Expedition Vega

This past week, I finished reading the second story arc in J-Novel Club’s translation of the Perry Rhodan NEO series. This arc of eight novellas was presented under the collective title, Expedition Vega. When the first arc, Vision Terrania, ended, astronaut Perry Rhodan, who had been to the moon and made first contact with aliens, had established his city Terrania in the Gobi Desert, and had won over the Chinese General Bai Jun who had laid siege to the city. What’s more they had rescued alien Crest de Zoltral from the hands of the Americans. However, the Americans still held technology from Crest’s race, the Arkonides. Expedition Vega opens as Perry Rhodan leads an expedition to recover that technology, so it doesn’t stay in the hands of just one government.

Perry Rhodan NEO: Expedition Vega

Once this recovery mission comes to a conclusion, Perry Rhodan’s people detect a distress signal from the star Vega. Even though Terrania still faces many challenges, Rhodan decides he can’t ignore the signal and puts together a team, which includes Crest’s adopted daughter, the Arkonide Commander Thora, to investigate. Rhodan and his team arrive at Vega and discover a race of reptillian creatures called the Topsidans have taken it upon themselves to conquer the system. The natives of Vega are blue-skinned human-like creatures known as the Ferron. Perry Rhodan and his team are attacked and soon find themselves separated and fighting desperately just to stay alive.

Soon after Perry Rhodan and his team leave the Earth, another alien species turns up. These are the Fantan, who collect anything and everything that happens to grab their interest. It can be something as mundane as a porta-potty to something as crucial as a major bridge or a rescue vehicle. It can even be people. Reginald Bull and Eric Manoli, two of the astronauts who went to the moon with Rhodan and met the Arkonides, are soon collected along with two young mutants. This group eventually teams up with the alien mutant mouse-beaver known as Gucky and begin to plot a way to escape the Fantan

As all of this is going on, humans have learned that Arkonides visited Earth in the distant past and there’s an ancient Arkonide base and ship under the ocean. The humans on Earth hope to use this ancient technology to find a way to get rid of the Fantan who are proving far more than a mere nuisance.

Through the course of these eight novellas, these very disparate plot lines play out and eventually find their way to a common solution. There were many great moments in the series. I enjoyed how Perry kept trying to find a way not only to survive being stranded in the Vega system, but kept looking for ways to bring peace to the system again. One of my favorite moments in this arc was when Reginald, Eric, and Gucky put on the musical The Pirates of Penzance as a way to distract the Fantan and try to escape. Another fun moment came in the novella “A Step Into the Future” by Bernd Perplies, when he introduces a reporter named Dayton Ward, a name strongly associated with Simon and Schuster’s Star Trek novels in the United States.

As it turns out Bernd Perplies has translated several English-language Star Trek novels into German and was a co-author of the Star Trek: Prometheus novels. I wrote to Dayton Ward and asked if he and Perplies knew each other and Ward confirmed they had, in fact, corresponded. I know Dayton because we were co-editors on our own book of exciting space tales called Maximum Velocity. If you’re a fan of exciting space adventure like Germany’s Perry Rhodan series, I suspect you’d enjoy our short story collection. You’ll find stories by people like Mike Resnick, Irene Radford, and C.J. Henderson. There are even stories by Dayton and me. You can pick up a copy at https://www.amazon.com/Maximum-Velocity-Full-Throttle-Space-Tales/dp/1614755299/

I’m sorry to say, I don’t see any forthcoming volumes of Perry Rhodan NEO listed on J-Novel Club’s website. I’m hoping they’re just taking a brief hiatus, otherwise, I’ll have to dust off my German skills to continue into the next 26 story arcs!

The Threepenny League of Extraordinary Gentlemen

This last week, I’ve been working on a new steampunk story. After I wrapped up the story, I decided I wanted to read something in a similar vein to celebrate. When I think “steampunk” one of the first stories that comes to mind is The League of Extraordinary Gentlemen graphic novel written by Alan Moore with art by Kevin O’Neill. I’ve read the first two volumes of their centuries-spanning epic, so decided this was a good opportunity to dive into volume 3. The third volume, chronologically, is called “Century” and is, itself, split into three volumes. The first volume of “Century” is set in 1910.

Century: 1910

This volume opens on the island from Jules Verne’s Mysterious Island. Captain Nemo is dying and he asks his estranged teenage daughter Janni Dakkar to succeed him as captain of the Nautilus. However, she wants no part of this. She swims out to a passing steamer and stows away. Once the steamer reaches London, she assumes the name Jenny Diver. Also on the ship is a criminal returning to London, Captain Jack MacHeath. We learn that this MacHeath is both the son of the Captain MacHeath immortalized in Bertolt Brecht’s The Threepenny Opera, and the man responsible for most of the original Jack the Ripper murders.

Meanwhile, Alan Quartermain Jr. and Mina Murray are still working for the British government. Their associate, Thomas Carnacki — a detective created by William Hope Hodgson — has been having visions of a horrible disaster in which many people will die along with visions of a cult attempting to bring about Armageddon. Mina and Quartermain investigate, then report to their boss, Mycroft Holmes. Holmes tells them about MacHeath’s arrival in London and suggests that he may be responsible for the deaths Carnacki foresaw.

Meanwhile Nemo’s crewman Ishmael finds Janni and informs her that her father has died and that he’s willed the Nautilus to her. She refuses, but Ishmael gives her a flare gun to summon the Nautilus in case its needed. That night Janni is raped by patrons of the inn where she’s found employment. She summons the Nautilus, which razes London’s East End while Suki Tawdry, a character from The Threepenny Opera, sings the Kurt Weill song “Pirate Jenny.” Meanwhile, MacHeath is arrested and Mycroft Holmes plans to hang him without a trial, but the other man who committed the Ripper murders confesses to all the crimes and so MacHeath is set free, paralleling Brecht and Weill’s play.

As a fan of Jules Verne, the original League of Extraordinary Gentlemen, and The Threepenny Opera, this graphic novel delighted me a great deal. The strongest part for me was the story of how Janni took over as captain of the Nautilus. Mina Murray and Alan Quartermain Jr.’s investigation into apocalyptic disaster really doesn’t come to a satisfactory conclusion, but I gather this part of the story line set things up for the next two volumes of “Century.”

I often find myself turning to The Threepenny Opera when I need to put contemporary news into perspective. In the play, MacHeath is intended to be the kind of man who, when given a choice, will always take the path that makes him the most profit. I think we see several analogs for that behavior today! If you ever want to explore the music of The Threepenny Opera, I highly recommend the 1976 Broadway recording featuring Raul Julia as Captain MacHeath.

Suki in my Space Pirates’ Legacy novels actually was named for Suki Tawdry from The Threepenny Opera. She’s featured in Firebrandt’s Legacy and The Pirates of Sufiro. You can find those novels at: http://davidleesummers.com/books.html#pirate_legacy

If you’re more in the mood for steampunk, check out my Clockwork Legion series. Like Janni Dakkar, Captain Onofre Cisneros is a successor to Captain Nemo. You can learn about those novels at: http://davidleesummers.com/books.html#clockwork_legion

Finally, on the subject of alternate history, Sheriff Chuck Davis from my novella, Breaking the Code, visits Queen Titania’s Court. Find out what happens when he meets the queen of the fae and learn a little more about the novella here: https://wyrmflight.wordpress.com/2022/06/08/breaking-the-code-queen-titanias-court/

Irina: The Vampire Cosmonaut

As a writer and an avid reader, I find myself subscribed to the newsletters for several publishers. One of those is Seven Seas Entertainment, which translates Japanese manga and light novels into English. In their latest newsletter, they mentioned a forthcoming light novel which caught my eye simply because of the title: Irina: The Vampire Cosmonaut. According to Seven Seas, the novel tells the story of how a space race between two global superpowers led to the “Nosferatu Project.” After sending dogs into space, one of the superpowers decides to send vampires into space before sending humans. This seemed right up my alley! Effectively it’s an atompunk alternate history with vampires. After a little more searching, I discovered the light novel series inspired an anime of the same name and the anime had recently been released in the United States via Funimation.

Irina: The Vampire Cosmonaut

In the world of this story, the space race is between the Zirnitra Union of the East and the United Kingdom of Arnack in the West. The reason these countries arose instead of the superpowers we know from our history is never discussed. The UZSR has a red flag with snakes. The United Kingdom has a flag with stars and stripes, so it’s not hard to guess who stands in for whom. This world also contains vampires who live predominantly in Eastern Europe. These vampires aren’t the monsters of our mythology, but simply another race of people who happen to be sensitive to sunlight, have pointed ears, and sharp teeth. They eat normal food, but they can gain an energy boost from drinking blood. It’s almost as though Neanderthals survived into the modern world. In the alternate world of the anime, the vampire legends arose as a kind of propaganda to stir hatred and revulsion of vampire kind, and to justify invasions into their lands. It becomes a rather clever way to discuss hatred and bigotry without invoking the all-too-numerous examples we can draw from our real history.

In 1960, the UZSR recruits a vampire to be trained as a cosmonaut. This vampire is the Irina Luminesk of the title. She’s to be trained by Lev Leps, a reserve cosmonaut candidate. Lev was supposed to be one of the regular cosmonaut candidates except that he has a temper and attacked a man who abused one of his fellow cosmonaut candidates. The anime follows Irina’s training along with Lev and Irina’s growing affection for one another. As a fan of the world’s space programs, I found it delightful to see space craft based on early Soviet designs, rather than the oft seen American designs. Characters in the story seem to have historical parallels as well. Party Chairman Fyodor Gergiev is clearly based on Nikita Khrushchev. Lev Leps is basically Yuri Gagarin and his chief rival Mikhail seems based on Gherman Titov. One fun thing I noticed is that while the writing on shops and containers in the anime appears to be in Cyrillic script, the words are actually in English.

Of course, the vampire Irina is the focus of the show. We watch as she trains to be every bit as capable as the human cosmonaut candidates, even when many of the scientists testing and training her buy into the superstitions about vampires. I found myself cheering as she overcame her fear of heights to master parachuting. Given that she’s treated as an animal by many of the scientists and politicians, there’s a real tension about whether or not she’ll survive her first space flight and I won’t spoil things by saying whether or not she does.

It’s a shame this anime came out so close to the Russian invasion of Ukraine. I suspect many will shun it because of a perceived connection with Russia even though I suspect no such connection actually exists. In some ways, the series is actually rather critical of the Soviets and their treatment of those countries they took control of. What’s more, one of the themes of the anime is that people can change and become better. In a very real way, it reflects the spirit of Yuri Gagarin who said, “Orbiting Earth in the spaceship, I saw how beautiful our planet is. People, let us preserve and increase this beauty, not destroy it!”

I enjoyed the anime enough that I decided to pre-order the light novel so I can get to know the characters better. It will be released on June 23. While waiting for the light novel’s release, you can check out my vampire novels at http://davidleesummers.com/books.html#scarlet_order

All Dozen Novels in Print

With last week’s publication of Owl Riders, all twelve of my novels are now in print and available for purchase. To celebrate, I’m having a special on the first and second novels of my series. Read on for more details.

Now, It may seem strange that this news comes three years after I released my dozenth novel, Firebrandt’s Legacy. The reason this happened is that in 2018, the rights to my Space Pirates’ Legacy novels reverted to me from the publisher and all three of the novels that follow Firebrandt’s Legacy were out of print when that novel was released. Then in 2020, before all those novels were back in print, my publisher released the publishing rights of my novels The Astronomer’s Crypt and my Scarlet Order Vampire novels. Because that release happened around the beginning of the Covid-19 pandemic, I actually was able to release new editions of those three novels fairly quickly. Last year, I negotiated the release of my Clockwork Legion steampunk series. So those novels were out of print when the last of the Space Pirates’ Legacy novels became available again. So, with the release of Owl Riders, everything is available at the same time.

A Dozen Novels

To celebrate all dozen novels being in print at the same time, I am making a special offer via Smashwords. The first ebook in each of my series is 75% off the cover price for the first week of June. The second ebook in each series is 50% off for the first week of June. This is a great time to jump into my novels if you haven’t read them, or to try a new series, if you’ve only tried one or two of my series.

So, here’s a little about each series:


The Space Pirates’ Legacy Series

The Space Pirates’ Legacy series tells the story of how Captain Ellison Firebrandt and his descendants shape the future of the Earth and the galaxy by creating a colony on a new world and their struggle with one of the universe’s most ancient life forms. Click the button below to go to the series and explore it in more detail.


The Scarlet Order Vampires Series

Founded in 1067, the Scarlet Order is a band of vampire mercenaries led by Desmond, Lord Draco. Before he became a vampire, Draco was in the line of succession for the British throne. After becoming a vampire, he sought redemption and ultimately found the best way he could survive was to help those kings and princes whose causes he believed in. Dragon’s Fall: Rise of the Scarlet Order Vampires chronicles the formation of the Scarlet Order. In Vampires of the Scarlet Order, the United States government has started a program to create super soldiers, so they don’t have to rely on vampires any more. Unfortunately, this means they are tampering with powers far beyond their understanding. Click the button below to learn more about the series.


The Clockwork Legion Series

The Clockwork Legion series tells the story of how a well meaning alien came to Earth in 1876 and unwittingly unleashed the Russian invasion of the United States. In the aftermath came a world of wonders where airships and ornithopters rule the skies, lightning guns pose a serious threat, and Native Americans control powerful battle wagons that challenge the United States Army. In the heart of it all is a small town sheriff who wants to be a diplomat and the woman he loves who wants to heal the world. Click the button below to take advantage of the special on the first two novels of the series.

Star Trek: Prodigy

As I mentioned recently, I subscribed to Paramount Plus so I can enjoy the new series Star Trek: Strange New Worlds as its released. I’m still enjoying the series, but while I’m subscribed to the service, I’m also checking out some of the other recent entries in the Star Trek universe.

One thing that has bothered me in Star Trek since The Next Generation is how competitive entry into Starfleet is presented to be. It doesn’t bother me that it’s presented as competitive. After all, exploring space should be aspirational and I have no problem with the idea that its a job for the best and brightest. The problem is the scale of the competition. Back in The Next Generation, Wesley Crusher took a whole bunch of exams and became one of three finalists for some region of space to make it into the academy. Only one of them would make it. How many people started the application process wasn’t clear, but it seemed like these were the only three finalists from several worlds. More recently, in Strange New Worlds, it was stated that thousands of people applied for every single posting.

Two things bother me about these moments. First, we know that Starfleet has many, many ships and many Starbases around the galaxy. In some seasons, it seems like a ship is destroyed every episode. Most of these ships are presented as having somewhere between fifty and a thousand crewmembers. I don’t know how many people there are in Starfleet, but it seems like there are a whole lot of them and there’s real attrition because exploring space is dangerous business! Sure, they come from different planets, but it still strikes me that there’s no shortage of people in Starfleet even though it’s also supposed to be extraordinarily competitive to get in the door. It pushes my willing suspension of disbelief. Also, while I like the aspirational aspect of the competition, I watch a show like Star Trek because I’d like to imagine myself exploring the universe with those people. If it’s presented as too competitive, then I begin to see it as an unachievable dream. Interestingly enough, this is where Star Trek: Prodigy comes in.

Star Trek: Prodigy

Star Trek: Prodigy is a 3-D animated series co-produced by Paramount and Nickelodeon. The show opens on a mining colony outside the Federation where prisoners are used as labor. They’re overseen by a mysterious figure known as Diviner. One of the prisoners, a young man named Dal, is assigned to work deep within the asteroid being mined. There he along with a Medusian in a travel suit called Zero discover the derelict Starfleet ship, the U.S.S. Protostar. Dal and Zero assemble a team of people to resurrect the Protostar and flee Diviner. Their team includes a Tellarite mechanic named Jankom Pog, a rocklike creature named Rok-Tahk, and a slime-like alien called Murph. The inexperienced crew make a getaway aboard the starship with help from a holographic Captain Janeway, from Star Trek: Voyager. The ragtag crew learns about the Federation and decides to take the ship back to Starfleet. In the meantime, we learn that Diviner has been searching for the ship all along and is none too happy with the young people absconding with the prize he’d hoped to find. Diviner, his daughter Gwyn, and the robotic enforcer Drednok go in pursuit of the Protostar.

As our young crew learns about the ship and its abilities, they find that letting it fall into Diviner’s hands would be a bad idea. Along the way, they encounter some strange new worlds, learn to work together as a team and rise to meet the challenges presented to them. There may be a certain realism in presenting placement in Starfleet as highly competitive, but to me, Star Trek’s strongest stories are often about how characters cope with unexpected challenges. There’s no question the best and brightest face difficulties, but sometimes it nice to see people who didn’t necessarily rise to the top of the class, rise to the occasion.

Over the years, Nickelodeon has produced some great shows for younger audiences. While Star Trek: Prodigy may not rise to the quality of a show like Avatar: The Last Airbender, it still tells an engaging tale, expands the Star Trek universe in some good ways and worked equally well for my twenty-year-old daughter and me.

Stay on This Channel

Terrahawks, Volume 1

As I’ve mentioned in earlier posts, I have a long drive from my home to the observatory where I work. Because of that, I like to listen to audiobooks and audio plays while on the road. This past week, I downloaded and listened to Terrahawks Volume 1 available from Big Finish Productions and the Gerry Anderson Store. The production is directed by Gerry Anderson’s son, Jamie Anderson. I gather Terrahawks was shown in the United States, but it came out when I was starting university, so I never saw it at the time. So what is Terrahawks?

Gerry Anderson was a producer well known for producing memorable science fiction and adventure stories in the United Kingdom. Among his most famous shows were Thunderbirds, which ran from 1964-66 and followed the exploits of International Rescue, an agency equipped with advanced air, sea, and space craft that went to the aid of people in trouble. This was followed by the 1967-68 series Captain Scarlet and the Mysterons which imagined a top security organization charged with protecting Earth from space invaders. Both shows were produced for younger audiences and featured marionettes. Anderson would go on to produce live action shows in the 1970s like UFO and Space: 1999. Like Captain Scarlet, UFO also featured a security organization protecting the Earth from aliens.

In 1983, Gerry Anderson returned with a new television series. Like Captain Scarlet and the Mysterons and UFO, it would feature a secret organization protecting Earth from an alien menace. This show also marked a return to a show produced with a children’s audience in mind featuring puppets. This time, the puppets would be “glove” puppets rather than marionettes, but the show would still feature Gerry Anderson’s quality model work and special effects. The show was called Terrahawks. The aliens were led by a witch-like android named Zelda. She was accompanied by her sister, Cy-star, and her son, Yung-star, plus an assortment of colorful minions. They operated from a base on Mars.

The titular Terrahawks were Earth’s defense force, led by Dr. “Tiger” Ninestein. He was one of nine clones and if he ever died, one of the other clones could be brought in to replace him. His second-in-command was Captain Mary Falconer. Working with them were Lieutenants Hawkeye, Hiro, and Kate Kestrel. Kate also worked as a pop musician and her songs were featured in the show. The Terrahawks organization also has a force of spherical robots called Zeroids. Each of the Zeroids have their own unique personality such as the gruff but loveable Sergeant Major and his right-hand, the French-accented Dix Huit. When Terrahawks started, it seemed Gerry Anderson planned to give it the same kind of earnest, serious treatment as he did Captain Scarlet and UFO. However, budget constraints and the type of puppetry, which was new for Anderson, made it hard to take the show as seriously as its predecessors. Many creators would struggle to bring such a show into line with their vision, but Anderson seems to have rolled with it and allowed the show’s more absurdist and humorous elements to come to the fore. What made the show work were the fun scripts and brilliant voice acting. As such, the show translates very well to an audio-only format.

The Terrahawks Volume 1 audio was released in 2015. It contains eight 30 to 40-minute stories plus a making-of feature. The audio opens with “The Price is Right” in which a government inspector arrives to audit the Terrahawks after Zelda has gone on hiatus for several months. Working at the National Observatory in the United States, I’ve seen many of these kind of inspections and the humor was much appreciated. In “Deadly Departed,” it appears Zelda has finally been destroyed, but everyone is surprised to discover that Tiger Ninestein is named as her heir! The episode “101 Seed” was an episode written for the original series by Gerry Anderson, but never filmed.

“A Clone of My Own” was perhaps the most interesting story. Zelda begins killing off Tiger Ninestein’s clones. Lurking in the background is a serious look at the individuals who are Tiger Ninestein’s clones and the ethics of using them as backup models for the Terrahawks’ leader. Another really interesting idea was explored in Chris Dale’s “Timesplit.” In that one, Zelda’s minion Lord Tempo creates two versions of Lieutenant Hawkeye based based on the possible outcomes of an encounter. He would either escape or be captured. In this case, both happen.

Two of the funniest episodes are “Clubbed to Death” in which Zelda starts a payday loan scam on Earth and “No Laughing Matter” in which a comedian is sent to paralyze our heroes by making them laugh to the point that they can’t effectively defend the Earth.

Throughout the stories, the Zeroid robots infuriate the always-serious Dr. Ninestein. In the final story, “Into the Breach,” the good doctor creates a new type of Zeroid called a Cyberzoid that follows orders perfectly and it looks like the Zeroids will be shelved for good in favor of new robots that sound like fans of Arnold Schwarzenegger.

I enjoyed these audio stories a great deal. The story “Deadly Departed” is free to download at the Gerry Anderson Store or from Big Finish Productions if you would like to give the stories a try. Otherwise, you can find the full volume at the links below:

Peering Into Distorted Mirrors

The first time I encountered the idea of parallel worlds — where you might encounter familiar faces existing in an altered reality — was the classic Star Trek episode “Mirror, Mirror,” written by Jerome Bixby. The episode imagines Kirk, McCoy, Scotty, and Uhura entering an alternate version of their world where a totalitarian Imperial Earth controls the galaxy instead of a benevolent Federation of Planets. Crewmembers move up in rank by assassinating superior officers and starships are sent to dominate worlds. To me, and I believe many other fans as well, it stands out as one of the more memorable episodes. Despite that, Star Trek would not revisit the “mirror universe” again until Deep Space Nine. At that time, we learn that Spock of the mirror universe attempted to affect changes to the Earth Empire, which, in turn, made the empire weak and allowed the Klingons and Cardassians to take over much of the galaxy. Of course, one wonders what the Mirror Universe equivalents of Captain Picard and the crew of the Enterprise-D were doing during this time.

Mirror Universe Collection

IDW Comics decided to explore this idea in a set of comic book miniseries which have been collected in the graphic novel Star Trek: The Next Generation, Mirror Universe Collection. The graphic novel contains three complete story arcs. The first, “Mirror Broken,” tells the story of how the mirror universe Jean-Luc Picard took command of his version of the Enterprise. This story features beautiful painted artwork by J.M. Woodward and is possibly the best artwork I’ve seen in a Star Trek comic. The story by David & Scott Tipton does a nice job of weaving a Next Generation story out of our glimpses of the mirror universe from the TV series. The second arc is “Through the Mirror” which imagines the mirror universe Picard and his crew finding a way into our universe to plunder technology and resources. Of course the Picard of our universe must do what he can to thwart the mirror Picard. The final story arc is “Terra Incognita” in which the mirror universe engineer Reginald Barclay is stranded in our universe and must find a way to blend in. This proved to be my favorite story since it focused on one character, how he was the same and different from his counterpart in “our” universe and how he had to learn to fit in to survive and thrive.

The graphic novel also contains two one-shot stories: “Origin of Data” and “Ripe for Plunder.” Both stories were interesting. The latter involves the mirror universe Data seeking out the deposed Emperor Spock in exile. The idea was interesting, but I thought the tale deserved more nuance than a one-shot story allowed.

To me, the appeal of parallel universe stories is that they allow us to explore “the road not traveled.” We can look back at history and ask what if historical figures made different choices than they did in the history we know? This is what I do in my Clockwork Legion novels. Such alternate universes don’t have to be “dark” universes like the one presented in Star Trek’s mirror universe. They can be an exploration of human drives under different conditions. They can provide for a fun character study. Although I have issues with Star Trek: Into Darkness, I still love the idea of exploring the Enterprise’s encounter with Khan Noonien Singh under different circumstances than we knew in the original series.

In an interesting piece of real-world alternate history, I gather Jerome Bixby and his son Emerson wrote a sequel to “Mirror, Mirror” called “Broken Mirror” for Star Trek: The Next Generation. This version was written before Deep Space Nine’s creation and imagined Spock from the mirror universe discovering a problem which developed when Captain Kirk and his landing party returned to their home universe many years before. Apparently matter from the two universes would have been leaking into one another creating a disaster about to happen, which required crews from both universes to work together. I would love to see this story adapted or even a published version of the screenplay.

Dark alternate universes provide an interesting approach to the cautionary tale. “Mirror, Mirror” and its sequels give us a look at what our future might be like if we give into our darker, more totalitarian natures. After all, there’s no guarantee the Star Trek universe is ours. We could be living inside the mirror.

You can explore my alternate version of the late 1800s by reading the Clockwork Legion series, which is available at: http://www.davidleesummers.com/books.html#clockwork_legion

Exploring Strange New Worlds

A little over two weeks ago, I was a panelist and vendor at El Paso Comic Con. I had a great time at the convention. Tamsin Silver and I hosted three writing panels. On two of the panels, we asked another attending author, Alan Morgan, to join us. The panels were the best-attended writing panels I’ve seen at El Paso Comic Con. We spoke about “Researching Your Fiction,” “Getting to Know the Characters in Your Head” and “From Weird Westerns to Space Opera.” The first two panels were focused very much on the process of writing. We discussed how research is important whether you’re writing historical fiction, space opera, or even fantasy set in a world of your own creation. At the very least you need to know how things work so you can describe them realistically. The character panel focused on how we can pull from people all around us to create characters. Alan brought a great perspective to both of these because he writes games as well as fiction. The final panel, “From Weird Westerns to Space Opera” essentially brought the themes of the other two panels together by considering how the process of creating all speculative genres share common elements.

It was appropriate to discuss space opera at the convention, since one of the featured guests was none other than William Shatner. My wife and I got to meet him briefly for a photo op. Unfortunately, these photo ops don’t give much opportunity to interact, but we did exchange pleasantries and I have heard Shatner speak on other occasions.

William Shatner, David Lee Summers, and Kumie Wise

Now I will confess, I did Photoshop this image slightly. Since everyone was unmasked for the photo, they placed us a few feet from Mr. Shatner. I simply closed up the gap to give the photo a more friendly feel. One thing that was fun about meeting Shatner when we did was that it came just before the debut of Star Trek: Strange New Worlds which features a character first portrayed by none other than William Shatner.

In earlier posts, I’ve discussed my reluctance to subscribe to streaming services. However, I’ve been looking forward to Strange New Worlds for a while and I decided I didn’t want to wait for the video release. Overall, I enjoyed the first episode and I look forward to seeing how it plays out. For those who haven’t seen it, this new Star Trek is set aboard the U.S.S. Enterprise roughly six years before Captain Kirk takes command. The Enterprise is commanded by Captain Christopher Pike played by Anson Mount. His First Officer is Una Chin-Riley played by Rebecca Romijn and his science officer is Mr. Spock, played by Ethan Peck.

Ethan Peck and David Lee Summers at WIYN

The episode opens when a starship approaches a planet to make first contact. We then cut to a scene in Montana where Captain Pike is on leave between missions while the Enterprise is undergoing refit. Admiral Robert April turns up and informs him that the first contact mission went awry. What’s more, that mission was being commanded by Una. So, the Enterprise must leave on its mission early to find out what happened. Robert April is a character we first met in the animated Star Trek series where he was introduced as the captain of the Enterprise before Pike. I won’t say much more at this point because I don’t want to risk spoilers. One of the things I did find interesting about the episode was that it posited the idea of the warp drive being weaponized. Tying this back into the discussion of the El Paso Comic Con panels, one thing that came up back in the 1990s when I was first researching engines and plausible methods of faster-than-light travel, was how often new power sources can be weaponized, which led to the dual concepts of Quinnium weapons and the Erdon-Quinn drive in The Pirates of Sufiro. You can see the results my research along with an array of colorful characters by reading the novel, which is available at: http://davidleesummers.com/pirates_of_sufiro.html

Another fun element of the new Star Trek series was getting to see more of Ethan Peck’s work. As I’ve mentioned before, he visited the WIYN telescope on my birthday in 2019 as we were commissioning the NEID Spectrograph, which actually looks for strange new worlds around other stars. I am glad to be part of a team that’s paving the way for a Star Trek-like future and I think it’s very cool that one of the actors in the series has actually seen some real exploration of strange new worlds.

Celebrating Moms

Tomorrow is Mother’s Day and I thought it would be fun to take a look at some of the moms who appear in my fiction. In a very real way, I owe my start as a novelist to my mom. In 1993, I read The Magic Journey by John Nichols. One of the characters was a woman who grew up in a small New Mexico town, but left to make her own life elsewhere. Elements of the story reminded me of the stories my mom told about growing up on a homestead near Raton, New Mexico and moving out to California with her cousin in the 1940s. The confluence of ideas made me think I could tell a generational story set on an alien world. That story became The Pirates of Sufiro.

The Pirates of Sufiro

As it turns out, there are several moms throughout the Space Pirates’ Legacy series. Suki Mori’s mom appears in Firebrandt’s Legacy and storms off to Epsilon Indi 2 to rescue her daughter from a crime boss. The Pirates of Sufiro opens with Ellison Firebrandt’s mother appearing for the first time in years. She’s on a quest to end piracy and while she could have taken him off to trial and possible prison time, she chooses to maroon him in space with just enough fuel to reach an uninhabited planet where he can make a home. Once they reach Sufiro, Suki becomes a mom. Her arc echoes my grandmother’s story. Like my grandmother, Suki was portrayed as a strong woman who helped build a homestead, but sadly died far too young. Despite that, Suki’s daughter Fire grows up to become a historian and also raises a son. Fire continues as an integral character in Children of the Old Stars and Heirs of the New Earth. You can learn more about the Space Pirates’ Legacy books at: http://davidleesummers.com/books.html#pirate_legacy

Vampires of the Scarlet Order

As a parent, one of the scariest things to imagine is harm coming to one of our children. For most of us, the last thing we can imagine is deliberately hurting one of our children. This is one reason the legend of La Llorona here in the Southwestern United States is so terrifying. It tells the story of a mother who drowns her own children, then immediately regrets it and drowns herself. The legend inspired the vampire Mercy in my Scarlet Order vampire novels. In this case, Mercy fed on her children when she became a vampire. In an attempt to make peace with her conscience, she becomes a mentor to two younger vampires. I’m planning to explore Mercy’s character more in the third Scarlet Order novel, which I’ve been working on. You can learn more about the Scarlet Order vampire novels at: http://davidleesummers.com/books.html#scarlet_order

Owl Dance

Three moms make prominent appearances in the Clockwork Legion novels. The first is Ramon’s mom, Sofia Morales who appears at the end of Owl Dance and the beginning of Lightning Wolves. Ramon inherits his wisdom and compassion from her. Later, in Owl Riders, once Fatemeh Karimi has married Ramon, she becomes mom to a precocious daughter named Alethea. Among other things, Fatemeh passes along her ability to listen to owls and understand what their verbal and nonverbal communications mean. In the final act of Owl Riders, we meet Fatemeh’s mom in Persia and learn where Fatemeh gained many of her healing gifts. I’m in the process of proofreading the new edition of Owl Riders and have been enjoying spending time with Fatemeh and her family again. You can learn more about the Clockwork Legion novels at http://davidleesummers.com/books.html#clockwork_legion

The Astronomer’s Crypt

Even my horror novel, The Astronomer’s Crypt has a mom. Astronomer Dr. Bethany Teter is a mom-to-be. She’ll do everything she can to protect her unborn child, which is a challenge when the storm of the century blows up on the mountain where she’s observing, drug traffickers arrive, and a monster from the dawn of time appears. She does a good job looking out for herself, but she also has allies in her husband and a friendly ghost who watches out for the mountain’s astronomers. You can learn more about the novel and watch a short film based on the novel at: http://davidleesummers.com/Astronomers-Crypt.html

Since this is the day before Mother’s Day, I suspect you already have any gifts for the moms in your life. However, I’m sure many moms out there would love more ebooks on their readers. Following the links will tell you how to find them. I hope you’re able to celebrate Mother’s Day with a special mom. I’ll be celebrating with my wife and remembering my mom.

Burning Dreams

While waiting for this Thursday’s premier of Star Trek: Strange New Worlds, I decided to spend some time with one of the novels featuring Captain Christopher Pike and the crew of the Starship Enterprise in the days before Captain James T. Kirk. Soon after I had watched the second season of Star Trek: Discovery season 2, which introduced Anson Mount as Captain Pike, Rebecca Romijn as Number One, and Ethan Peck as Spock, I dived in and read D.C. Fontana’s novel Vulcan’s Glory which is also set in this era along with reprints of Marvel Comics’ great series Star Trek: The Early Voyages. As you might imagine, Fontana’s novel focused on Spock and I picked her novel since she was so involved in Star Trek’s development and the development of Vulcan culture. I wasn’t disappointed and was treated to an enjoyable look at Spock’s early years aboard the Enterprise. For my recent read, I chose Burning Dreams by Margaret Wander Bonanno which focused on Captain Pike.

Burning Dreams by Margaret Wander Bonanno

Burning Dreams was released in 2006 as part of Star Trek’s 40th anniversary celebration and it’s a sweeping novel that covers much of Captain Pike’s life and career. In the two-part original series episode, “The Menagerie,” we learn Captain Pike was grievously wounded saving cadets during a training voyage. He becomes a quadriplegic who can no longer speak. Spock takes him to the planet Talos IV. The inhabitants there have phenomenal powers of illusion and can create an environment where Pike’s active mind can express itself. What’s more he has a companion, the survivor of an earlier crash named Vina, who was also seriously wounded and relies on illusion for a happier life than she would have in human society.

The novel opens in the 24th century. Several decades have passed since Captain Pike was left on Talos IV. Spock is an ambassador and he’s summoned to Talos IV. He remembers leaving the captain on the planet. We then shift to Pike’s point of view where he meets Vina again and begins telling his life story. We learn that Captain Pike’s family terraformed worlds for the Federation and we learn how he developed his love of horses. Once Pike is grown, we follow him on a transformative mission where he served as first officer under a hawkish Starfleet captain. Then we follow one of his adventures aboard the Enterprise. The novel tells us that Pike commanded the Enterprise for two separate five-year missions. The novel ends with Ambassador Spock reaching Talos IV, where he learns Captain Pike has died. Despite that sad, but expected news, we are treated to the kind hopeful ending the best Star Trek episodes excelled at.

Around the early 1980s, Gene Roddenberry and a few people in his inner circle went to some effort to define Star Trek’s “canon.” By that point, Paramount Studios had granted licenses to create tie-in media such as books and comics. Understandably, with an eye on the series’ future development, Roddenberry wanted to define the official continuity of the series and no one monitored the continuity of that tie-in media. That said, this process was taken to extremes. Whole series and movies were declared not part of the canon and I’ve seen fans get into intense arguments over what is and isn’t canonical Star Trek.

I’ve seen indications that the current Star Trek production team has a friendlier approach to the tie-in media and I’ve heard murmurings that they have tried to find ways to work in certain elements from the tie-in media that play well with the established continuity, but don’t over-constrain the current writing teams. Enough details about Star Trek: Strange New Worlds have appeared in the media to make it apparent that its story differs in some details from those presented by Margaret Wander Bonanno in her novel. Still, there are a few tantalizing hints that the series and novel may dovetail in some interesting ways.

In a world like Star Trek where they’ve established that multiple universes exist and they’ve even created new canonical universes through time travel stories, I find it hard to get too worked up about what is and isn’t part of the canon. I was glad to meet Margaret Wander Bonanno’s version of Captain Pike. It delighted me that she used aspects established in D.C. Fontana’s Vulcan’s Glory and the Marvel comic series. I would love it if elements from Burning Dreams appeared in the new TV series. If they don’t, I’m still glad to have spent some time with this novel’s version of Captain Pike. All I ask is that TV series tell a similarly compelling story.