Next weekend, I’ll be a participating author at MileHiCon 51, which will be held at the Hyatt Regency Tech Center in Denver, Colorado. The guests of honor are authors Angela Roquet and Marie Brennan and artist Elizabeth Leggett. The toastmaster is author Carol Berg. You can get more details at the convention’s website: https://milehicon.org. A selection of my books will be available in the Vendor Hall at the table run by Who Else Books. My schedule is below.
Friday, October 18
9-10pm – Mesa Verde B – Group Reading and Discussion: After Dark. Authors James Van Pelt, J.T. Evans, Joseph Paul Haines, and Shannon Lawrence will join me to read selections from and discuss our horror fiction.
Saturday, October 19
10-11am – Mesa Verde C – Put a Gear On It. I will join Meghan Bethards, J. Campbell, Craig Griswold, and Rob Rice to discuss steampunk fiction.
Noon-1pm – Grand Mesa Ballroom – We Named the Dog Indiana. I join Carol Berg, J. Bigelow, V. Calisto, and James Van Pelt to discuss the whys and wherefores of naming characters.
1-2pm – Mesa Verde A – Year in Science. I’ll discuss the topic with J. Campbell, Dan Dvorkin, Courtney Willis, and Ka Chun Yu.
3-4pm – Wind River B – From Kitt Peak to the Universe. I’ll introduce the new DESI spectrograph that’s been installed at Kitt Peak National Observatory and how it will be used to make a three-dimensional map of the northern sky.
4-5pm – Grand Mesa Ballroom – Mass Autographing. I’ll be available during the mass autographing to sign any books you bring along.
Sunday, October 20
3-4pm – Wind River B – Patreon, Kofi, Drip, and other Alternate Funding Sources. I discuss the topic with R. Hayes, Patrick Hester, and Stant Litore.
If you’re in Denver, Colorado next weekend, I hope I’ll see you at MileHiCon!
Editor Sheila Hartney and I have been enjoying reading the wonderful submissions that have been coming in for Hadrosaur Productions’ forthcoming anthology, Exchange Students. Although we have a full anthology at this point, we are willing to be tempted by a few more good stories and could make room for a truly exceptional story or three. That said, this is last call. We will be closing to all submissions on October 15, 2019. Any submissions received after the 15th will not be considered. The illustration below is a sneak peak at the cover art by Laura Givens.
Exchange Students is an anthology to be published by Hadrosaur Productions that will explore the vast realms of what it might mean to be an exchange student at any point in time, space, or across dimensions. Most of us have known foreign exchange students in our school years. This anthology imagines an exchange student program expanded to include students from the past, the future, fairies, trolls, distant alien races, and any other exchange student the author might dream of. The complete guidelines are available at: http://hadrosaur.com/ExchangeStudents-gl.php.
I’m really excited by the breadth and diversity of stories we’ve selected so far. The thing that makes an anthology compelling to me is to see what authors do with the concept. We have serious stories that take a good hard look at humanity and we have humorous stories. We have flash fiction that hits us with a cool idea and we have longer stories that allow us to get to know the characters better. Longtime readers of Tales of the Talisman Magazine will recognize some familiar names, but I’m pleased that we have many new authors as well.
At this point, I hope I’ve whetted your appetite and you’re now asking when you can get your own copy of the anthology to read. My goal is to publish this by February 15, 2020, so I can have it available at the Hadrosaur Productions dealer’s table at Wild Wild West Con in March 2020. The book will also be available in all popular ebook formats through vendors such as Amazon, Smashwords, and Barnes and Noble.
The Planetary Society’s LightSail 2 spacecraft launched into orbit on June 25, 2019 and deployed its 32-square meter sails almost a month later on July 23. In the time since sail deployment, it raised its orbit some seven kilometers. Here we see a great shot of the LightSail 2 over Australia.
In 1619, astronomer Johannes Kepler noticed that comet tails always point away from the sun and realized that some solar force must produce that effect. Two centuries later, in 1862, James Clerk Maxwell suggested that light has momentum and it was finally demonstrated in 1900. The goal of the LightSail 2 mission was to show that momentum from light could propel a spacecraft. The process of solar sailing is not unlike sailing on the water, only in space, gravity acts like water currents while light acts like wind. As with a sail at sea, the sails must be turned in flight to take the best advantage of the “wind” while the ship moves on the “current.” LightSail 2 accomplishes this via internal reaction wheels. The gif below shows how the sail is turned to take the best advantage of sunlight and raise its orbit.
The following graph shows the elevation of LightSail2 over the course of the mission. The apogee is the highest point in orbit, the perigee is the lowest point. At LightSail2’s elevation, there are two forces working on the sail besides gravity. The first is light pressure from the sun. The other is atmospheric drag from the Earth. Even though LightSail 2 is in a relatively high orbit, it’s still in the most tenuous parts of the upper atmosphere. The upshot is that the apogee increases because of light pressure, but the perigee decreases because of atmospheric drag. That noted, LightSail 2 has accomplished the mission it set out to do, demonstrate that light can propel a spacecraft.
It’s worth noting this is a technology in its infancy. That said, with the lessons learned from this mission, there’s promise that solar sails could be used for small unmanned probes in the not-too-distant future, or perhaps they could be used to deflect dangerous asteroids, especially if caught early enough that they only need a small nudge.
In the long run, with much more development and technical innovation, I would like to think solar sails could be used to propel humans across the solar system as I imagine in my novel The Solar Sea. In a little under a week, on Friday October 11, Lynn Moorer will interview me about the novel on her radio show from 12:30-1:00 pm mountain daylight time. If you’re in Las Cruces, you can tune in to 101.5 FM on your radio dial. If you aren’t in Las Cruces, or just don’t listen to shows on the radio, you can stream the show at https://www.lccommunityradio.org/stream.html. It looks like KTAL Community Radio is building up their archive of past shows, so I’m hoping I can share these interviews with you soon. If you want to read the book before the interview, you can find all the places it’s available by visiting http://www.davidleesummers.com/solar_sea.html.
Today, I’m proud to announce the release of Hadrosaur Productions’ latest novel, Battle Lines by Greg Ballan. This is part two of Greg’s Ethereal War duology. In the first book, Armageddon’s Son, ex-CIA Agent Erik Knight is recruited to assist his mentor, Martin Denton, in discovering the identity of the mysterious thief who stole the Ruby Crucifix of Christ from the very heart of Vatican City. In order to solve the mystery, the agents must accept that the world as they know it is mere illusion, hiding a brutal physical and spiritual war of ‘Good’ versus ‘Evil’.
In Battle Lines, the hidden battle between good and evil approaches a boiling point. Each side accuses the other of violating rules set down by the Creator at the dawn of time. The theft of The Ruby Crucifix from Vatican City enrages the forces of light, while the unauthorized birth of Armageddon’s Son spurs the forces of darkness to take desperate, hostile action. As both sides prepare for war, a third party, the rogue arch demon Molec, escalates hostilities by issuing a forbidden soul bounty on light’s new prophet, who happens to be the son of the Hybrid, former CIA Agent Erik Knight. The Hybrid and his trusted ally, Martin Denton, must confront demons, angels, aliens, corrupt politicians and evasive clergymen each with their own agenda and hidden motives as they hunt down Molec in a desperate, final attempt to avoid a catastrophic, world-ending battle which would have repercussions across the galaxy and the multiverse.
I have really enjoyed working with Greg Ballan. He is a graduate of Northeastern University holding bachelor’s degrees in Marketing and Management. Greg enjoys several outdoor activities such as hiking, archery and shooting. Greg was an avid MMA fighter but realized after fifty, getting punched hurts … a lot! He discovered the safer hobby, learning the acoustic guitar. When he’s not working his full-time job as a financial analyst or exploring some unknown woodlands, he’s crunched over his laptop putting his warped imagination into words or penning a column about the outdoors or his latest misadventure avoiding house and yard work. I think you can see that Greg’s background helps him create realistic action and I’ve come to discover that Greg is a very spiritual person who cares about those around him. That really comes through in his writing.
In encourage you to pick up both Armageddon’s Son and Battle Lines.
I’m a fan of stories featuring strong women. While I recognize that physical strength or proficiency with weapons is not the only way to be a strong person, my love of action stories does mean I enjoy a story with women who fall into this category. While in Bisbee, Arizona’s wonderful Meridian Books and Comics a few weeks ago, my wife’s eyes happened to fall on the book, The Great Adventure of the Dirty Pair.
I immediately recognized the title and the women on the cover from an anime series of the mid-1980s. What I didn’t realize is that the anime series was inspired by a series of novels by Haruka Takachiho. The book my wife found was an English translation of the first two novels published in 2007 by Dark Horse Books. For those not familiar with the books or the anime series, the “Dirty Pair” are Kei and Yuri, two young interplanetary agents in the distant future who investigate crimes for the World Welfare Works Association or WWWA. They’re essentially female James Bond types who travel in their own space ship with their pet Mugi, which is essentially an intelligent, alien cat. Their code name is “the lovely angels” but because they’re famous for leaving death and destruction in their wake, they’ve come to be known as “the dirty pair.”
Unlike many anime series, each episode of Dirty Pair is a self-contained adventure. Kei and Yuri often find one mystery that leads to a bigger mystery or find that a tactical situation has gone out of control and they must go in guns blazing while wearing their battle bikinis. At least the novels explain that their outfits do include a transparent polymer that protects them while giving them the appearance of lots of exposed skin.
What I love about the series and the books is that Kei and Yuri are strong, well defined characters. Kei is more hot-tempered and impulsive while Yuri is more thoughtful. It’s fun to see their camaraderie and how the situations regularly blow up for them to cause damage worthy of a contemporary superhero film. What I find a little annoying is that at times it feels like Kei and Yuri are Betty and Veronica from Archie comics each competing for the next cute boy, even in the midst of worlds blowing up around them.
One key difference between the novels and the anime series is that in the novels, Kei and Yuri have clairvoyant powers. If they concentrate and then hold hands, they can get a precognitive clue to the mystery they’re trying to solve. The only time I know this appears in the anime is in the movie, Affair on Nolandia. Of some note, this movie seems to be one of the least popular Dirty Pair stories, but it does feel like it takes most of its beats from the books.
The first Dirty Pair novels were serialized in 1979 in the Japanese magazine SF Magajin. This means Kei and Yuri started kicking butt the same year as Ripley in the American Alien franchise.
The Dirty Pair novels are fun if you’re a fan of the anime and curious about the story’s history. The anime is fun if you like diverting science fiction stories with plenty of gun battles and explosions. Just don’t go in expecting a lot of depth. You can find strong women who will tell more thoughtful stories in other places.
Next weekend, from Friday, September 26, 2019 through Sunday, September 28, 2019, I will be giving presentations and I will be on panels at the Gaslight Steampunk Expo in San Diego, California, being held at the Mission Valley Mariott Hotel. The guests of honor are author Gail Carriger, Madame Askew, and the Grand Arbiter. The theme for the weekend is Ancient Egypt Steampunk Style! You can get all the details about the convention at http://www.gaslightexpo.org/. My schedule for the weekend is as follows:
Friday September 26
6:00PM-7:00PM – Salon C –Astronomy in the Victorian Age: Many tools of the trade that make modern astronomy possible were developed around the world during the Victorian Era. In this presentation, I will introduce you to many of the women and men who transformed astronomy from simple stargazing to a disciplined scientific pursuit and how their technical and scientific achievements still impact us today.
Saturday, September 27
10:00AM-11:30AM – Salon C –Evolution of Steampunk Literature: Hear how steampunk literature has changed over the last 60 years as both readers and writers look for new definitions. On the panel with me are Gail Carriger and Madeleine Holly-Rosing.
2:00PM-3:00PM – David Lee Summers Autograph Session – Autograph Table in the Vendor Hall
5:00PM-6:00PM – Salon B – Mars In the Victorian Age: During the Victorian Era, observations transformed Mars from a reddish light in the sky to an exotic desert planet people might visit one day. At a time the Suez Canal was considered the height of engineering prowess, astronomers saw a planet of canal builders. I look at the observations of Mars in nineteenth century, what we learned, and how careful astronomers were misled by their worldview to see the Martians they wanted to see.
Sunday, September 28
10:00AM-10:45AM – Salon B –Reading of “The Sun Worshippers” by David Lee Summers: A spiritualist is invited to a Victorian mummy unwrapping party hosted by skeptical scientists. What could possibly go wrong when the mummy wakes? I read my story from the anthology After Punk.
11:00AM-12:00PM – Salon B – Worldbuilding: As genre writers, we need to create the world that our characters live in. Sometimes it’s similar to our own, while other times it is vastly different. In this panel, we will discuss the nuts and bolts of world building. Does it start with your character or with your story? And does it need a “universal truth” to anchor it and make the unbelievable, believable. On the panel with me are Gail Carriger and Madeleine Holly-Rosing.
If you find yourself in San Diego next weekend, I hope I’ll see you at Gaslight Steampunk Expo!
About four months ago, my primary care physician referred me to my cardiologist because he was routinely detecting premature ventricular contractions. When my cardiologist examined me six weeks ago, he ran an EKG and could detect none of these so-called PVCs. So, he decided I should wear a “Mobile Cardiac Outpatient Telemetry” monitor or MCOT for a month. The MCOT is a rechargeable sensor that plugs into a bandage with electrodes. The whole thing connects via Bluetooth to a mobile phone that in turn sends data back to BioTelemetry, the company that makes the device. To be honest, I spent the month feeling like Jean-Luc Picard in that episode of Star Trek: The Next Generation where they made him part of the Borg Collective.
August was a challenging month to wear this thing. Because I had traded shifts at Kitt Peak with a co-worker, I was scheduled to be there two weeks in a row. What’s more, that was the time I traveled to Bisbee for the Steampunk Invasion. A week after that, I traveled to Albuquerque for Bubonicon where I worked at the booth and spoke on panels.
The monitor I wore needed to be recharged every five days. When that happened, I removed the electrode bandage, shaved that part of my chest anew, and put on a new bandage. A bigger logistical challenge was the monitor’s requirement to stay in cell phone connection with BioTelemetry. This was the part that really made me feel like part of the “collective.”
It never ceases to amaze me how much it’s now taken for granted that we will always be in cell phone communication range. The problem is, I work on a remote observatory with radio telescopes. We don’t have cell towers close to the observatory because they interfere with radio observations. We do have some limited WiFi capability now, but the MCOT monitor didn’t give me the option of utilizing that. So, I got to spend much of my two weeks finding places where I could get it to connect to its data server and transmit its data before the phone complained at me that I had been out of cell range for too long.
The most emotionally challenging part of wearing this monitor when I did was that it happened right around the time I reached the very same age my dad was when he died of heart disease.
While wearing the monitor, I got to learn how far these devices have come in the last fifteen or so years. One of my co-workers had to wear an early version of a cardiac monitor when she was a child and the whole thing was like a body suit. I imagine she felt even more like a member of the Borg Collective when she wore it than when I did!
Earlier this week, I learned the results of the monitoring. In short, I do seem to have the occasional premature ventricular contraction. They seem to occur most often when I’m under stress. This would imply that my primary care doctor is more stressful for me to visit than my cardiologist! By themselves, at the rate they occur for me, PVCs are not especially dangerous. I did learn by paying attention and comparing notes with my cardiologist how to recognize them, so I can alert a doctor if I notice their rate increase or become more severe. The experience of speaking to my co-worker about her cardiac monitor experience reminds me how far heart care really has come in the last few decades.
Still, I’m glad to be free of the collective and hope I don’t get assimilated again any time in the near future.
Of course, paying attention to technology like this helps me think about technological change as I write my science fiction and my science fiction-infused steampunk. If you find this blog of interest or just want to help support my writing endeavors, I encourage you to support my Patreon site at: http://www.patreon.com/davidleesummers.