Learning from Loss

In 1976, when I was in elementary school, my teacher taught us about elections by having some of the students “run for office.” Of course, we weren’t running for any real political office, but the idea was to make campaign posters, have a debate, and let the class vote on who won. I ran for senator and thought I would be a shoe-in. Of the two people running, I was the one known to be the “smart kid.” I remember making some great posters with great slogans. In the end, I lost that election and I was devastated.

One of my friends came up and presented a hard truth to me. This friend did like me, but couldn’t vote for me because the other kid talked a lot more in the debate. I pointed out that the other kid made promises they couldn’t keep. My friend noted they actually said they would do something while it wasn’t clear I would do anything. Looking back, I realize that part of why I failed on that occasion was my own introverted personality. I wasn’t comfortable speaking to groups, so I didn’t say everything that was on my mind. More to the point, I learned to cope with the loss and move on. I didn’t get bitter. I didn’t say the other kid cheated. I knew I’d lost fair and square and I learned what I would need to do should I ever choose to run for a real elected position.

Losing is a powerful, albeit painful teacher. Whether one loses an election, a sporting event, or a competition of any sort, you can learn from the experience and do better. In fact, it’s such a great teacher that I’m hesitant to trust anyone who tries to tell me they never lost and that they succeed at absolutely everything they ever attempted. What’s more, the older they get without losing, the more I worry because I know the first real loss they face will be all the more difficult.

In the 1990s, I started reading through A. Bertram Chandler’s space opera series about John Grimes. Growing up as a Star Trek fan, I really enjoyed these books. John Grimes was a character much like Captain Kirk. As I read, I came to the novel The Big Black Mark, which is a novel about Grimes screwing up big time. He actually gets booted out of the service and has to find a new career. At that point, Grimes suddenly became a much more interesting character to me than Captain Kirk and it was precisely because he lost and had to learn from his mistakes and become better. Don’t get me wrong, I’m still a Star Trek fan, but I find Grimes’s journey a bit more interesting.

I took this to heart when I wrote my Space Pirates’ Legacy series. The Pirates of Sufiro is about Ellison Firebrandt coping with losing his life of being a successful pirate. In the next book, Children of the Old Stars, his grandson makes a blunder when attempting to communicate with an alien race invading the galaxy and must start his quest all over again outside the military. I wrote these books when I was young and I hadn’t experienced as many losses as I have at this point in my life. One reason I’m revising them for new editions is that I’m better able to tap into the emotions that go with loss and moving on in new ways.

In the end, losing an election or a competition doesn’t make you a “loser.” It’s how you cope with the loss that demonstrates your true nature. I hope you’ll join Ellison Firebrandt and John Mark Ellis on their journey’s of loss and redemption. You can learn more about the Space Pirates’ Legacy series by visiting: http://davidleesummers.com/books.html#pirate_legacy

Children of the Old Stars 3rd Edition Cover Reveal

I have been working on the third edition of my novel Children of the Old Stars. The novel first appeared in a self-published edition in 2000. I created the first cover in Adobe Photoshop using a photo of a globular cluster and a model of the Cluster, the enigmatic machine-like intelligence that invades our galaxy in the Space Pirates’ Legacy novels. The novel was acquired by LBF Books in 2005 and Laura Givens created a much more professional looking cover. Given that the Space Pirates’ Legacy novels tell the story of pirate captain Ellison Firebrandt and his descendants, I had the idea that The Pirates of Sufiro should feature Ellison Firebrandt, Children of the Old Stars should feature his daughter Suki Ellis, and finally Heirs of the New Earth should feature Firebrandt’s grandson, Mark Ellis. So, Laura’s cover show’s Suki trying on the moon Titan trying to find out what the leaders of the galaxy know about the Cluster. The Cluster itself looms over the dome in the background.

The back cover of the novel reads as follows:

“An implacable alien intelligence called the Cluster has arrived in the galaxy and dissects almost every star ship it encounters. Grandson of an infamous space pirate, Commander John Mark Ellis is disgraced and booted out of the space service when he fails to save a merchant ship from the Cluster. Even so, Ellis believes he holds the key to communicating with the invader. His mother, Suki Firebrandt Ellis, is a historian who believes the galaxy’s leaders are withholding information about the Cluster. Clyde McClintlock believes the Cluster is God incarnate and provides the path to salvation. G’Liat is an alien warrior whose own star ship was destroyed by the Cluster. All together, they set out to stop the Cluster’s reign of destruction.”

In the novel, John Mark Ellis, Clyde McClintlock, and G’Liat find employment aboard a stellar mapping vessel called the Nicholas Sanson as part of their search for the Cluster. Laura’s new cover depicts Ellis and McClintlock on the Sanson along with Kirsten Smart, the ship’s corporate officer. They’re pondering a hologram of the Cluster. I think this new cover gives more a sense of colorful characters on a quest, which is what the book delivers.

Children of the Old Stars – 2021 Edition

I’m in the process of revising the novel for its new edition. I’m presenting each chapter as it appeared in the 2006 edition and discussing elements I thought worked along with ones I thought could use rethinking, then I’m giving patrons a first look at the revised chapters as I work my way through the novel. Patrons can also go back to older posts and download copies of other novels from my catalog. If you care to join John Mark Ellis and the crew of the Sanson on their journey, sign up at http://www.patreon.com/davidleesummers

Is It Worthwhile to Create New Editions?

This question has come up a couple of times in recent weeks, so I thought it worthwhile to address the reasons I decided to revise some of my novels for new editions and the way I’m going about it. In May 2017, the publishing rights to my space opera novels—The Solar Sea, The Pirates of Sufiro, Children of the Old Stars, and Heirs of the New Earth—reverted to me and I faced the decision about whether or not to republish them as they originally appeared, or update the novels and publish them in new editions. The Pirates of Sufiro was my first novel, originally published in paperback in 1995. Children of the Old Stars followed in 2000. The Solar Sea was the final novel of this set. It was published in 2005 and was a prequel to the other three.

The Old Star/New Earth Series in 2017

In the ten years between 1995 and 2005, I made a lot of progress in finding my “voice” and honing my writing style. In 1995, I hadn’t yet taken Stephen King’s adage “the road to hell is paved with adverbs” to heart. I wasn’t using the strongest verbs and I had a tendency to add in unnecessary hedging or distancing words. Also, while some readers seemed to honestly enjoy these novels, I noticed a few common themes cropping up in reader reviews in places like Amazon and Goodreads, where the novels hadn’t quite lived up to reader expectations. What I realized about those reviews as time passed was those points were, for the most part, fixable. They came about because I rushed certain scenes or didn’t describe things fully. Sometimes emotions weren’t quite genuine or characters didn’t seem quite fully formed. What’s more, the worst issues were in the earlier books, which is a great way to keep people from continuing on to the later, better books. It seemed important to bring the entire series up to a consistent level.

So that’s why I thought of this as a worthwhile exercise.

Executing the edits is a multi-stage process. The first part involves re-reading each chapter with both my own critical eyes and with reader reviews in mind. I start by making some notes on the manuscript as a whole and then I go through chapter-by-chapter. Followers of my Patreon page are familiar with my posts that include an original version of a chapter headed by my notes and impression of the chapter. I then make a first pass and revise the chapter according to my notes. In my second pass, I follow the guidelines recommended in Ken Rand’s book, The Ten-Percent Solution. The book presents a method of looking for common problem words and evaluating whether you can make the sentence they’re in clearer by tightening the language. Finally, I read the chapter aloud, doing my best to keep my critical mind engaged. “Would people really say that?” “Does it make sense that a character took a particular action?” “Is it clear why something happened when it did?” Finally, I pass it to my wife for one more round of proofreading. At this point, I post the updated chapter to Patreon.

But wait, there’s more! Once I get the whole book done, I read the whole book one more time to make sure everything still holds together and that I didn’t miss something between one chapter and the next. I’ve even started using text-to-speech as yet another tool. This allows the computer to read the book to me, which has helped me catch errors I’d miss other ways.

So, is this a worthwhile exercise or should I have spent my time writing something new instead? At a personal level, it has been worthwhile. I feel like each book is significantly improved. I’ll have a better sense whether this was lucrative after I finish both Children of the Old Stars and Heirs of the New Earth. If most people who read Firebrandt’s Legacy and The Pirates of Sufiro are sufficiently intrigued to keep following the series, then this experiment will have been an unqualified success. If you want to join me as I continue this experiment and see how it turns out, sign up over at https://www.patreon.com/davidleesummers. There you can see me put these steps into practice and get some fun reading the books along the way.

Children of the Old Stars Revisited

This has been a busy year releasing new editions of my novels. Just as I was wrapping up work on the rewrite of The Pirates of Sufiro, which I started in late 2018, the contracts for three other novels came to term and the publishing rights to those novels reverted to me. As summer 2020 approaches its end, I’m pleased that new editions of all four novels are now available and it’s now time to look ahead and see what new projects I will tackle. I’ve been giving particular thought to what I would share with my Patreon subscribers for the next few months. Now, as I’ve been wrapping up these most recent projects, a couple of new opportunities have arisen and I am working on two new projects. Unfortunately I’m not at liberty to speak about them in detail or share them with my Patreon subscribers until they’re closer to completion.

Children of the Old Stars 2001 edition.

As I say in my Patreon introduction video, a primary focus of the site is to fund new editions of my Space Pirates’ Legacy novels. Because of that objective and because a chunk of my time will be going into new projects I can’t speak about yet, I’ve decided to continue the deep dive through the series and start working on book three, Children of the Old Stars. In The Pirates of Sufiro, we met the Cluster. The Cluster is a vast alien machine that destroys starships indiscriminately in its quest for something or someone. As Children of the Old Stars commences, Commander John Mark Ellis is booted out of the service when he fails to save a merchant ship. He believes the key to stopping the Cluster is communication. His mother, Suki Firebrandt Ellis, is a historian who believes the very leaders of the galaxy are withholding information about the Cluster. One of Ellis’s antagonists from The Pirates of Sufiro, Clyde McClintlock, believes the Cluster is God incarnate, seeking retribution. G’Liat is an alien warrior whose own starship was destroyed by the Cluster. All together, they set out to solve the mystery of the Cluster before it finds the object of its quest.

As with The Pirates of Sufiro, I’ll post a chapter of Children of the Old Stars one week along with my thoughts about it. My goal will be to post the revised chapter a week later. How well I meet that goal will depend on the other projects I’m working on as well as my evolving work situation at Kitt Peak National Observatory. That noted, I will make every effort to complete at least one chapter per month. If you want to be along for the ride, be sure to sign up as a patron at: https://www.patreon.com/davidleesummers. If you do, you’ll not only get to see updated chapters of Children of the Old Stars as they’re posted, you’ll be among the first to get a peek at the secret projects when I can share.

As a reminder, supporting me at Patreon also helps to support this blog so I can continue to give you an ad-free experience.

Now, you may wonder what other projects I’ve been considering, especially since they may be back in the running after I finish my secret projects. One is a sequel to The Astronomer’s Crypt. I have a synopsis written and have given the project quite a bit of thought. There are also a handful of vocal supporters for this project. I’ve also been considering a third book in the Scarlet Order Vampire series. Now there are many vocal people who will tell me that vampires are yesterday’s genre. However, I can’t ignore that in the three weeks since I released Vampires of the Scarlet Order, it has significantly outsold every other book I’ve released this year. It’s not a statistic I can ignore, especially if it turns into an ongoing trend.

Stand Alone or Series

When people first learn about my books, one of the first questions they ask me is whether they’re stand-alone novels or part of a series. In fact, most of my books are part of series because I think it’s fun to continue to explore the consequences of the actions a group of characters take across several volumes. That said, I also believe that each book in a series should stand on its own. In other words, if a reader has never encountered a book in the series before, they should be able to jump in at any point in the series and not be lost. Moreover, when they reach the end of the book, they should feel they’ve had a satisfactory journey without having to buy another book. I want them to buy the next book because they like the characters, not necessarily because I left them with a cliffhanger.

In my Clockwork Legion steampunk novels, I achieved that by introducing an alien traveler called Legion who has the good intention of wanting to keep humans from destroying each other by meddling in human affairs. Legion starts by encouraging the Russian Empire to “unify” Earth by taking over the North American continent. That story became Owl Dance and the story is essentially resolved in the book. In Lightning Wolves we explore consequences of the war. The Arizona desert becomes an even more lawless frontier than it was before and miners go head to head with cattle rustlers. Meanwhile, we find the Russian invasion is still happening in California. Again, those events are resolved. In the third book, The Brazen Shark, we see the Japanese worried about powerful Russian neighbors and what happens when a samurai force steals a Russian airship for their own political aims. The fourth book, Owl Riders, returns to Arizona and the consequences of leaving a mining machine in the hands of the Apaches.

My hope is each book can be read on its own, but you get a little more out of the story if you read the whole thing. One of the ways I know whether or not I succeeded is by handing a later book to a new reader and asking them whether they were able to follow along or if there were points that lost them. Of course, you can learn more about the Clockwork Legion series at: http://www.zianet.com/dsummers/books.html#clockwork_legion.

Right now, my writing focus is on my Space Pirates’ Legacy series. The first book, Firebrandt’s Legacy, is very much a standalone story telling the adventures of Captain Ellison Firebrandt and his band of swashbuckling space pirates. I’m working on rewriting the second book of the series, The Pirates of Sufiro. It tells how Firebrandt influenced his children and grandchildren’s generation to become heroes. The third book, Children of the Old Stars, is about Firebrandt’s grandson, John Mark Ellis, who goes on a quest to understand an set of beings called the Cluster who destroy starships for no reason people can understand. In the final book, Heirs of the New Earth, those ships have taken over Earth and the galaxy is about to be changed forever.

I’m working as hard as I am to make The Pirates of Sufiro the best book I can because I don’t want people who start with Firebrandt’s Legacy to lose interest and stop. That said, I think a reader could jump into Children of the Old Stars or Heirs of the New Earth and understand what what’s happened without reading the earlier novels. In fact, I just had a lot of fun reading those two novels again. It’s not uncommon for me to pick up a book I wrote a few years before and cringe at some of my word choices or directions I sent my characters, but for the most part, I thought these books still held up. Of course, you can leap into this series right at the beginning by picking up Firebrandt’s Legacy at: http://hadrosaur.com/FirebrandtsLegacy.php. If you want to leap ahead and see how well Heirs of the New Earth stands on its own, I have a few copies of the first edition available at half off the cover price at: http://hadrosaur.com/HeirsNewEarth.php. I hope you’ll join Firebrandt and his heirs for their exciting adventure.

Music for the Journey

As I mentioned in my last post, I’ve started evaluating my revisions of The Pirates of Sufiro and deciding whether or not it’s ready for publication as is, or whether I should take the book through another round of edits. As I mentioned in the last post, The Pirates of Sufiro tells the story of a planet founded by pirates and their conflict with even more unscrupulous people. I’ve also come to realize that The Pirates of Sufiro serves as a bridge, showing how a pirate captain like Ellison Firebrandt guided the next two generations into becoming heroes who would save the galaxy.

The first part of this process is making sure characters like Ellison Firebrandt, Carter Roberts, and Suki Mori are true to the characters I envisioned in Firebrandt’s Legacy. I also reread the next two books in the series, Children of the Old Stars and Heirs of the New Earth, to make sure I believe that Fire Ellis, daughter of Ellison Firebrandt, and her son, John Mark Ellis, are where they need to be. Of the two, I think Fire will need the most help in Pirates while John Mark needs a little more work in Children of the Old Stars.

The good news of my reading adventure is that while it looks like I’ll be spending a little more time rewriting The Pirates of Sufiro than I originally expected, the rewrites of Children and Heirs will probably go a bit quicker than I initially expected. In fact, I’m thinking once Pirates is released, it’ll only take about two or three months to finish the new editions of the next two books.

To elaborate a bit on the issue of character consistency, one element of the story that becomes increasingly important as the series progresses is that John Mark Ellis comes from Nantucket. He has a connection with the sea and has even become acquainted with Earth’s whales as intelligent beings. I think there’s enough connection with Nantucket and the whales in Pirates that these things don’t come out of the blue. Nantucket takes on greater importance in Children of the Old Stars.

Despite that, there’s a scene where a character looks into Ellis’s mind and sees a castle on the Scottish moors. I wrote that because I imagined Ellis’s ancestors as Scottish, but it doesn’t really serve a story point or fit Ellis’s self image. In the new edition, look for him to be sheltered in a light house against a raging sea. In another scene in Children of the Old Stars, I imagine Ellis humming “The Battle Hymn of the Republic.” I did this at a point where he reaches an important decision and it happens because Ulysses S. Grant was an early inspiration for the character and I wanted that Civil War connection. The problem is that Ellis himself wouldn’t see that connection. He would actually sing songs related to Nantucket and whaling. This led me on a quest to find such songs. During the search, I discovered a wonderful musician and educator named David Coffin based in Boston. He has an album called David Coffin and the Nantucket Sleighride which includes songs just like the ones I was looking for. I even discovered that one of the old songs from circa 1820 fits the mood of the scene I was looking for very well. What’s more, his old songs are great for getting me in the mood to write scenes with Ellis. If you want to learn more about David, his website is: http://www.davidcoffin.com. His albums are available on Amazon and iTunes and I highly recommend them if you want to learn more about sea chanteys and early American music.

2020 Foresight

In the last post, I looked back to the previous decade. Now, I want to take a look forward at what’s coming next. As it turns out, I’m entering the year 2020 with three projects right at the final editing and typesetting stages, so those are occupying much of my attention at the moment and I expect they will all go “live” in the first quarter of this year.

One of the projects that will appear in the next couple of months is the anthology Exchange Students edited by Sheila Hartney. It features twenty-two stories from a diverse group of authors who explore the idea of exchange students in a variety of settings. Some stories imagine interplanetary exchange students, some imagine time traveling exchange students. We have an exchange student from Hell visiting Heaven. There are also stories about exchange students crossing between our world and fantasy worlds. Throughout the book, you’ll hear stories from the perspectives of the teachers, students, and parents who find themselves in these situations. The final edited manuscript has just been delivered to me and I plan to start typesetting the book this week, then I’ll get in touch with the cover artist about finishing the cover, teased in the thumbnail at the head of this paragraph.

I’m also excited to be presenting Don Braden’s first novel. Don is a retired high school teacher who has often used science fiction as a teaching tool in the classroom. Don has also written for Tales of the Talisman Magazine. What’s more, I’ve almost literally known Don my entire life. He was my brother’s English teacher before I was even old enough to go to school.

Don’s novel is called Upstart Mystique. The novel opens with the space vessel Marco P en route to a distant colony world. The ship loses all power and an unknown force convinces the navigator that a distant, dead world is the vessel’s true destination. Commander Malcolm Carpenter orders the crew to abandon ship to protect them and to learn how to defeat whatever force has intercepted his ship. The crew discovers a small group of inhabitants, the only people on the planet who were not uploaded into a vast computer network—a computer network captivated by upstart humans and their imaginations. To free his crew and his navigator from the planetary network’s grip, Commander Carpenter must face a moral dilemma. Can he save his crew without condemning a planet’s inhabitants and their digital ancestors to death?

I’ve finished the first typesetting pass of Upstart Mystique. It needs a cover and a final check by the author, then it’ll be ready to go to press!

The third book I’m working on is the 25th Anniversary edition of my own novel, The Pirates of Sufiro. When the rights to the “Old Star/New Earth” series were returned to me, I wrestled with how much to re-edit these books. They were my early books and I renamed the series “The Space Pirates Legacy” in part because one of the major characters has a vessel named Legacy and in part because I do see it as my “legacy” series. It’s the series where I cut my teeth as a writer, so to speak, and mostly I wanted to bring them back so they were available to fans who wanted my early work. Still, I felt like Pirates had some cool ideas that were buried in awkward writing. Also, the only ebook edition of the book had some problems that made it even more of a challenge to read. If I was going to put this book back on the market, I owed it to readers to improve what I could. I’ve just completed the actual rewriting portion of the project. I have a few more edits to do, then I’ll start typesetting. Again, the actual book should be available for purchase in the very near future. That said, people who support my Patreon at http://www.patreon.com/davidleesummers will get a code to download it for free once it’s released.

After this, it’ll be time to move on to the next wave of projects. While typesetting and finishing these books, I hope to make some decisions about what will be next. Some things are clear. I’ll be revising and re-issuing the rest of the Space Pirates Legacy series: Children of the Old Stars and Heirs of the New Earth. At this point, I don’t expect they’ll take the kind of time I’ve devoted Pirates, but I do need to re-read and evaluate them. I do plan to polish and work on some short stories I have in mind and send them out to editors. Presuming Children and Heirs don’t prove as time consuming as Pirates, I’ll probably start work on the next new novel. You can share your thoughts about what that should be in the comments below, although I’ll also be asking my Patreon supporters and I do give their thoughts more weight.

Sufiro Through the Years

2019 marks two important milestone anniversaries. 25 years ago, Kumie Wise, William Grother, and I formed Hadrosaur Productions. That same year saw the publication of my first novel, The Pirates of Sufiro, in audio form.

Hadrosaur Productions was founded to be a multimedia company, publishing books, producing audio books, and ultimately producing video projects. To prove the concept, I gathered a bunch of co-workers from Kitt Peak National Observatory and we recorded my first novel. I edited the audio recordings on primitive audio software and then had the master tapes duplicated. My wife and I took these around to science fiction conventions in Arizona and New Mexico and sold them at our first dealer’s tables. I have fond memories of these times since it was my introduction to fandom and response to this audio edition was generally positive. Looking back, fans liked seeing other fans get together and create something like this. As you can see the artwork is simple. It’s just a drawing of Captain Firebrandt, First Mate Roberts, and Suki ready to face life on the planet Sufiro. I drew the illustration. I also drew the Hadrosaur logo that would be the company logo for many years. As you’ll notice, I credited myself as “Dave L. Summers.” My name is common enough, I was looking for a way to set myself apart and I liked the way Dave L. Summers flowed off the tongue.

In 1995, I attended a writer’s conference at the University of Arizona where Ray Bradbury was the keynote speaker. An agent was also slated to attend and attendees were invited to send her their manuscripts. I sent mine and she agreed to represent it. The upshot is that she placed the book with a publisher and ultimately the mass market edition of The Pirates of Sufiro was released. As it turns out, Roberts never had a first name before this edition. The editor gave him the name Carter. I liked it well enough that I let it become canon. The cover of this edition features what appears to be simple stock art of a spaceship and a planet. The ship really doesn’t look like anything in the book, but I didn’t have a strong objection because it said “science fiction” and looked more professional than my line drawing. I’m also credited as “David L. Summers” here, the only time I used my name as I use it in scientific publications. Alas, my agent and my publisher both proved to be scam artists who worked to separate authors from their money. I never saw a dime from this edition other than from copies I sold myself and I ultimately had to go to court to get my publishing rights back. Still my experience wasn’t all bad. This edition did turn up on the shelves of the New Mexico State University Bookstore and Waldenbooks at the local mall and they even invited me to do a book signing. I also got a nice half-page write up about the book in the Las Cruces Sun-News.

Print on demand publishing was starting to get off the ground about the time I got my rights back. At that point, I had also gotten acquainted with several artists through my work editing Hadrosaur Tales Magazine. I hired Jeff Ward to do a cover for a new edition I would publish through Xlibris. This is the first professional cover for the book where I had full control of what appeared. Prominent on the cover are the faces of Captain Firebrandt and his grandson, Commander John Mark Ellis. At the bottom of the image is Firebrandt’s daughter, Suki Carter Firebrandt. She stands in front of Ward’s version of the Firebrandt homestead. Jeff has since gone on to do covers for such venues as Apex Magazine and the SFWA Bulletin. This version would only be used for four years. At that point, another cover artist I knew and worked with, Nick Johns, introduced me to one of his other clients, LBF Books. This edition is also the first one to credit me with the name I have used for most of my writing career: David Lee Summers. At this point, search engines existed and I looked long and hard to see which version of my name was relatively unique and wouldn’t be confused with a plethora of other David Summerses. I ultimately decided on my full, legal name. To me it sounded like a name a writer would use.

In 2004, Jacqueline Druga of LBF Books read and loved my newest novel, Vampires of the Scarlet Order. She asked what else I had and I mentioned The Pirates of Sufiro and its sequel Children of the Old Stars. Jackie asked to read them. She loved them and offered me a contract. Around that same time, I met artist Laura Givens at MileHiCon in Denver, Colorado and she asked if I knew any publishers looking for cover art. I introduced her to Nick and Jackie and they soon started working together. One of Laura’s first covers for LBF would be her cover for The Pirates of Sufiro. We decided to take the idea I had for the Xlibris cover and expand it across the series. The Pirates of Sufiro would feature Captain Firebrandt on the planet next to the homestead. Suki Firebrandt would appear on the cover of Children of the Old Stars in a habitat dome on Titan. John Mark Ellis would appear on the cover of the as-yet unwritten Heirs of the New Earth. For this version, Laura created what I now consider to be the iconic Firebrandt. In many ways, he bears a strong resemblance to the version I had way back in my first crude drawing on the cassette tape version.

Laura’s cover has been canonical for over ten years. When I re-envisioned the series as a four-book series called the Space Pirates’ Legacy, Laura improved on her iconic image of Captain Firebrandt for the new Book One, Firebrandt’s Legacy. So, it was natural that I would ask Laura to create the cover for the 25th Anniversary Edition of The Pirates of Sufiro. She has done so and I have to say, the newest version is the best yet. Come back on Saturday as I unveil the newest cover for an all-new and improved visit to the planet Sufiro.

End Game and New Beginnings

I’m currently working on the final chapters of my collection Firebrandt’s Legacy. This book collects space pirate stories that have appeared in numerous anthologies over the years alongside several new stories. The whole collection is an arc of related stories, so the book may be read as an episodic novel. I’ve been sharing the new and revised stories with my Patreon subscribers since September 2017.

Based on my current outline, I have about three stories to go to bring events up to the beginning of my novel The Pirates of Sufiro and to bring the collection up to the length I want. I will release the first story of the final three to my Patreon subscribers on Thursday, July 26.

My approach to Patreon has been pretty simple. I only have one tier and it only costs $1.00 per month to subscribe. Of course, patrons are welcome to pay more per month if they feel sufficiently moved by my work to support me at a higher level. My first goal is to use this money to pay the costs associated with publishing Firebrandt’s Legacy. My second goal is to print new editions of the other related books including The Pirates of Sufiro, Children of the Old Stars, and Heirs of the New Earth. Patreon support has already helped me publish the new edition of The Solar Sea, which is a prequel to my Space Pirates’ Legacy series that tells the story of how humans became a space faring society. I shared a free download of the ebook with all my Patreon subscribers. Patreon support also helps support this blog and helps support my travel to conventions where I give both writing and science presentations.

For the duration of Firebrandt’s Legacy, I have been posting at least one new or revised story to the site per month along with a “Behind the Scenes” look at where the story first appeared (if it had been previously published) and what influenced me to write the story. Of course, I plan to share a free download of the complete ebook to all my Patreon subscribers when it’s complete.

Now that I’m about to finish Firebrandt’s Legacy, I’m thinking about the best way to share my progress revising The Pirates of Sufiro for a new edition. I expect that I’ll be heavily revising this novel for a number of reasons. Not the least of which is that this was my very first novel and I’ve learned a lot since I first published it. I’ve also received a lot of feedback on the novel over the years and plan to take those comments into account. Sharing “reedited chapters” may not sound like much value to anyone who has already read the book and people may wonder why they should subscribe instead of just buying a cheap used copy of the book.

My current plan is that when I start The Pirates of Sufiro, instead of doing the “Behind the Scenes” segments, I’ll share the chapter as it appeared in the most recent edition, perhaps along with some notes about the inspirations and the origins of the ideas. I’ll wait a couple of weeks, then present the revised chapter, so people can see what I’m doing with this edit. In both cases, I’m delighted for people to comment on what I’m doing as the project progresses.

To prepare for this transition, I’ve recorded a brief intro video and posted it to my Patreon site. Also, I have made two of the Firebrandt’s Legacy stories/chapters available for anyone to read whether or not they’re a patron. They’re the first chapter, “For a Job Well Done”, and Chapter Twelve, “Calamari Rodeo.” I encourage you to drop over to the site, watch the intro video and read the two free stories. If you like these characters, please sign on as a patron. My Patreon site is: http://www.patreon.com/davidleesummers

One last thing before signing off. Speaking of used copies of The Pirates of Sufiro, Children of the Old Stars, and Heirs of the New Earth, Hadrosaur Productions is running an auction at eBay for the last complete set of the LBF/Hadrosaur editions of the Old Star Saga in their stock. Drop by and place a bid at eBay!

Clearing the Decks

This year marks the twentieth anniversary of my first novel’s release. Looking back, The Pirates of Sufiro was an ambitious idea for a novel. It’s a generational tale about space pirates stranded on a distant world and those who came along afterward who joined and opposed them. The novel went on to spawn two sequels, Children of the Old Stars and Heirs of the New Earth. I cut my teeth as a writer on those books and feel like my skills grew as I wrote them.

As I mentioned in a post back in May, the publishing rights for all three novels have reverted to me. There are parts of these novels I love and parts I’d love an opportunity to revise. I plan to start that journey next week and I’ll say more about that at the end of the post. In the meantime, I’m clearing out copies of the most recent editions of the novels. Why would you pick these up if I’m creating new editions? For one thing, these editions feature illustrations by Laura Givens which cannot appear in the new editions. If Laura creates illustrations for the new editions, they will be different. It’s a great price—I’m offering these at half off the cover price. Also, I’m happy to sign the books. Just drop an email to me at hadrosaur[at]zianet[dot]com when you order and let me know you’d like the books signed and to whom.

The Pirates of Sufiro is the story of a planet and its people—of Ellison Firebrandt the pirate captain living in exile; of Espedie Raton, the con-man looking to make a fresh start for himself and his wife on a new world; of Peter Stone, the ruthless bank executive who discovers a fortune and will do anything to keep it; and of the lawman, Edmund Ray Swan who travels to Sufiro seeking the quiet life but finds a dark secret. It is the story of privateers, farmers, miners, entrepreneurs, and soldiers—all caught up in dramatic events and violent conflicts that will shape the destiny of our galaxy. You can order The Pirates of Sufiro at half price by visiting: http://www.hadrosaur.com/bookstore.html#pirates

In Children of the Old Stars, the Cluster is a vast alien machine that destroys starships indiscriminately in its quest for something or someone. Commander John Mark Ellis, disgraced and booted out of the service when he fails to save a merchant ship, believes the key to stopping the Cluster is communication. His mother, Suki Firebrandt Ellis is a historian who believes the very leaders of the galaxy are withholding information about the Cluster. Clyde McClintlock believes the Cluster is God incarnate, seeking retribution. G’Liat is an alien warrior whose own starship was destroyed by the Cluster. All together, they set out to solve the mystery of the Cluster before it finds the object of its quest. You can order Children of the Old Stars at half price by visiting: http://www.hadrosaur.com/bookstore.html#children

In Heirs of the New Earth, the Earth has gone silent. John Mark Ellis and the crew of the Sanson are sent to investigate. When they arrive, they find vast alien machines known as Clusters in orbit. Fearing the worst, they land and discover that the once overcrowded, polluted Earth has become a paradise of sorts. The problem is over half the population is dead or missing and the planet’s leaders don’t seem to care. As Ellis works to unravel the mystery, sudden gravitational shifts from the galaxy’s center indicate something even worse is in the offing. Can Ellis save the galaxy from the heirs of the new Earth? You can order Heirs of the New Earth at half price by visiting: http://www.hadrosaur.com/bookstore.html#heirs

Now onto the next chapter in this grand adventure. About ten years after I released The Pirates of Sufiro, I started writing stories about the good captain’s adventures before he was stranded on Sufiro. I’m in the process of collecting all those stories into a book called Firebrandt’s Legacy. On Monday, I invite you to drop by my brand, spanking new Patreon page at http://www.patreon.com/davidleesummers to see the awesome cover for the new book. Patrons will be able to read the first story on Monday. Even though several of the stories have already been published, they’re each getting a brand new edit and there will be new, unpublished tales along the way. I hope you’ll join me for this exciting, swashbuckling journey!