The Astronomer’s Crypt Available in Paperback

I am pleased to announce that my novel of ghouls, ghosts, and gangsters colliding on a dark and stormy night at an astronomical observatory with only scientists and engineers to stop them is now available in paperback as well as ebook.

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As it turns out, 2017 marks the tenth anniversary of the release of Amazon’s Kindle e-reader. Sony’s Libre e-reader was released four years before that. Since that time, various apps have allowed people to read books on their favorite mobile devices whether phone or tablet. In that time, the media that reports on the publishing industry has regularly reported on the “war” between e-publishing and print publishing.

I’ve always considered this notion of a “war” between the two formats to be ridiculous. E-books are just another way for books to be available to readers. In fact, from my perspective as a reader, I like having both formats available. Which format I buy depends on a number of factors ranging from how unwieldy the print edition is, whether I’ll be reading while traveling, whether I might meet the author and want the book signed, and yes, price can be a factor in my decision as well.

In my experience as an author, publisher, and book vendor, I’ve found having both paperback and ebook editions are critical to a book’s success. In fact, even for those titles where ebooks outsell paper editions, I find displaying paper editions at conventions will encourage sales of the ebook editions. This hardly seems like a war to me, but a strong alliance!

Because of that, I’m pleased that my publisher is able to make the book available in a number of ebook formats as well as paperback, but do remember, in whichever version you buy, my publisher has the following disclaimer:

    If you scare easily, don’t read this book.
    If you dare to read it, you’ve been warned.

    Two years ago on a stormy night, in the dead of winter, Mike Teter experienced something that would change his life forever. Mike was a telescope operator at the world renowned Carson Peak Observatory in New Mexico. We won’t tell you what he saw that night on the mountain nor what happened afterward on a dark stretch of highway, because it would haunt you just as it has haunted Mike. But what we will tell you is that Mike is back at Carson Peak. And what he witnessed that night two years ago is about to become a reality…

The paperback edition is available at:

The ebook edition is available at:

Rowing the Galley

This last week, I made a first pass reviewing the so-called galley proofs of my novel, The Astronomer’s Crypt. I say “so-called” because it’s kind of an old-fashioned term and they’re not really “proofs” yet, since they’re still in a word processing format. This is my publisher’s term. I would call this more a pre-format review. Still, this has allowed me and my editor to make some of those last-minute tweaks, which I hope will make the book just right.

Crypt Galleys

The term “galley proof” goes back to the days of actually setting metal type in trays, which were called galleys. I’m guessing this was because they’re longer than they are wide and have raised edges, so at a glance they resemble flat-bottomed boats. The “galley proof” was the first print done with the type blocks set into the galley so an editor and writer could check that the type was set correctly. Of course, in those days, correcting type wasn’t trivial, so changes were limited to very small scale changes at the galley stage—correcting spelling or simple punctuation—nothing that would significantly affect the flow of the document because otherwise, you’d have to reset all the type on every page after the correction.

As you can see in the photo above, the digital world allows more significant changes at this stage. Things highlighted blue are some of my editor’s most recent changes, while I’m highlighting my changes in yellow.

To add ambience to this week’s activities, I was at work for a few days. This is monsoon season in Southern Arizona, which means storm clouds hug the mountaintop where the observatory I work at is located, preventing us from getting much science done as shown in the photo below.

Mountain Storm

Because of the weather conditions, I was able to get some work done on the galleys while at the observatory. As it turns out, much of the action of The Astronomer’s Crypt is set during a stormy night at an observatory. To make matters worse, my observer at the 4-meter was remote, meaning she wasn’t in the building. I only communicated with her via a Skype connection. So, I was all alone in a large building on a stormy night.

If that weren’t bad enough, there’s been quite a bit of construction going on in the building, so doors are propped open that aren’t normally and there are stacks of supplies and equipment where you wouldn’t normally find them. Sometimes I’d go down the elevator and I’d swear I’d see feet through the bottom of the elevator door as I passed a level, even though I knew I was alone in the building. I’d step out of the elevator and swear I saw a person standing beside me, only to find it was a stack of insulation. It perhaps kept me just a little too much in the spirit of my horror novel!

This week, I’m giving the book one more pass. I’m actually aiming to read a little more quickly to make sure there aren’t any large-scale continuity problems and to look for a couple of things that are nagging me even after I finished the book. After all, I want to make sure this version is just right when I send it back to my editor. Fortunately, I’m at home this week, so all the scares should come from the page alone, and not from the environment where I’m doing the work!