The Space Pirates’ Legacy on Sale

The annual Smashwords Summer/Winter Sale is underway. It gets its name because where I live in the northern hemisphere, readers are loading up their e-readers for great beach reading and vacations. In the southern hemisphere, it’s the middle of winter and people are spending time in a warm and cozy place reading. All of Hadrosaur’s titles are available at deep discounts this month and I’ll be highlighting them all month long here at the Web Journal. If you’re looking for a specific title, you don’t have to wait for me to highlight it, just visit https://www.hadrosaur.com/bookstore.php and click on the book you’re interested in. On its page is a link to Smashwords if its available there. The coupon codes for these discounts are automatically applied at checkout. One of the things I love about Smashwords is that they provide ebooks in all popular formats and they’re DRM free, so you can download them to your favorite device.

I have a special treat for you this year. Since I released The Pirates of Sufiro one year ago, and since I released Children of the Old Stars last month, I’m making the first book in the series, Firebrandt’s Legacy, free this month. So get over to Smashwords to download your copy if you don’t already own it! The other two books are only 99 cents and $1.99 respectively, so you can get the whole series to-date for less than $3.00.


Firebrandt’s Legacy

In Firebrandt’s Legacy, Ellison Firebrandt fights the good fight for Earth. Under a letter of marque, he raids the ships of Earth’s opponents, slowing down their progress and ability to compete with the home system. On the planet Epsilon Indi 2, he rescues a woman named Suki Mori from a drug lord, only to find she isn’t so happy about living a pirate’s life. However, when the captain finds a new engine that will make him the most successful pirate of all, Suki is the only one who can make it work. Now Firebrandt must find a way to keep his crew fed and his ship supplied while relying on a woman who barely trusts him and while every government in the galaxy hunts him to get the engine back!

Midwest Book Review says, “A grand space opera filled with high adventure from cover to cover, Firebrandt’s Legacy is highly recommended.”

Get the book for free at: https://www.smashwords.com/books/view/916916


The Pirates of Sufiro

The Pirates of Sufiro is the story of a planet and its people—of Ellison Firebrandt the pirate captain living in exile; of Espedie Raton, a man from the streets of Earth looking to make a fresh start for himself and his wife on a new world; of Peter Stone, the geologist who discovers a fortune and will do anything to keep it; and of the lawman, Edmund Ray Swan who travels to Sufiro seeking the quiet life but finds a dark secret. It is the story of privateers, farmers, miners, entrepreneurs, and soldiers—all caught up in dramatic events and violent conflicts that will shape the destiny of our galaxy.

Jane Lindskold, author of the Firekeeper saga says, “In The Pirates of Sufiro Firebrandt faces challenges that press even his courageous heart and clever mind to the limit, as well as testing the loyalty of those he loves and trusts most deeply. This dynamic generational saga provides enough twists and turns to satisfy the most devoted space opera fan.”

Get the book for just 99 cents at: https://www.smashwords.com/books/view/1031018


Children of the Old Stars

In Children of the Old Stars, an implacable alien intelligence called the Cluster has arrived in the galaxy and dissects almost every star ship it encounters. Grandson of an infamous space pirate, Commander John Mark Ellis is disgraced and booted out of the space service when he fails to save a merchant ship from the Cluster. Even so, Ellis believes he holds the key to communicating with the invader. His mother, Suki Firebrandt Ellis, is a historian who believes the galaxy’s leaders are withholding information about the Cluster. Clyde McClintlock believes the Cluster is God incarnate and provides the path to salvation. G’Liat is an alien warrior who hopes to protect his people from the Cluster. All together, they set out to stop the Cluster’s reign of destruction.

S. Derrickson Moore of the Las Cruces Sun-News says, “Children of the Old Stars presents an engrossing vision of the future…David Lee Summers has created a fascinating, imaginative, and very entertaining cast of characters and worlds.”

Get the third book of the Space Pirates’ Legacy series for just $1.99 at: https://www.smashwords.com/books/view/1079569

Children of the Old Stars – Twentieth Anniversary Edition

Children of the Old Stars

I am excited to announce that the twentieth anniversary edition of my novel Children of the Old Stars has just been released. This is the third novel in my Space Pirates’ Legacy series. In the novel just before this, an implacable alien intelligence called the Cluster arrived in the galaxy and began literally dissecting space ships. In an effort to stop the Cluster, the Confederation of Homeworlds united all the fleets and started building new ships, but a civil war on the galaxy’s key mining facility had slowed construction to a halt. Commander John Mark Ellis had been dispatched to get the scoop on the civil war and stop it if he could so mining the mineral, Erdonium, would resume. While at Sufiro, the Cluster appeared and Ellis had an experience which made him think he communicate with it.

Now, in the second novel, Ellis is on his way home after a successful mission when he’s called in to rescue a ship threatened by the Cluster. He tries to communicate with the Cluster and seems to succeed. The only problem is that from the crew’s perspective, he fainted on the bridge of his ship and the distressed ship is destroyed. Ellis is booted out of the service, but feels compelled to find a way to stop the Cluster. He seeks help from an alien warrior named G’Liat. The warrior suggests there might be a conspiracy regarding the Cluster that involves the galaxy’s most ancient lifeforms, the Titans. Ellis sends his mother, a renowned historian, to learn what she can about that. In the meantime, the leader of one of Sufiro’s armies also thinks he can communicate with the Cluster, but Clyde McClintlock has convinced himself the Cluster is nothing less than God incarnate.

Kate Hill, author of The Chieftain’s Bride said, “In Children of the Old Stars, David Lee Summers has created a wonderful mix of characters and a gripping plot. From the aliens to the whales of Earth, who now communicate with people, each character seems to come to life from the moment they enter the story.”

I love it when characters do their best to do the right thing even when they face insurmountable odds. I also love it when characters learn something about themselves while involved in such a quest. I gave Ellis a chance to grow and learn in this novel. Although Ellis is not a space pirate like his grandfather, we see Ellis come to embrace the legacy his grandfather left for him. Like The Pirates of Sufiro, I spent time revising this novel for the new edition. The plot is largely the same as it was in earlier editions, but I took more time to define G’Liat’s beliefs so he could convey them better to Ellis in the pages of the book. I fixed a lot of awkward moments in the dialog and action and did my best to improve the novel’s overall consistency.

You can order the ebook edition of Children of the Old Stars at the following places:

You can order the print edition of Children of the Old Stars at:

Lucid Dreams

Operating telescopes at Kitt Peak National Observatory means that I work a night shift. My working days typically start at 4pm and end in morning twilight, about a half hour before sunrise. Despite that, I often spend my off time on a day schedule. Originally this was a matter of necessity. Being on a day schedule allowed me to interact with my kids before they went to school and after they came home. I also find that I don’t do well staying on a night schedule all the time. I find I do need occasional time out in the sunshine. Also, the neighbors get a little cranky if I mow the yard at midnight!

One of the ways I’ve adapted to swapping schedules is that I drive to work the night before my shift begins. I stay up as late as I can and then sleep as long as I can during the next day. This works pretty well, though I do find the older I get the more my circadian rhythms resist the change back to nights. No matter how late I’ve stayed up, my eyes will tend to pop open for a while around 8am. If I’m tired enough, I will usually go right back to sleep. What I’ve also noticed is that especially on the first night getting ready for a shift, I’m prone to lucid dreams. In short, lucid dreams are ones where you’re consciously aware you’re dreaming. This has become common enough that I’ve discovered I can sometimes interact with my dreams. I can decide where to go or what to look at.

The experience of lucid dreaming feels at once profound and limited. It feels profound because it feels like I’ve gained control of a realm where we normally have no control. It feels limited because the control isn’t complete. The best way I can describe it is that it’s like playing a video game. I can move around, explore some things, but I don’t really control the “plot” or what other people in the dream do. Still, I can see why there’s a history of spiritual teachers, especially in the Hindu and Buddhist traditions, ascribing special significance to lucid dreaming.

When I re-read Children of the Old Stars in preparation for starting a new edition, I noticed that I used dreams and dream imagery quite a bit. In my revisions for the forthcoming edition, I decided to enhance this and bring in some of my experience with lucid dreaming. I plan to expand these themes in the next book, Heirs of the New Earth. There, the protagonist’s experience with lucid dreams from Children of the Old Stars, prepares him for being able to move around a non-corporeal reality.

My Patreon supporters have been joining me as I rewrite Children of the Old Stars for a new edition. That journey will wrap up later this month. In fact, I’ve already started the process of giving the book a complete, comprehensive re-read for consistency and last-minute corrections. I’ve also gone ahead and set the ebook up for pre-order. It’s currently available for pre-order at the following stores:

Space Pirates’ Legacy Update, March 2021

Children of the Old Stars

This month marks the third anniversary of the re-release of The Solar Sea, which is the prequel to my Space Pirates’ Legacy series. I’m also nearing completion of updates to Children of the Old Stars, which is book three of the series in its current incarnation. I thought this was a good moment to take stock of where I am in this project and look ahead at what’s left to accomplish.

The Space Pirates’ Legacy series was originally released by LBF Books as the Old Star/New Earth series. The series consisted of The Pirates of Sufiro, Children of the Old Stars, and Heirs of the New Earth. The series title was something quickly cobbled together from the last two books. My publisher billed The Solar Sea as book four of the series. However, as I mentioned before, it’s more a prequel to the series and a standalone story. It’s been released as such in its current incarnation.

After the books of the Old Star/New Earth series had been released, I wrote several short stories about pirate captain Ellison Firebrandt and his crew before they are stranded on the planet Sufiro. I decided to put those stories together with new material and, once the rights to the other books in the series reverted to me, I decided Firebrandt’s Legacy was a logical, new first book in the series. I also decided to give the series a catchier name. Long before I came up with the name “The Space Pirates’ Legacy” series, I’d been referring to the Old Star/New Earth series as my legacy series because it was my first series published. Thing is, there actually is a space ship called the Legacy in these books and it has a prominent role in three of the four novels. What’s more, as you might imagine with books called “Children” and “Heirs” these are books about the heirs to the original space pirates. Space Pirates’ Legacy suddenly seemed like a good fit.

Firebrandt’s Legacy

Back in May 2020, Lynn Moorer of the radio show “All About Books” interviewed me about the new first book in the series. In this universe, most ships have to jump to speeds greater than light at gravitational nodal points near stars. An important element of Firebrandt’s Legacy is how pirate captain Ellison Firebrandt lays his hands on a special kind of engine that allows him to jump to speeds faster than light without jump points. In her interview, Lynn asked me about the drives and how they work, plus she had me read some excerpts from the novel. The interview is archived on the Las Cruces Community Radio site at: https://www.lccommunityradio.org/archives/all-about-books-david-lee-summers9615141

I assembled Firebrandt’s Legacy with the help of my Patreon supporters. Each month, I shared one of the stories from the novel along with some commentary about how it fit in the story arc I was assembling, then shared the finished, polished chapter. Overall, I ended up with a book that pleased me. Once the novel was finished, I took my Patreon supporters on a deep dive as I tore my novel The Pirates of Sufiro apart and put it back together again. I shared each chapter as it originally appeared along with commentary about the chapter, then I shared the revised chapter. The Pirates of Sufiro was the first novel I ever wrote and it took quite a bit of work to bring it up to the standard of Firebrandt’s Legacy. Still, I think I succeeded and I believe The Pirates of Sufiro now works as a strong follow-up to Firebrandt’s Legacy.

The Pirates of Sufiro

Lynn Moorer interviewed me about The Pirates of Sufiro last month. This time, her interview focused on both the characters and the gadgets the characters used. She had me read three excerpts from the novel. You can listen to this new interview at: https://www.lccommunityradio.org/archives/all-about-books-david-lee-summers8108468

About a year ago, as I was wrapping up the first pass of The Pirates of Sufiro with my Patreon subscribers, I re-read the last two novels of the series. I didn’t feel those novels needed as much work as Pirates, but they still needed some work. In Children of the Old Stars, Ellison Firebrandt’s grandson, John Mark Ellis goes on a quest and seeks help from a warrior named Arepno. I felt like Arepno’s teachings needed to be fleshed out. The novel’s quest involves understanding an alien called the Cluster. Children of the Old Stars was probably my most “seat of the pants” novel. I didn’t outline. I didn’t work out exactly what the Cluster was beforehand, I just started writing until I came to what I thought was a satisfactory conclusion to the quest, which then created bigger problems and lead us into the final novel of the series. Looking back at it, I realized I needed more hints in Children of the Old Stars about what the Cluster really was.

At this point, I expect to wrap up Children of the Old Stars by early May. Once it’s complete, I’ll set a release date and format the novel for publication. I’ll give it one more proofread to assure that it’s still internally consistent. The novel should be out by this summer. Once that’s finished, I’ll turn my attention the final novel in the series, Heirs of the New Earth. This final novel doesn’t need as much work as the others in the series. I’m not certain yet whether I’ll give it the same “deep dive” as the other novels in the series. What I do know is that my patrons at Patreon will get the first look at the new edition and I’ll be discussing the process of its creation with them. If you’d like to join us, you can sign on at https://www.patreon.com/davidleesummers

Revisiting Space: 1999

I’m sure everyone remembers where they were on September 13, 1999. Or, at least, they would remember that momentous day if the events of the television show Space: 1999 had come to pass. In the show, that’s the day a nuclear waste dump exploded on Earth’s moon sending it out of orbit and on a long, harrowing journey out of the solar system. I recently found myself thinking about Sylvia and Gerry Anderson’s series. I remember watching it when it first aired, but it occurred to me that I didn’t remember many details about the series, so I went back and watched most of the first season’s episodes.

The first thing that occurred to me as I watched the series is how much it owed to two sources: Stanley Kubrick’s film 2001: A Space Odyssey and Sylvia and Gerry Anderson’s previous live-action television series, UFO. The show reminded me of 2001: A Space Odyssey in the sense that it’s less about space as a setting for the story’s action as it’s a place where mankind will encounter phenomena that will stretch the mind and maybe even spur the next stage of human evolution. The uniforms, the moon base, and the overall feel of the show reminded me a lot of UFO and I’ve read that some elements of the series were, in fact, originally developed for a second season of UFO, which never materialized.

The science of Space: 1999 is much maligned. Isaac Asimov once famously remarked that an explosion big enough to knock the moon out of orbit would destroy it. Physicist Kevin Grazier has taken a much more balanced approach and calculated the energy it actually would take to knock the moon out of Earth’s orbit. He notes that enough energy to knock the moon out of orbit would be highly improbable and also remarks that getting the moon to leave Earth’s orbit isn’t as hard a problem as getting the moon to leave the solar system. You can read Grazier’s thoughts here: https://www.gerryanderson.co.uk/science-of-space-1999/

In his article, Grazier does point out one way in which Space: 1999’s science was ahead of its time and that was it’s presentation of rogue planets. In the series, the moon encounters numerous planets away from the sun wandering by themselves with no nearby star. Rogue planets were pure speculation when the series was created, but we now know them to be something that does exist. We still do have a science issue in that some of these rogue planets seem to support human-like life, despite the lack of a nearby star.

Part of how Space: 1999 sells its improbable physics is by giving us some of the most believable tech I’ve seen in a science fiction series. The Eagle spacecraft look like the kind of things you might have expected NASA to have developed if they had continued building on the Apollo program. The only real problem with the Eagles is their use in atmosphere and high gravity worlds as the series progresses. I believe them on the moon, but not necessarily flying through dense planetary atmospheres. The comlocks that people use to unlock doors and talk to each other feel like the kind of combination remote control, video cell phone that could have been developed in the 1990s.

One of the things I found remarkable about revisiting Space: 1999 was the quality of the cast. Of course, Martin Landau, Barbara Bain, and Barry Morse all had wonderful, understated performances. They felt like humans coming to grips with the weird reality they found themselves in. I had forgotten that actors such as Peter Cushing and Christopher Lee appeared in the series. Speaking of Cushing and Lee, I had forgotten how well the series did at presenting science fiction horror. The denizens encounter some truly frightening situations such as aliens who take over people’s bodies, or implacable tentacled aliens who dine on people’s flesh and spit out corpses.

One of the episodes I found especially interesting was one called “The Guardian of Piri.” In it, Catherine Schell plays an alien who convinces the Alphans they can have complete contentment if they settle. Much of it reminds me of the kinds of visions John Mark Ellis experiences in Children of the Old Stars and the Cluster’s eventual takeover of Earth in Heirs of the New Earth. The structures on Piri are even spheres, reminding me of the Cluster. Although I don’t remember the episode specifically, it does make me wonder how much the episode seeped into my subconscious and was reprocessed in my story.

So, where was I on September 13, 1999? I was working at New Mexico State University on the 1-meter telescope project based at Apache Point Observatory. We were about a month into a new semester, which meant that I was probably busy getting classroom demonstrations ready. I was also working on the novel Children of the Old Stars and thinking about some of the more metaphysical topics I wanted to explore in my series. You can help me create the new edition of my novel by supporting my Patreon campaign at: https://www.patreon.com/davidleesummers

Learning from Loss

In 1976, when I was in elementary school, my teacher taught us about elections by having some of the students “run for office.” Of course, we weren’t running for any real political office, but the idea was to make campaign posters, have a debate, and let the class vote on who won. I ran for senator and thought I would be a shoe-in. Of the two people running, I was the one known to be the “smart kid.” I remember making some great posters with great slogans. In the end, I lost that election and I was devastated.

One of my friends came up and presented a hard truth to me. This friend did like me, but couldn’t vote for me because the other kid talked a lot more in the debate. I pointed out that the other kid made promises they couldn’t keep. My friend noted they actually said they would do something while it wasn’t clear I would do anything. Looking back, I realize that part of why I failed on that occasion was my own introverted personality. I wasn’t comfortable speaking to groups, so I didn’t say everything that was on my mind. More to the point, I learned to cope with the loss and move on. I didn’t get bitter. I didn’t say the other kid cheated. I knew I’d lost fair and square and I learned what I would need to do should I ever choose to run for a real elected position.

Losing is a powerful, albeit painful teacher. Whether one loses an election, a sporting event, or a competition of any sort, you can learn from the experience and do better. In fact, it’s such a great teacher that I’m hesitant to trust anyone who tries to tell me they never lost and that they succeed at absolutely everything they ever attempted. What’s more, the older they get without losing, the more I worry because I know the first real loss they face will be all the more difficult.

In the 1990s, I started reading through A. Bertram Chandler’s space opera series about John Grimes. Growing up as a Star Trek fan, I really enjoyed these books. John Grimes was a character much like Captain Kirk. As I read, I came to the novel The Big Black Mark, which is a novel about Grimes screwing up big time. He actually gets booted out of the service and has to find a new career. At that point, Grimes suddenly became a much more interesting character to me than Captain Kirk and it was precisely because he lost and had to learn from his mistakes and become better. Don’t get me wrong, I’m still a Star Trek fan, but I find Grimes’s journey a bit more interesting.

I took this to heart when I wrote my Space Pirates’ Legacy series. The Pirates of Sufiro is about Ellison Firebrandt coping with losing his life of being a successful pirate. In the next book, Children of the Old Stars, his grandson makes a blunder when attempting to communicate with an alien race invading the galaxy and must start his quest all over again outside the military. I wrote these books when I was young and I hadn’t experienced as many losses as I have at this point in my life. One reason I’m revising them for new editions is that I’m better able to tap into the emotions that go with loss and moving on in new ways.

In the end, losing an election or a competition doesn’t make you a “loser.” It’s how you cope with the loss that demonstrates your true nature. I hope you’ll join Ellison Firebrandt and John Mark Ellis on their journey’s of loss and redemption. You can learn more about the Space Pirates’ Legacy series by visiting: http://davidleesummers.com/books.html#pirate_legacy

Children of the Old Stars 3rd Edition Cover Reveal

I have been working on the third edition of my novel Children of the Old Stars. The novel first appeared in a self-published edition in 2000. I created the first cover in Adobe Photoshop using a photo of a globular cluster and a model of the Cluster, the enigmatic machine-like intelligence that invades our galaxy in the Space Pirates’ Legacy novels. The novel was acquired by LBF Books in 2005 and Laura Givens created a much more professional looking cover. Given that the Space Pirates’ Legacy novels tell the story of pirate captain Ellison Firebrandt and his descendants, I had the idea that The Pirates of Sufiro should feature Ellison Firebrandt, Children of the Old Stars should feature his daughter Suki Ellis, and finally Heirs of the New Earth should feature Firebrandt’s grandson, Mark Ellis. So, Laura’s cover show’s Suki trying on the moon Titan trying to find out what the leaders of the galaxy know about the Cluster. The Cluster itself looms over the dome in the background.

The back cover of the novel reads as follows:

“An implacable alien intelligence called the Cluster has arrived in the galaxy and dissects almost every star ship it encounters. Grandson of an infamous space pirate, Commander John Mark Ellis is disgraced and booted out of the space service when he fails to save a merchant ship from the Cluster. Even so, Ellis believes he holds the key to communicating with the invader. His mother, Suki Firebrandt Ellis, is a historian who believes the galaxy’s leaders are withholding information about the Cluster. Clyde McClintlock believes the Cluster is God incarnate and provides the path to salvation. G’Liat is an alien warrior whose own star ship was destroyed by the Cluster. All together, they set out to stop the Cluster’s reign of destruction.”

In the novel, John Mark Ellis, Clyde McClintlock, and G’Liat find employment aboard a stellar mapping vessel called the Nicholas Sanson as part of their search for the Cluster. Laura’s new cover depicts Ellis and McClintlock on the Sanson along with Kirsten Smart, the ship’s corporate officer. They’re pondering a hologram of the Cluster. I think this new cover gives more a sense of colorful characters on a quest, which is what the book delivers.

Children of the Old Stars – 2021 Edition

I’m in the process of revising the novel for its new edition. I’m presenting each chapter as it appeared in the 2006 edition and discussing elements I thought worked along with ones I thought could use rethinking, then I’m giving patrons a first look at the revised chapters as I work my way through the novel. Patrons can also go back to older posts and download copies of other novels from my catalog. If you care to join John Mark Ellis and the crew of the Sanson on their journey, sign up at http://www.patreon.com/davidleesummers

Is It Worthwhile to Create New Editions?

This question has come up a couple of times in recent weeks, so I thought it worthwhile to address the reasons I decided to revise some of my novels for new editions and the way I’m going about it. In May 2017, the publishing rights to my space opera novels—The Solar Sea, The Pirates of Sufiro, Children of the Old Stars, and Heirs of the New Earth—reverted to me and I faced the decision about whether or not to republish them as they originally appeared, or update the novels and publish them in new editions. The Pirates of Sufiro was my first novel, originally published in paperback in 1995. Children of the Old Stars followed in 2000. The Solar Sea was the final novel of this set. It was published in 2005 and was a prequel to the other three.

The Old Star/New Earth Series in 2017

In the ten years between 1995 and 2005, I made a lot of progress in finding my “voice” and honing my writing style. In 1995, I hadn’t yet taken Stephen King’s adage “the road to hell is paved with adverbs” to heart. I wasn’t using the strongest verbs and I had a tendency to add in unnecessary hedging or distancing words. Also, while some readers seemed to honestly enjoy these novels, I noticed a few common themes cropping up in reader reviews in places like Amazon and Goodreads, where the novels hadn’t quite lived up to reader expectations. What I realized about those reviews as time passed was those points were, for the most part, fixable. They came about because I rushed certain scenes or didn’t describe things fully. Sometimes emotions weren’t quite genuine or characters didn’t seem quite fully formed. What’s more, the worst issues were in the earlier books, which is a great way to keep people from continuing on to the later, better books. It seemed important to bring the entire series up to a consistent level.

So that’s why I thought of this as a worthwhile exercise.

Executing the edits is a multi-stage process. The first part involves re-reading each chapter with both my own critical eyes and with reader reviews in mind. I start by making some notes on the manuscript as a whole and then I go through chapter-by-chapter. Followers of my Patreon page are familiar with my posts that include an original version of a chapter headed by my notes and impression of the chapter. I then make a first pass and revise the chapter according to my notes. In my second pass, I follow the guidelines recommended in Ken Rand’s book, The Ten-Percent Solution. The book presents a method of looking for common problem words and evaluating whether you can make the sentence they’re in clearer by tightening the language. Finally, I read the chapter aloud, doing my best to keep my critical mind engaged. “Would people really say that?” “Does it make sense that a character took a particular action?” “Is it clear why something happened when it did?” Finally, I pass it to my wife for one more round of proofreading. At this point, I post the updated chapter to Patreon.

But wait, there’s more! Once I get the whole book done, I read the whole book one more time to make sure everything still holds together and that I didn’t miss something between one chapter and the next. I’ve even started using text-to-speech as yet another tool. This allows the computer to read the book to me, which has helped me catch errors I’d miss other ways.

So, is this a worthwhile exercise or should I have spent my time writing something new instead? At a personal level, it has been worthwhile. I feel like each book is significantly improved. I’ll have a better sense whether this was lucrative after I finish both Children of the Old Stars and Heirs of the New Earth. If most people who read Firebrandt’s Legacy and The Pirates of Sufiro are sufficiently intrigued to keep following the series, then this experiment will have been an unqualified success. If you want to join me as I continue this experiment and see how it turns out, sign up over at https://www.patreon.com/davidleesummers. There you can see me put these steps into practice and get some fun reading the books along the way.

Children of the Old Stars Revisited

This has been a busy year releasing new editions of my novels. Just as I was wrapping up work on the rewrite of The Pirates of Sufiro, which I started in late 2018, the contracts for three other novels came to term and the publishing rights to those novels reverted to me. As summer 2020 approaches its end, I’m pleased that new editions of all four novels are now available and it’s now time to look ahead and see what new projects I will tackle. I’ve been giving particular thought to what I would share with my Patreon subscribers for the next few months. Now, as I’ve been wrapping up these most recent projects, a couple of new opportunities have arisen and I am working on two new projects. Unfortunately I’m not at liberty to speak about them in detail or share them with my Patreon subscribers until they’re closer to completion.

Children of the Old Stars 2001 edition.

As I say in my Patreon introduction video, a primary focus of the site is to fund new editions of my Space Pirates’ Legacy novels. Because of that objective and because a chunk of my time will be going into new projects I can’t speak about yet, I’ve decided to continue the deep dive through the series and start working on book three, Children of the Old Stars. In The Pirates of Sufiro, we met the Cluster. The Cluster is a vast alien machine that destroys starships indiscriminately in its quest for something or someone. As Children of the Old Stars commences, Commander John Mark Ellis is booted out of the service when he fails to save a merchant ship. He believes the key to stopping the Cluster is communication. His mother, Suki Firebrandt Ellis, is a historian who believes the very leaders of the galaxy are withholding information about the Cluster. One of Ellis’s antagonists from The Pirates of Sufiro, Clyde McClintlock, believes the Cluster is God incarnate, seeking retribution. G’Liat is an alien warrior whose own starship was destroyed by the Cluster. All together, they set out to solve the mystery of the Cluster before it finds the object of its quest.

As with The Pirates of Sufiro, I’ll post a chapter of Children of the Old Stars one week along with my thoughts about it. My goal will be to post the revised chapter a week later. How well I meet that goal will depend on the other projects I’m working on as well as my evolving work situation at Kitt Peak National Observatory. That noted, I will make every effort to complete at least one chapter per month. If you want to be along for the ride, be sure to sign up as a patron at: https://www.patreon.com/davidleesummers. If you do, you’ll not only get to see updated chapters of Children of the Old Stars as they’re posted, you’ll be among the first to get a peek at the secret projects when I can share.

As a reminder, supporting me at Patreon also helps to support this blog so I can continue to give you an ad-free experience.

Now, you may wonder what other projects I’ve been considering, especially since they may be back in the running after I finish my secret projects. One is a sequel to The Astronomer’s Crypt. I have a synopsis written and have given the project quite a bit of thought. There are also a handful of vocal supporters for this project. I’ve also been considering a third book in the Scarlet Order Vampire series. Now there are many vocal people who will tell me that vampires are yesterday’s genre. However, I can’t ignore that in the three weeks since I released Vampires of the Scarlet Order, it has significantly outsold every other book I’ve released this year. It’s not a statistic I can ignore, especially if it turns into an ongoing trend.

Stand Alone or Series

When people first learn about my books, one of the first questions they ask me is whether they’re stand-alone novels or part of a series. In fact, most of my books are part of series because I think it’s fun to continue to explore the consequences of the actions a group of characters take across several volumes. That said, I also believe that each book in a series should stand on its own. In other words, if a reader has never encountered a book in the series before, they should be able to jump in at any point in the series and not be lost. Moreover, when they reach the end of the book, they should feel they’ve had a satisfactory journey without having to buy another book. I want them to buy the next book because they like the characters, not necessarily because I left them with a cliffhanger.

In my Clockwork Legion steampunk novels, I achieved that by introducing an alien traveler called Legion who has the good intention of wanting to keep humans from destroying each other by meddling in human affairs. Legion starts by encouraging the Russian Empire to “unify” Earth by taking over the North American continent. That story became Owl Dance and the story is essentially resolved in the book. In Lightning Wolves we explore consequences of the war. The Arizona desert becomes an even more lawless frontier than it was before and miners go head to head with cattle rustlers. Meanwhile, we find the Russian invasion is still happening in California. Again, those events are resolved. In the third book, The Brazen Shark, we see the Japanese worried about powerful Russian neighbors and what happens when a samurai force steals a Russian airship for their own political aims. The fourth book, Owl Riders, returns to Arizona and the consequences of leaving a mining machine in the hands of the Apaches.

My hope is each book can be read on its own, but you get a little more out of the story if you read the whole thing. One of the ways I know whether or not I succeeded is by handing a later book to a new reader and asking them whether they were able to follow along or if there were points that lost them. Of course, you can learn more about the Clockwork Legion series at: http://www.zianet.com/dsummers/books.html#clockwork_legion.

Right now, my writing focus is on my Space Pirates’ Legacy series. The first book, Firebrandt’s Legacy, is very much a standalone story telling the adventures of Captain Ellison Firebrandt and his band of swashbuckling space pirates. I’m working on rewriting the second book of the series, The Pirates of Sufiro. It tells how Firebrandt influenced his children and grandchildren’s generation to become heroes. The third book, Children of the Old Stars, is about Firebrandt’s grandson, John Mark Ellis, who goes on a quest to understand an set of beings called the Cluster who destroy starships for no reason people can understand. In the final book, Heirs of the New Earth, those ships have taken over Earth and the galaxy is about to be changed forever.

I’m working as hard as I am to make The Pirates of Sufiro the best book I can because I don’t want people who start with Firebrandt’s Legacy to lose interest and stop. That said, I think a reader could jump into Children of the Old Stars or Heirs of the New Earth and understand what what’s happened without reading the earlier novels. In fact, I just had a lot of fun reading those two novels again. It’s not uncommon for me to pick up a book I wrote a few years before and cringe at some of my word choices or directions I sent my characters, but for the most part, I thought these books still held up. Of course, you can leap into this series right at the beginning by picking up Firebrandt’s Legacy at: http://hadrosaur.com/FirebrandtsLegacy.php. If you want to leap ahead and see how well Heirs of the New Earth stands on its own, I have a few copies of the first edition available at half off the cover price at: http://hadrosaur.com/HeirsNewEarth.php. I hope you’ll join Firebrandt and his heirs for their exciting adventure.