The Wild West I Wished For

Today, I’m excited to be at the Tucson Festival of Books at the University of Arizona campus in Tucson. It’s a free event, so if you’re in the area, I hope you’ll drop by. I’m participating in two panels this weekend and will be available after both to sign books.

Last weekend, I was at Wild Wild West Con, at Old Tucson Studios where many classic westerns were filmed. When I grew up, my parents were big fans of westerns. My mom, in particular, was always delighted to find a good “shoot-em-up” on television during a Sunday afternoon. Unfortunately, I wasn’t much of a fan of westerns, at least not at first. It wasn’t until I discovered TV series like The Wild Wild West and Kung Fu that westerns began to click for me. As a kid, I loved science fiction and the former mixed tropes I found familiar into the western backdrop, which helped me take notice. The latter took the clash of cultures that often happened in the west seriously and I could see similarities between that world and the multicultural world of Southern California I lived in at the time.

A lot of these elements come to life at Wild Wild West Con. The event started for me on Thursday night at opening ceremonies, where I got to catch up with some old friends from other steampunk conventions. The next morning, I drove out to Old Tucson Studios to unload books. This year, the authors were housed in the building where they filmed the exteriors for the show High Chaparral. Here you see my Smart Car parked out front!

One of the things I love about steampunk conventions is getting to see the wonderful things people have built for costume or display. This year, outside of High Chaparral, was a display of steampunk vehicles. I thought this one could almost be a reinterpretation of Larissa Crimson’s invention from Lightning Wolves, or an evolved version of the vehicle.

The person who built this amazing vehicle is David Lee, principal artist of Hatton Cross Steampunk. He’s also the man behind the mask of Steampunk Darth Vader in the short films Trial of the Mask and Mask of Vengeance. Perhaps it’s not surprising that every now and then people confuse the two of us in correspondence. So it was a pleasure to finally meet David Lee and I was delighted to find him a pleasant person, as many people in the steampunk community prove to be.

In addition to meeting Steampunk Darth Vader, I also had the opportunity to meet Sam Jones, who played Flash Gordon in the campy 1980 movie. I also enjoyed meeting the creators of the comic book Proteus about steampunk fish people who live in the sunken Atlantis. The creators are all cosplayers and came dressed as their characters.

One of the things I’ve always appreciated about steampunk is how it sometimes imagines a more civilized version of Victorian and Wild West times. One of the ways that manifests is through the sport of tea dueling. In a tea duel, participants dunk a cookie in a cup of hot tea for a set amount of time. The last one to eat the cookie without it falling apart and soiling their clothes is the winner. At many steampunk events the masters of ceremonies are Madame Askew and the Grand Arbiter. Here we see them with my daughter who is a tea dueling contestant. Not only was my daughter a contestant, she proved to be Wild Wild West Con’s tea dueling champion!

One of my goals as a writer is to inspire the imagination of people who play in steampunk worlds. What’s more, going to steampunk events helps to inspire my creativity. Wild Wild West Con came at the perfect time as I’m moving into the middle portion of my new novel Owl Riders. For me, that’s right about the point I need a little boost to keep the energy flowing. Right after Wild Wild West Con, I learned that my first steampunk novel was released as an audio book, narrated by Edward Mittelstedt. The book is available for download at Audible.com. If you’re a fan of audio books, I do hope you’ll join me for a journey into the wild west I wished for.

Read an Ebook Week

Smashwords’ ninth annual Read an Ebook Week promotion is underway and Hadrosaur Productions is proud to participate. We’re offering the following titles at a 50% discount. This includes our brand new collection of short stories about planets discovered by the Kepler space telescope: Kepler’s Cowboys. To take advantage of the discount, simply go to the link, add the book to your cart and use the discount code RAE50 on checkout.


Kepler’s Cowboys

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NASA’s Kepler Space Telescope has discovered thousands of new planets.

Visiting, much less settling, those worlds will provide innumerable challenges.

The men and women who make the journey will be those who don’t fear the odds.

They’ll be Kepler’s Cowboys.

Saddle up and take an unforgettable journey to distant star systems. Meet new life forms—some willing to be your friend and others who will see you as the invader. Fight for justice in a lawless frontier. Go on a quest for a few dollars more. David Lee Summers, author of the popular Clockwork Legion novels, and Steve B. Howell, head of the Space Sciences and Astrobiology Division at NASA Ames Research Center, have edited this exciting, fun, and rollicking anthology of fourteen stories and five poems by such authors as Patrick Thomas, Jaleta Clegg, L.J. Bonham, and many more!

Kepler’s Cowboys is available at: https://www.smashwords.com/books/view/698694


A Kepler’s Dozen

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Of course, if you’re going to explore the Kepler planets, I know you’re going to want to get them all!

A Kepler’s Dozen presents thirteen action-packed, mysterious, and humorous stories all based on real planets discovered by the NASA Kepler mission. Edited by and contributing stories are David Lee Summers, editor of Tales of the Talisman Magazine, and Steve B. Howell, project scientist for the Kepler mission. Whether on a prison colony, in a fast escape from the authorities, or encircling a binary star, these exoplanet stories will amuse, frighten, and intrigue you while you share fantasy adventures among Kepler’s real-life planets.

A Kepler’s Dozen is available at: https://www.smashwords.com/books/view/325583


Revolution of Air and Rust

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1915. Teddy Roosevelt is building an empire. Only Pancho Villa stands in his way.

The American Expeditionary Force under the command of General “Black Jack” Pershing has invaded Northern Mexico. Pancho Villa leads his revolutionary army in a desperate raid against the American force only to be outflanked. Just as Pershing’s airships prepare to deliver the death blow, Pancho Villa is transported to a parallel Earth where he finds an unexpected ally and the technology that might just turn defeat into victory.

Revolution of Air and Rust is a stand-alone novella set in the Empires of Steam and Rust world created by Robert E. Vardeman and Stephen D. Sullivan. A story filled with military action, espionage and gadgetry that’s sure to satisfy fans of steampunk and alternate history.

Revolution of Air and Rust is available at: https://www.smashwords.com/books/view/254622


Sugar Time

Sugar Time

Her name is Sugar. Sugar Sweet. But never EVER call her “Sweetie.”

When Sugar’s Uncle Max falls ill and his collaborators disappear, she investigates the old Victorian mansion where he conducted his research. She soon finds the collaborators—or what’s left of them—along with an angry Neanderthal. She also finds her uncle’s research project, a working time machine. Sugar must act quickly to unlock the secret of time travel so she can set things right and protect her uncle’s research.

Sugar Time collects Joy V. Smith’s Sugar Sweet stories into one volume.

Sugar Time is available at: https://www.smashwords.com/books/view/567992

2017 Tucson Festival of Books

This weekend, I’m at Wild Wild West Con at Old Tucson Studios in Tucson, Arizona. If you’re in the neighborhood, I hope you’ll drop by. This is a great steampunk event in an amazing venue and I’m doing readings, presenting panels, and talking to people all weekend long. Next weekend, on Saturday, March 11, I’ll be at the Tucson Festival of Books at the University of Arizona Campus.

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The event is free, the university mall will be packed with vendors and there will be panels and workshops with authors of all genres. If you’re in Tucson and love books, this event is well worth your time.

Here’s my schedule:

Saturday, March 11

    10-11am – Writing Science Fiction with Real Life Scientists – Integrated Learning Center Room 141. On this panel with me is J.L. Doty. We have expertise in science (telescope engineer and fiber optical engineer) and are making our way in the world of science fiction marketing our books. We discuss how we blend real science with fiction—and also get sales.

    4-5pm – Building Alternate Worlds – Integrated Learning Center Room 150. I’m moderating this panel that discusses how to create worlds where magic is real and gods, ghosts, and ghouls walk among us. The panelists are Gini Koch, Erika Lewis, Brian McClellan, and Samantha Shannon.

There will be an opportunity after each panel for you to buy books and have them signed. I’ve been reading the books by my fellow panelists and I know I’ll be getting books signed! The festival continues on Sunday, March 12. I’m sorry to say, my work schedule won’t permit me to attend the second day, especially since I know there are a lot more great panels and events. If you’re in Tucson next weekend, hope to see you there!

The Astronomer’s Crypt Available in Paperback

I am pleased to announce that my novel of ghouls, ghosts, and gangsters colliding on a dark and stormy night at an astronomical observatory with only scientists and engineers to stop them is now available in paperback as well as ebook.

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As it turns out, 2017 marks the tenth anniversary of the release of Amazon’s Kindle e-reader. Sony’s Libre e-reader was released four years before that. Since that time, various apps have allowed people to read books on their favorite mobile devices whether phone or tablet. In that time, the media that reports on the publishing industry has regularly reported on the “war” between e-publishing and print publishing.

I’ve always considered this notion of a “war” between the two formats to be ridiculous. E-books are just another way for books to be available to readers. In fact, from my perspective as a reader, I like having both formats available. Which format I buy depends on a number of factors ranging from how unwieldy the print edition is, whether I’ll be reading while traveling, whether I might meet the author and want the book signed, and yes, price can be a factor in my decision as well.

In my experience as an author, publisher, and book vendor, I’ve found having both paperback and ebook editions are critical to a book’s success. In fact, even for those titles where ebooks outsell paper editions, I find displaying paper editions at conventions will encourage sales of the ebook editions. This hardly seems like a war to me, but a strong alliance!

Because of that, I’m pleased that my publisher is able to make the book available in a number of ebook formats as well as paperback, but do remember, in whichever version you buy, my publisher has the following disclaimer:

    If you scare easily, don’t read this book.
    If you dare to read it, you’ve been warned.

    Two years ago on a stormy night, in the dead of winter, Mike Teter experienced something that would change his life forever. Mike was a telescope operator at the world renowned Carson Peak Observatory in New Mexico. We won’t tell you what he saw that night on the mountain nor what happened afterward on a dark stretch of highway, because it would haunt you just as it has haunted Mike. But what we will tell you is that Mike is back at Carson Peak. And what he witnessed that night two years ago is about to become a reality…

The paperback edition is available at:

The ebook edition is available at:

Wild Wild West Con 6

Next weekend, I’ll be a participating author at Wild Wild West Con in Tucson Arizona! The event is being held from March 3-5 at Old Tucson Studios. Among this year’s guests are Thomas Willeford from the TV show Steampunk’d and Sam Jones from the movie Flash Gordon. There will be workshops, panel discussions, and evening concerts. The bands performing include The Cog is Dead, Frenchy and the Punk, and Celtica – Pipes Rock. For more information about the event be sure to visit the convention’s web page at: http://wildwestcon.com

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This year’s theme is “Cthulhu for President.” My schedule for the weekend is as follows:

Friday, March 3

  • Noon-1pm – Aristocrat Lounge – Reading. I will be in the Aristocrat Lounge to entertain people with a steampunk story inspired by the Cthulhu Mythos.
  • 2pm-3pm – Arizona Theater – Invaders from the Depths of Space. Percival Lowell’s observations of canals on Mars led to stories of invasion from space and ultimately helped to lay the foundation for the Cthulhu Mythos. A look at the science that gave rise to a literary movement.
  • 4pm-5pm – Courtroom Center – Steampunk Authors. The authors attending Wild Wild West Con talk about their process creating the steampunk stories you love.

Saturday, March 4

  • 11am-Noon – Chapel – Steampunk and the Cthulhu Mythos. Writers discuss the Cthulhu Mythos, the works of H.P. Lovecraft, and how they can be brought together with the steampunk aesthetic to create new tales of terror.
  • 1pm-2pm – Aristocrat Lounge – Reading. A special event for those who purchased Aristocrat tickets, Diesel Jester and I will read from our works. This reading is flagged for adults only.

Sunday, March 5

  • Noon-1pm – Sheriff’s Office – The Weird Wild West. Weird Westerns are stories that imagine strange happenings in the Wild West. Authors discuss how they are they similar and different from steampunk stories. Can they be one and the same?

If you’re in Southern Arizona next weekend, I hope to see you at Wild Wild West Con. When I’m not on panels, you can find me at High Chaparral where I’ll be selling my books.

Aliens with Tentacles

I’m in the process of assembling a presentation for Wild Wild West Con in Tucson, Arizona that discusses the origins of terrifying aliens from space coming to invade the Earth. The presentation dovetails with the convention’s theme, “Cthulhu For President.” H.P. Lovecraft describes his most famous creation as, “a monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind.” During my research, I discovered that Cthulhu is part of a long line of terrifying monsters inspired by octopi and squids.

Personally, I’ve always found cephalopods fascinating and a little mysterious. Octopi often seem elusive when I visit aquariums and either hide or don’t give me very good photo ops. This is one of the best photos I’ve taken of an octopus at the Seattle Aquarium in 2008:

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That said, when I invented the Alpha Centaurans for my novel The Pirates of Sufiro, I gave them tentacles to make them immediately distinct and “alien” as I was getting the action off the ground. When Captain Firebrandt from The Pirates of Sufiro returns in Kepler’s Cowboys, I wanted to give him a truly dangerous and frightening opponent in the water. The first thing that came to mind was a giant squid.

My octopus-inspired aliens and scary squid are really heirs to a science fiction trope that goes well back to the nineteenth century. For some reason, the Victorians found squids and octopi truly frightening. Camille Flammarion was, in many ways, the Neil deGrasse Tyson of his day. He wrote popular science books about astronomy and biology. He also wrote science fiction. In his book, Lumen, he imagines extraterrestrial beings from a star in the constellation Andromeda who live in water and must “keep their tentacles in unceasing motion.”

In The War of the Worlds, H.G. Wells described the Martians as having pulsating bodies, a beak-like mouth, and lank, tentacular appendages. Although Jules Verne tended to steer away from aliens in his fiction, one can make a case that he capitalized on the Victorian terror regarding cephalopods when he had a giant squid attack the Nautilus in 20,000 Leagues Under the Sea.

By all accounts, H.P. Lovecraft was an avid reader and would have been familiar with the works of Wells and Verne—and possibly Flammarion as well, who was widely translated and in circulation during Lovecraft’s youth. So, it’s really no surprise that in 1926 when Lovecraft created his most famous monster, he would invoke the image of the octopus to inspire terror in his readers.

When I created my tentacled alien for The Pirates of Sufiro, I gave it little conscious thought, but it’s clear I was being inspired by those early works as well. When I put Captain Firebrandt up against a giant squid, I knew Verne had inspired me. Whether conscious inspiration or not, it’s all enough to make me think twice the next time I order octopus sushi or calamari rings. I’d hate for our cephalopod overlords to be displeased!

G.O. Clark’s Collection of Robot Poetry

A few days ago, I received a collection of poetry in the mail from long-time Tales of the Talisman contributor, G.O. Clark. built-to-serve-g-o-clark-200x300 It was a copy of his new poetry collection, Built to Serve. In this collection, Clark tackles the subject of robots from many different angles. Of course, robots are no longer just the stuff of science fiction, they’re part of our every day world. I started my astronomy career working with a robotic telescope and over the course of my career, I’ve seen automation make many aspects of astronomical observation more efficient. I’ve long thought about artificial intelligence and my daughter recently took a college course in machine learning, which led to some interesting discussions. What’s more, writers have long used robots as metaphors for low wage workers or even slaves.

Clark’s collection takes a look at robots from both the practical and metaphorical angles. He starts the collection in an almost steampunk alternate reality and imagines robots of the past moving forward into futures of obsolescence, much as humans do in life. As he notes in “The Steam-Powered Robot”:

    Funny thing about the future,
    it never waits for anyone. His mainspring
    driven moment slipped away: old iron
    bones recycled for a newer model.

Clark compares and contrasts the sensations robots might experience to those of humans. He also imagines how humans might themselves go against the spirit of Isaac Asimov’s laws of robotics and use robots to hunt down other humans. In a familiar science fiction trope, Clark imagines robots transforming the world into a better place, which doesn’t always go so well for the humans who created them.

C;arl reminds us that many of our first encounters with robots are with toys and he looks at those encounters with both fondness and terror. Some of the robots he introduces us to are toys of the more adult variety, but even they can induce nightmares such as the lady robot in this poem:

    Heading back towards the
    closet, she deftly unzips, then
    steps out of her perfect tan skin and
    hangs it upon a custom hanger.

It’s true Clark covers many familiar robot tropes, but he does it well and often times he gives those tropes fresh twists. Moreover, he looks at humanity through the eyes of robots and helps us understand more about ourselves. This is a collection well worth seeking out. You can find copies at the Alban Lake Store and at Smashwords.