My novella, Breaking the Code, will be released in ten days. I thought this would be a good time to share another post from my publisher, NeoParadoxa, which is an imprint of eSpec Books. In this post, you can read Chapter One in it’s entirety absolutely free. I hope it hooks you enough to want to read the whole thing!
As it turns out, I pitched this novella while taking my youngest child to college. In a normal year, I would have been exploring places around the beautiful city of Flagstaff, Arizona and may even have paid a visit to Lowell Observatory, which is one of my favorite places in the area. Lowell had been closed due to the pandemic and when I wasn’t moving boxes into a dorm room, I was largely sitting in a motel room maintaining a careful social distance from others. I found myself thinking back to my own early college days when I first moved to New Mexico and friends from those days. I thought about stories they told me about one of New Mexico’s very own mysterious creatures, the skinwalker. As I looked through the history of the part of the state where most skinwalker sightings occur, I realized there was a very interesting story to tell. My story is fiction, but it takes inspiration from real events.
With that, I invite you to step over to eSpec’s blog so you can read the first chapter of my novella.
We have another Systema Paradoxa title for you, Breaking the Code by David Lee Summers, a part of the Systema Paradoxa series created in conjunction with Cryptid Crate. It releases May 21, but you can pre-order it now via the link. Chapter One Friday, February 20, 1942 Cheryl Davis parked her Ford Coup in the […]
Happy Star Wars day! May the Fourth be with you! One of the things I’ve always loved about the Star Wars Universe were all the creatures George Lucas and his team dreamed up. Whether it be the Bith who played mean jazz in the first movie’s cantina scene, the Mon Calamari fish people who fought for the Rebel Alliance, or the Wookies, like Chewbacca who was Han Solo’s best friend, there was something about these creatures that made me want to believe they were real.
Around the same time as Star Wars, there was a television series hosted by Leonard Nimoy called In Search Of…. That show introduced me to strange creatures purported to exist in the shadows of our own planet. Among these creatures were the Sasquatch, the Loch Ness monster and the Yeti. I’ll admit, now that I’m older, I’m skeptical of many of these stories. And yet, I have heard stories from friends and people I’ve met that make me wonder if there could be some truth to these tales of cryptids. Friends who have lived in Gallup, New Mexico have told me stories about the Skinwalker and that helped to inspire my tale, Breaking the Code, which comes out later this month from NeoParadoxa Press, an imprint of eSpec Books.
Breaking the Code is volume 3 of the Systema Paradoxa series. Just because it’s volume 3 doesn’t mean you need to read volumes 1 and 2 to understand my story. Each volume tells its own story of a cryptid. That said, I know many of the contributing authors and you’ll definitely want to read every volume in the series.
I have updated my website to include a page for Breaking the Code. Just visit http://www.davidleesummers.com/Breaking-the-Code.html to be updated with all the places where the book is currently available. Or better yet, subscribe to https://www.cryptidcrate.com where you’ll not only receive the book later this year, you’ll also get all kinds of goodies and many of the other books in the series. With that, I’ll let you take a look at the eSpec Books post.
A part of the Systema Paradoxa series under eSpec’s new NeoParadoxa imprint, this is Breaking the Code by David Lee Summers. A cryptid novella based on the skinwalker. There are creatures lurking in our world. Obscure creatures long relegated to myth and legend. They have been sighted by a lucky—or unlucky—few, some have even been […]
Operating telescopes at Kitt Peak National Observatory means that I work a night shift. My working days typically start at 4pm and end in morning twilight, about a half hour before sunrise. Despite that, I often spend my off time on a day schedule. Originally this was a matter of necessity. Being on a day schedule allowed me to interact with my kids before they went to school and after they came home. I also find that I don’t do well staying on a night schedule all the time. I find I do need occasional time out in the sunshine. Also, the neighbors get a little cranky if I mow the yard at midnight!
One of the ways I’ve adapted to swapping schedules is that I drive to work the night before my shift begins. I stay up as late as I can and then sleep as long as I can during the next day. This works pretty well, though I do find the older I get the more my circadian rhythms resist the change back to nights. No matter how late I’ve stayed up, my eyes will tend to pop open for a while around 8am. If I’m tired enough, I will usually go right back to sleep. What I’ve also noticed is that especially on the first night getting ready for a shift, I’m prone to lucid dreams. In short, lucid dreams are ones where you’re consciously aware you’re dreaming. This has become common enough that I’ve discovered I can sometimes interact with my dreams. I can decide where to go or what to look at.
The experience of lucid dreaming feels at once profound and limited. It feels profound because it feels like I’ve gained control of a realm where we normally have no control. It feels limited because the control isn’t complete. The best way I can describe it is that it’s like playing a video game. I can move around, explore some things, but I don’t really control the “plot” or what other people in the dream do. Still, I can see why there’s a history of spiritual teachers, especially in the Hindu and Buddhist traditions, ascribing special significance to lucid dreaming.
When I re-read Children of the Old Stars in preparation for starting a new edition, I noticed that I used dreams and dream imagery quite a bit. In my revisions for the forthcoming edition, I decided to enhance this and bring in some of my experience with lucid dreaming. I plan to expand these themes in the next book, Heirs of the New Earth. There, the protagonist’s experience with lucid dreams from Children of the Old Stars, prepares him for being able to move around a non-corporeal reality.
My Patreon supporters have been joining me as I rewrite Children of the Old Stars for a new edition. That journey will wrap up later this month. In fact, I’ve already started the process of giving the book a complete, comprehensive re-read for consistency and last-minute corrections. I’ve also gone ahead and set the ebook up for pre-order. It’s currently available for pre-order at the following stores:
From Dusk till Dawn, directed by Robert Rodriguez, is a movie set in the borderland region of West Texas and Northern Mexico. It’s been on my radar for some time, but it’s taken me a while to finally watch it. Released in 1996, this movie tells the story of two brothers on the run from the law. At a motel, they take a family hostage and flee across the border to Mexico. The brothers go to a strip club to wait for their contacts only to find the strip club is, in fact, home to a nest of vampires. The exact fictional settings are a little vague, although it’s implied the motel is in El Paso. Much of the film was made near Barstow, California, where I was born. The edition of the film I watched included the bonus movie Full-Tilt Boogie, which is a documentary about the making of From Dusk till Dawn.
One of the things that makes this movie interesting is that it takes its time introducing the horror elements. As noted in Full-Tilt Boogie, a lot of horror movies get right to the scary parts, but the best horror novels often give you a chance to become acquainted with the characters before throwing them into the horrific situation. This allows you to care more whether or not the characters make it out the other side. The mix of characters was interesting, because the Gecko brothers were not sympathetic at all. Both of them are murderers and one of them is a rapist. However, the family they kidnap is relatable. We meet a dad and his two children. The dad is a minister who recently lost his wife and suffers a crisis of faith.
Once the vampires are introduced, the movie is mostly about action as the human characters fight to survive the night. I thought the strip club was an interesting front for a nest of vampires. It allows vampires in their sexier human form to lure the unsuspecting into their trap. Beyond that, we learn little about the vampires themselves until a compelling hint about their origins and how it might be tied to history and mythology is dropped in the movie’s last scene. I won’t discuss the specifics in case that would spoil it for anyone, but I gather the hint is developed in the made-for-TV sequels and TV series. The vampires themselves are portrayed as pure monsters and they take many different forms.
Although it’s ostensibly a vampire film, the plot structure involving sympathetic characters mixed up with gangsters followed by a frightening second act reminded me most of my novel The Astronomer’s Crypt, which is also set in the borderland region. You can learn more about that novel at: http://davidleesummers.com/Astronomers-Crypt.html.
Even though my Scarlet Order vampires are not outwardly monstrous, they do have ties to history and world lore, including Native American cultural lore. I would have enjoyed more exploration of these ideas in From Dusk till Dawn and may have to watch at least some of the TV series to see how they explore it there. The best place to see these ideas explored in my writing is in my novel Vampires of the Scarlet order. Learn more about it at: http://davidleesummers.com/VSO.html
Back in March, I teased the comic Guinevere and the Stranger that I had been working on in collaboration with artist Michael Ellis. The project is now far enough along that I can give a few more details about the release. The first people who will get to read the comic in its entirety are my Patreon supporters. I plan to present the pages of the comic over a two-week span in June, essentially sharing a page per day after I’ve finished sharing the work I’m doing on the twentieth anniversary edition of my novel Children of the Old Stars. If you want to be one of the first people to read the comic, be sure to sign up for my Patreon at https://patreon.com/davidleesummers by June 1. You don’t have to wait to see the cover, though. I’ll share that today. The cover features art by Michael Ellis. The layout is by Bram Meehan who was responsible for lettering the interior.
Inside the front cover, I set up the story. It reads: “In the sixth century, the vampire Desmond persuaded King Arthur to seek the lost Book of Jesus and the Holy Grail. While Arthur’s knights sought these artifacts, the king’s son began a campaign to usurp the throne. It’s said Guinevere went to a convent after King Arthur’s final battle. What happened to her has long been a mystery. At last, this book tells a lost tale from Queen Guinevere’s final years.” As you can see, Dragon’s Fall elaborates on Arthurian legend. I first started delving into the early tales of Arthur in college. Of course, my Scarlet Order vampires are mercenaries involved with the highest level of government, so there was never any doubt that some of them would have known King Arthur. The involvement with the grail legend came from the realization that vampires would no doubt find an artifact so connected with the “blood of Christ” and forgiveness irresistible.
As I mentioned before, this is a retelling of a chapter from my novel Dragon’s Fall: Rise of the Scarlet Order Vampires. I had several goals for this project when I started. First and foremost, I’m a longtime fan of the comic book medium and I’ve long wanted to try my hand at scripting a comic. I have sat in on some online courses and some panels given by the group 7000 BC, based in Albuquerque and had learned some of the basics, but realized the only way I would learn more about the process would be to actually dive in, write a script, and hire someone to illustrate it.
When I set out to create this comic, I thought it would be something I would share here at my blog as a fun way to introduce new readers to my novel. In effect, it would serve as a comic book “trailer” for the novel. If I liked how it turned out, I thought I might print some copies to give away at conventions.
The thing is, much as I enjoyed the work at Michael’s online portfolio, it really didn’t prepare me for how well he could capture the images I had in my head. As I saw the quality of the work he delivered, I realized it deserved better distribution than I had originally planned. In fact, if you go over to his page, you’ll see several of the pages from Guinevere and the Stranger without dialogue. What’s more, I realized I didn’t want this one 8-page experiment to be the end of our collaboration. Dragon’s Fall contains four short self-contained stories like Guinevere and the Stranger. each one is a brief look into the lives of the Scarlet Order vampires providing insight into who they are. What’s more, I’ve written numerous vignettes about the Scarlet Order vampires. If I can raise sufficient funds to keep paying Michael and Bram what they deserve for their work, I’d love to create more of these books.
As a first step toward this goal, I’m releasing the comic as an exclusive for those people who are signed up for my Patreon. Supporting me there will not only give you a first look at this comic, but you’ll help support the artists I’m collaborating with. After the comic is released on Patreon, a print edition will be released that I will sell at conventions and at hadrosaur.com. Look for that to appear by the middle of June. I’ll likely approach some of my friends in retail about carrying this as well. The print edition will give you the opportunity to hold a copy of the comic in your hand. Finally, I have taken the time to learn how to submit the comic to the Comixology platform for distribution, which I’ve discussed in other comic book reviews. Presuming they accept the book, I’ll share when it’s available there. Out of necessity, the print edition will be the most expensive and most of the income will go to printing costs. Likewise, much as I like Comixology, they will take a large cut of the sales. For now, supporting me on Patreon will be the least expensive way for readers to support this project, but also the way that allows most of the funds to actually go to the artists who created it. Click on the button below to go to my site and sign up.
This week, the poem “The Airship Rustlers” that I wrote with Kurt MacPhearson appeared in the the Science Fiction and Fantasy Poetry Association’s online magazine, Eye to the Telescope. You can read it at: http://eyetothetelescope.com/archives/040issue.html. The issue’s theme is “Weird West” and the editor is Gary Every, who I’ve been pleased to work with on a number of other occasions.
A while back, Kurt MacPhearson and I collaborated on a handful of poems and a short story. The way we worked on the poems was that one of us would write a verse or two of a poem, then email it to the other. Effectively, we played a game of literary hot potato, passing the poem back and forth until we came to a conclusion we liked. We also allowed each other to edit the poem as it stood, to make sure all the ideas worked together and to make sure it had a uniform voice.
As I recall, I started this particular poem. I would have been working on my Clockwork Legion novels at the time, very much entrenched in reading about airships and wild west lore. I was also inspired by the TV series Firefly and the episode where Captain Reynolds transports cattle from one planet to another aboard his space ship. Kurt gave the poem a somewhat darker tone than I originally imagined, but it fits how seriously people took cattle rustling in the wild west. In passing the poem back and forth, the poem’s narrative took some interesting turns and by the end, it’s not altogether clear the title refers to those people aboard the airship rustling cattle.
Not only did Kurt and I collaborate on poetry, we also tried our hand at a steampunk short story. Again, we played literary hot potato with the story. I introduced the brave Captain Penelope Todd of the airship Endeavor and immediately thrust the crew into a nasty storm from which there seemed to be no escape. Kurt took the idea and ran with it, sweeping the Endeavor and its hapless crew off to a strange new land called Halcyon along with the crew of a sea-going pirate ship. Kurt had Captain Todd taken prisoner with no apparent way of escape and left me to find a way out of the situation. That story was picked up for the anthology Gears and Levers 2, edited by Phyllis Irene Radford and you can get a copy at: https://www.amazon.com/gp/product/B00AYAF6X2/
Another interesting aspect of all this is that Gary Every, the editor of the Weird West issue of Eye to the Telescope, and I also played literary hot potato on a story for a while. It was all about exploring underground waterways on Mars. Unfortunately, life got in the way for both of us and we never finished the tale, but we did have fun and it took a lot of inspiration from stories of people on the Western frontier. Even though Gary and I never finished that story, I did publish a pair of his fantasy tales under the title Inca Butterflies. In the book, Incan Emperor, Huaina Capac, comes of age as Alejo Garcia and his band of mutineers arrive in America carrying a weapon far more devastating that cannons. Huaina Capac’s successor, Manco Inca, must lead his remaining people as bearded men from Europe swarm the countryside like butterflies sweeping the plains. Set in the last days of the Inca Empire, Inca Butterflies is a tale for all times. You can get the book at: https://hadrosaur.com/IncaButterflies.php
This coming weekend, I’m honored to be one of the participants in a great virtual event and everyone is invited! The event is the Steampunk CommuniTea Weekend, which is presented by the Tucson Steampunk Society, the Tea Scouts, Madame Askew and the Grand Arbiter, and the Temporal Entourage. This will be a weekend full of virtual panels, performances, and sundry adventures. To register for the weekend and receive a complete schedule of events once it’s available, go to: https://madame-askew.ticketleap.com/steampunk-communitea-weekend/
Registration for the event is free and includes access to the Zoom panels and Discord chats. There will be additional performances that will include an extra charge. You can get all the details on the event’s Facebook page at: https://www.facebook.com/events/336440080917274
Guests for this event include a number of my favorite writers, including Gail Carriger, Danielle Ackley-McPhail, Nicole Givens Kurtz, Karen Carlisle, and Beth Cato. There are also events with makers, artists, and costumers. I see many familiar faces from other steampunk events I’ve attended in the past such as my alter ego, David Lee, the Airship Ambassador, Kevin Steil, and costumer, Tayliss Forge. I’m especially excited to see that there will be a concert by Nathaniel Johnstone, one of my favorite musicians. The concert does cost extra, but it’s a very reasonable price.
As of this writing, I will be participating in at least three events this weekend. At 7pm Pacific Daylight Time on Friday, April 8, I’ll join a discussion called “Libations with Literati.” I gather this will be a social hour where the guest authors and publisher will be on hand to chat about their work and and be available to ask questions. At 9pm, I will give my presentation “Mars: A Land Across the Aether” as Mars itself sits high in the sky. This has been a popular presentation at several steampunk events and this is a great opportunity for folks who can’t ordinarily travel to events to watch the presentation. At 2pm Pacific Standard Time on Saturday, I’ll join some of the other authors for “The Care and Feeding of Great Steampunk Stories.” I will certainly be sitting in on other events as well through the weekend.
I do hope you will join us for this wonderful, virtual steampunk event. It will be an opportunity to connect with steampunks from around the world and learn more about the fun of steampunk literature, arts, craft, and music.
This month marks the third anniversary of the re-release of The Solar Sea, which is the prequel to my Space Pirates’ Legacy series. I’m also nearing completion of updates to Children of the Old Stars, which is book three of the series in its current incarnation. I thought this was a good moment to take stock of where I am in this project and look ahead at what’s left to accomplish.
The Space Pirates’ Legacy series was originally released by LBF Books as the Old Star/New Earth series. The series consisted of The Pirates of Sufiro, Children of the Old Stars, and Heirs of the New Earth. The series title was something quickly cobbled together from the last two books. My publisher billed The Solar Sea as book four of the series. However, as I mentioned before, it’s more a prequel to the series and a standalone story. It’s been released as such in its current incarnation.
After the books of the Old Star/New Earth series had been released, I wrote several short stories about pirate captain Ellison Firebrandt and his crew before they are stranded on the planet Sufiro. I decided to put those stories together with new material and, once the rights to the other books in the series reverted to me, I decided Firebrandt’s Legacy was a logical, new first book in the series. I also decided to give the series a catchier name. Long before I came up with the name “The Space Pirates’ Legacy” series, I’d been referring to the Old Star/New Earth series as my legacy series because it was my first series published. Thing is, there actually is a space ship called the Legacy in these books and it has a prominent role in three of the four novels. What’s more, as you might imagine with books called “Children” and “Heirs” these are books about the heirs to the original space pirates. Space Pirates’ Legacy suddenly seemed like a good fit.
Back in May 2020, Lynn Moorer of the radio show “All About Books” interviewed me about the new first book in the series. In this universe, most ships have to jump to speeds greater than light at gravitational nodal points near stars. An important element of Firebrandt’s Legacy is how pirate captain Ellison Firebrandt lays his hands on a special kind of engine that allows him to jump to speeds faster than light without jump points. In her interview, Lynn asked me about the drives and how they work, plus she had me read some excerpts from the novel. The interview is archived on the Las Cruces Community Radio site at: https://www.lccommunityradio.org/archives/all-about-books-david-lee-summers9615141
I assembled Firebrandt’s Legacy with the help of my Patreon supporters. Each month, I shared one of the stories from the novel along with some commentary about how it fit in the story arc I was assembling, then shared the finished, polished chapter. Overall, I ended up with a book that pleased me. Once the novel was finished, I took my Patreon supporters on a deep dive as I tore my novel The Pirates of Sufiro apart and put it back together again. I shared each chapter as it originally appeared along with commentary about the chapter, then I shared the revised chapter. The Pirates of Sufiro was the first novel I ever wrote and it took quite a bit of work to bring it up to the standard of Firebrandt’s Legacy. Still, I think I succeeded and I believe The Pirates of Sufiro now works as a strong follow-up to Firebrandt’s Legacy.
About a year ago, as I was wrapping up the first pass of The Pirates of Sufiro with my Patreon subscribers, I re-read the last two novels of the series. I didn’t feel those novels needed as much work as Pirates, but they still needed some work. In Children of the Old Stars, Ellison Firebrandt’s grandson, John Mark Ellis goes on a quest and seeks help from a warrior named Arepno. I felt like Arepno’s teachings needed to be fleshed out. The novel’s quest involves understanding an alien called the Cluster. Children of the Old Stars was probably my most “seat of the pants” novel. I didn’t outline. I didn’t work out exactly what the Cluster was beforehand, I just started writing until I came to what I thought was a satisfactory conclusion to the quest, which then created bigger problems and lead us into the final novel of the series. Looking back at it, I realized I needed more hints in Children of the Old Stars about what the Cluster really was.
At this point, I expect to wrap up Children of the Old Stars by early May. Once it’s complete, I’ll set a release date and format the novel for publication. I’ll give it one more proofread to assure that it’s still internally consistent. The novel should be out by this summer. Once that’s finished, I’ll turn my attention the final novel in the series, Heirs of the New Earth. This final novel doesn’t need as much work as the others in the series. I’m not certain yet whether I’ll give it the same “deep dive” as the other novels in the series. What I do know is that my patrons at Patreon will get the first look at the new edition and I’ll be discussing the process of its creation with them. If you’d like to join us, you can sign on at https://www.patreon.com/davidleesummers
I’ve been a fan of comics as long as I can remember and I’ve long wanted to try my hand at scripting a comic book. Over the years, I’ve also had artists say they thought many of my stories would make good comics. The question has always been, what should I try to adapt?
Dragon’s Fall: Rise of the Scarlet Order Vampires has four “interludes” between the novel’s main sections. These are, essentially, little self-contained short stories that give added insight into the novel’s characters. Often when I’m asked to read from the novel, I’ll pick one of the interludes because they’re short, pack a punch, and are self-contained. It occurred to me that one of these might make a great short comic.
So, I adapted the interlude “Guinevere and the Stranger” into a comic script, and showed it to my friend Bram Meehan, an indie comic creator I’ve long admired. Also, I figure if you’re going to work on a vampire comic, you can’t go wrong talking to guy named Bram! He gave me some pointers to improve my script and introduced me to an Albuquerque artist named Michael Ellis. Michael enjoyed the script and he’s now drawing the comic. It’s been exciting to see his pages come in. He’s been doing some great work and I can’t wait to share the finished product with you. The pictures in the slideshow below are some of his preliminary sketches of Guinevere, the mysterious stranger, and Roquelaure, one of the main characters of Dragon’s Fall.
Arthurian legend features heavily in Dragon’s Fall, and Guinevere plays a pivotal role in the story. In many versions of the King Arthur story, Queen Guinevere’s story ends with her going to a convent. In some versions, she seeks refuge from Mordred. In others, she does this as penance for her infidelity with Lancelot. Still, it’s rare for us to know much about Guinevere’s story after she entered the convent. “Guinevere and the Stranger” tells about an important incident from that period in Guinevere’s story that has a major impact on the rest of the novel.
I hope you’re excited for this comic. Once finished, I plan to print copies of the comic which I’ll sell through the Hadrosaur Productions online store and at conventions when those happen again. I’m also considering a Kickstarter to fund additional comic adaptations. If that happens, comics will be available as a Kickstarter perk. The comic will be available online as an exclusive Patreon subscriber benefit once it’s complete, so if you want get updates on this project and read the story right as its released, be sure to sign up at https://www.patreon.com/davidleesummers
One challenge of the pandemic is that its kept me from spending quality time at my favorite bookstores and comic shops. I’ve still been patronizing them when I can, but I have missed spending a luxurious hour just wandering the shelves looking for new things to catch my eye. With that in mind, about two weeks ago, I started browsing some lists of the best comics and graphic novels of 2020 just to see if I missed something I would want to know about. One graphic novel that popped up on several of those lists was Dracula, motherf**ker! written by Alex de Campi with art by Erica Henderson. I was already well acquainted with Erica Henderson’s art from her work on Unbeatable Squirrel Girl and Jughead. Also, she’s one of those artists I’ve known of from way back when, since I used to do a lot of work with her father, C.J. Henderson. Between Erica’s work and the description of the graphic novel as a grindhouse-inspired Dracula story set in 1970s Los Angeles, I knew this was something I needed to read. A quick search of my local comic shop’s website revealed they had the book on the shelf.
Dracula, motherf**ker! opens in 1889 Vienna. Dracula’s brides capture the count and nail him into his coffin. The action then jumps ahead to 1974 Los Angeles where Hollywood star Bebe Beauland opens his crypt. A short time later, photographer Quincy Harker appears on the scene to take photos of the carnage that results. We soon learn that Bebe Beauland is not as dead as she first appeared and, of course, Dracula is on the loose again. Dracula’s brides from the opening of the story appear and begin helping Quincy.
The story is told largely through the visuals. Many pages are nighttime dark cut through with bright neon-like colors. The graphic novel format gives Henderson the freedom to design the story around two-page visual spreads. Even when there are two discrete pages of narrative panels, there’s a visual cohesion across the two-page spreads. Dracula himself seems inspired by Nosferatu but ratcheted up a few notches. He’s a monstrous creature of eyes and teeth with an old man’s arms and a cape of night. The story’s stars, though, are the brides and Quincy. Henderson does a great job of conveying emotion through the characters’ facial expressions and body language.
This was the rare graphic novel that I actually read three times back-to-back. I kept seeing things in the art and picking up things from de Campi’s minimalist, but effective dialogue. I recommend this volume for fans of vampires and good comic books. I picked up my copy at Zia Comics in Las Cruces.
Some of my interest in this graphic novel came from the fact that I’m collaborating on a vampire book project based on a short episode in my novel Dragon’s Fall: Rise of the Scarlet Order Vampires. It was fascinating to see so many of the lessons I’ve been learning applied effectively in Dracula, motherf**cker! Next week, I’ll be back with a little sneak peek at the project I’m working on.