Updating Book Trailers

Over the last few months, I’ve been releasing new editions of several of my novels. Some of these had video trailers associated with them. Last month, I discussed updating the trailer for The Astronomer’s Crypt. That was a really premium cinematic trailer and the only things that went out of date were the cover and information about where the book was available. I did need expert help to fix those elements because they were so well done, but most of the trailer is just the same as it was back when it was first released.

The very first book trailer I ever made was one for my novel Vampires of the Scarlet Order. I was fortunate enough to have a batch of beautiful interior illustrations by Steven Gilberts to work with. One of my neighbors came over and played music on guitar and I mixed that with audio of myself reading the book description. Since the illustrations were black and white, I used filters in my video editing software to give the images some film stutter and scratches, so the whole thing looked like an old film. It was pretty cool. The only thing I didn’t like was that the audio was a little muddy because I didn’t have a great microphone and it was recorded on tape rather than digitally. Two years ago, I dusted off the old trailer and gave it a new ending because the information about the book’s availability had become outdated, but I knew the whole trailer could use a thorough overhaul.

Screenshot from the new Vampires of the Scarlet Order trailer.

This year, when Chaz Kemp did a whole new cover for Vampires of the Scarlet Order, I saw that as a great opportunity to redo the trailer. As part of his work, he sent me individual illustrations of the characters. I was able to apply filters in Adobe Photoshop to photographs I have of real locations from the novel to make them look like paintings. I then placed the characters over them. Once that was done, I read the updated book description and found some cool music that matched the mood from Keven MacLeod at http://incompetech.com. Although all the images are stills, I think the trailer has a neat animated-movie like vibe.

Once I made this trailer, I realized I also wanted to update my trailer for The Solar Sea. The original version of that trailer featured illustrations Laura Givens had made for a website promoting the novel. Also, I used her illustration of the novel’s solar sail to create an old-fashioned animation of the solar sail entering orbit around Jupiter. The only thing I didn’t like about the original trailer was that the music was a little short for the video length and I didn’t narrate it. I used intertitle cards like one might find in a silent movie. This time I recorded narration and I found a really dramatic piece of music that highlighted the narration.

I find trailers like this fun to make, but they do take time to get right. The tech required is pretty simple. I used Windows Live Movie Maker for the first video. I used the OpenShot Video Editor for the second one. This was necessary when I found Windows Live Movie Maker wouldn’t import the Movie Maker files with my animation from a decade ago. OpenShot is available at http://openshot.org

As for creating images for this kind of trailer, the best advice I can give is to get on good terms with your cover artist or an artist who can create art to match the flavor and style of your book. Make sure you’ve paid your artist fairly for their work. Recording narration is like any skill. It takes practice. Write your script. Practice reading it at the microphone and record a few takes. It’s easy to flub a word or miss the sound of something like a motorcycle passing the house or a lawnmower next door.

Finally, have fun! I had a blast creating these videos and I hope they’re fun to watch. Of course, I hope they also tempt you to learn a little more about the novels. If you would like to, drop by http://www.davidleesummers.com

Building the Queen Emeraldas

When I finish a major writing project, I like to take a break and find something fun to do, like working on a hobby project. For the last year and a half, I’ve been engaged in a major rewrite of my novel The Pirates of Sufiro. The goal of the rewrite was to strengthen the novel as a whole and better position it as “book two” in my “Space Pirates’ Legacy Series.” Book one, Firebrandt’s Legacy, introduces readers to space pirate Ellison Firebrandt and develops his relationship with Suki Mori. Book two, tells what happens when they are marooned on a distant, alien world. Because this has been an intensive “from the ground up” rewrite, I decided a fun model-building project was in order and I thought it was appropriate to build the space ship of one of my other favorite fictional space pirates, Emeraldas from the manga of Leiji Matsumoto.

Emeraldas is a space pirate who fights for humanity. To her, the skull and crossbones symbolize her willingness to fight for humanity’s freedom until she herself becomes bones. She has been a character in many of the Captain Harlock manga and anime as well as the Galaxy Express 999 series about a train that traverses the stars. In most versions of Leiji Matsumoto’s universe, Emeraldas is romantically involved with Harlock’s best friend, Tochiro. In some versions they’re even married and have a child named Mayu. Her ship is known as the Queen Emeraldas.

I find the Queen Emeraldas an interesting design. It is a spaceship, but it resembles an airship with an old-fashioned sailing vessel as the gondola. The truly fascinating part of this is that such airships have become very common in steampunk art circles. I will note that in steampunk art, the ship is often so large, that I find it hard to believe the small gas bags above could lift the craft. If the Queen Emeraldas were an airship, it seems the ratio of sizes between the gas envelope and the ship would be much closer to correct.

One thing that was fun about this model was that it was lighted. I very much appreciated that my daughters have both taken enough Japanese to help me read the instructions that came with the kit. This allowed me to buy the recommended lights. Making a plastic model look good is a nice challenge and I enjoy painting them and making them look like they do in the show, but after several weeks of working at home, it was nice to actually wire up a small electronic project and have it work. Admittedly this is a simple project compared to those I work on at Kitt Peak, but it was still a chance to stay in practice.

If you’d like to read my novel The Pirates of Sufiro in its new version, you can learn all about it, read the first chapter, and find places to buy the novel at: http://davidleesummers.com/pirates_of_sufiro.html. As it turns out, the novel features both space vessels and airships!

The Astronomer’s Crypt Trailer – Take Two

In March, as most of the United States began to shut down for the COVID-19 pandemic, I received word that my publisher was willing to return the publishing rights for my novel The Astronomer’s Crypt to me. This was not altogether a surprise. I knew Lachesis Publishing was changing the focus of its business. Still, Lachesis had treated the book well and they had sold lots of copies, helping it to reach Amazon’s bestseller lists a couple of times. What’s more, it meant that the beautiful trailer I helped to produce with Eric Schumacher would be out of date since the trailer showed the original cover and pointed to Lachesis as a source for the novel. Fortunately, with the help of Eric and our director of photography, R.S. Francis, I was able to turn this issue into an opportunity.

Claire and Mike in The Astronomer’s Crypt: Get Out!

First off, as anyone who has watched a movie based on a book knows, screenplays are rarely a play-by-play of scenes from the book. You may get lines from the book and scenes that look just like a moment is described, but its rare that the movie is exactly the book. This is because books and movies have different requirements. A novel gets to spend a lot of time in a character’s head, giving the reader their thoughts. In a movie, you have to see the character’s actions. When we translated a scene from the novel to the screen, we did our best to give the impression of what was happening in a tense scene where telescope operator Mike Teter must leave astronomer Claire Yarbro alone in the telescope control room. Most of the scene focuses on Claire and what happens while she’s alone.

When I got the rights back, I had the opportunity to give the novel an additional edit. For the most part, this edit was pretty superficial. My editor at Lachesis had done a great job, though there were a few dropped punctuation marks and a missing word here or there. However, one thing that was especially fun was that I had the opportunity to revise the scene with Claire and Mike that we showed in the trailer to be more like the version we depicted. Again, it’s not exact because movies and novels have different pacing issues to consider. Also, the trailer has to tell the viewer things the reader already knows by this point in the novel. Still, I think I succeeded in making the scene from the book look just a bit more like the scene from the trailer.

What’s more, our cinematographer and effects artist, R.S. Francis stepped up and revised the end of the trailer to show the new edition of the book and update the information where the book is now available. It’s also been updated to even higher definition, so it looks really great if you watch this on a big screen. Without further ado, here’s the updated trailer:

Updated movie: The Astronomer’s Crypt: Get Out!

If you dare open The Astronomer’s Crypt after watching the trailer, you can find the new edition at the following places:

In print:

As an ebook:

Captain Harlock’s Endless Orbit

One of my Father’s Day gifts this year contained the DVD of the one Captain Harlock TV series I have not yet seen in its entirety, Endless Orbit SSX, from 1982. Also in the box was the first volume of Leiji Matsumoto’s original Captain Harlock manga from 1977. This was a wonderfully appropriate gift on several levels.

Of course, I’ve been a fan of the good captain since I first encountered him around 1991 in the movie Galaxy Express 999. The imagery of a space pirate who visited Western frontier looking planets no doubt helped drive some of my thinking when I started work on my first novel, The Pirates of Sufiro, around that time. Now, I’m hard at work on the novel’s twenty-fifth anniversary edition. A final proofread is underway and the book is being laid out, so I’ve been finding myself thinking about some of the themes and influences.

Many of my favorite space operas, the adventures of Captain Harlock included, have a certain family-like atmosphere. There’s a distinct sense of a band of siblings working toward a common goal, whether it be the exploration of a world, freeing Earth from tyranny, or solving some mystery in deep space. Captain Picard in Star Trek: The Next Generation, despite his stated dislike of children, often feels like a wise father figure. In the 1978 Space Pirate Captain Harlock series, the captain is almost a literal father, looking after the daughter of his best friend who had died before the series began.

One thing that becomes clear as you watch the various Captain Harlock series is that there is no continuity from one series or movie to the next. That said, I prefer to think of the various Harlock series as stories about Harlock in assorted parallel universes, or perhaps running along alternate timelines. I wouldn’t be surprised if Harlock meddles in his own timeline given the Time Castle in Galaxy Express 999 and Harlock’s plot to reset the entire cosmic clock in the 2013 CGI Space Pirate Captain Harlock Movie.

The only exception to the notion that there’s no continuity between movies and series is that the series Endless Orbit SSX is a direct sequel to the movie Arcadia of my Youth. The movie and series tell about Harlock’s attempts to save Earth from an invasion of aliens called the Illumidas. In what I have watched so far, Harlock is still not a literal father, but he does rapidly become a father figure to Tadashi Monono and Revi Bentselle. Revi is the little girl on the box and first appears as a stranded passenger on a ship Harlock raids. Tadashi is a teenage boy who decides to collect a bounty on Harlock, but when he learns Harlock is the good guy, joins the crew of the Space Pirate Battlehship Arcadia as the cook.

The Captain Harlock manga has so far not introduced Harlock’s adopted daughter, Mayu, who appeared in the TV series, but again, Harlock rapidly becomes a father figure to an orphaned teen, Tadashi Daiba. In the manga, as with the original TV series, Harlock is working to keep aliens called the Mazon from invading the Earth.

In my novel, The Pirates of Sufiro, Captain Ellison Firebrandt has a daughter who grows up and leaves home. He also becomes a sort of elder statesman, advising the colonists who settle the planet after him. Harlock earns the loyalty of his crew and friends because he won’t abandon them, no matter what. Even though Earth shuns him as a pirate, he will fight to save the Earth. Firebrandt is much the same. One of the challenges in the new edition of my novel is that I wrote a prequel, which introduced readers to more of Firebrandt’s crew. Once I stranded my captain, I had to find ways to show him continuing to fight for the crew, despite being stranded and despite the fact that he grew to love the world he’d found himself stranded on. I think I’ve finally managed that and still tell the story I’d imagined nearly twenty-five years ago. At this point, I believe I’m less than a month away from releasing the new edition. I’ll announce that here. Otherwise, you can get a copy of the ebook upon release by supporting my Patreon campaign: https://www.patreon.com/davidleesummers

Adam Warren’s Dirty Pair

No, I’m not referring to laundry or hygiene. I’m actually referring to one of the first manga series written and published in the United States between 1998 and 2002. Ever since my wife discovered Haruka Takachiho’s first two Dirty Pair light novels in a bookstore in Bisbee last summer, I’ve been learning more about the books, the anime series they inspired, and Adam Warren’s interesting American take on the series.

The “Dirty Pair” are Kei and Yuri, two young interplanetary agents in the distant future who investigate crimes for the World Welfare Works Association or WWWA. In the story, they received their nickname despite their high rate of success, because they’re infamous for leaving behind a path of destruction, though in all fairness the collateral damage is rarely their fault. The 1985 anime series was something of a muse for the Star Trek: The Next Generation production team. That series actually makes a handful of references to the Dirty Pair. As it turns out Haruka Takachiho was inspired to create the Dirty Pair after watching a wrestling match featuring a team called “The Beauty Pair.” Apparently Takachiho attended the match with A. Bertram Chandler, author of the John Grimes space opera novels. Chandler made a quip about how the team should be called “the Dirty Pair” because of their fighting techniques. Takachiho was then inspired to use that as the name for his science fiction action series. (Note: See the comments for more details and a slight correction about this story.)

In 1988, the American company, Studio Proteus, acquired the rights to do an English language version of The Dirty Pair. Later, the rights were transferred to Dark Horse Comics. The Studio Proteus version wasn’t going to be a translation of the Japanese books, but completely new stories. As I understand, Toren Smith of Studio Proteus approached Haruka Takachiho directly and showed him Adam Warren’s concepts for the characters. Takachiho liked what he saw and gave them permission to do their own version.

I decided to give this version a try. I started by picking up the original comic books that comprised the story arc Fatal But Not Serious which tells the story of the WWWA putting on a public relations campaign to improve the image of the Dirty Pair. They end up hosting a convention in Kei and Yuri’s honor. Of course anyone with a grudge against them comes gunning for them at the con. What’s more, someone unleashes a clone of Yuri and tells her she’s the real Yuri who has to kill imposters.

I’ve since gone on to collect the graphic novel adaptations of the other stories. Adam Warren takes the idea of The Dirty Pair and gives them a decidedly cyberpunk makeover. They get involved with bio weapons, they utilize chip implants to communicate, and even swap personalities. They encounter a wide range of adversaries both of the alien and augmented human variety. There are often questions whether they’re operating in the real world or a simulation. I was delighted to see the book Plague of Angels featured an introduction by fellow New Mexican and amazing cyberpunk writer Walter Jon Williams.

The last book in the series, Run from the Future, proved to be not only my favorite, but it turns out to be quite rare. Every now and then you can find a copy of the graphic novel on eBay. I found one at a price I could afford from a seller in Australia. Given shipping delays due to the COVID-19 pandemic, it took nearly seventy days to reach me, but it proved worth the wait.

What I really love about this series is that Haruka Takachiho allowed Adam Warren and Toren Smith the opportunity to play in his sandbox. Warren’s vision isn’t exactly like Takachiho’s, but he takes the ideas and explores them in interesting and new ways. Much as I enjoy this version, I’m not sure I’d recommend starting with Adam Warren’s version. I’d recommend trying the anime, which is still distributed in the United States, or find a used copy of the original light novels. If you enjoy those and are looking for more, by all means, give Adam Warren’s version a try.

The Literary Bond

Bond. James Bond.

The name is a fixture of the English-speaking pop culture landscape. Films featuring Ian Fleming’s famous spy are so ubiquitous, I find it hard to think of spy thrillers without “hearing” the iconic theme from Dr. No in my head.

This past week, I’ve been working on a short story that’s something of a spy thriller with notes inspired by James Bond. I can’t say much yet about the story or the anthology series it’s written for. The editor wants to keep things under wraps until closer to release and I don’t want to jinx things by saying too much too early. I will say that I do have one story accepted for this series of anthologies and the story I’ve been working on this past week would be the second for the series, presuming it’s accepted.

Writing this story has required a fair bit of research. I’m thankful to live in an age where I can sit at my desk and watch videos that take me aboard an aircraft carrier or let me walk the streets of a land I haven’t visited before. However, there’s another aspect of research that’s not always appreciated and that’s getting the right tone for a story, especially when the guidelines specify an established tone like the one in this series.

Although I’ve seen large portions of most of the James Bond films, catching bits and pieces here and there when they aired on television, I can only recall sitting down and watching five of the films from beginning to end. What’s more, I’m sad to say that until a few days ago, I’d never actually read any of Ian Fleming’s original James Bond novels. The only Ian Fleming novel I’d ever read was Chitty Chitty Bang Bang and that was only a year ago. I did find Chitty Chitty Bang Bang an utter delight and had been wanting to explore Fleming’s Bond novels since then.

I settled on Moonraker as the novel to start with. I picked it because I wanted a novel early enough that Fleming wasn’t being influenced by the films but late enough that he’d established his voice. I also wanted a novel that included a certain technological aspect because of the type of story I was writing. Also, although I enjoy a good card game now and then, I wasn’t sure if I was passionate enough about cards and gambling to stay glued to a novel like Casino Royale.

The novel Moonraker is quite a bit different from the movie. This is perhaps no surprise since the novel dates from 1955. The premise of the novel is that Sir Hugo Drax has been supervising a bunch of German scientists who are building England’s first intercontinental ballistic missile. Drax has become something of a national hero and the first test is imminent. The problem is that Drax is suspected of cheating at cards at the elite gambling club he belongs to. Bond is brought in to tactfully expose the cheating and quietly get it to stop before scandal taints Drax and his project. So, the first third of the book ends up being about Bond figuring out how Drax cheats and then turning the tables on him. This was compelling enough that I may have to give Casino Royale a try after all.

On the same night as Bond is working to prevent a scandal, one of Drax’s German employees shoots the head of security for the Moonraker project then shoots himself. The coincidental timing is enough for higher echelons in the British government to decide Bond should lend a hand to the investigation. It was all a good thrill ride of a novel that reminded me of Chitty Chitty Bang Bang, especially when Fleming speaks passionately of good food or fast cars. I was also reminded at times of Robert A. Heinlein’s young adult science fiction novels, especially with the fear that Nazis may be hiding in the woodwork, getting ready to unleash some dastardly plan.

I liked how Fleming’s Bond has a little more self-doubt than his onscreen counterparts and while 007 definitely pursues a woman in this novel, she proves to be a force to be reckoned with. I’m delighted I had the chance to read Moonraker and I suspect I’ll be diving into more of Fleming’s Bond novels soon. After all, I need to make sure I get the tone right in my story!

Revisiting Das Boot

I grew up knowing I had ancestors who came from Germany. What’s more, my uncle married a German woman. I wanted to be a scientist and I knew about a number of German scientists such as Kepler, Einstein, and Heisenberg just to name a few. So when it came to pick a language from my limited high school offerings, I chose German. My high school only offered two years of the language, so when I exhausted those, I was encouraged to take classes at Cal State San Bernardino. During this time, one of the most famous German films was released: Das Boot. The professor of my college German class offered us extra credit if we went to see the movie in German. Several of us went as a group. As with many at the time, I found the movie amazing, stunning, and sad at the end.

My aunt was excited that I had gone to watch a feature-length German film. She contacted one of her relatives in Germany and had them buy a hardcover copy of the original novel and send it to the US. She gave it to me as a Christmas present. It’s still one of my treasured possessions. I’m sorry to say I have not taken the time to wade through and read the whole thing, but I was delighted when I recently picked it up and discovered my German is still good enough to follow the gist of the story.

Writers are often told to “write what you know.” This can be tricky for science fiction writers. That said, we should pull from our experience to make what we imagine as believable as possible. One of the reasons Das Boot was fascinating to me was how real it made serving in a cramped, enclosed ship. Much as I loved the Star Trek-like future of grand, beautiful starships, I couldn’t help but think the reality of military space ships would look more like the U-96 in Das Boot than Captain Picard’s spacious Enterprise. When I started writing the stories that would become the foundation of my Space Pirates’ Legacy series, I made space vessels cramped and claustrophobic with crews who got on each others’ nerves.

Back in the days when I first saw the movie Das Boot, I’d heard rumors of a longer version than the one we saw in the United States. It turns out this was a 5-hour cut broadcast over five nights on British television in 1984. This cut (more or less) was eventually released in the United States as “The Original Uncut Version” shown above. I bought it a few years ago, then promptly moved to a new house where it disappeared under a stack of other videos. I finally found it again and watched the five-hour cut.

I have to say, I was impressed. The longer cut didn’t drag at all. What it gave us were more character moments. The 1980s American theatrical release focused on the captain, the chief engineer, and the war correspondent. The longer release gives us a chance to know the first officer, the third officer, the navigator and the radio operator much better. The crew began to feel even more like a family, albeit a dysfunctional one at times.

I’ve come to realize that space travel would be unsustainable if spaceships were as small and crowded as a World War II-era U-boat, but still, thinking about how they ate, the jobs they were assigned to, the “human” touches that made the sub a little more livable than sterile are all things that help me think about how to design space vessels in my writing. If you want to see how I’ve brought that into play, a good place to start is book one of my Space Pirates’ Legacy series, Firebrandt’s Legacy. You can learn more at: http://www.davidleesummers.com/Firebrandts-Legacy.html

Celebration in Isolation

In my post one week ago, I mentioned that my family was celebrating numerous anniversaries and milestones. It should come as no surprise that these celebrations had to be adjusted in the wake of restrictions imposed by the COVID-19 pandemic. Still, we did our best to mark the occasions in a suitable fashion.

Before I continue, I note that as I write this, the death toll from COVID-19 approaches 100,000 in the United States. I’m very sorry for those who have lost loved ones at this difficult time. At the same time, I’m grateful to all those who take social distancing guidelines seriously so that we don’t find ourselves in an even worse situation.

Last week, my wife and I celebrated our thirtieth wedding anniversary. Looking it up on line, the thirtieth is the Pearl Anniversary. Because my wife and I are fans of Mystery Science Theater 3000, this brought to mind Dr. Pearl Forrester, the evil genius who sent cheesy movies to the Satellite of Love during the show’s SyFy Channel years. With this in mind, my wife and I decided to get each other Mystery Science Theater 3000-themed gifts. We ended up getting the two Netflix seasons of the show along with a 1000-piece puzzle to work on together.

Although it wasn’t technically an anniversary present, the same day as the puzzle and movies arrived in the mail, my wife bought me the code to upgrade my copy of Microsoft Word to the 2019 version. I discovered that the software has a feature that will read the text to you. I’ve long been an advocate for reading your own work aloud when you edit, but this is a nice additional tool. It has already helped me find unintended commas or wrong words in documents I’ve edited. This looks like a nice feature for an author to add to their toolkit and I likely will say more once I gain more experience with it.

Normally we would go out to dinner for our anniversary, and while there are some restaurants opening up with some seating, we decided this wasn’t the time to do that. We grilled steaks for our anniversary and then ordered a to-go meal from one of our favorite restaurants two day later when our daughter graduated from high school.

Las Cruces High School held a “drive-thru” graduation. Parents drove the graduating seniors through the line in cars. My daughter wanted me to drive her through in my Smart Car with its airship pirate logos. A masked and gloved staff member handed out the papers and flowers. I drove the car, so this marked the first time I went through a graduation procession since my own university graduation.

I wrapped up last week with another interview at Las Cruces Community Radio Station 101.5FM KTAL-LP. “All About Books” host Lynn Moorer interviewed me about my novel Firebrandt’s Legacy. Even though this was an in-studio interview, we maintained good social distancing. We sat well over 6-feet apart and she made sure to clean the chair and microphone I used. In the interview, Lynn was especially interested in the jumps ships in my universe use to move faster than the speed of light. My means of faster-than-light travel was an idea I came up with while studying General Relativity in grad school at New Mexico Tech. You may listen to the entire interview at: https://www.lccommunityradio.org/archives/all-about-books-david-lee-summers9615141

You can learn more about the novel, read a sample chapter, and find out where you can obtain a copy of your own at: http://davidleesummers.com/Firebrandts-Legacy.html

Tombstone Rashomon

I’ve been waiting for the DVD release of Tombstone Rashomon ever since I first heard about the movie, which was during its production. The movie stars my friend Eric Schumacher as Doc Holliday. It’s directed by Alex Cox, who directed Repo Man and Sid and Nancy, and tells the story of the infamous gunfight outside Tombstone’s OK Corral from the perspective of several of the participants in a style similar to Akira Kurosawa’s classic film Rashomon.

The gunfight at OK Corral is a tale worthy of a Rashomon-like treatment. It’s a difficult historical moment to understand because the people involved were tangled in so many ways. It wasn’t as simple as the Clantons vs. the Earps as many filmed versions would have you believe. Both sides had dealings that seem both shady and noble, and self-interests muddied up the lines of who was on what side at various points leading up to the affair. I researched the Earps and the Clantons quite a bit for my novels Lightning Wolves and Owl Riders. When I wrote Lightning Wolves and decided the Clantons needed to be part of it, I knew I was writing a period of history before the arrival of the Earps and Doc Holliday. So, my research focused on the family and their allies in the days before Tombstone’s founding. The events set up in that novel prevented Tombstone’s founding, which meant the two factions never came together and the gunfight never happened, but that didn’t prevent Wyatt Earp and Doc Holliday from seeing business opportunities in Arizona Territory in Owl Riders. Eric’s research into Doc’s character for Tombstone Rashomon helped inform my portrayal of Doc.

The movie imagines that time travelers arrive in Tombstone the day after the gunfight. They interview Doc Holliday and his girlfriend, Kate Elder, along with Wyatt Earp, Sheriff John Behan, Ike Clanton, and a saloon owner named Hafford. I especially enjoyed Christine Doidge’s performance as Kate. In real life Kate was a Hungarian immigrant and Doidge played up that aspect. In Hungarian, there are not separate words for “he” and “she” and Kate gets flustered and often just uses “she” for both. Kate also seems to relish how this bothers people and refers to Doc as her “wife” even though there are separate words for husband and wife in Hungarian.

Eric played Doc Holliday as an educated man who will do anything he can to succeed in life and make a buck. As in real life, Doc was wracked with tuberculosis and Eric gives a moment that made me more sympathetic to his plight than Val Kilmer’s understated take in the movie Tombstone. The suggestion is made that Doc became a drinking man to dull the pain of the terminal disease. Of course, the movie is all about unreliable narrators.

At times, the film becomes almost impressionistic, mixing modern elements into the historical. There’s always a danger of this confusing an audience, but it can also be interesting to let it be a way of seeing older events through the lens of more familiar, contemporary icons. The film also literally takes you back in time by starting at modern Boot Hill just outside Tombstone, Arizona with tourists taking selfies in front of the Clantons’ tombstones and then dissolving back into the past.

In addition to Eric, I was excited to see Rogelio Camarillo in the film as Billy Claiborne. He was the sound man when we filmed the book trailer for my novel The Astronomer’s Crypt. I was also delighted to see Bradford Trojan as Tom McLaury. I had a bit part in the movie Revenge of Zoe, which starred Bradford and Eric Schumacher. I’m still looking forward to that movie’s DVD release!

If you’re fascinated by the history surrounding the gunfight at OK Corral or would just like to see a non-traditional take on a western film, I recommend ordering a copy of the Tombstone Rashomon DVD. While you’re waiting for it to arrive, check out the links to my books below. On the page for The Astronomer’s Crypt, you’ll find the trailer that Eric and Rogelio helped me make.

Return to Penny Dreadful

In my post looking at the vampires who appeared in the first season of Showtime’s Penny Dreadful, I mentioned that I had started the second season. I’ve finished the season, which overall, I enjoyed more than the first.

Our heroes, Vanessa Ives, Ethan Chandler, Sir Malcolm Murray, Sembene, and Dr. Victor Frankenstein, are all back. This time our villains prove not to be vampires but a coven of witches. What’s more, these witches, called nightcomers in the Penny Dreadful mythos, are servants of Lucifer with superhuman powers. In this season, Brona Croft is reincarnated by Dr. Frankenstein as Lily Frankenstein, meant as the monster’s bride but possessing a mind of her own. One of my favorite characters this season was Egyptologist Ferdinand Lyle played by Sir Simon Russel Beale who was introduced in season 1 but had a nice character arc in season 2.

Reeve Carney is back this season as Dorian Grey. Mostly his story takes place in the background of season 2’s main action, but it looks like they set him up to take a bigger role in the third season. We’ll have to see what happens with that story.

Although Penny Dreadful’s second season still features many characters from classic literature, they seem freed from their origins to tell their own story this season. In many ways this season felt more like a nineteenth century penny dreadful come to life. Although the series does have better writing than a real life penny dreadful like say, Varney the Vampyre, there were moments it did make baffling turns. Some of the characters’ choices seemed more designed to serve plot than make sense for what people would do when faced with these real situations. Why, for example, do the characters often go to battle the monsters at night when its known that’s when the monsters are strongest?

Despite that, there are a lot of clever plot turns and some good character moments in this season. We learn more about Sir Malcolm Murray and his relationship with his estranged wife. We also learn more about Ethan Chandler. Danny Sapani’s Sembene actually gets stuff to do. For me the standout was Billy Piper’s Lily Frankenstein. Her arc takes her from apparently lost waif betrothed to Frankenstein’s monster to woman in control of her destiny.

I’ve been watching Penny Dreadful while working on new editions of my horror novels, Dragon’s Fall, Vampires of the Scarlet Order and The Astronomer’s Crypt. One of the things I’ve enjoyed about Penny Dreadful is that it doesn’t feel too bound by linear storytelling. One episode I thought was interesting in the current season involved Vanessa recounting how she was mentored by a witch. The episode didn’t bother to pop back into the present day, it just had a simple prologue of Vanessa starting her story, then the rest of the story just happened in the series’ past.

This approach reinforced a decision I’ve made for the new edition of Vampires of the Scarlet Order. The original edition was told in very linear order. Events that happened in 1491 happened first. Events that happened in the sixteenth century happened next. That noted, the story’s main conflict actually happens in the present day. So, I’ve decided the new edition will start in the present day and the chapters set in the past will be told when it’s natural for characters in the story to tell them. You can get a sneak peak at the new first chapter at: http://davidleesummers.com/VSO-Preview.html

Of course, the buy links still point to the original novel as released in 2008, but that will change soon after the rights revert to me next month.