Return to Penny Dreadful

In my post looking at the vampires who appeared in the first season of Showtime’s Penny Dreadful, I mentioned that I had started the second season. I’ve finished the season, which overall, I enjoyed more than the first.

Our heroes, Vanessa Ives, Ethan Chandler, Sir Malcolm Murray, Sembene, and Dr. Victor Frankenstein, are all back. This time our villains prove not to be vampires but a coven of witches. What’s more, these witches, called nightcomers in the Penny Dreadful mythos, are servants of Lucifer with superhuman powers. In this season, Brona Croft is reincarnated by Dr. Frankenstein as Lily Frankenstein, meant as the monster’s bride but possessing a mind of her own. One of my favorite characters this season was Egyptologist Ferdinand Lyle played by Sir Simon Russel Beale who was introduced in season 1 but had a nice character arc in season 2.

Reeve Carney is back this season as Dorian Grey. Mostly his story takes place in the background of season 2’s main action, but it looks like they set him up to take a bigger role in the third season. We’ll have to see what happens with that story.

Although Penny Dreadful’s second season still features many characters from classic literature, they seem freed from their origins to tell their own story this season. In many ways this season felt more like a nineteenth century penny dreadful come to life. Although the series does have better writing than a real life penny dreadful like say, Varney the Vampyre, there were moments it did make baffling turns. Some of the characters’ choices seemed more designed to serve plot than make sense for what people would do when faced with these real situations. Why, for example, do the characters often go to battle the monsters at night when its known that’s when the monsters are strongest?

Despite that, there are a lot of clever plot turns and some good character moments in this season. We learn more about Sir Malcolm Murray and his relationship with his estranged wife. We also learn more about Ethan Chandler. Danny Sapani’s Sembene actually gets stuff to do. For me the standout was Billy Piper’s Lily Frankenstein. Her arc takes her from apparently lost waif betrothed to Frankenstein’s monster to woman in control of her destiny.

I’ve been watching Penny Dreadful while working on new editions of my horror novels, Dragon’s Fall, Vampires of the Scarlet Order and The Astronomer’s Crypt. One of the things I’ve enjoyed about Penny Dreadful is that it doesn’t feel too bound by linear storytelling. One episode I thought was interesting in the current season involved Vanessa recounting how she was mentored by a witch. The episode didn’t bother to pop back into the present day, it just had a simple prologue of Vanessa starting her story, then the rest of the story just happened in the series’ past.

This approach reinforced a decision I’ve made for the new edition of Vampires of the Scarlet Order. The original edition was told in very linear order. Events that happened in 1491 happened first. Events that happened in the sixteenth century happened next. That noted, the story’s main conflict actually happens in the present day. So, I’ve decided the new edition will start in the present day and the chapters set in the past will be told when it’s natural for characters in the story to tell them. You can get a sneak peak at the new first chapter at: http://davidleesummers.com/VSO-Preview.html

Of course, the buy links still point to the original novel as released in 2008, but that will change soon after the rights revert to me next month.

Facing Monsters

This week, many of us will be visited by an assortment of monsters coming to our doors to politely ask for treats. It’s likely we’ll see zombies, vampires, assorted creations of Dr. Frankenstein, and perhaps even some scary clowns. Many of us will also watch scary movies featuring these same monsters, or settle into a comfy chair to read a spooky book.

So, why exactly do these monsters hold sufficient power over us that we still devote an unofficial holiday to them? I think it’s safe to say most of us don’t believe we’re hiding from evil spirits by dressing up. Most of us have access to food and housing and despite the fears many politicians would like to instill in us with help from the media, we are, on the whole, pretty safe.

I came across a fascinating article at PBS.org that addresses the question of why we fear monsters by Leo Braudy. If you want to read it, you can find it at: https://www.pbs.org/newshour/nation/column-well-always-obsess-fear-monsters

In the article, Braudy suggests that societal changes over the last couple of centuries have given rise to five monstrous archetypes. I’ve had some fun thinking about how the monsters from my novels might fit into these groups. The titles are links and you can click on them to learn more about the books.

The monster from nature represents forces humans think they’ve harnessed but haven’t. The monster I’ve written that fits that best would be “He Who Kills With His Eyes” from The Astronomer’s Crypt. He’s an ancient Native American elemental spirit released from his prison on the story’s hapless observatory and is very much kin to monsters like Godzilla or the shark from Jaws.

The created monster represents our own creations turning against us. The super soldier vampires of Vampires of the Scarlet Order represent this danger. Scientists use nanites to create these monsters who represent a danger not only to humanity but to parallel worlds.

The monster from the past represents a creature from our pagan past who challenges our Judeo-Christian beliefs. Braudy suggests Dracula is an example of this. My Scarlet Order vampires from Dragon’s Fall: Rise of the Scarlet Order do have elements of this in that they have great strength and immortality without recourse to a deity. The ghosts in The Astronomer’s Crypt might be better examples of this in that they haven’t moved on to heaven or hell and they gain strength from the release of dark forces.

The monster from within represents our own repressed, dark psychology. The duality of Dr. Jeckyll and Mr. Hyde is a classic example, but I think my Scarlet Order vampires are good examples of this as well, especially in Dragon’s Fall: Rise of the Scarlet Order where Alexandra and Draco must face the monsters they’ve become in becoming vampires.

The monster hoard which is the mindless, intractable collection of monsters such as zombies. For this, I’m actually going to turn to my steampunk works. The hive mind Legion and those humans Legion controls and connects in Owl Dance have certain zombie-like properties. At the very least, they represent giving oneself over to the collective like the Star Trek’s Borg.

So, what’s your favorite monster? Which of these archetypes does it fall into, or does it defy classification?

Hope you have a happy and safe Halloween and the only monsters you face are fictional ones.