2020 Foresight

In the last post, I looked back to the previous decade. Now, I want to take a look forward at what’s coming next. As it turns out, I’m entering the year 2020 with three projects right at the final editing and typesetting stages, so those are occupying much of my attention at the moment and I expect they will all go “live” in the first quarter of this year.

One of the projects that will appear in the next couple of months is the anthology Exchange Students edited by Sheila Hartney. It features twenty-two stories from a diverse group of authors who explore the idea of exchange students in a variety of settings. Some stories imagine interplanetary exchange students, some imagine time traveling exchange students. We have an exchange student from Hell visiting Heaven. There are also stories about exchange students crossing between our world and fantasy worlds. Throughout the book, you’ll hear stories from the perspectives of the teachers, students, and parents who find themselves in these situations. The final edited manuscript has just been delivered to me and I plan to start typesetting the book this week, then I’ll get in touch with the cover artist about finishing the cover, teased in the thumbnail at the head of this paragraph.

I’m also excited to be presenting Don Braden’s first novel. Don is a retired high school teacher who has often used science fiction as a teaching tool in the classroom. Don has also written for Tales of the Talisman Magazine. What’s more, I’ve almost literally known Don my entire life. He was my brother’s English teacher before I was even old enough to go to school.

Don’s novel is called Upstart Mystique. The novel opens with the space vessel Marco P en route to a distant colony world. The ship loses all power and an unknown force convinces the navigator that a distant, dead world is the vessel’s true destination. Commander Malcolm Carpenter orders the crew to abandon ship to protect them and to learn how to defeat whatever force has intercepted his ship. The crew discovers a small group of inhabitants, the only people on the planet who were not uploaded into a vast computer network—a computer network captivated by upstart humans and their imaginations. To free his crew and his navigator from the planetary network’s grip, Commander Carpenter must face a moral dilemma. Can he save his crew without condemning a planet’s inhabitants and their digital ancestors to death?

I’ve finished the first typesetting pass of Upstart Mystique. It needs a cover and a final check by the author, then it’ll be ready to go to press!

The third book I’m working on is the 25th Anniversary edition of my own novel, The Pirates of Sufiro. When the rights to the “Old Star/New Earth” series were returned to me, I wrestled with how much to re-edit these books. They were my early books and I renamed the series “The Space Pirates Legacy” in part because one of the major characters has a vessel named Legacy and in part because I do see it as my “legacy” series. It’s the series where I cut my teeth as a writer, so to speak, and mostly I wanted to bring them back so they were available to fans who wanted my early work. Still, I felt like Pirates had some cool ideas that were buried in awkward writing. Also, the only ebook edition of the book had some problems that made it even more of a challenge to read. If I was going to put this book back on the market, I owed it to readers to improve what I could. I’ve just completed the actual rewriting portion of the project. I have a few more edits to do, then I’ll start typesetting. Again, the actual book should be available for purchase in the very near future. That said, people who support my Patreon at http://www.patreon.com/davidleesummers will get a code to download it for free once it’s released.

After this, it’ll be time to move on to the next wave of projects. While typesetting and finishing these books, I hope to make some decisions about what will be next. Some things are clear. I’ll be revising and re-issuing the rest of the Space Pirates Legacy series: Children of the Old Stars and Heirs of the New Earth. At this point, I don’t expect they’ll take the kind of time I’ve devoted Pirates, but I do need to re-read and evaluate them. I do plan to polish and work on some short stories I have in mind and send them out to editors. Presuming Children and Heirs don’t prove as time consuming as Pirates, I’ll probably start work on the next new novel. You can share your thoughts about what that should be in the comments below, although I’ll also be asking my Patreon supporters and I do give their thoughts more weight.

End of Year Sales

As the year draws to a close, Hadrosaur Productions is pleased to offer our ebooks at a discount through the Smashwords End of Year Sales Event. All of our books normally priced higher than $1.00 are on sale through tomorrow. This is a great chance to load up your e-reader with some great new books.

Travel to the Past

Fallen Angel is the story of Mabel, an angel from Hell, who accompanies General Grant’s army during the last days of the Civil War only to discover that Martians are watching the Earth with envious eyes and slowly drawing their plans against us. Not only that, but Mabel has to contend with her evil sister, who wants to have humans for dinner. Use discount code SEY50 to get Fallen Angel for just $1.50 at: https://www.smashwords.com/books/view/924099

Sugar Time collects Joy V. Smith’s Sugar Sweet stories into one volume. When Sugar Sweet’s Uncle Max falls ill and his collaborators disappear, she investigates the old Victorian mansion where he conducted his research. She soon finds the collaborators — or what’s left of them — along with an angry Neanderthal. She also finds her uncle’s research project, a working time machine. Sugar Time is available for $1.50 with discount code SEY50 at: https://www.smashwords.com/books/view/567992

In Revolution of Air and Rust, tt’s 1915 and the American Expeditionary Force has invaded Northern Mexico. Pancho Villa leads his revolutionary army in a desperate raid against the American force only to be outflanked. Just as American airships prepare to deliver the death blow, Pancho Villa is transported to a parallel Earth where he finds an unexpected ally and the technology that might turn defeat into victory. Revolution of Air and Rust is available for $1.50 with discount code SEY50 at: https://www.smashwords.com/books/view/254622

Great Story Collections

NASA’s Kepler Space Telescope has discovered thousands of new planets. Visiting, much less settling, those worlds will provide innumerable challenges. The men and women who make the journey will be those who don’t fear the odds. They’ll be Kepler’s Cowboys. Saddle up and take an unforgettable journey in this anthology of science fiction stories about planets discovered by NASA’s Kepler mission. Kepler’s Cowboys is available for 75% off the cover price with coupon code SEY75 at https://www.smashwords.com/books/view/698694

Explore P’Eng-Lai, the legendary home of the immortals in Tales of the Talisman volume 8, issue 3. Travel to an exotic future inhabited by the bee and wolf tribes. Join a quest for a druid’s master — just be careful, the master has been dabbling in forbidden magic! Climb rugged mountains in search of dragon eggs and power. These and other tales of the imagination await in this issue of Tales of the Talisman. This issue is available for $1.50 using discount code SEY50 at https://www.smashwords.com/books/view/377360

Thanks to all the readers out there who have made 2019 a year to remember. I wish you a wonderful and prosperous 2020 filled with good books, new discoveries and amazing adventures.

Books for a Buck

Did you receive a new e-reader or a tablet this week? Does it need some good books? Are you just looking for some good reading for the new year? If so, I’m here to help you out! Smashwords is having its annual End of Year Sale and Hadrosaur Productions is happy to be one of the participating publishers. All of our books are on sale and many of them are available for only $1.00 apiece. Read on to learn more about them. Remember, when you check out, make sure coupon code SEY75 has been applied to receive your ebook for only $1.00. The sale only lasts until New Year’s Day, so don’t wait too long!

Hybrid, The Ethereal War

In Armageddon’s Son, Ex-CIA Agent Erik Knight is recruited to assist his mentor, Martin Denton, in discovering the identity of the mysterious thief who stole the Ruby Crucifix of Christ from the very heart of Vatican City. In order to solve the mystery, the agents must accept that the world as they know it is mere illusion, hiding a brutal physical and spiritual war of ‘Good’ versus ‘Evil’. You can get Armageddon’s Son for $1.00 at https://www.smashwords.com/books/view/928557

The hidden battle between good and evil approaches a boiling point in Battle Lines. CIA Agent Erik Knight and his trusted ally, Martin Denton, must confront demons, angels, aliens, corrupt politicians and evasive clergymen as they hunt down the demon Molec in a desperate, final attempt to avoid a catastrophic, world-ending battle which would have repercussions across the galaxy and the multiverse. You can get Battle Lines for $1.00 at https://www.smashwords.com/books/view/957504

Science Fiction Novels

In The Solar Sea, whales around the world changed their songs the day scientists announced the discovery of new particles around Saturn’s largest moon which could solve Earth’s energy needs. The Quinn Corporation rushes to build a solar sail space craft to unlock the secrets of these strange new particles. The crew makes a grand tour of the solar system and discovers wonders and dangers beyond their imagination. You can buy The Solar Sea at: https://www.smashwords.com/books/view/805692

In Firebrandt’s Legacy, Ellison Firebrandt fights the good fight for Earth. Under a letter of marque, he raids the ships of Earth’s opponents, slowing down their progress and ability to compete with the home system. On the planet Epsilon Indi 2, he rescues a woman named Suki Mori from a drug lord, only to find she isn’t so happy about living a pirate’s life. However, when the captain finds a new engine that will make him the most successful pirate of all, Suki is the only one who can make it work. Now Firebrandt must find a way to keep his crew fed and his ship supplied while relying on a woman who barely trusts him and while every government in the galaxy hunts him to get the engine back! Try Firebrandt’s Legacy for only $1.00 at: https://www.smashwords.com/books/view/916916

Two Great Collections

Legends of the Dragon Cowboys brings you two weird western adventures by authors David B. Riley and Laura Givens. Their heroes ride boldly out of the Far East to find their way in a mythic land of danger, romance, and adventure. Their heroes encounter Mayan gods, Native American spirits, Yeti, Voodoo despots and more! The Wild West just got a lot wilder! Get Legends of the Dragon Cowboys at https://www.smashwords.com/books/view/751811

A Kepler’s Dozen presents thirteen action-packed, mysterious, and humorous stories all based on real planets discovered by the NASA Kepler mission. Edited by and contributing stories are David Lee Summers, editor of Tales of the Talisman Magazine, and Steve B. Howell, project scientist for the Kepler mission. You can get A Kepler’s Dozen for just $1.00 at: https://www.smashwords.com/books/view/325583

Remember all of our books are on sale. If you you didn’t see something you like here, please visit hadrosaur.com and browse the books there. To find the books on sale, just visit the Smashwords link on the books’ detail page.

JSA Strange Adventures

I saw this graphic novel on the shelf of my local comic shop and pointed it out to my wife. As I’ve noted in earlier posts, I’m a fan of the first superhero team in comics, the Justice Society of America, who first appeared around World War II. What’s more, this comic was penned by Kevin J. Anderson, a writer I’ve long enjoyed and one I’ve had the privilege of working with. Not only that, but one of the truly legendary science fiction writers, Jack Williamson, both wrote the introduction and plays a starring role in the story. I was pleased when the graphic novel turned up as one of this year’s birthday presents.

The graphic novel collects comics originally released in 2004-2005. It tells the story of Lord Dynamo, an intellect with amazing powers and an army cyborgs at his command, who promises to end World War II and bring peace and prosperity if only Green Lantern will give up his power ring and Starman will give up his Gravity Rod. The Justice Society, of course, doesn’t believe things can be solved this easily and works to uncover the truth behind Lord Dynamo’s plans. In the meantime, Justice Society member Johnny Thunder, whose sole power is summoning a genie called Thunderbolt, wants to be a science fiction writer. Because the public is clamoring for Justice Society tales, famed editor Hugo Gernsback teams Johnny up with Jack Williamson.

The art in the graphic novel is beautiful. Barry Kitson and Gary Erskine did a great job of bringing the Justice Society to life on the page. Anderson’s story feels like the classic Justice Society stories that appeared way back in All-Star Stories comics during World War II. I was especially amused to see Jack Williamson ponder a trip to one of my frequent college haunts, the Owl Bar in San Antonio, New Mexico, for a green chile cheeseburger, though it would be out of the way given Williamson’s road trip from New York to Portales!

I’ve been fortunate to know Kevin J. Anderson for several years now. Our stories appear together in the anthology Straight Outta Tombstone. The photo above shows Kevin and I together at the signing event for the book in Denver, Colorado. Kevin is also the publisher of Maximum Velocity, the anthology that collects eighteen exciting science fiction stories about everything from pirates to ghosts to battles in space.

I was also fortunate to have met Jack Williamson in person. He was born in Bisbee, Arizona in 1908, but his family moved to rural New Mexico when he was young. He sold his first story to Hugo Gernsback in 1928. In the 1930’s, teenaged Isaac Asimov was one of his fans. He served in World War II as a weather forecaster, then in the 1950s he earned degrees in English from Eastern New Mexico University. He won the Hugo and Nebula Awards for his writing, was inducted in the Science Fiction Hall of Fame, received the World Fantasy Award for Lifetime Achievement plus a Lifetime Achievement Award from the Horror Writers Association.

I had the opportunity to speak to Jack Williamson a few times at Bubonicon in Albuquerque, New Mexico. He liked the fact that I encouraged new writers through the magazine I edited at the time, Tales of the Talisman, and told me I was doing a good job.

The graphic novel of JSA Strange Adventures appears to have limited availability, but the individual issues are still in print and they’re available digitally at Amazon and Comixology. If you want to check out Maximum Velocity, which includes short fiction I’ve both written and edited and which is published by Kevin J. Anderson, you can learn more by visiting http://www.davidleesummers.com/Maximum-Velocity.html

Last Call – Exchange Students

Editor Sheila Hartney and I have been enjoying reading the wonderful submissions that have been coming in for Hadrosaur Productions’ forthcoming anthology, Exchange Students. Although we have a full anthology at this point, we are willing to be tempted by a few more good stories and could make room for a truly exceptional story or three. That said, this is last call. We will be closing to all submissions on October 15, 2019. Any submissions received after the 15th will not be considered. The illustration below is a sneak peak at the cover art by Laura Givens.

Exchange Students is an anthology to be published by Hadrosaur Productions that will explore the vast realms of what it might mean to be an exchange student at any point in time, space, or across dimensions. Most of us have known foreign exchange students in our school years. This anthology imagines an exchange student program expanded to include students from the past, the future, fairies, trolls, distant alien races, and any other exchange student the author might dream of. The complete guidelines are available at: http://hadrosaur.com/ExchangeStudents-gl.php.

I’m really excited by the breadth and diversity of stories we’ve selected so far. The thing that makes an anthology compelling to me is to see what authors do with the concept. We have serious stories that take a good hard look at humanity and we have humorous stories. We have flash fiction that hits us with a cool idea and we have longer stories that allow us to get to know the characters better. Longtime readers of Tales of the Talisman Magazine will recognize some familiar names, but I’m pleased that we have many new authors as well.

At this point, I hope I’ve whetted your appetite and you’re now asking when you can get your own copy of the anthology to read. My goal is to publish this by February 15, 2020, so I can have it available at the Hadrosaur Productions dealer’s table at Wild Wild West Con in March 2020. The book will also be available in all popular ebook formats through vendors such as Amazon, Smashwords, and Barnes and Noble.

Plotting by the Seat of my Pants

Should you plot your stories with meticulous care or should you write spontaneously and see where the muse takes you? I know writers who have an almost religious devotion to each approach and there are certainly pros and cons to each approach. My ability to plot stories before I write them has helped me make sales before I’ve taken the time to actually compose them. In this case, plotting can effectively become a pitch. An editor might solicit an idea from me. Afterwards, I go away and think about it for a time and then throw some ideas about how I would handle the story to the editor. The editor then gives me feedback on what works and what doesn’t work. This can be a very exciting process and it’s one I recently went through with an anthology editor and it’s also how I created the outline for my novel The Astronomer’s Crypt. Hopefully I’ll be able to share news about the story I just wrote before the year is out.

Those who write by the seat of their pants argue that you don’t always know your characters when you start. The more you write, the more you understand their motivations. If you plot, there’s a danger you force your characters to take actions that aren’t true to them as they’ve developed. That’s a valid point, and one of the ways I counter that is to treat my outline more as a set of goals than as a detailed roadmap. For a short story, it tells me what my characters are going to do to set them off in a direction. It suggests complications they may encounter along the way. I don’t always write an ending. Instead, I think of ways the story might end depending on who the characters turn out to be. It’s exciting when I get to the end and the characters do something I don’t quite expect because its right for them. That happened to me this last week and I like the ending much better than any of the ones I actually plotted in advance.

In a novel, the plot points are a little more defined, but again, I try to keep them general enough that they serve as complications the characters encounter. There is a challenge if the characters diverge far enough from the original conception that they don’t encounter the complications laid out for them. At that point, there’s no choice but to revisit the outline. Figure out what path the characters are on and see whether there’s a way to get them to encounter the original complications or see if you just have to create new ones altogether.

Now, if an outline serves as the basis for a pitch, what happens if the story becomes very different from the outline? This is something I don’t worry about too much for two reasons. First off, good editors are more concerned about finding good stories than assuring your story perfectly matched the pitch you gave them. If the story works and doesn’t violate any guidelines, you’ve still got a really good chance of selling the story to an editor who solicited one from you and liked the pitch. Second, when you make your pitch, you’re not likely to give the editor your entire outline. Mostly you’re laying out the initial situation and the problem the characters are going to be faced with along the way. If you resolve those issues in a different way than you envisioned, no problem. The editor doesn’t necessarily know that. Again, what the editor will care about is whether or not the story works.

For pantsers, I recommend trying your hand at plotting a story or two. It could prove a lucrative and useful skill down the road. For plotters, I recommend leaving enough room in your outline to let your characters breathe and do things you didn’t quite expect. You might be surprised at the result!

Return to Bisbee

On the weekend of August 17 and 18, the Tucson Steampunk Society invaded the mining town of Bisbee, Arizona, a picturesque town a few miles south of Tombstone. This is the second year in a row I was able to join the group. As it turns out, I joined them after spending two weeks in a row at Kitt Peak National Observatory, so this provided a nice respite from my “day” job. As with last year, there were only a few scheduled events, making this a weekend where steampunks could meetup, relax, and actually socialize with one another. One of several highlights for the weekend was dinner at the Travellers Camp at Juniper Flats in the mountains above Bisbee. Here’s the whole group in a photo.

Photo courtesy Pete Mecozzi. Visit him online at:
https://petemecozziphotography.mypixieset.com/

In this case, the Travellers refer to “displaced people of Irish origin” and they provided a delightful supper of vegetable soup, chicken, and flat bread with herbs and bacon. They also provided wonderful Irish music.

After dinner, we moved on to another highlight of the weekend, the PG PJ Potluck Parlour Party. Like last year, I was invited to regale the attendees with a story. I read my story “The Zombie Shortage” which appears in the anthologies Zombiefied: An Anthology of All Things Zombie edited by Carol Hightshoe and then was reprinted in The Many Tortures of Anthony Cardno, edited by Anthony R. Cardno. As I mentioned in my recent post about editing and ego, it’s not always possible to read an audience, but I was pleased to find the audience laughing along with me as I read my wicked little tale that asks what happens should we suffer the zombie apocalypse, put the zombies to use, and then run out of zombies.

In fact, if you want to listen to the reading, Jim Springer of the Creative Play and Podcast Network recorded it and you can listen to the reading at: https://creativeplayandpodcastnetwork.podbean.com/e/a-reading-from-zombiefied-an-anthology-of-all-things-zombie-by-david-lee-summers/

One of many fun things about the Bisbee Inn where the steampunks gathered is that it’s also part of several ghost tours. Because of that, there’s a rather suspicious looking mannequin in the entryway. I have to pass him several times before I remind myself he is a mannequin and not a person. Perhaps one of the most delightful moments from the weekend came when I learned the Tucson steampunks had officially named the mannequin “Egon” after the assistant character in “The Zombie Shortage.”

Over the course of the weekend, I was delighted to make the acquaintance of Frank Goglia and his son, Joseph, of Meridian Books and Comics in Bisbee. He has a great stock of books and comics and after this weekend, he now has a few of my books. If you’re in Bisbee and you’re looking for some great reading, be sure to visit the store!

I find weekends like this are a vital part of recharging my creative energy. In fact, just before the weekend, I had received an invitation to pitch a story idea for a shared world anthology. Before the weekend, I almost dreaded pitching a story. It wasn’t so much a case of writer’s block as burn out from a long work shift and feeling the weight of several other projects that also needed attention. After the weekend, I saw several places to jump in and after several good emails with the anthology’s editor, I had a direction. Since then, I’ve turned my general story direction into an outline. As it turns out, this outline has no ending, but that’s fine. At this point, I see at least three possible endings all depending on who the characters reveal themselves to be when I actually write the story.

At this point, it’s a little too early for me to say much about the story itself. I want to wait and see if the editor likes the end result. What I will say is that the story is set in the past, but it’s not steampunk. Of course, there are many people who now want to carefully classify exactly what brand of retrofuturism a story explores. If it’s World War I era, it’s dieselpunk. If it’s the 1920s, it’s jazzpunk. If it’s after World War II, it’s atompunk. My story’s set in the 1980s, an era I lived through, so with tongue embedded in cheek, I’ll declare it punkpunk for now.

Now that my batteries are recharged, I just need to get ready for another week at the observatory, some editing work, then I can turn my attention to actually writing this story that I’m excited about thanks in no small part to my friends in the Tucson Steampunk Society.