Productions contributor David B. Riley passed away unexpectedly at the beginning of the month. I first discovered David’s work when he submitted his story “The Brother” for publication in Hadrosaur Tales 2 way back in 1997. It told the story of a vampire monk, an idea I loved and I remember being pulled in by his clean, unpretentious prose.

Although David’s first submission to me involved a vampire monk, he soon started submitting stories featuring the character I believe will be his most enduring, Miles O’Malley. Miles was a down-on-his-luck cowboy in the old west who managed to get caught up in a feud between Nick Mephistopheles (AKA Satan) and Ah Puch, Mayan god of death. These stories were a lot of fun and David ultimately turned them into a novel called The Two Devils. I edited the first edition for LBF Books.

David continued to submit to me over the run of Hadrosaur Tales and his work appeared in many issues of Tales of the Talisman starting with issue 2 of that journal. From the time David first started submitting to me, I became aware of his interest in weird westerns. I knew he ran a zine called Trails: Intriguing Stories of the Wild West. I submitted a couple of stories and I was pleased when David liked them enough to publish them. This zine was just a few sheets of paper stapled together. In 2006, he decided to put together a nice, perfect bound anthology of the same name. I was delighted to appear in the anthology alongside such friends as Uncle River and Robert E. Vardeman. Not only did that prove a nice anthology to appear in, that was the first appearance of my characters Ramon Morales and Fatemeh Karimi who would headline my Clockwork Legion novels.

Although I had been corresponding with David since 1997, I first met him in person at MileHiCon in Denver, Colorado. I think that would have been in 2002. We would see each other at many conventions after that. Often we would be on panels together discussing the weird west, how the weird west intersected with steampunk, or a topic of common historical interest such as observations of Mars in the nineteenth century. David and I didn’t always agree on panels or in personal conversations, but I think we both came away from our conversations with something to think about and we took those opinions to heart.

I appeared in a few other books David edited, including Six-Guns Straight From Hell. David continued to write stories featuring characters he introduced in his Miles O’Malley Stories. I published two of his novellas in this world. One is Fallen Angel, which features Miles and the Angel Mabel. I also published his novella “The Venerable Travels of Ling Fung” as part of the collection Legends of the Dragon Cowboys.

After David retired from working in the hotel business, he moved to Tucson, Arizona. I was pleased to give him and his family a tour of Kitt Peak. Also, David became a regular speaker at Wild Wild West Con. While passing through Tucson one time, I decided to stop at a movie theater to see the latest remake of The Magnificent Seven. I was surprised when David came in. He joined me and we had fun discussing the movie afterward. I was especially gratified when David Boop, who also appeared in Tales of the Talisman and Six-Guns Straight From Hell dedicated the collection Straight Outta Dodge City to both David and me.

I’ll miss David and our discussions about the weird west. I’ll miss his comments on this blog. If you haven’t discovered his writing, I encourage you to look him up on Amazon, Barnes and Noble, or wherever you buy books.