Rhythms and Transitions in Writing

As I mentioned during Saturday’s blog post, I spent the summer in a particular daily rhythm, but now that we’re transitioning into autumn, I’m making some changes to my routine both because of external factors like the weather and also because of the projects I’m working on. One of the projects I’m working on is a new piece of writing. Another is revising a novel I first wrote twenty years ago.

Rhythm is something we associate primarily with song or music. However, it’s easy to see how it relates to writing when we think of structured writing such as formal poetry. The formal poem will have a meter and a rhyme scheme. When you read it aloud, you’ll hear the rhythm at work. You might deliberately break the meter or the rhyme scheme if you’re trying to jar the reader or make a point.

A manuscript on the screen marked up by my editor

When writing a story or a novel, words still have rhythm. Your goal is to put words together that flow one into the other until you have completed your thought. You can check whether your word rhythms work by reading your story aloud. That helps you hear whether your sentences are clunky or too repetitive.

When I was in elementary school, and first learned about paragraphs, they gave us a rigid definition. I was told a paragraph is five sentences. For a long time afterward, anytime I wrote a paragraph it was exactly five sentences. The reason the teacher told me that is that they didn’t want us to give up on an idea after only one or two sentences. They wanted us to practice putting sentences together and make sure we followed one coherent sentence with another.

That’s not really the way it works in fiction. You write out the bones of a thought in a sentence. You put some flesh on those bones in the next sentence. You might explore how they all function as a unit and the direction they’re moving.

Until something happens. That something breaks the rhythm and becomes a new paragraph. The transition is how one paragraph ends and the next begins. In the previous paragraph, we explored how to build a complete paragraph and this one talked about moving on to a new one.

Of course, transitions aren’t just from one paragraph to another. They happen at the end of a chapter and the beginning of the next. They also happen at scene breaks. Those are the places in a book where you might see a blank line between paragraphs and the point of view or setting shifts.

As a writer, I like exploring multiple points of view. When you see a scene from one character’s perspective and then move into another character’s perspective, the reader can gain new insights. That said, some editors I’ve worked with have suggested I can be a little too in love with multiple points of view and they have suggested that I reign in the number of point-of-view characters and scene shifts. This is one of the things I’m looking at with the twenty-year-old novel I’m delving into. There are some chapters with many scenes. The goal is to make sure each scene contributes to the story as a whole, that I transition cleanly from one scene to another, and that the scene is long enough that reader forms a complete picture and has an idea about how the scene relates to the rest of the book’s actions.

It’s all about finding a good rhythm.

Rhythms and Transitions in Life

This pandemic year of 2020 brought us a long, hot, dry summer in Southern New Mexico. Usually we get some relief when the monsoon rains come in July and August, but this year, the monsoon only made a few fleeting attempts at getting started. During the long, hot summer, I fell into a regular daily rhythm. I woke up in the morning, ate breakfast and checked my email, then took a three-mile walk through the neighborhood where I plotted out my goals for the day before the temperatures climbed back over 100 degrees. I would then come home and set to work. I usually wrapped up in the late afternoon when dinnertime rolled around. Dinnertime was generally enforced by my daughter who had just graduated from high school.

All in all, this has been a healthy life rhythm. I’ve been getting regular sleep and exercise and I’ve been making a real effort to make healthy diet choices. This has paid off for me. According to the scale at home, I’ve dropped fifteen pounds this summer.

The campus observatory at Northern Arizona University

As the summer comes to an end, I find myself going through several transitions. My daughter has moved away to college. So far, her school, Northern Arizona University, has done admirably well at keeping any COVID-19 outbreaks from occurring on campus, so it looks like she’ll be away until winter break, which begins this year starting on Thanksgiving weekend. A cold front moved through, breaking the streak of hot weather. The forecast indicates temperatures will heat up again, but right now, we’re looking at 80s and not 100s. Also, I’m writing a new longer work, plus starting edits on another novel. What’s more, there’s word that Kitt Peak National Observatory plans to transition to having more staff on site as soon as local authorities give approval, so I’m on alert that I may begin shifts at the observatory again soon.

One thing I’ve learned over the years is that I often do my best writing first thing in the morning before I’ve had any significant interaction with other people. In short, the story flows without the clutter of other life business getting in the way. If I wake up, have breakfast, then sit down and write about 500 words, I have a much higher chance of continuing writing later in the day. Even if I don’t, I at least have the satisfaction that I completed that much. Once that’s done, I then check my mail. From there, I usually get at least one work task done and then go for my walk. All in all, it’s still a healthy rhythm, but one that may shift if I do indeed add observatory shifts into the rhythm.

These thoughts about life rhythms and transitions at a time I’m starting new writing and editing projects also has me thinking about rhythms and transitions in storytelling. I’ll dive into that subject in Tuesday’s blog post. In the meantime, remember that you can learn about my books by visiting http://www.davidleesummers.com

Children of the Old Stars Revisited

This has been a busy year releasing new editions of my novels. Just as I was wrapping up work on the rewrite of The Pirates of Sufiro, which I started in late 2018, the contracts for three other novels came to term and the publishing rights to those novels reverted to me. As summer 2020 approaches its end, I’m pleased that new editions of all four novels are now available and it’s now time to look ahead and see what new projects I will tackle. I’ve been giving particular thought to what I would share with my Patreon subscribers for the next few months. Now, as I’ve been wrapping up these most recent projects, a couple of new opportunities have arisen and I am working on two new projects. Unfortunately I’m not at liberty to speak about them in detail or share them with my Patreon subscribers until they’re closer to completion.

Children of the Old Stars 2001 edition.

As I say in my Patreon introduction video, a primary focus of the site is to fund new editions of my Space Pirates’ Legacy novels. Because of that objective and because a chunk of my time will be going into new projects I can’t speak about yet, I’ve decided to continue the deep dive through the series and start working on book three, Children of the Old Stars. In The Pirates of Sufiro, we met the Cluster. The Cluster is a vast alien machine that destroys starships indiscriminately in its quest for something or someone. As Children of the Old Stars commences, Commander John Mark Ellis is booted out of the service when he fails to save a merchant ship. He believes the key to stopping the Cluster is communication. His mother, Suki Firebrandt Ellis, is a historian who believes the very leaders of the galaxy are withholding information about the Cluster. One of Ellis’s antagonists from The Pirates of Sufiro, Clyde McClintlock, believes the Cluster is God incarnate, seeking retribution. G’Liat is an alien warrior whose own starship was destroyed by the Cluster. All together, they set out to solve the mystery of the Cluster before it finds the object of its quest.

As with The Pirates of Sufiro, I’ll post a chapter of Children of the Old Stars one week along with my thoughts about it. My goal will be to post the revised chapter a week later. How well I meet that goal will depend on the other projects I’m working on as well as my evolving work situation at Kitt Peak National Observatory. That noted, I will make every effort to complete at least one chapter per month. If you want to be along for the ride, be sure to sign up as a patron at: https://www.patreon.com/davidleesummers. If you do, you’ll not only get to see updated chapters of Children of the Old Stars as they’re posted, you’ll be among the first to get a peek at the secret projects when I can share.

As a reminder, supporting me at Patreon also helps to support this blog so I can continue to give you an ad-free experience.

Now, you may wonder what other projects I’ve been considering, especially since they may be back in the running after I finish my secret projects. One is a sequel to The Astronomer’s Crypt. I have a synopsis written and have given the project quite a bit of thought. There are also a handful of vocal supporters for this project. I’ve also been considering a third book in the Scarlet Order Vampire series. Now there are many vocal people who will tell me that vampires are yesterday’s genre. However, I can’t ignore that in the three weeks since I released Vampires of the Scarlet Order, it has significantly outsold every other book I’ve released this year. It’s not a statistic I can ignore, especially if it turns into an ongoing trend.

Updating Book Trailers

Over the last few months, I’ve been releasing new editions of several of my novels. Some of these had video trailers associated with them. Last month, I discussed updating the trailer for The Astronomer’s Crypt. That was a really premium cinematic trailer and the only things that went out of date were the cover and information about where the book was available. I did need expert help to fix those elements because they were so well done, but most of the trailer is just the same as it was back when it was first released.

The very first book trailer I ever made was one for my novel Vampires of the Scarlet Order. I was fortunate enough to have a batch of beautiful interior illustrations by Steven Gilberts to work with. One of my neighbors came over and played music on guitar and I mixed that with audio of myself reading the book description. Since the illustrations were black and white, I used filters in my video editing software to give the images some film stutter and scratches, so the whole thing looked like an old film. It was pretty cool. The only thing I didn’t like was that the audio was a little muddy because I didn’t have a great microphone and it was recorded on tape rather than digitally. Two years ago, I dusted off the old trailer and gave it a new ending because the information about the book’s availability had become outdated, but I knew the whole trailer could use a thorough overhaul.

Screenshot from the new Vampires of the Scarlet Order trailer.

This year, when Chaz Kemp did a whole new cover for Vampires of the Scarlet Order, I saw that as a great opportunity to redo the trailer. As part of his work, he sent me individual illustrations of the characters. I was able to apply filters in Adobe Photoshop to photographs I have of real locations from the novel to make them look like paintings. I then placed the characters over them. Once that was done, I read the updated book description and found some cool music that matched the mood from Keven MacLeod at http://incompetech.com. Although all the images are stills, I think the trailer has a neat animated-movie like vibe.

Once I made this trailer, I realized I also wanted to update my trailer for The Solar Sea. The original version of that trailer featured illustrations Laura Givens had made for a website promoting the novel. Also, I used her illustration of the novel’s solar sail to create an old-fashioned animation of the solar sail entering orbit around Jupiter. The only thing I didn’t like about the original trailer was that the music was a little short for the video length and I didn’t narrate it. I used intertitle cards like one might find in a silent movie. This time I recorded narration and I found a really dramatic piece of music that highlighted the narration.

I find trailers like this fun to make, but they do take time to get right. The tech required is pretty simple. I used Windows Live Movie Maker for the first video. I used the OpenShot Video Editor for the second one. This was necessary when I found Windows Live Movie Maker wouldn’t import the Movie Maker files with my animation from a decade ago. OpenShot is available at http://openshot.org

As for creating images for this kind of trailer, the best advice I can give is to get on good terms with your cover artist or an artist who can create art to match the flavor and style of your book. Make sure you’ve paid your artist fairly for their work. Recording narration is like any skill. It takes practice. Write your script. Practice reading it at the microphone and record a few takes. It’s easy to flub a word or miss the sound of something like a motorcycle passing the house or a lawnmower next door.

Finally, have fun! I had a blast creating these videos and I hope they’re fun to watch. Of course, I hope they also tempt you to learn a little more about the novels. If you would like to, drop by http://www.davidleesummers.com

Buboni-Virtual Con 2020

This weekend, I had originally been scheduled to attend Bubonicon 52 in Albuquerque, New Mexico. The convention has been postponed to 2021, but it presents a unique opportunity for people who couldn’t normally afford to travel to Albuquerque for a convention. You can attend Buboni-Virtual Con 2020 absolutely free just by visiting the Bubonicon Facebook Page or the Bubonicon YouTube Channel.

If you go to the links above between 10am and 7:30pm Mountain Daylight Time, you will find panel discussions, readings, a science talk, a short art demo, and a comic workshop. If you miss the opportunity to tune in live, you’ll still be able to watch the programming after its been archived on the pages. As you watch the events, you’ll encounter such folks as Becky Chambers, Keith R.A. DeCandido, Chaz Kemp, Connie Willis, Rebecca Roanhorse, S.M. Stirling, Jane Lindskold, Walter Jon Williams, and more!

During Buboni-Virtual Con, I participate in a panel discussion with Ian Tregillis, Dr. Cathy Plesko, and Courtney Willis called “Artificial Intelligence: Will Computers Take Over the World.” The panel will go live at 5pm MDT. As scientists move closer to achieving artificial intelligence, we discuss what’s next. We’ll discuss how real AI science compares to the depictions in movies, TVs and books. We consider whether AI could save the world or be its doom. What about Asimov’s Rules? In short, we discuss the future of artificial intelligence. We recorded this panel in advance. None of us were necessarily experts on the subject but we’ve all worked with robotic systems, machine learning algorithms and other real world AIs at different points in our careers. We talk about the difference between strong and weak AIs and even speculate about what it might take for an AI to cross the line into sentience. I hope you’ll join us today and comment on the video.

Now, if Bubonicon were happening in person, I’d likely be giving a reading at some point. As it turns out, eSpec Books has been hosting an online reading series to feature authors who haven’t been able to get out and about to conventions to show their wares. The first of my readings for the series is currently live. I read from my story “The Sun Worshiper” which appeared in eSpec’s anthology After Punk. The story imagines a Victorian mummy unwrapping party gone wrong. If you’re coming to this post in the middle of Buboni-Virtual Con and want to go catch the fine programming there, please do. This video will be waiting for you. It’s mostly audio, so it’s a good one to have on in the background while you’re doing other things as well.

Another thing that would be happening if this were an in-person convention is that I would have a table in Bubonicon’s Flea Market. Even though the Flea Market isn’t happening, you can still browse my wares at: http://www.hadrosaur.com and http://www.davidleesummers.com – in either event, you can browse at your leisure, read some samples and decide what you want. The only downside is that I can’t chat with you in person, but if you do have a question, feel free to drop it in the comments and I’ll chat with you there!

Vampires in Space!

Vampires of the Scarlet Order was, in effect, a fix-up novel. The first half was composed of short stories that had been previously published and the second half was new material written specifically for the novel. However, the first time I put the stories together and composed the second half, I came up with something very different than the novel that was published in 2005 and it was all because of one story.

In 2001, my wife, daughter, and I made a trip to Carlsbad Caverns followed by a short jaunt to Roswell, to check out the UFO museum there. We had a lot of fun, and I came away with a story idea. It really started at the UFO museum and thinking about accounts of alien abduction and how similar they were to the way vampire attacks are often described. The aliens come into your bedroom and there’s a good chance they’ll violate you in some way. Of course, at Carlsbad, we also had the opportunity to watch the bats leave the caverns at night and I had thoughts about a vampire who decided to hide among the caverns during the day and fly out to hunt her prey at night. What if a vampire was abducted by a UFO? This whole line of thought led me to a story called “Bat Flight South of Roswell” which was published as a standalone chapbook by Anxiety Publications in 2002.

When I assembled Vampires of the Scarlet Order, I realized I had three story arcs that all pointed to some big mystery happening. I also realized the biggest mystery of all happened in the story “Bat Flight South of Roswell.” What were the aliens doing? Were they about to do something bigger? So when I first wrote the ending of the book, I set out to resolve that issue. The vampires find they have some latent ability to move between universes and can use that as a way to travel great distances. The vampires gather and travel to the aliens’ home world and stopped the threat.

I read it and I mostly liked it and I even mostly believed what I wrote could have happened in the context of the story. The problem was “mostly.” I didn’t quite believe it all the way. I wasn’t quite pulled fully into the story. A little voice in the back of my mind kept saying “this is silly.” One of the challenges as authors is knowing when to listen to that voice and when to tell it to shut up. This time I listened.

For the novel, I rewrote the alien abduction chapter. Instead of aliens abducting the vampire, it’s the military for a secret operation. It made a much stronger novel and much of that is because the settings involved were places I’d been and worked at. Much of the action is actually the same as it would have been, but it’s set at Los Alamos National Laboratory where my graduate advisor worked. There’s still some alien tech so advanced it’s almost magic, but instead of being wielded by aliens, it’s being wielded by humans who don’t fully understand it. Not only was I able to willingly suspend my disbelief, I found a way to give the book a stronger theme, and I could write about places I knew.

I also left in a hint that perhaps vampires might one day travel to the stars. After all, if vampires with all their strength and abilities would make good mercenaries, wouldn’t they make awesome astronauts? Just gotta make sure they’re well stocked with blood for the journey!

As it turns out, I ultimately wrote a story about a member of the Scarlet Order investigating a mystery in deep space in the distant future. It was called “Dark Matter” and it was published in Hungur Magazine in 2012. Unfortunately, the story is no longer in print, but I do plan to share the story with my Patreon subscribers later this week. What’s more, subscribers can go to an earlier post and get a copy of Vampires of the Scarlet Order. If that isn’t incentive enough, I’ll mention that subscribing to my Patreon helps support this blog. So what are you waiting for? Click the button below to visit the site and learn more.

Vampires of the Scarlet Order Revisited

I’m excited to announce the release of the second edition of Vampires of the Scarlet Order. This edition features new cover art by Chaz Kemp:

Vampires of the Scarlet Order Cover by Chaz Kemp

The second edition has also been reedited. As I mentioned in Tuesday’s blog post, I went through the novel and corrected as many spelling, grammar, and continuity errors as I could catch. However, my edit also went a little deeper. This year, I’ve had some good conversations with some talented people about audience expectation and I realized that although the novel was generally well received, certain elements violated something that I think most audiences have come to expect.

The first edition opens in Spain during the year 1491. We meet a man named Rudolfo who seeks revenge for the death of his father. He is invited to join the Scarlet Order Vampires. We follow the Scarlet Order’s exploits for another chapter and then Rudolfo disappears. Another member of the Scarlet Order turns up in Louisiana and turns a schoolteacher named Marcella into a vampire. Then we meet a vampire named Mercy. Eventually Rudolfo reappears, but is gone some two chapters later until the end of the book. His story is important to the novel, but it’s not the driving force.

I came to realize this is the story of three young vampires who start finding clues to a terrible government conspiracy. Each of them has a tie to the historical Scarlet Order and, in order to understand the mystery they’ve uncovered, they must seek out the Scarlet Order’s former leader. The book violated audience expectation in that none of the characters met in the first two or three chapters end up being the story’s protagonists, unless you consider the Scarlet Order itself a protagonist. As presented, the book was “about” the fall and rise of the Scarlet Order, but it took a few chapters to meet the novel’s true protagonists. This could be fine if there were a compelling reason to do it this way, but I couldn’t convince myself I was telling the story in the best way possible.

In the new edition, I start by introducing the physicist Jane Heckman who is peripherally involved in the research that drives the plot and who meets Rudolfo and becomes a vampire. He then tells her the story of his involvement with the Scarlet Order. Rudolfo disappears, which gives her a problem to solve. Once she seeks out Desmond Drake in Northern New Mexico, the story is handed over to Marcella, the Louisiana schoolteacher and so on. The new edition tells the same story, it just reveals the information in a different order. My goal is that the readers get to know our protagonists early and care about their story because they’re the ones who have to resolve the book’s primary conundrum. As told on the book’s back cover:

A new generation of vampires embarks on a quest to save humanity.

Opening a forgotten crypt during a military exercise, Dr. Jane Heckman is made a vampire and begins a journey to unlock the secret origins of her new kindred.

Elsewhere, solitary vampire Marcella DuBois emerges from the shadows and uncovers a government plot to create vampire-like super soldiers.

Daniel McKee, a vampire working as an astronomer, moves to a new town where he’s adopted by a family, only to have government agents strip those he loves away from him.

All three vampires discover the government is dabbling in technologies so advanced they’ll tap into realms and dimensions they don’t understand. To save humans and vampires alike, Jane, Marcella, and Daniel must seek out the legendary master vampire Desmond, Lord Draco and encourage him to resurrect his band of mercenaries, the Scarlet Order.

I invite you to join Jane, Marcella, and Daniel on their quest.

The ebook of Vampires of the Scarlet Order is available at:

The print edition of Vampires of the Scarlet Order is available at:

If you’d like to get the first edition before it’s gone, there are signed copies at:

Vampires of the Scarlet Order’s Fifteenth Anniversary

Vampires of the Scarlet Order

Over the past year, I’ve been so focused on the silver anniversary of my first novel, The Pirates of Sufiro, that I almost forgot that another novel of mine also celebrates a milestone this year. With fifteen years in print, Vampires of the Scarlet Order celebrates its crystal anniversary, which seems appropriate given a scene in the novel where the vampire Rudolfo is transported to a parallel universe and encounters a world of crystal palaces.

Vampires of the Scarlet Order got its start in my Las Cruces, New Mexico home in the spring of 2000. I was talking to my friend Janni Lee Simner about writing. As the conversation progressed, the subject of vampires came up and Janni said, “I wonder what vampires would make of Las Cruces, being the city of crosses and all.” We knocked a few possibilities around and finally she said that if a story idea came to mind, I was welcome to it. She had no plans to write a vampire story. A few days later, I drove to work at Apache Point Observatory and had the idea of a vampire telescope operator who moves to Las Cruces to work at a small observatory. I wrote up the story and called it “Vampire in the City of Crosses.” In 2001, I sold it to Margaret L. Carter, editor of The Vampire’s Crypt.

Over the next two years, I wrote six more stories set in the same vampire world. “Vampires in the World of Dreams” and “The Weeping Woman” both appeared The Vampire’s Crypt. “Pat, Marcella, and the Kid” and “The Scarlet Order” both ran in Night to Dawn magazine. “The Last Conquistador” ran in Parchment Symbols magazine and “Bat Flight South of Roswell” was published as a stand-alone chapbook from Anxiety Publications. These stories became the core of Vampires of the Scarlet Order.

Issues of The Vampire's Crypt featuring stories from Vampires of the Scarlet Order
The Vampire’s Crypt

Over the next year, I updated the stories, figured out how they tied together and then assembled them into the novel Vampires of the Scarlet Order. The novel as assembled in 2005 tells the story of how a band of vampire mercenaries working for the Spanish Inquisition went their separate ways only to be reunited in the early twentieth century when the government figures out a way to build vampire-like super-soldiers who threaten world security and peace.

Earlier this year, my contract for Vampires of the Scarlet Order reached the end of its term with Lachesis Publishing and they returned the publishing rights to me. So, I set out to reedit and revise the novel. Even though I didn’t stop to think about this being an anniversary year, the novel is getting a special anniversary release with a brand new cover. Unlike The Pirates of Sufiro, I did not heavily revise the actual prose of Vampires of the Scarlet Order. However, given that my first vampire novel was very much a fix-up novel composed of short stories from three narrative arcs, I felt I could present the stories in a more effective order. I’ll discuss that on Saturday and show off the new cover by Chaz Kemp. If you would like a sneak peek at the new edition, and even learn how you can get your hands on an early copy, drop by http://www.davidleesummers.com/VSO.html

Powers of Darkness

When I read Dracul by Dacre Stoker and J.D. Barker last month, I noticed that the part sections featured epigrams from a Bram Stoker book I’d never heard of before called Makt Myrkranna. It turns out this was the version of Dracula serialized in the Icelandic magazine Falkjonan from 1900 to 1901. The thing is, this isn’t just a translation of Dracula as most of us who discovered it in English know, it’s a completely different version. The title translates as Powers of Darkness and in 2016, Valdimar Asmundsson released an English-language translation of the Icelandic text.

Powers of Darkness

To me, Powers of Darkness reads like an earlier draft of Dracula and that seems to be the conclusion of the translator as well. Some characters have different names. We meet Thomas Harker instead of Jonathan. His fiancee is Wilma instead of Wilhelmina. We meet some new characters such as an old, deaf woman who keeps house for Dracula. There are police investigators in the background, looking into Dracula’s crimes. Instead of Dracula having three brides who tempt Harker, there is a single woman who is presented as Dracula’s niece, who attempts to seduce Harker and feed upon him. Although Harker’s journey to the castle is told in the familiar epistolary format, the events after Dracula leaves his castle in Transylvania become a third-person narrative.

As a writer, I found this version fascinating. It reminded me of the work I did on my novel The Pirates of Sufiro, and I imagine someone who compared the 1994 edition to my recently released 2020 edition would find the new one richer in much the way I would consider Dracula richer than Makt Myrkranna, especially the parts after Dracula goes to England. That part of Makt Myrkranna is very brief compared to Dracula and reads like it was the first time Stoker assembled his notes on various ideas, like a very rough draft. There is also speculation that the original Icelandic publisher thought the novel was running long and the second part ended up being something of a summation, but there are still details in that part missing from Dracula, so one gets a sense that Stoker’s hand was there.

I also found Powers of Darkness interesting because I’m revising my novel Vampires of the Scarlet Order for a new edition. In that case, I’m doing less rewriting than I did for The Pirates of Sufiro, but I am recutting the novel and reordering the chapters a bit to tell the story more effectively. I thought about this a lot while reading Dracul, where J.D. Barker and Dacre Stoker build suspense by starting the novel in a scene where Bram Stoker is facing an unknown enemy behind a door, then going back and telling how he reached that point. In Vampires, I started with a very linear narrative, but now I start in the present and let the past unfold when characters have reason to tell it. I think the new version strengthens the narrative.

One interesting element of Powers of Darkness was that the translator took time to attempt to map out a floor plan of Dracula’s castle based on the description. The result is an interesting look inside the count’s Transylvanian abode. Another thing I thought was interesting in this version was that Dracula holds some kind of dark ritual for his followers, which seems to anticipate scenes that would appear in the Christopher Lee Hammer films of the 1970s.

I would recommend Powers of Darkness to writers wanting to glimpse Bram Stoker’s process, or Dracula fans who want to get more insight into the history of the character. If you’re a casual reader looking to read Stoker for the first time, I’d start with the English language Dracula, or perhaps the collection Dracula’s Guest and Other Stories by Stoker. If you want to learn more about Powers of Darkness and even look at maps of Dracula’s castle, visit: http://powersofdarkness.com/. You can learn more about my novels at http://davidleesummers.com.

The Astronomer’s Crypt Trailer – Take Two

In March, as most of the United States began to shut down for the COVID-19 pandemic, I received word that my publisher was willing to return the publishing rights for my novel The Astronomer’s Crypt to me. This was not altogether a surprise. I knew Lachesis Publishing was changing the focus of its business. Still, Lachesis had treated the book well and they had sold lots of copies, helping it to reach Amazon’s bestseller lists a couple of times. What’s more, it meant that the beautiful trailer I helped to produce with Eric Schumacher would be out of date since the trailer showed the original cover and pointed to Lachesis as a source for the novel. Fortunately, with the help of Eric and our director of photography, R.S. Francis, I was able to turn this issue into an opportunity.

Claire and Mike in The Astronomer’s Crypt: Get Out!

First off, as anyone who has watched a movie based on a book knows, screenplays are rarely a play-by-play of scenes from the book. You may get lines from the book and scenes that look just like a moment is described, but its rare that the movie is exactly the book. This is because books and movies have different requirements. A novel gets to spend a lot of time in a character’s head, giving the reader their thoughts. In a movie, you have to see the character’s actions. When we translated a scene from the novel to the screen, we did our best to give the impression of what was happening in a tense scene where telescope operator Mike Teter must leave astronomer Claire Yarbro alone in the telescope control room. Most of the scene focuses on Claire and what happens while she’s alone.

When I got the rights back, I had the opportunity to give the novel an additional edit. For the most part, this edit was pretty superficial. My editor at Lachesis had done a great job, though there were a few dropped punctuation marks and a missing word here or there. However, one thing that was especially fun was that I had the opportunity to revise the scene with Claire and Mike that we showed in the trailer to be more like the version we depicted. Again, it’s not exact because movies and novels have different pacing issues to consider. Also, the trailer has to tell the viewer things the reader already knows by this point in the novel. Still, I think I succeeded in making the scene from the book look just a bit more like the scene from the trailer.

What’s more, our cinematographer and effects artist, R.S. Francis stepped up and revised the end of the trailer to show the new edition of the book and update the information where the book is now available. It’s also been updated to even higher definition, so it looks really great if you watch this on a big screen. Without further ado, here’s the updated trailer:

Updated movie: The Astronomer’s Crypt: Get Out!

If you dare open The Astronomer’s Crypt after watching the trailer, you can find the new edition at the following places:

In print:

As an ebook: