2018 Publishing Year in Review

As we approach the end of 2018, I wanted to take the opportunity to look back at my books and stories released over the previous year. First and foremost, is my novel Owl Riders, which is the fourth novel in my Clockwork Legion steampunk series. When Fatemeh Karimi married Ramon Morales at the end of Lightning Wolves, she neglected to share one small detail. She was already betrothed to a merchant named Hamid Farzan. She had no interest in Hamid or an arranged marriage. She wanted to live life on her own terms. Eight years after marrying Ramon, she assumed Hamid had long forgotten about her, as she had him.

Settled in New Orleans, Ramon works as an attorney, Fatemeh owns a pharmacy, and they’re proud parents of a precocious daughter. Out west, Apaches armed with powerful battle wagons have captured Fort Bowie and threaten Tucson. Businessmen with an interest in a peaceful solution ask Ramon to come west and settle the conflict. Meanwhile Hamid arrives in New Orleans and he has not forgotten Fatemeh or her vows to him. Now, the famed Owl Riders must assemble once again to reunite Ramon and Fatemeh so they can tame the Wild West. You can learn more or get your very own copy of Owl Riders at: http://www.davidleesummers.com/owl_riders.html.

2018 also saw the release of a new edition of my novel The Solar Sea. This novel is set in the universe of my Space Pirates’ Legacy series and serves as an origin story of sorts for that world. As the novel opens, scientists announce the discovery of powerful new particles around Saturn’s largest moon which could solve Earth’s energy needs. At the same time, whales around the world change their songs. The Quinn Corporation rushes to build a solar sail space craft to unlock the secrets of these strange new particles. They gather the best and brightest to pilot the ship: Jonathan Jefferson, an aging astronaut known as the last man on Mars; Natalie Freeman, a distinguished Navy captain; Myra Lee, a biologist who believes the whales are communicating with Saturn; and John O’Connell, the technician who first discovered the particles. Charting the course is the mysterious Pilot who seems determined to keep secrets from the rest of the crew. Together they make a grand tour of the solar system and discover not only wonders but dangers beyond their imagination. You can learn more and purchase your own copy at: http://www.davidleesummers.com/solar_sea.html.

I also had two new short stories appear in anthologies. My story, “The Sun Worshiper,” is about a spiritualist named Dinela Stanton who is invited to a mummy unwrapping party in London hosted by a prominent scientist. When she arrives, she finds all her fellow guests are scientists who have denounced her as a fraud. To make matters worse, it would appear that the scientist who invited Dinela is attempting to perpetrate a deception of his own. The story appears in the anthology After Punk published by eSpec Books.  Featuring stories by Jody Lynn Nye, David Sherman, Gail Z. Martin and Larry N. Martin, James Chambers, Michelle D. Sonnier, Jeffrey Lyman, Bernie Mojzes, and more, these tales explore voodoo death cults to the Day of the Dead, mummy parties, the wheel of reincarnation, the practice of death portraits, and so much more. No gravestone is left unturned. Check out the book at: https://www.amazon.com/After-Punk-Steampowered-Tales-Afterlife-ebook/dp/B07CW3S8R8/.

My second short story that appeared this year is “The Power in Unity” and it’s the first new story I’ve written set on the planet Sufiro since the publication of Heirs of the New Earth in 2007. The events of this story take place between the end of part 2 and the beginning of part 3 of The Pirates of Sufiro. In Pirates I mention an incident where the people of the Tejan continent attempt to capture people from the New Granadan continent to work in their mines. When the Tejans attempted to take the New Granadans by force, a lawman named Manuel Raton stopped them at a place named for the final battle of Arthurian legend, Camlan Pass. This is the story of how Camlan Pass got its name. The story of Manuel Raton and Mary Hill bears a striking resemblance to the story of Mordred and Arthur as told in The History of the Kings of Britain written by Geoffrey of Monmouth. In that story, Mordred married Guinevere while Arthur journeyed across Europe. I hope you’ll pick up a copy of the anthology to see how I twisted this tale from the dark ages into one of interplanetary intrigue, mining rites, and strange aliens with tentacles. Camelot 13 features stories by Michael A. Black & Dave Case, John G. Hartness, Hildy Silverman, Diane Raetz, Russ Colchamiro, Austin Camacho, Quintin Peterson, Patrick Thomas, D. C. Brod, Susanne Wolf & John L. French, Edward J. McFadden III, and Robert E. Waters. You can pick up your own copy at: https://www.amazon.com/Camelot-13-Celebrating-Knights-Padwolf/dp/1890096776/.

Finally, I wrap up this report with mentions of two important reprints. The first is a reprint of my story “A Specter in the Light” which tells a story of mysterious experiments with Tesla Coils and things raised from the dark in the early days of the New Mexico School of Mines. That story appears in the anthology DeadSteam, edited by Bryce Raffle. It’s available at: https://www.amazon.com/DeadSteam-Bryce-Raffle/dp/0995276749/.

Last but not least, is the mass market release of Straight Outta Tombstone edited by David Boop, which includes my vampire story “Fountains of Blood.” This anthology features so many authors I admire, including Alan Dean Foster, Robert E. Vardeman, Nicole Givens Kurtz, Phil Foglio, Jim Butcher and more. This book is almost certainly on the shelf of a store near you. Otherwise, you can pick it up at: https://www.amazon.com/Straight-Outta-Tombstone-David-Boop-ebook/dp/B071JGTN3H/.

Thank you to all the readers out there who have supported me and helped to make 2018 a great year!

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Victorian Christmas Ghost Stories

There’s something about the long, dark nights just as autumn turns into full-fledged winter that seems especially suited to spooky tales. Perhaps that’s one of the reasons the Victorians were especially fond of telling ghost stories on Christmas Eve. Of course, one of the most famous ghost stories of Christmas is none other than A Christmas Carol by Charles Dickens. The novel itself does a very good job of making the ghosts frightening and my favorite adaptations are the ones that truly capture the chilling moments. However, A Christmas Carol is not the only Christmas ghost story Dickens told.

Charles Dickens published “The Signal-Man” in the 1866 Christmas edition of his periodical All the Year Round. “The Signal-Man” tells the story of a traveler who comes upon a lonely railroad signal-man who tells him the story of a ghost who appears every time disaster is about to strike the train line. There’s not much Christmas in this tale, but it’s full of atmosphere and foreboding. It struck me that the traveler tries to find rational explanations for the ghost that sound a little like Scrooge dismissing Marley’s ghost as more gravy than grave. It also struck me that the lonely signal-man bore more than a passing resemblance to my spooked telescope operators in The Astronomer’s Crypt. A lonely, isolated setting works well in any ghost tale. “The Signal-Man” is available to read in Charles Dickens’s collection, “Three Ghost Stories” available at Project Gutenberg: http://www.gutenberg.org/files/1289/1289-h/1289-h.htm.

Another fascinating winter ghost story is “An Account of Some Strange Disturbances in Aungier Street” by J. Sheridan Le Fanu. This was first published in the January 1851 edition of the Dublin University Magazine. This is a story about two cousins who take up residence in a haunted mansion in Dublin only to be beset by mysterious thudding footsteps and apparitions of a man with a noose about his neck. Of course, Le Fanu is most famous as the author of the vampire tale “Carmilla” which inspired both Bram Stoker’s Dracula and my story “Fountains of Blood,” which appears in the anthology Straight Outta Tombstone. As it turns out, “An Account of Some Strange Disturbances in Aungier Street” was ultimately collected in the book In a Glass Darkly alongside “Carmilla.” There are several free versions of LeFanu’s haunted house story, but the one I read was at: https://ebooks.adelaide.edu.au/l/lefanu/aungier/.

Like Dickens, Le Fanu makes an effort to rationalize the ghost before revealing that the haunting is real. It’s fascinating to me to see the tug-of-war between the spiritual and the rational at this time period. To be quite honest, I have felt this tug-of-war myself. I’m a professional scientist who is a trained skeptic. Yet, I’ve had experiences I can’t completely explain. I’ve taken photographs that appear to show ghostly shadows and I’ve seen lights where they shouldn’t be.

When I wrote the first part of The Astronomer’s Crypt, I set it during the long dark of winter on a stormy night. I based it on a real night that I experienced when I was alone, servicing the instrumentation. I had a strong sense of dread and felt certain something was coming to get me. Wind caused the dome to rattle and it whistled like a ghostly wail. Even though I was dressed in a heavy coat, I couldn’t get warm. It was a relief when I finally escaped the observatory for the morning and snuggled into my blankets. If you’re looking for yet another Christmas ghost story, you can read my fictionalized account of that night at http://www.davidleesumers.com/Astronomers-Crypt-Preview.html.

Here’s wishing you many bright lights and clear winter days to dispel the ghosts of the long, dark nights around the solstice.

DeadSteam Trailer

Two weeks from today, on October 1, Grimmer and Grimmer Books will release its dreadpunk anthology DeadSteam. The term dreadpunk refers to Gothic inspired horror and fantasy, often with something of a steampunk flavor. The TV series Penny Dreadful was a good example.

As for the book itself? Reader beware: to open this tome is to invite dread into your heart. Every page you turn will bring you closer to something wicked. And when the dead begin to rise from the steaming pits of hell, only then will you discover that it is already too late. Your life is forfeit.

Featuring an introduction by Leanna Renee Hieber, author of The Eterna Files and Strangely Beautiful saga, DeadSteam plays host to the scintillating writing of Jen Ponce (The Bazaar, Demon’s Cradle), Wendy Nikel (The Continuum), Karen J Carlisle (The Adventures of Viola Stewart), Jonah Buck (Carrion Safari), and more…

With seventeen chilling tales of dreadpunk, gaslamp, and dark steampunk, DeadSteam will leave you tearing at the pages, desperate for more. For within these pages, the dead rise from their graves to haunt the London Underground, witches whisper their incantations to the wind, a sisterhood of bitten necks hunts fog-drenched alleyways lit only by gaslight, and only one thing is certain: that dread will follow you until you turn that final page.

And that sinking feeling in the pit of your chest? That fear that something is following you, watching you, hunting you? It is not for nothing. Look over your shoulder, dear reader. Watch behind you. Listen to the whispers in the darkness.

But know this … it is all inevitable.

I’m excited that my story, “A Specter in the Light,” is part of this anthology. The story was first published in the anthology Six-Guns Straight to Hell, which has been out of print for five years now. So if you missed the story in its first incarnation, be sure to catch it in this new volume. It’s a truly chilling tale of mining engineers using a Tesla coil to bring light to a mine, only to reveal an ancient horror.

If this has not been enough to tantalize your interest in the anthology, editor Bryce Raffle has debuted the book’s trailer today. Take a look:

I think this will make a great book for getting into the Halloween spirit. What’s more, you don’t have to wait to order. It can be preordered from major retailer’s right now. If you’re a book collector and prefer your books in hardcover, they can accommodate that as well! Drop over to https://deadsteam.wordpress.com/pre-order/ and order your copy today so you can have your copy right at the beginning of October. While you’re at the site, be sure to visit the blog links and read interviews with the authors, including yours truly!

Vampyr

A few weeks ago, I discovered a vampire film from the 1930s that I had never encountered before. Directed by Carl Theodor Dreyer, the movie Vampyr was filmed about the same time as Universal’s Dracula but was released about a year later. The film features an original script with elements inspired by Sheridan Le Fanu’s stories “Carmilla” and “The Room in the Dragon Volant” which appeared in the collection In a Glass Darkly.

Unlike other vampire films of the period, this doesn’t involve sinister castles in Eastern Europe. Instead, at its heart, the film feels a lot like some of Hammer Studio’s better vampire films from the 1960s. We meet a fellow named Allan Gray, ostensibly on a fishing trip in the French countryside, who stops at an inn. We learn at the beginning that Gray is interested in the occult and soon strange things happen. A man visits his room on his first night and leaves him a package, with the instructions that the package should not be opened unless the man dies. Gray then takes the package and follows ghostly shadows to a neighboring mill. A shadow of a rifleman seems to guide him to a point where the shadow then joins the corporeal rifleman who has been sitting in one place the whole time.

Gray ultimately leaves the mill and goes to a nearby manor house. Right as he arrives, the Lord of the manner drops over, as though dead. It appears that he’s killed by a gunshot from the shadowy rifleman, but that’s not all clear. He may easily have had a heart attack or a stroke or been harmed by some other supernatural force. At this point, the film takes on a more familiar vampire narrative flow, at least for a while. We learn that the lord’s older daughter, Léon has been preyed upon by a local vampire and she cannot be allowed to die, or she will turn into a vampire too. The lord’s younger daughter, Gisèle is also under threat of becoming a vampire. When the lord does succumb to the gunshot, or other injury, Gray discovers that his parcel is a book about vampires and how to deal with them. He teams up with the servants of the house to hunt the vampire.

Like Dracula, Vampyr is an early sound picture. The movie works to keep dialogue at a minimum and gives us a lot of information on narrative intertitle cards and on the pages of the vampire book. The movie also relies a lot on visual imagery to tell the story. I’ve already mentioned a little about shadows that become detached from their owners, but there are other odd elements, such as skulls that turn to face the room’s occupants and hints that we’re seeing what characters perceive rather than what they literally see. At one point, Allan himself seems to split into two spiritual forms. One form is left behind. The other form returns to the mill and finds both where the younger daughter is locked up and his own dead body in a coffin. He then becomes the dead body who is transported from the mill to the graveyard whereupon his spiritual selves reunite.

As a fan of vampire literature, one thing I love about this film is how it associates the vampires with ghosts and phantoms. The only other film I’ve seen that used is Nosferatu and even there, it’s only hinted at. I also liked the fact that the film’s “Master Vampire” appeared as an elderly woman who has men in her thrall. One of those men may also be a vampire, though it’s never entirely clear. I also love the experimental nature of this film. On Monday, I talked a little about “superhero fatigue” and really that’s a subset of seeing the same things over and over again in film. It’s nice to see a film dare to experiment with images and trust the audience to interpret what it’s seeing. And that’s what makes this film special. I’ve given it an interpretation, but you may see some elements differently depending on whether you take them literally or symbolically.

If you’re a vampire fan, it’s definitely worth checking out Vampyr. Of course, you can check out my vampire fiction by visiting http://www.davidleesummers.com/books.html#scarlet_order

After Punk

I had a great signing yesterday at Boutique du Vampyre in New Orleans. For those who missed the event, I left behind some signed books which can be bought through their website. Tonight, in Baltimore, eSpec Books will be unveiling a cool new anthology that features my story “The Sun Worshiper.” Unfortunately, my schedule doesn’t allow me to attend, but I would encourage anyone in the Baltimore area to go check out the release party tonight at Balticon. Click the link for more information about the convention. Meanwhile, allow me to tell you more about After Punk and my story.

While mankind can scarce hope to pierce the Veil without crossing it, a few intrepid souls will ever bend their will against the aether, combining artifice and the arcane to uncover its secrets.

From voodoo death cults to the Day of the Dead, mummy parties, the wheel of reincarnation, the practice of death portraits, and so much more, these tales leave no gravestone unturned.

Be it heaven or hell or the limbo in between, the hereafter is about to get ‘Punked.

With stories by Jody Lynn Nye, David Sherman, Gail Z. Martin and Larry N. Martin, James Chambers, Michelle D. Sonnier, Jeffrey Lyman, Bernie Mojzes, Travis I. Sivart, Jeff Young, L. Jagi Lamplighter, Danielle Ackley-McPhail, and yours truly.

My story, “The Sun Worshiper,” is about a spiritualist named Dinela Stanton who is invited to a mummy unwrapping party in London hosted by a prominent scientist. When she arrives, she finds all her fellow guests are scientists who have denounced her as a fraud. To make matters worse, it would appear that the scientist who invited Dinela is attempting to perpetrate a deception of his own.

The story was born from two sources. When I was in elementary school, I had the opportunity to see the Tutankhamen exhibit as it toured the United States. I was captivated, as were many, with all the wealth and beautifully preserved items found in the king’s tomb. Of course, as a young boy, I was both creeped out and fascinated by things like canopic jars and mummified cats.

I’m also intrigued by the Victorian obsession with séances and attempting to contact the spirit world. While studying the paranormal and the scientific method in college, I learned how many spiritualists managed to fool people. Despite that, I sometimes find myself wondering what would happen if a real spiritualist would come along and demonstrate real ability to the most ardent skeptics. To my mind, a true spiritualist wouldn’t help but be captivated by the idea of contacting the spirit of an ancient Egyptian mummy, and might even stick around in the face of her detractors.

After Punk is available in paperback and ebook at:

The Cost of Opening the Crypt…

…just went down! Courtesy of my publisher, the ebook edition of The Astronomer’s Crypt is being offered for the special price of 99 cents for the rest of the month. The ebook normally runs $4.99, so this is a remarkable 80% discount, which means it’s a great time to pick up a copy for your ereader. If you’re already a fan, consider gifting one to a friend!

The Astronomer’s Crypt tells the story of astronomers, ghosts, drug dealers, and a monster from Apache legend colliding at a remote observatory during a violent thunderstorm. As followers of the web journal know, I’m an astronomer who operates telescopes at Kitt Peak National Observatory. The observatory is 56 miles southeast of Tucson, Arizona. The last ten miles of the drive up to the observatory are up a road that winds and twists its way up the mountain. Once you reach the summit, you find a virtual city consisting of twenty-two optical telescopes and two radio telescopes. Even so, after the sun goes down, many of the telescopes on the mountain are automated and some are only operated part time. It’s not unusual for there to be only a handful of people at the observatory at night. That all noted, Kitt Peak is both quite accessible and quite well staffed compared to some astronomical facilities where I’ve worked.

I have worked many nights in my career at observatories where I’ve been one of perhaps two or three people on a remote mountain site. It’s dark. The insides are the buildings are kept deliberately dim so your eyes can adjust if you need to go outside and evaluate sky conditions. In a wilderness situation, wild animals can and do make it inside the buildings. It’s so quiet, you hear every creak and groan of the building. You’re working late at night and you’re tired and not always thinking clearly. You’re trying to focus on the data you’re taking. It’s easy for a person in those conditions to imagine many scary things.

The Astronomer’s Crypt is a book made up of many of those dark imaginings, some of which are not far from the truth. Over the years, I’ve encountered unexpected people at observatories during the night. Fortunately, most have been cooperative and left when asked, but I have wondered what I’d do if I encountered truly bad people. I’ve been to observatories such as Lowell in Flagstaff, where there are real mausoleums on the site, where people who loved astronomy are interred. It’s not hard to imagine ghosts wandering around at those places. I’ve been through many terrible storms, sometimes with sheets of rain pushed by winds in excess of 70 miles per hour. On those nights, nature itself is terrifying. You can get a sense for how all of this combines in the novel by watching the trailer:

Two years before the events of this trailer, on a stormy night, in the dead of winter, Mike Teter experienced something that would change his life forever. Mike was a telescope operator at the world renowned Carson Peak Observatory in New Mexico. I won’t tell you what he saw that night on the mountain nor what happened afterward on a dark stretch of highway, because it would haunt you just as it has haunted Mike. But what I will tell you is that Mike is back at Carson Peak. And what he witnessed that night two years ago is about to become a reality…

You can pick up The Astronomer’s Crypt for just 99 cents at:

Tales of Paranormal Steampunk Kickstarter

Today, I want to tell you about an exciting new Kickstarter from eSpec Books which has already funded and is working on stretch goals. eSpec will be publishing three books of paranormal steampunk. These include the novel The Clockwork Witch by Michelle D. Sonnier and the eShort Spirit Seeker by Jeff D. Young. The third book is After Punk, Steampowered Tales of the Afterlife edited by Danielle Ackley-McPhail and Greg Schauer. I’m excited to see that the project has funded. What’s more, my short story, tentatively titled “The Scientist, The Spiritualist, and the Mummy” was one of the stretch goals and that goal has been reached, so it will be part of the book.

Here’s the blurb for the anthology After Punk that my story will appear in:

    While mankind can scarce hope to pierce the Veil without crossing it, a few intrepid souls will ever bend their will against the aether, combining artifice and the arcane to uncover its secrets.

    From voodoo death cults to the Day of the Dead, mummy parties, the wheel of reincarnation, the practice of death portraits, and so much more, these tales leave no gravestone unturned.

    Be it heaven or hell or the limbo in between, the hereafter is about to get ‘Punked.

    With stories by Jody Lynn Nye, David Sherman, Gail Z. Martin and Larry N. Martin, James Chambers, Michelle D. Sonnier, Jeffrey Lyman, Bernie Mojzes, Travis I. Sivart, Jeff Young, and Danielle Ackley-McPhail.

My story is about a scientist who invites a spiritualist to a wild mummy unwrapping party. This was a fun story to write and I look forward to it being part of the book. Even though this stretch goal has been reached, there are lots of other great stretch goals that can be met before the Kickstarter finishes. These include a bonus short story by Gail Z. Martin and Larry Martin, a novella by Michelle D. Sonnier, and illustrations in the books! While you can buy the books after they’re released, Danielle Ackley-McPhail always provides a lot of extras for supporting the Kickstarters. So this is a great time to reserve your books!

To support the Kickstarter campaign or to learn more, visit: https://www.kickstarter.com/projects/e-specbooks/tales-of-paranormal-steampunk