Against the Day – Part 4

At around 367 pages, Part 4 of Against the Day is the novel’s longest section. This part, which is the length of many novels, shares its title with the novel itself. The title is taken from 2 Peter 3:7 in the Bible. In the King James Version, that verse reads “But the heavens and the earth, which are now, by the same word are kept in store, reserved unto fire against the day of judgment and perdition of ungodly men.” Even though this is the longest section, I found it easier to follow the novel’s many plot threads. Some of this is because I’ve now spent enough time with the characters that they’re familiar and some of this is because Pynchon is now bringing his novel to a conclusion. In Part 2, we heard a lot about Kit Traverse’s fascination with mathematics and vectors. Now, in part 4, our characters who are scattered around the world all begin to find their way onto a vector that will carry them through World War I, effectively the novel’s day of judgement, and convergence in Southern California at the beginning of the 1920s.

The 1908 Tunguska Event, a real-life 12-megaton explosion that happened in Siberia, possibly from a comet hitting the Earth proves to be a major event in the lives of many of the characters ranging from Kit Traverse to the Chums of Chance and their Russian counterparts, the crew of the Bolsha’ia Igra. Pynchon notes that the Tunguska Event was so powerful it sent some reindeer flying and even caused some of their noses to glow red. More seriously, it proves to be a transformative event that heralds the coming world war.

Much of part 4 follows Yashmeen Halfcourt, Reef Traverse, and Cyprian Latewood as they form a three-way romance. Over the course of that romance, Yashmeen becomes pregnant. In part because of that, stopping the oncoming war in Europe becomes a priority for her. Reef’s family has fought for unions and in this section, he uses his skills to attempt to prevent the war. Unfortunately, the oncoming storm is too powerful and their efforts are doomed to failure.

Meanwhile, Reef and Kit’s brother Frank is in Mexico caught among the tides of revolution ahead of World War I. He becomes a freedom fighter and is nearly killed before tending to the machinery on a coffee plantation. Eventually he escapes Mexico and finds his way back home to Colorado where he witnesses the death of Scarsdale Vibe, the man who was ultimately responsible for his father’s death.

We spend World War I itself with the Chums of Chance aboard their airship, the Inconvenience. Initially, they’re sent to find the Bolsha’ia Igra, which has vanished. When they find the Russian airship, they discover the crew are helping people weather the storm of war. The Chums abandon their mission and help the Russians on their mission of mercy, delivering food to people in need and carrying wounded soldiers to safety. After the war, they receive a job offer in California. While the offer itself proves to be a sham, they encounter Merle Rideout, the photographer and inventor from the beginning of the book who has found his way to Hollywood. Rideout has not only learned about motion pictures, but he’s learned that he can extrapolate information from photographs to find out what happened before and after those pictures were taken. The one catch is that he doesn’t always see what happens in our timeline. Sometimes he sees different possible futures.

We close out part 4 as Merle catches up with his daughter Dally using an old photograph. What we don’t know yet is whether this is Dally as she is, or whether this is Dally as she might be. It’s like the Iceland Spar and Bilocation of earlier sections. People have choices and different choices make different realities.

I’ll have one last post after I finish part 5 to discuss final thoughts about this expansive novel along with my takeaways.

Against the Day – Part 2

Today finds me at El Paso Comic Con. If you’re in the area, I hope you’ll drop into the convention center and visit me at Booth A15. Also today, I continue my look at Thomas Pynchon’s steampunk novel Against the Day. Part 2: Iceland Spar is nearly three times as long as Part 1 with an elaborate plot ranging the American continent and even the world. Since I want to tackle this part of the novel in one post, I’ll do my best to limit my summary to the highlights. Part 1 opened in 1893. Part 2 moves ahead to 1899 and opens up with the young airship adventurers, the Chums of Chance. The Chums have been sent to find the Voromance Expedition which has found a meteorite harboring a consciousness and a purpose. I found myself reminded of Legion from my Clockwork Legion novels. What’s more we meet an airship crewed by Russians, who are rivals of the Chums. We ultimately learn that the Voromance Expedition is being funded by the industrialist Scarsdale Vibe.

We then join Kit Traverse at Yale. Kit is the son of Webb Traverse, the anarchist and miner from Colorado in part 1. It turns out that Kit’s education is being funded by Scarsdale Vibe and that the industrialist sees Traverse as a better potential heir than his own children.

Jumping forward to 1900, we find private investigator Lew Basnight in Denver on the trail of a dynamiter called the Kieselghur Kid. During his quest, Basnight accidently ingests cyclomite dynamite, which proves to be a hallucinogen. Basnight become addicted and eventually teams up with a pair of Englishmen who take him back to the United Kingdom where he’ll get involved with a group called the True Worshipers of the Ineffable Tetractys, or TWIT. The Tetractys is a numerical pattern with spiritual significance and they want Basnight to join as a sort of psychic detective, believing he’s gained special sight from his ingestion of cyclomite.

Meanwhile, we return to the Chums of Chance, who are now in Venice looking for a map called the Sfinciuno Itinerary which dates from just after the time of Marco Polo. As they continue their quest, they find the Itinerary may not be a literal map but a guide to a spiritual quest. One of the keys is the Iceland Spar, which proves to be a lens made from calcite which has many strange properties explored by characters through this section of the novel. In particular, calcite has the property of “double refraction” as shown in the photo I took of a calcite crystal from my home state of New Mexico at the Smithsonian Institution earlier this month.

From here we move ahead to the period from 1903-4, about a decade after the novel’s start. We have an extended sequence out in the San Juan Mountains of Colorado following the family of the anarchist Webb Traverse and people connected to him. We learn about hired guns who kill Webb. Those same men end up getting involved with Webb’s estranged daughter, Lake. Meanwhile, Webb’s sons Frank and Reef vow to avenge their father. All through this section, there are hints that Webb or his son Frank may be none other than the famed Kieselghur Kid.

In the course of their quest, Frank Traverse meets Merle Rideout, the photographer from Part 1, who is now working as a chemist in the mines. Merle points out that Iceland Spar is useful to people engaged in alchemy. While they’re meeting, Frank finds out people are gunning for him. Merle’s daughter Dahlia helps him get away, then decides to make her fortune in New York. She ultimately becomes an actress for a sleezy vaudeville company run by Scarsdale Vibe’s brother and finds her mother Erlys who had run off with the magician Luca Zomboni. He uses Iceland Spar to help create optical illusions, but it also has the danger of creating duplicate people.

Also in New York, Frank and Reef’s brother Kit meets with Nikola Tesla and Dr. Vanderjuice. Kit begins to realize that Scarsdale Vibe may have been responsible for hiring his father’s killers. Kit looks for a way to get out from under Vibe’s thumb and asks to go to Germany to continue his study in mathematics. Vibe, who seems a bit relieved not to have Kit nearby agrees to pay for his journey.

At this point we return west and follow Reef Traverse, who has become fascinated with dynamite and finds himself associated with the Kieselghur Kid. After someone tries to kill him with an avalanche, he heads east and finds himself in New Orleans. Once again, I find a fun parallel with my Clockwork Legion series. We leave Reef traveling to Genoa, Italy with a group of anarchists.

It’s now 1904 and we return once again to Colorado to follow the adventures of Reef’s brother Frank who is on the run from the people trying to kill him. Frank flees to Mexico and finds himself arrested on political crimes. He’s eventually able to break out of prison and meets up with three Tarahumare people who lead him on a spiritual quest worthy of Carlos Castaneda. During this episode, he learns that Iceland Spar has the property of duplicating places. Frank goes off on his own again and catches up with Sloat Fresno, one of the men who killed his father. Frank succeeds in killing him, but the other killer is nowhere to be found.

Finally, while the Chums of Chance are taking a vacation in New York, they learn about a professor who has built a time machine. Following up on that, two of the boys take a trip to a frightening apocalyptic future and then seek more information about time travel. They find themselves at a conference of professors interested in time travel in the Midwest. After this adventure, the chums are sent to Asia to continue their search for the Sfinciuno Itinerary. Along the way, they discover a device that can allow them to travel through sand the way a ship travels through water, which was funded by Scarsdale Vibe.

Whew! All that and I’m not even halfway through the novel! Since I’m writing these posts as I read, it’s distinctly possible that I’m not covering things that will prove to be important and giving too much emphasis to minor plot points. Still, it continues to be an interesting, if challenging read. In part 2, we see more women taking an active role. I love the way Pynchon weaves together all these disparate plot elements and it’s fascinating to see how he sets a lot of the novel in locations I would later visit in the Clockwork Legion series. You can learn more about my series at: http://davidleesummers.com/books.html#clockwork_legion

The Airship Rustlers

This week, the poem “The Airship Rustlers” that I wrote with Kurt MacPhearson appeared in the the Science Fiction and Fantasy Poetry Association’s online magazine, Eye to the Telescope. You can read it at: http://eyetothetelescope.com/archives/040issue.html. The issue’s theme is “Weird West” and the editor is Gary Every, who I’ve been pleased to work with on a number of other occasions.

A while back, Kurt MacPhearson and I collaborated on a handful of poems and a short story. The way we worked on the poems was that one of us would write a verse or two of a poem, then email it to the other. Effectively, we played a game of literary hot potato, passing the poem back and forth until we came to a conclusion we liked. We also allowed each other to edit the poem as it stood, to make sure all the ideas worked together and to make sure it had a uniform voice.

As I recall, I started this particular poem. I would have been working on my Clockwork Legion novels at the time, very much entrenched in reading about airships and wild west lore. I was also inspired by the TV series Firefly and the episode where Captain Reynolds transports cattle from one planet to another aboard his space ship. Kurt gave the poem a somewhat darker tone than I originally imagined, but it fits how seriously people took cattle rustling in the wild west. In passing the poem back and forth, the poem’s narrative took some interesting turns and by the end, it’s not altogether clear the title refers to those people aboard the airship rustling cattle.

Not only did Kurt and I collaborate on poetry, we also tried our hand at a steampunk short story. Again, we played literary hot potato with the story. I introduced the brave Captain Penelope Todd of the airship Endeavor and immediately thrust the crew into a nasty storm from which there seemed to be no escape. Kurt took the idea and ran with it, sweeping the Endeavor and its hapless crew off to a strange new land called Halcyon along with the crew of a sea-going pirate ship. Kurt had Captain Todd taken prisoner with no apparent way of escape and left me to find a way out of the situation. That story was picked up for the anthology Gears and Levers 2, edited by Phyllis Irene Radford and you can get a copy at: https://www.amazon.com/gp/product/B00AYAF6X2/

Another interesting aspect of all this is that Gary Every, the editor of the Weird West issue of Eye to the Telescope, and I also played literary hot potato on a story for a while. It was all about exploring underground waterways on Mars. Unfortunately, life got in the way for both of us and we never finished the tale, but we did have fun and it took a lot of inspiration from stories of people on the Western frontier. Even though Gary and I never finished that story, I did publish a pair of his fantasy tales under the title Inca Butterflies. In the book, Incan Emperor, Huaina Capac, comes of age as Alejo Garcia and his band of mutineers arrive in America carrying a weapon far more devastating that cannons. Huaina Capac’s successor, Manco Inca, must lead his remaining people as bearded men from Europe swarm the countryside like butterflies sweeping the plains. Set in the last days of the Inca Empire, Inca Butterflies is a tale for all times. You can get the book at: https://hadrosaur.com/IncaButterflies.php

Building the Queen Emeraldas

When I finish a major writing project, I like to take a break and find something fun to do, like working on a hobby project. For the last year and a half, I’ve been engaged in a major rewrite of my novel The Pirates of Sufiro. The goal of the rewrite was to strengthen the novel as a whole and better position it as “book two” in my “Space Pirates’ Legacy Series.” Book one, Firebrandt’s Legacy, introduces readers to space pirate Ellison Firebrandt and develops his relationship with Suki Mori. Book two, tells what happens when they are marooned on a distant, alien world. Because this has been an intensive “from the ground up” rewrite, I decided a fun model-building project was in order and I thought it was appropriate to build the space ship of one of my other favorite fictional space pirates, Emeraldas from the manga of Leiji Matsumoto.

Emeraldas is a space pirate who fights for humanity. To her, the skull and crossbones symbolize her willingness to fight for humanity’s freedom until she herself becomes bones. She has been a character in many of the Captain Harlock manga and anime as well as the Galaxy Express 999 series about a train that traverses the stars. In most versions of Leiji Matsumoto’s universe, Emeraldas is romantically involved with Harlock’s best friend, Tochiro. In some versions they’re even married and have a child named Mayu. Her ship is known as the Queen Emeraldas.

I find the Queen Emeraldas an interesting design. It is a spaceship, but it resembles an airship with an old-fashioned sailing vessel as the gondola. The truly fascinating part of this is that such airships have become very common in steampunk art circles. I will note that in steampunk art, the ship is often so large, that I find it hard to believe the small gas bags above could lift the craft. If the Queen Emeraldas were an airship, it seems the ratio of sizes between the gas envelope and the ship would be much closer to correct.

One thing that was fun about this model was that it was lighted. I very much appreciated that my daughters have both taken enough Japanese to help me read the instructions that came with the kit. This allowed me to buy the recommended lights. Making a plastic model look good is a nice challenge and I enjoy painting them and making them look like they do in the show, but after several weeks of working at home, it was nice to actually wire up a small electronic project and have it work. Admittedly this is a simple project compared to those I work on at Kitt Peak, but it was still a chance to stay in practice.

If you’d like to read my novel The Pirates of Sufiro in its new version, you can learn all about it, read the first chapter, and find places to buy the novel at: http://davidleesummers.com/pirates_of_sufiro.html. As it turns out, the novel features both space vessels and airships!

Steampunk Batman

One of the appeals of alternate history and steampunk is the ability to imagine wrongs of the past made right. Of course, one of the most notorious villains of the Victorian age was Jack the Ripper. For me, my first Jack the Ripper tale wasn’t alternate history, but science fiction. It was an episode of Star Trek written by Robert Bloch called “Wolf in the Fold” in which Chief Engineer Scott is accused of committing some very Jack the Ripper-like murders.

One of my earliest exposures to alternate history was the graphic novel Gotham by Gaslight written by Brian Augustyn and illustrated by Mike Mignola. It imagines that Jack the Ripper travels to Gotham City and starts his murder spree again, only to confront Batman. I bought and read the graphic novel soon after it was released in 1989. I was in graduate school at the time and comics were one of the few things I had time to read. It’s hard to call the original Gotham by Gaslight steampunk. The story pretty much limits itself to technology that was well established in the nineteenth century. That said, the artwork reminds me more than a little of Jacques Tardi’s artwork in The Extraordinary Adventures of Adèle Blanc-Sec. Also, it’s worth noting that Robert Bloch, who wrote the Jack the Ripper Star Trek episode, also wrote the graphic novel’s introduction.

Earlier this year, Warner Brothers produced a direct-to-video animated adaptation of Gotham by Gaslight. I knew I wanted to reacquaint myself with this story. I watched it on Netflix and liked it enough, I went out and bought a copy. I discovered Best Buy has a special edition that includes a reprint of the original graphic novel—very cool because that meant I could refresh my memory of the original without damaging my first edition.

As it turns out, the plot of the movie is quite a bit different from that of the graphic novel. This becomes apparent right away when it opens with Pamela Isley (better known to many Batman fans as Poison Ivy) working in a burlesque house and becoming the Ripper’s first murder victim. I have to admit to mixed feelings on this point. One on hand, it feels a bit like a betrayal of character to make Pamela a victim. On the other, it establishes right away that you can’t take your expectations of certain characters for granted and that does pay off as the movie progresses.

It’s pointed out in the commentary that the graphic novel was only 40 pages long and that doesn’t really provide enough material to fill out a 70-minute movie. What I like is that they didn’t add stuff just to add stuff. They fleshed out the mystery and we got to see my favorite aspect of Batman—we got to see him working as a detective, hunting for clues and actually figuring out who the Ripper is.

They also made it more steampunk than the original, but it’s not a gratuitous addition of gadgets. Instead, they added a World’s Fair, which was very much a showpiece of technology at the time, and they gave the police an airship. This latter works because in Batman: The Animated Series the police are shown as having airships, so it was great to see that idea explored in this alternate history version. They also gave Batman a couple of steampowered gadgets. Of course, Batman always needs cutting-edge technology in his work.

There’s great voice acting in the movie with Bruce Greenwood as Batman, Anthony Head as Alfred the Butler, and Jennifer Carpenter as Selina Kyle. The DVD’s special features are pretty much teasers for other DC/Warner film projects, but the Blu Ray includes a couple of bonus Batman cartoons, a commentary and a making-of featurette. All in all, this ended up being one of my favorite adaptations of a DC comic book. It seems like the makers of the live-action DC movies could learn a thing or two from the animation department.

Of course, if you’re in a steampunk mood, you should check out my Clockwork Legion series. I have plenty of airships to go around, plus there’s even the New Orleans World Cotton Exposition in the fourth book—one of the original World’s Fairs. You can learn more about the series by visiting: http://www.davidleesummers.com/books.html#clockwork_legion. If you’re in Las Cruces, I’m signing copies this morning at COAS Books downtown from 10 until noon. If you miss that, I’ll be at Branigan Library tomorrow from 2 until 4pm.

The Brazen Shark Available in Print

My third Clockwork Legion novel, The Brazen Shark is now available in print from Amazon.com. Here’s what Drake and McTrowell have to say about the novel: “Pack your goggles and your telescope and your atlas because the Clockwork Legion is taking us on another whirlwind adventure. And this one covers the globe in the air, on the sea, on terra firma, undersea … and even into space!”

Drake and McTrowell

Drake and McTrowell know their globe-spanning adventure. In the photo above, I crossed their path aboard the Queen Mary as they were bound for another exciting destination. You can read about their adventures at drakeandmctrowell.com. There, you’ll find five books of their adventures available to read on-line absolutely free. However, if you’re willing to send them some money, and I strongly recommend you do, you can pick up the hardcover edition of their first book featuring illustrations by Brian Kessinger and an introduction by Professor Elemental, or you can buy the audio version of their first adventure, which is fabulous.

Brazen Shark-300x450 The Brazen Shark is the third novel of my Clockwork Legion series. However, if you haven’t read the first two books, feel free to dive in right here. If you like what you read, you can always go back and read the first two! Set in 1877, this novel tells the story of a one-time sheriff named Ramon Morales who gave up his career in law enforcement to save an outspoken Persian healer named Fatemeh Karimi from a witchcraft trial. We’ve watched their romance develop over the last two books and this is the story of their honeymoon. However, it’s a honeymoon unlike any other when they find themselves embroiled in a plot by samurai warriors who have stolen a Russian airship to overthrow the Japanese emperor. The cover art is by the ever-talented Laura Givens.

The Brazen Shark is available in paperback and ebook. The paperback is ready to ship now. The ebook will be sent to your Kindle on February 1, 2016.

While I’m discussing steampunk writing, I’ll remind you there’s still time to support the Kickstarter for Gaslight and Grimm. This awesome anthology project is already funded, so there’s no risk in supporting it at any level. The book features my story “The Steam-Powered Dragon and His Grandmother.” It also features steampunked retellings of “The Three Little Pigs,” “The Nightingale”, “Red Riding Hood” and more by such authors as James Chambers, Jean Marie Ward, and Christine Norris. Lots of great stretch goal bonuses have been added already and if we receive enough funding, we’ll also have stories by Jody Lynn Nye and Gail Z. Martin in the anthology as well. So drop by and reserve your copy of Gaslight and Grimm today!

Steampunk Goes To High School

This past week, one of the local high school teachers invited me to speak to her creative writing class about steampunk. I thought I would share my outline of the presentation in case it was helpful, either for the particular case of presenting information about steampunk or any other genre writing.

I started out by finding out what the students knew about steampunk. This particular class didn’t know much, just had some idea that it had to do with the past, but one student piped up that he was a fan of cyberpunk. So, this led me into a discussion of steampunk’s roots in the 1980s and how K.W. Jeter coined the term in a letter to Locus magazine. This seemed to hook the class. I also pointed out that steampunk isn’t just a genre of writing, but it’s expanded into art, music, and even lifestyles. I passed around a copy of Robert Brown’s Lyrics of Abney Park which includes many wonderful illustrations and photos as a source of inspiration.

SummersOwlDance

One of the difficulties defining steampunk is that you can find whole web pages devoted to the subject. I settled on a definition that basically goes like this: Steampunk is a story set in a world that looks like the 1800s but features technology or magic that doesn’t seem to belong based on what we know about history. I pointed out that this allows for stories that are actually set in the 1800s and also those that might be set in the future after some kind of apocalypse wiped out society. I also noted that although it often falls under different names, people also write these kinds of alternate histories about other time periods as well.

I showed off my books and mentioned that my interest was in looking at history of the region and imagining what would have happened if technology had been given a push in some areas and developed a little faster than the history we know.

Perhaps my greatest challenge in this discussion was that most of these kids didn’t seem very excited by history or historical topics. Despite that, they seemed to perk up when I challenged some of their notions. For example, I asked, “what was the favored weapon of samurai warriors in the 1800s?” Several answered, “swords.” I then pointed out that swords aren’t very effective against armor. Although samurai did train extensively with swords, many realized guns were more effective in combat. We also talked about what Las Cruces was like in 1881 and what kids their age would have been doing and what kinds of things they would want if they went back to that time.

From there, I moved on to a discussion of my process as a writer and how I’m inspired by things around me. I folded in the earlier historical discussion by pointing out that I get curious about those places I drive by in my commute, such as the Council Rocks in Arizona where Apaches used to camp or the turnoff for Tombstone, Arizona. I talked about how I like to visualize things, then write them down. We also talked about some of the mechanics of submitting writing to magazines and anthologies.

I wrapped up the session by giving them a writing prompt. I had the students imagine they were teenagers in 1881 Las Cruces. Billy the Kid is in town. What happened when the airship arrived?

There was just enough time at the end of the class for a couple of students to share their stories. One told about troopers descending and preparing to invade, though we didn’t hear yet what they were after. Another student imagined that the airship belonged to Pat Garrett, who was seeking Billy the Kid. Now that last story is one I’d like to see finished for sure!

Different Dragons II

Wolfsinger Publishing has just released the anthology Different Dragons II, which includes my short story “The Dragon’s Keepers.” Here’s the description of the book.


What happens when dragons are dropped unexpectedly on your front door step from a company you’ve never heard of? In China, a dragon comes up with a unique solution on what to do with all those maidens! Different-Dragons-II An amusement park is hounded by a sea monster the Indians had been feeding for centuries. Haunted by a ghostly dragon, a young woman flees across the snow wilderness, terrified her slaughter of the beasts means her own death. A family is murdered in the Middle East, and a dragon promises a young girl vengeance for their deaths. Are there dragons on a spaceship? You bet! Not to mention an usual dragon ride one pilot will never forget! And let’s not forget, how dragons can appear to be something they’re not, when protecting themselves or their family, from hidden magical dangers. These and other tales await within these pages of Different Dragons II.


In my short story “The Slayers,” I imagined a world where airship crews hunted dragons for the fuel that allows them to breathe fire. In “The Dragon’s Keepers,” I imagine that an airship captain of this world has come to realize dragons are intelligent and must be preserved. He has joined the fight to prevent the wanton destruction of dragons. With the help of a wizard’s daughter, he must find a way to stop a ritual dragon slaying.

Here’s the complete table of contents for the anthology:

  • “Introduction: These are the Tales” by Dana Bell
  • “The Dragon’s Keepers” by David Lee Summers
  • “The Stalker” by Lynn Donovan
  • “Such is the Jungle” by Quincy Allen
  • “Changling” by Rebecca McFarland Kyle
  • “Suntosun Shipping” by G.L. Francis
  • “Of the Generation” by Therese Arkenberg
  • “Dot’s Lunch – The Watchers along the Line” by Dave With
  • “His Lucky Color is Gold” by Rebecca Leo
  • “Hargmir, Ghost of Dragons” by David Turnbull
  • “Space Wings” by H.A. Titus
  • “Asim’s Gift” by Kathryn S. Renta
  • “Mr. Long’s School for Girls” by Rob S. Rice
  • “Bessie Returns” by Christine Hardy
  • “Amélie’s Guardian” by Bryan Thomas Schmidt

SummersTheSlayers

Different Dragons II is available at Amazon.com and Smashwords. What’s more, if you buy the book from Smashwords enter the code ED26N on checkout for a 25% discount as long as you visit before October 15. If you’d like to go back and read my other story set in this fantasy world, “The Slayers” is available as a stand-alone short story at Amazon.com and Smashwords.

Finally, as a reminder to those friends in Las Cruces, I am signing books today from 10am until noon at COAS Books Downtown. I hope you’ll drop in and say “hi!”