The Solar Sea on Clearance

This past week, I’ve been reading the fine steampunk adventure Arabella on Mars by David D. Levine. It’s a fine novel that won the 2017 Andre Norton Award for best young adult novel. One of this fantasy novel’s conceits is that it imagines an atmosphere in interplanetary space that allows ships to sail between planets in the 1800s.

When I read the novel, I couldn’t help but think that while sailing between the planets without an atmosphere would have been beyond nineteenth century technology, it’s not beyond our current technology. In fact, I wrote a futuristic science fiction novel about such a journey called The Solar Sea. Solar sails don’t work by harnessing wind, or even the so-called solar wind, but they move by light pressure. About three years ago, I wrote a post that goes into some detail about how it works. You can read more here: https://davidleesummers.wordpress.com/2014/02/01/solar-sailing/

In my novel, I imagine a future where humans got as far as building lunar factories, but the will to go farther out into space died. While I know there’s still a strong interest in exploring space, I fear many of the people who control this country’s money don’t see the value in investing real money in all aspects of space exploration. As an example, the Trump administration routinely touts it’s support of space exploration, yet proposed significant cuts to astronomy funding in its initial budget.

I sometimes wonder if it will take a major discovery to give us the impetus to push out into space again as we did in the 1960s and 1970s. In the novel, a technician from the Very Large Array radio telescope in New Mexico discovers powerful particles orbiting Saturn’s moon, Titan, which could be a new energy source. When the discovery is announced, whales around the world changed their songs.

This chain of events encourages the owner of the powerful Quinn Corporation to build a solar sail to find the source of these particles in Titan’s orbit. He gathers the best and brightest team to pilot his craft: Jonathan Jefferson, an aging astronaut known as the last man on Mars; Natalie Freeman, a distinguished Navy captain; Myra Lee, a biologist specializing in whale communication; and John O’Connell, the technician who first discovered the particles. All together they make a grand tour of the solar system and discover not only wonders but dangers beyond their imagination.

Earlier this year, my publisher and I decided to take The Solar Sea out of print. There were several reasons for this. Partly, science and technology have caught up with the novel and I thought I worthwhile to revise it to make it more accurate. Partly the ebook was created ages ago and wasn’t up to the standards of newer ebooks, so I want to address this aspect as well. Once I finish work on my steampunk novel Owl Riders, I will turn my attention to some of my out of print titles.

In the meantime, I have a few copies of the first edition of The Solar Sea left in my stock and I’m even offering them at half off the cover price. You can order copies at http://www.hadrosaur.com/bookstore.html#solarsea. I would be delighted to sign any copies you buy. Just email me at hadrosaur [at] zianet [dot] com (replacing the info between the brackets with the relevant characters) and let me know that you would like it signed. If you would like them personalized, just tell me so and let me know who to sign the book to.

Accelerate to Maximum Velocity!

This week saw the release of Maximum Velocity: The Best of the Full-Throttle Space Tales published by WordFire Press. This is an exciting reprint anthology I’ve been working on for a little over a year. I teamed up with editors Carol Hightshoe, Dayton Ward, Jennifer Brozek, and Bryan Thomas Schmidt to assemble the best stories from the Full-Throttle Space Tales anthologies we edited between 2008 and 2012. These action-packed, high octane, science fiction stories span the genre’s full potential. We’ve collected stories about pirates, women, soldiers, monsters, vagabonds and battles. Captain Firebrandt and his crew from my space pirate tales have a story in here, plus you’ll find tales form Mike Resnick, Irene Radford, C.J. Henderson, Danielle Ackley-McPhail and many more. This is a must-have volume both for fans of the original anthologies and those fans of action-oriented science fiction who missed out the first time. Each story includes a new introduction by the editor who originally selected it.

Here’s the complete list of stories:

    From Space Pirates:

  • “On the Eve of the Last Great Ratings War” by David Boop
  • “Space Pirate Cookies” by C.J. Henderson
  • “Earth-Saturn Transit” by W.A. Hoffman

    From Space Sirens:

  • “Outpost 6” by Julia Phillips
  • “Hijacking the Legacy” by David Lee Summers
  • “Rebel Moon” by Carol Hightshoe

    From Space Grunts:

  • “Price of Command” by Irene Radford and Bob Brown
  • “Finders Keepers” by Scott Pearson
  • “Granny’s Grunts” by Alan L. Lickiss

    From Space Horrors:

  • “Last Man Standing” by Danielle Ackley-McPhail
  • “Into the Abyss” by Dayton Ward
  • “Listening” by Anna Paradox

    From Space Tramps:

  • “Backup” by Ivan Ewert
  • “The Frigate Lieutenant’s Woman” by Erik Scott de Bie
  • “Oh Give Me Land, Lots of Land, Under Starry Skies Above” by Shannon Page and Mark J. Ferrari

    From Space Battles:

  • “The Thirteens” by Gene Mederos
  • “The Joystick War” by Jean Johnson
  • “Guard Dog” by Mike Resnick and Brad R. Torgersen

You can find the book at the following retailers:

Flash Gordon Zeitgeist

Earlier this year, at Wild Wild West Con, I had the opportunity to meet Sam J. Jones who played the title character in the campy 1980 film Flash Gordon. At the time, I bought a beautiful poster based on the movie illustrated by comic book legend Alex Ross. The poster was quite nice and made me curious what other Flash Gordon illustrations Alex Ross had done. That led me to discover the comic Flash Gordon Zeitgeist, which was published in 2013 by Dynamite Entertainment. Alex Ross served as art director and illustrated many of the covers. The series was written by Eric Trautmann and the interior art was by Daniel Indro.

This version of the Flash Gordon story endeavors to combine the best parts of the 1980 movie and the 1979 animated film Flash Gordon: The Greatest Adventure of All. This version is set in 1934 as World War II is getting off the ground. The Earth is being subjected to natural disasters and Dr. Zarkov believes he’s found the source. Yale-educated Polo player Flash Gordon is on a mission to find the good doctor. A plane accident strands him and cartographer Dale Arden on Zarkov’s doorstep. From there the story proceeds in a familiar direction. Zarkov, Gordon, and Arden climb aboard his rocket ship and blast off to the planet Mongo to face all manner of strange creatures along with Ming the Merciless.

In this version, as with the 1979 cartoon version, Ming is using Hitler as a puppet to aid his conquest of the Earth. A new element is that a faction from Mongo has traveled to Earth and is working to stop Hitler.

There are several elements I quite like in this version of Flash Gordon. I liked the historical setting and the whole connection to World War II. In this version, Mongo is in a different universe and Ming’s plans are being executed using beams that allow him to connect his universe to ours. There’s a nice sequence where Flash goes through some of his early gladiatorial contests on Mongo and reflects back on his athletic and academic career, seeing this as a next step in his life. Flash has never been a particularly deep character, but this little extra piece of character building was a nice touch. We get some good background on Dr. Zarkov. The machinations of General Klytus and Princess Aura were fun to watch as they worked to unseat Ming from the throne and gain it for themselves.

I did feel this version suffered from some uneven pacing. That said, I’ve always imagined that pacing comic books must be a real challenge because of the protracted release schedule. Even so, some plot lines seemed to resolve very quickly, while others were given time to breathe and develop. As happens too often in versions of Flash Gordon, Dale Arden doesn’t get much to do. Making her a cartographer was a great and interesting choice. She also has an awesome ending to her story arc in this version, but in between, she mostly serves as the eyes for Dr. Zarkov. Dale Arden deserved better, but at this point, I think the best written version of Dale is in the 1980 movie where she actually gets to do (a little) more than fawn over Flash.

Comparing all these different versions of Flash Gordon has actually been a rather interesting exercise. Alex Raymond’s original comic strip was arguably one of the earliest, popular space operas and studying what works and doesn’t work in different versions helps me think about my updated Space Pirate’s Legacy series which I hope to start working on later this year. That series was always intended to have a certain “retro-future” appeal, heroes who were larger than life, and both men and women with more than a little sex appeal.

If you want to check out Flash Gordon Zeitgeist while waiting for the updated Space Pirate’s Legacy series, a graphic novel edition is available in print. Ebook editions are available through Amazon and Comixology. Unfortunately, the 1979 animated Flash Gordon was never released on video, but I found it on YouTube, just search for “Flash Gordon Filmation” and you should find it.

Smashwords Summer/Winter Sale

This weekend, I’m at Westercon in Tempe, Arizona, participating in panels on topics ranging from space opera, to science, to steampunk. As this is happening, the e-book retailer Smashwords has started their annual Summer/Winter sale, which runs from today through July 31. Why summer/winter? That’s because it’s summer here in the northern hemisphere and winter in the southern hemisphere! The timing couldn’t be better because Hadrosaur Productions has titles that cover all the subjects I’m talking about at Westercon. To celebrate, four of Hadrosaur’s titles are available for 50% off their retail price as part of this global event. All you have to do is enter the code SSW50 at checkout. Smashwords presents their ebooks in a variety of formats including mobi (which work on Kindles), epub (which work on Nooks), and PDF (which work on just about anything).


A Kepler’s Dozen

A Kepler's Dozen A Kepler’s Dozen presents thirteen action-packed, mysterious, and humorous stories all based on real planets discovered by the NASA Kepler mission. I edited this anthology along with Steve B. Howell, project scientist for the Kepler mission. Whether on a prison colony, in a fast escape from the authorities, or encircling a binary star, these exoplanet stories will amuse, frighten, and intrigue you while you share fantasy adventures among Kepler’s real-life planets.

Get the book at: https://www.smashwords.com/books/view/325583


Kepler’s Cowboys

NASA’s Kepler Space Telescope has discovered thousands of new planets.
Visiting, much less settling, those worlds will provide innumerable challenges.
The men and women who make the journey will be those who don’t fear the odds.
They’ll be Kepler’s Cowboys.

Saddle up and take an unforgettable journey to distant star systems. Meet new life forms—some willing to be your friend and others who will see you as the invader. Fight for justice in a lawless frontier. Go on a quest for a few dollars more. David Lee Summers, author of the popular Clockwork Legion novels, and Steve B. Howell, head of the Space Sciences and Astrobiology Division at NASA Ames Research Center, have edited this exciting, fun, and rollicking anthology of fourteen stories and five poems by such authors as Patrick Thomas, Jaleta Clegg, Anthony R. Cardno, L.J. Bonham, and many more!

Get the book at: https://www.smashwords.com/books/view/698694


Revolution of Air and Rust

Revolution of Air and Rust This is my tale of Pancho Villa in an alternate Steampunk reality. Set in 1915, Teddy Roosevelt is building an empire. Pancho Villa is the only man who stands in his way!

The American Expeditionary Force under the command of General “Black Jack” Pershing has invaded Northern Mexico. Pancho Villa leads his revolutionary army in a desperate raid against the American force only to be outflanked. Just as Pershing’s airships prepare to deliver the death blow, Pancho Villa is transported to a parallel Earth where he finds an unexpected ally and the technology that might just turn defeat into victory.

Revolution of Air and Rust is a stand-alone novella set in the Empires of Steam and Rust world created by Robert E. Vardeman and Stephen D. Sullivan. A story filled with military action, espionage and gadgetry that’s sure to satisfy fans of steampunk and alternate history.

Get the book at: https://www.smashwords.com/books/view/254622


Sugar Time

Sugar Time

Her name is Sugar. Sugar Sweet. But never EVER call her “Sweetie.”

When Sugar’s Uncle Max falls ill and his collaborators disappear, she investigates the old Victorian mansion where he conducted his research. She soon finds the collaborators—or what’s left of them—along with an angry Neanderthal. She also finds her uncle’s research project, a working time machine. Sugar must act quickly to unlock the secret of time travel so she can set things right and protect her uncle’s research.

Sugar Time collects all four of Joy V. Smith’s Sugar Sweet stories into one volume. I had tremendous fun editing this volume. If you enjoy a good time travel romp, this might just be the book to put at the top of your summer reading list.

Get the book at: https://www.smashwords.com/books/view/567992

Saturday Morning Cartoons

Perhaps one of the things I miss most from years gone by is the ability to tune in to network television on Saturday morning and find a wide variety of animated cartoon programming. Much of this is due to television networks in the period of 1992 to 2002 deciding they didn’t make enough money to continue supporting animated programming. Also, around 2001 my wife and I decided that neither cable nor satellite TV were necessary items for our budget and we could see all the TV we wanted with other media such as DVDs. Of course, our decision was all part of the national trend that helped to kill animation in the first place. Not many people eschewed broadcast TV altogether as we did that early, but the number of choices available made it harder for networks to justify the expense of animation when certain cable networks specialized in it.

I grew up watching cartoons in the 1970s. I fondly remember many teams of crime-solving kids from shows such as Scooby-Doo and Josie and the Pussycats. The Bugs Bunny/Roadrunner Hour provided some great comedy, much of it originally produced much before my time. I was already a Star Trek fan and loved the animated adaptation that aired in the mid 70s. There were even some cool live action experiments during that time such as Land of the Lost about a family trapped in a land of dinosaurs and the superhero-themed Shazam/Isis Hour.

I never really fell out of love with cartoons, but the 1990s ended up being another high point for me. That was in the early days of my astronomy career and cartoons became an escape from my working life. They were also a welcome treat when my first daughter was young. What I particularly remember from that period were some exceptional superhero shows such as Batman: The Animated Series and X-Men. There were also some great animated superhero parodies such as Earthworm Jim, The Tick and Freakazoid.

Of course, for all the gems, there were many forgettable shows as well. Still, what I find amazing living in the times we do is how many of these shows that I thought I would never see again are readily available on video or with the touch of a button on the internet. For a guy like me who occasionally wants a dose of nostalgia, these are great times. That said, the real joy of those Saturday mornings was the fun of discovery and I think that’s what I really miss is having that easy means of discovering new favorites.

Giving people a way to discover new authors was much of the reason I edited Hadrosaur Tales followed by Tales of the Talisman. Publishing those magazines also helped me appreciate the economic reality that caused the networks to take Saturday morning cartoons off the air. Like TV shows gone by, you can still get most of the back issues of both magazines. There are some great stories there by authors such as Neal Asher, Nicole Givens Kurtz, David Boop, and Janni Lee Simner and many more. You can find the back issues of each at:

As it turns out, I can do better than just give you nostalgia, Hadrosaur Productions has published two anthologies of stories set around planets discovered by NASA’s Kepler mission. Be sure to check out:

Villains and Antagonists

When I started the rough draft of my novel Owl Riders, I had a set of characters whose goals were going to be odds with the novel’s protagonists. As I’ve come to the end of writing the rough draft and have come to know those characters and understand their motivations better, I find myself pondering the nature of villains and antagonists.

It can be great fun to watch a movie or read a book and encounter a true villain who blocks the hero at every turn, but ultimately meets their comeuppance at the end of the story. That said, there’s an old saying that no one sees themselves as the villain of their own story and I think there’s truth to that. In general people have a set of objectives and sometimes one person’s objectives will exist at cross purposes with another person’s. When those people come into contact, there’s conflict that can help drive a story.

I do think in certain types of stories, such as horror stories, it’s possible to imagine a character such as a demon who understands they’re an agent of evil and actively pursues that objective. Even there, a character who sees themselves as “evil” might see themselves as bringing some form of balance to the cosmos and thus performing a necessary function. My character Mr. Vassago in The Astronomer’s Crypt falls into that category.

Often when I think of the most wicked villains, I think of characters like Ming the Merciless from Flash Gordon whose only motivation seems to be personal greed and power. It’s tempting to dismiss such characters as cartoonish caricatures except that some people in real life do seem to fit this mold. Villains like this can be fun to write and it can be fun to imagine their ultimate humiliating defeat, but sometimes its more interesting to explore how a character got to be like this and explore any redeeming characteristics they might have.

Another great villain is Darth Vader who thought he was bringing peace and order to the galaxy by choosing the path he did. Although the handling of his origin story is soundly criticized, it was still satisfying to see his ultimate redemption when he defeated his master who was motivated primarily by greed.

Perhaps a more frightening type of villain is the true monster like the xenomorph in Alien motivated by the need to feed and make little aliens, but who can’t be reasoned with. At some level, this type of monster is very understandable and not necessarily evil—after all, it just wants to live—but the only way to defeat this type of villain is to destroy it utterly.

Most antagonists in fiction aren’t going to fit these almost archetypal extremes. Most are going to be people like you and me. That might feel cheated or wronged. They might see an opportunity and try to exploit it. They might actually feel like they’re attempting to do good, but don’t realize they’re causing harm to others. These are the types of antagonists I’ve tried to create in Owl Riders and what makes them scary to me is when I realize that I don’t always have to reach too far from my experience to create a character who my protagonists might see as a character who needs to be stopped.

Do you have a favorite villain or antagonist in fiction? What makes them a particular favorite of yours? I’d be interested in hearing your thoughts in the comments.

The Space Pirate’s Legacy

As of today, all rights for the so-called “Old Star/New Earth” series have been reverted to me from Lachesis Publishing. This includes my novels The Solar Sea, The Pirates of Sufiro, Children of the Old Stars, and Heirs of the New Earth. For the time being, this means that ebook editions are no longer available and the only print copies available are copies retailers have in stock, or used copies.

It’s a little sad to see these titles go out of print, but in the long run, I think this will be for the best. Also, I should mention that Lachesis did offer to renew my contracts, but I’m the one who terminated them, not because I’m unhappy with Lachesis, but because I think the time has come for new editions of these books. In fact, I still have three titles with Lachesis: The Astronomer’s Crypt, Dragon’s Fall: Rise of the Scarlet Order, and Vampires of the Scarlet Order. I still have a good relationship with them and nothing but respect and goodwill toward the company.

To better explain the reason I terminated my contracts, I should step back and give you some history. All four of these novels were originally acquired and published by LBF Books. Lachesis Publishing acquired LBF and Lachesis itself has gone through a couple of ownership changes since then.

When I sold The Pirates of Sufiro and Children of the Old Stars to LBF, they asked me for a series title. The obvious title to me at the time was “The Cluster series” because the series is about solving the mystery of the alien known as the “the Cluster.” The problem is that a series of that title already existed and I wanted to avoid confusion. So, in a rush to come up with something, I called it “The Old Star Saga” based on the title of the second book. I never was happy with the title but LBF’s editorial team didn’t question it, so it stuck.

Another issue was that I was not satisfied with the ebook editions generated soon after ebooks started taking off in popularity. The books were converted directly from the PDF files using optical character recognition software. The work was adequate for the time, but the process introduced numerous typos and formatting errors. I spoke to the current owners a while back about correcting these editions and they decided the errors weren’t serious enough to warrant the work needed to make corrections.

Finally, The Solar Sea was never intended to be part of this series. I wrote it as a standalone novel set in the same universe, but much earlier in time. Despite that, Lachesis marketed The Solar Sea as “Book 4,” which I think created some confusion.

So, by getting the rights to these books back, I hope to correct these issues. Over the coming months, I plan to re-edit the books and put out new editions through my company, Hadrosaur Productions. Since publishing the Old Star Saga, I’ve written numerous short stories featuring Captain Firebrandt of The Pirates of Sufiro. I want to put those stories together in a standalone book. To my mind, it makes sense that this new book should be “Book 1” of the rebranded series.

The revised series will be called “The Space Pirate’s Legacy Series” because it’s about Captain Firebrandt and his descendants. There’s also a play on the fact that Firebrandt’s ship is the Legacy. My goal in the re-edit will simply be to correct faults, update the science, improve the prose a bit, and clarify some things. If you already have the original editions, I don’t want you to feel you need to buy the updates unless you just want to! And of course, there will be a whole new book 1.

I want to take a moment and thank everyone who has read these books, written reviews, and shared them. Later this year, I’ll share ways you can help with the revised series. There will be opportunities to help shape the revisions, bonus perks and more pirate loot to come! I hope you’ll join me for this exciting voyage to the galaxy’s far side and back!