While waiting for this Thursday’s premier of Star Trek: Strange New Worlds, I decided to spend some time with one of the novels featuring Captain Christopher Pike and the crew of the Starship Enterprise in the days before Captain James T. Kirk. Soon after I had watched the second season of Star Trek: Discovery season 2, which introduced Anson Mount as Captain Pike, Rebecca Romijn as Number One, and Ethan Peck as Spock, I dived in and read D.C. Fontana’s novel Vulcan’s Glory which is also set in this era along with reprints of Marvel Comics’ great series Star Trek: The Early Voyages. As you might imagine, Fontana’s novel focused on Spock and I picked her novel since she was so involved in Star Trek’s development and the development of Vulcan culture. I wasn’t disappointed and was treated to an enjoyable look at Spock’s early years aboard the Enterprise. For my recent read, I chose Burning Dreams by Margaret Wander Bonanno which focused on Captain Pike.
Burning Dreams was released in 2006 as part of Star Trek’s 40th anniversary celebration and it’s a sweeping novel that covers much of Captain Pike’s life and career. In the two-part original series episode, “The Menagerie,” we learn Captain Pike was grievously wounded saving cadets during a training voyage. He becomes a quadriplegic who can no longer speak. Spock takes him to the planet Talos IV. The inhabitants there have phenomenal powers of illusion and can create an environment where Pike’s active mind can express itself. What’s more he has a companion, the survivor of an earlier crash named Vina, who was also seriously wounded and relies on illusion for a happier life than she would have in human society.
The novel opens in the 24th century. Several decades have passed since Captain Pike was left on Talos IV. Spock is an ambassador and he’s summoned to Talos IV. He remembers leaving the captain on the planet. We then shift to Pike’s point of view where he meets Vina again and begins telling his life story. We learn that Captain Pike’s family terraformed worlds for the Federation and we learn how he developed his love of horses. Once Pike is grown, we follow him on a transformative mission where he served as first officer under a hawkish Starfleet captain. Then we follow one of his adventures aboard the Enterprise. The novel tells us that Pike commanded the Enterprise for two separate five-year missions. The novel ends with Ambassador Spock reaching Talos IV, where he learns Captain Pike has died. Despite that sad, but expected news, we are treated to the kind hopeful ending the best Star Trek episodes excelled at.
Around the early 1980s, Gene Roddenberry and a few people in his inner circle went to some effort to define Star Trek’s “canon.” By that point, Paramount Studios had granted licenses to create tie-in media such as books and comics. Understandably, with an eye on the series’ future development, Roddenberry wanted to define the official continuity of the series and no one monitored the continuity of that tie-in media. That said, this process was taken to extremes. Whole series and movies were declared not part of the canon and I’ve seen fans get into intense arguments over what is and isn’t canonical Star Trek.
I’ve seen indications that the current Star Trek production team has a friendlier approach to the tie-in media and I’ve heard murmurings that they have tried to find ways to work in certain elements from the tie-in media that play well with the established continuity, but don’t over-constrain the current writing teams. Enough details about Star Trek: Strange New Worlds have appeared in the media to make it apparent that its story differs in some details from those presented by Margaret Wander Bonanno in her novel. Still, there are a few tantalizing hints that the series and novel may dovetail in some interesting ways.
In a world like Star Trek where they’ve established that multiple universes exist and they’ve even created new canonical universes through time travel stories, I find it hard to get too worked up about what is and isn’t part of the canon. I was glad to meet Margaret Wander Bonanno’s version of Captain Pike. It delighted me that she used aspects established in D.C. Fontana’s Vulcan’s Glory and the Marvel comic series. I would love it if elements from Burning Dreams appeared in the new TV series. If they don’t, I’m still glad to have spent some time with this novel’s version of Captain Pike. All I ask is that TV series tell a similarly compelling story.