Visiting Fort Bowie

As my forthcoming novel Owl Riders opens, we learn that the Chiricahua Apache have taken Fort Bowie in Eastern Arizona territory with the help of Battle Wagons modeled on the Javelina mining machine left behind by Professor Maravilla. I use Fort Bowie in the novel because it has both historic and symbolic significance. Fort Bowie was established at the site of the Battle of Apache Pass where the United States Army fought Cochise. The fort’s purpose was to guard the water at Apache Pass, necessary to the famous Butterfield Stage, and to “control” the Apaches in the region. If Apaches were given machines that could capture the fort, it seems likely they would take an opportunity to do so. Here’s a great classic image of soldiers riding out of Fort Bowie.

Here’s basically the same scene as it appears today.

As you can tell, even from this viewpoint, not much exists of the original fort. What this viewpoint doesn’t provide is a sense of how big the fort was. It actually was a rather extensive compound. Here’s what the fort looked like in 1886:

Pretty much what exists now are foundations and a few walls. Some of the walls stand just a little over my head. What it lacks in intact buildings, it makes up for in giving you a sense of the facility’s scale. There’s also a nice, albeit small visitor center where they talk about the history of the fort. It was great to see faces I recognized right on the visitor’s center walls. For example, I walked in the door, turned around and saw General Nelson A. Miles (at the top in the photo below) right above Albert J. Fountain (in the center below Miles). Miles is a major antagonist to both the Apaches and Ramon Morales in Owl Riders. Fountain has appeared as Billy McCarty’s defense attorney in The Brazen Shark and he returned in my story “Fountains of Blood,” which appeared in Straight Outta Tombstone. His memorial is about a quarter mile behind my back door in Las Cruces, New Mexico.

What intrigued me almost more than the story of the fort and the soldiers who served there was the connection I made to the Native Americans I talk about in the books. Along the trail to the fort, they have a setup of an Apache camp, including a wickiup. I describe these camps both in Lightning Wolves and in Owl Riders, so it was exciting to see one up close and even go inside.

Also, in both Lightning Wolves and Owl Riders, I talk about the importance of knowing where to find water. For those who drive along Interstate-10 in Southern Arizona and Southern New Mexico, it’s not obvious that there’s water anywhere in the region. However, as I mentioned at the outset of the post, part of the reason for Fort Bowie was its proximity to reliable water. So, it was great to see this actual spring a mere dozen miles from the Interstate where the land appears so barren.

Visiting Fort Bowie was a fascinating walk back in time. The site is about twelve miles south of present day Bowie, Arizona. Once you get to the parking area, you have to hike about a mile and a half to get to the site. Along the way are signposts describing aspects of the area’s history. If you go out, I’d recommend allowing at least three hours to explore the site. Be aware it can be hot and storms can come up suddenly in that part of Arizona, as they did the day I was there. I was rained on for part of my trip. Bring water and suitable clothing. A picnic lunch would also be nice.

If you would like to learn more about my novel Lightning Wolves visit: http://www.davidleesummers.com/lightning_wolves.html. You can learn more about my forthcoming novel Owl Riders at http://www.davidleesummers.com/owl_riders.html

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Lightning Wolves on Audible

Lightning Wolves, the second novel in my Clockwork Legion steampunk series, is now available as an audiobook at Audible.com. In the novel, it’s 1877 and Russian forces occupy the Pacific Northwest. They are advancing into California. New weapons have proven ineffective or dangerously unstable. The one man who can help has disappeared into Apache Country, hunting ghosts. A healer and a former sheriff lead a band into the heart of the invasion to determine what makes the Russian forces so unstoppable while a young inventor attempts to unleash the power of the lightning wolves.

One thing that makes this release special is that I love to listen to audiobooks while I’m driving from my home in New Mexico to the observatory where I work in Arizona. Elements of this novel were inspired by the very same commute. Almost every week, I pass the Whetstone Mountains which house Kartchner Caverns State Park. I drive by the turnoff for Tombstone, famous for the gunfight at the O.K. Corral. I drive through the Dragoon Mountains where Apache warriors made camp. All of these locations feature in Lightning Wolves. I look forward to giving the book a listen during a couple of my upcoming commutes through the region. Here we have a look at one of the real-world settings in the novel.

As it turns out, I’m revisiting a lot of these same locations in the novel I’m currently writing. I left a few plot threads dangling at the end of Lightning Wolves which didn’t get resolved in The Brazen Shark because pirate captain Onofre Cisneros took my protagonists Ramon and Fatemeh first to Hawaii and then to Japan. Also, it seemed like it would be fun to leave those dangling plot threads alone for a few years worth of story time and see how they develop. The result is that Southern Arizona is in quite a mess by the opening of Owl Riders and you know Ramon and Fatemeh will be right in the middle of it, presuming other aspects of their life don’t get in the way.

The audiobook is narrated by Edward Mittelstedt who did a terrific job on Owl Dance. What’s more, Lightning Wolves was a top ten finisher in the best steampunk novel category of the 2014 Preditors and Editors Reader’s Poll. My daughter Autumn created Larissa, the young inventor mentioned in the story’s description. She served as the model for Larissa on the book’s cover.

You can listen to a sample and buy a copy of the Lightning Wolves audiobook at: https://www.audible.com/pd/Sci-Fi-Fantasy/Lightning-Wolves-Audiobook/B0716QC53Y

The Astronomer’s Crypt, on Lisa Burton Radio

Last week, Mike Teter from my novel The Astronomer’s Crypt was interviewed on Lisa Burton Radio. Lisa Burton is a robot who interviews characters from novels on her radio show. The transcripts appear on Craig Boyack’s blog.

In fact, Lisa is Craig’s brainchild and we collaborated to put together this “radio” segment. After I told him about the novel, he drafted a set of questions Mike to answer. I put myself in character and answered the questions. I realized in the process of writing this that one of the other characters in the novel might not like what Mike was saying, so he calls in.

I hope you’ll go check out Lisa’s interview with Mike. She puts him on the spot and asks tough questions that make him uncomfortable. If you’re a writer, you should check out Craig’s guidelines and consider having Lisa interview one of your characters. If you’re a reader, be sure to check out more of the Lisa Burton segments. You’re sure to find some great books and you may discover a new favorite character!

Entertaining Stories

Don’t touch that dial, you’ve found Lisa Burton Radio. Coming at you with 1.21 jigawatts of power, this is the only show that interviews the characters from the books you love. I’m your host, Lisa the robot girl, and with me today is Mike Teter. Mike is an astronomer with the Carson Peak Observatory in New Mexico. “Welcome to the show, Mike.”

“Hi Lisa, it’s great to be here. Thanks for having me on the show.”

“My bio says you’ve recently returned to the observatory after a two year hiatus. What happened, grass wasn’t greener?”

“Actually, leaving the observatory was the hardest thing I’d ever done. You see, a terrible blizzard blew in my last night there and the two of us working that night decided to leave the site. Ron Wallerstein drove ahead of me. He was going a little too fast when he reached a bridge spanning a…

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Owls from the Dark Side

With the first novel in my Clockwork Legion series titled Owl Dance and the fourth, in progress, tentatively titled Owl Riders, you might think I have a fondness for owls, and you would be right. I find them fascinating, elusive creatures. They do an important job, eating vermin. A few years ago, a family of burrowing owls nested in a field near my home. Going by their nests on my daily walks, I developed something of a rapport with them. I would whistle at them and they would whistle back, sometimes doing a little dance going back and forth from one foot to the other. In fact, that’s where the title, Owl Dance came from. The photo below was taken at Wild Wild West Con in Tucson where I’m posing with my daughter and one of the world’s largest owls, a Eurasian Eagle Owl.

David and Myranda

The thing is, owls are not universally regarded as likeable or good. If you look at the photo above, one of the first things you should notice is the size of the owl’s claws. I was very aware when it sat on my arm that that owl was a powerful hunter. When I lived in the small town of Madrid, New Mexico, owls were known to hunt any cats running loose after dark. Sometimes I drive up to work at Kitt Peak National Observatory after dark and see a rather large owl sitting on the road. One time, the owl took off in front of me causing me to slam on the brakes. It was an awesome and terrifying sight.

Many Native American tribes actively dislike owls. They are believed to harbor the spirits of the dead. Hearing an owl hoot at night can be considered an ill omen. The following appears on the official website of the Mescalero Apache: “The owl is a night creature and the Apache people do not have contact with this animal. Avoid having a night owl near you. It is considered a bad omen if an owl hoots near you day or night.” These beliefs have also crossed over into Latino culture where there are stories of owls being associated with witches. In Owl Dance, my character Fatemeh is seen as a witch precisely because of her association with owls.

This brings us to my latest novel, The Astronomer’s Crypt. astronomers-crypt-453x680 In Apache lore, there’s a creature known by many names including Big-Owl, Owl Man, or even Owl Monster. He’s something of a bogeyman in Apache stories. Sometimes he’s described as more human like and other times as more monster like. He often appears in the Apache Creation story, such as the version recorded in this post on Noah Nez’s Native Skeptic blog.

When I came upon descriptions of Big Owl, I began to wonder what a real creature that could have aspects of man, owl, and troll would be like. Of course, evidence suggests that birds are the modern dinosaurs. Thinking about the dinosaurs that became owls went a long way to picturing this kind of creature. The protagonist, Mike Teter, has the following vision in the novel’s prologue:

    On the dome floor, next to the telescope, stood a grotesque figure resembling an unholy merging of a predatory dinosaur and some kind of alien creature from a sci-fi movie. Its body crouched atop long talons that looked as though they could easily rip the tiles from the floor. The creature’s nose consisted of two slits above a sharp, beak-like mouth. But it was the eyes that froze Mike in terror. Dark. Mesmerizing. They were like black holes in space. Mike had no idea where the creature had come from or how it managed to get into the dome. But he did know one thing for certain. It wanted to kill him.

To see more of what happens with Big Owl, be sure to pick up a copy of The Astronomer’s Crypt from Amazon, Kobo, or Lachesis Publishing. You can learn more about the Clockwork Legion series by visiting my website.