Guinevere and the Stranger Now Available

Print copies of the comic Guinevere and the Stranger are now available to order. I wrote the comic, Michael Ellis illustrated it, and Bram Meehan lettered it. The comic adapts one of the standalone interlude chapters from my novel Dragon’s Fall: Rise of the Scarlet Order Vampires. As I’ve mentioned in earlier posts, I often present these when I’m asked to give a short reading because they are not only short, but satisfying, complete tales. This comic tells a story of Queen Guinevere after the battle of Camlan. She’s now a nun in a convent and some kind of monster is killing her fellow sisters. As the former Queen of the Britons, she’s not going to stand by while innocents die. Believing it to be a wild beast, she goes on a hunt and is surprised to discover not a beast, but a vicious, beast-like man.

I’ve long wanted to try my hand at scripting a comic book. It’s a medium I enjoy greatly as a reader. I’ve also enjoyed collaborating with other artists on projects, and comic books are very much a collaborative art form. What’s more, I enjoy minimalist writing, such as short poems or flash fiction. If anything, comics are writing stripped to its bare essentials. In the process of writing the comic book, I learned that there is a little more involved than just the words people speak or that appear in captions on the finished page. I learned you have to give the artist fairly detailed descriptions of what you imagine. I did my best with this and I also gave the artist the original chapter as a reference. I also sent him links to some of the web pages I used as research when writing the story, so he could see images of the real places as they are today and as historians have reconstructed them.

As the artwork came in, I took a lot of delight in seeing the emotion that Michael brought to the characters. I loved seeing the expressions on their faces as they delivered the lines and I thought he did an amazing job of showing what I hoped to convey. I also gained a solid appreciation of the letterer’s art. It may seem simple to put words in balloons, but they need to flow so that readers can follow the dialogue. Bram also added touches to help convey emotion through the lettering, showing hopelessness at one point by reducing the font size. Not only did Bram create the lettering in the word balloons, he laid out the cover, the credits page, and an ad in the back which pointed people to the novel. He also made sure I had the book delivered in a format ready for the printer, which made for a completely trouble-free printing experience. He also formatted the comic for digital presentation and I’m excited to announce it will be available tomorrow, June 23 from Comixology.

Troy Stegner of Zia Comics in Las Cruces has reviewed the comic and shows off some of the interior pages.

You can grab a print copy of Guinevere and the Stranger exclusively at https://hadrosaur.com/GuinevereStranger.php

If you’d like it signed, just go to the contact page at hadrosaur.com after you place your order, drop me a note, and let me know who you would like the book signed to.

The digital edition will also be linked to the Hadrosaur Productions page when it goes live tomorrow.

Update 6/23/2021: The digital edition is now available! You can grab it at https://www.comixology.com/Tales-of-the-Scarlet-Order-Vampires/digital-comic/948321

Guinevere and the Stranger Cover Reveal

Back in March, I teased the comic Guinevere and the Stranger that I had been working on in collaboration with artist Michael Ellis. The project is now far enough along that I can give a few more details about the release. The first people who will get to read the comic in its entirety are my Patreon supporters. I plan to present the pages of the comic over a two-week span in June, essentially sharing a page per day after I’ve finished sharing the work I’m doing on the twentieth anniversary edition of my novel Children of the Old Stars. If you want to be one of the first people to read the comic, be sure to sign up for my Patreon at https://patreon.com/davidleesummers by June 1. You don’t have to wait to see the cover, though. I’ll share that today. The cover features art by Michael Ellis. The layout is by Bram Meehan who was responsible for lettering the interior.

Guinevere and the Stranger Cover.

Inside the front cover, I set up the story. It reads: “In the sixth century, the vampire Desmond persuaded King Arthur to seek the lost Book of Jesus and the Holy Grail. While Arthur’s knights sought these artifacts, the king’s son began a campaign to usurp the throne. It’s said Guinevere went to a convent after King Arthur’s final battle. What happened to her has long been a mystery. At last, this book tells a lost tale from Queen Guinevere’s final years.” As you can see, Dragon’s Fall elaborates on Arthurian legend. I first started delving into the early tales of Arthur in college. Of course, my Scarlet Order vampires are mercenaries involved with the highest level of government, so there was never any doubt that some of them would have known King Arthur. The involvement with the grail legend came from the realization that vampires would no doubt find an artifact so connected with the “blood of Christ” and forgiveness irresistible.

As I mentioned before, this is a retelling of a chapter from my novel Dragon’s Fall: Rise of the Scarlet Order Vampires. I had several goals for this project when I started. First and foremost, I’m a longtime fan of the comic book medium and I’ve long wanted to try my hand at scripting a comic. I have sat in on some online courses and some panels given by the group 7000 BC, based in Albuquerque and had learned some of the basics, but realized the only way I would learn more about the process would be to actually dive in, write a script, and hire someone to illustrate it.

When I set out to create this comic, I thought it would be something I would share here at my blog as a fun way to introduce new readers to my novel. In effect, it would serve as a comic book “trailer” for the novel. If I liked how it turned out, I thought I might print some copies to give away at conventions.

What lurks outside?

The thing is, much as I enjoyed the work at Michael’s online portfolio, it really didn’t prepare me for how well he could capture the images I had in my head. As I saw the quality of the work he delivered, I realized it deserved better distribution than I had originally planned. In fact, if you go over to his page, you’ll see several of the pages from Guinevere and the Stranger without dialogue. What’s more, I realized I didn’t want this one 8-page experiment to be the end of our collaboration. Dragon’s Fall contains four short self-contained stories like Guinevere and the Stranger. each one is a brief look into the lives of the Scarlet Order vampires providing insight into who they are. What’s more, I’ve written numerous vignettes about the Scarlet Order vampires. If I can raise sufficient funds to keep paying Michael and Bram what they deserve for their work, I’d love to create more of these books.

As a first step toward this goal, I’m releasing the comic as an exclusive for those people who are signed up for my Patreon. Supporting me there will not only give you a first look at this comic, but you’ll help support the artists I’m collaborating with. After the comic is released on Patreon, a print edition will be released that I will sell at conventions and at hadrosaur.com. Look for that to appear by the middle of June. I’ll likely approach some of my friends in retail about carrying this as well. The print edition will give you the opportunity to hold a copy of the comic in your hand. Finally, I have taken the time to learn how to submit the comic to the Comixology platform for distribution, which I’ve discussed in other comic book reviews. Presuming they accept the book, I’ll share when it’s available there. Out of necessity, the print edition will be the most expensive and most of the income will go to printing costs. Likewise, much as I like Comixology, they will take a large cut of the sales. For now, supporting me on Patreon will be the least expensive way for readers to support this project, but also the way that allows most of the funds to actually go to the artists who created it. Click on the button below to go to my site and sign up.

Sneak Peek: Guinevere and the Stranger

Dragon’s Fall

I’ve been a fan of comics as long as I can remember and I’ve long wanted to try my hand at scripting a comic book. Over the years, I’ve also had artists say they thought many of my stories would make good comics. The question has always been, what should I try to adapt?

Dragon’s Fall: Rise of the Scarlet Order Vampires has four “interludes” between the novel’s main sections. These are, essentially, little self-contained short stories that give added insight into the novel’s characters. Often when I’m asked to read from the novel, I’ll pick one of the interludes because they’re short, pack a punch, and are self-contained. It occurred to me that one of these might make a great short comic.

So, I adapted the interlude “Guinevere and the Stranger” into a comic script, and showed it to my friend Bram Meehan, an indie comic creator I’ve long admired. Also, I figure if you’re going to work on a vampire comic, you can’t go wrong talking to guy named Bram! He gave me some pointers to improve my script and introduced me to an Albuquerque artist named Michael Ellis. Michael enjoyed the script and he’s now drawing the comic. It’s been exciting to see his pages come in. He’s been doing some great work and I can’t wait to share the finished product with you. The pictures in the slideshow below are some of his preliminary sketches of Guinevere, the mysterious stranger, and Roquelaure, one of the main characters of Dragon’s Fall.

Arthurian legend features heavily in Dragon’s Fall, and Guinevere plays a pivotal role in the story. In many versions of the King Arthur story, Queen Guinevere’s story ends with her going to a convent. In some versions, she seeks refuge from Mordred. In others, she does this as penance for her infidelity with Lancelot. Still, it’s rare for us to know much about Guinevere’s story after she entered the convent. “Guinevere and the Stranger” tells about an important incident from that period in Guinevere’s story that has a major impact on the rest of the novel.

I hope you’re excited for this comic. Once finished, I plan to print copies of the comic which I’ll sell through the Hadrosaur Productions online store and at conventions when those happen again. I’m also considering a Kickstarter to fund additional comic adaptations. If that happens, comics will be available as a Kickstarter perk. The comic will be available online as an exclusive Patreon subscriber benefit once it’s complete, so if you want get updates on this project and read the story right as its released, be sure to sign up at https://www.patreon.com/davidleesummers

Antoine Fuqua’s King Arthur

This past weekend I watched a movie that’s been on my “want to see” list since it came out in 2004, Antoine Fuqua’s King Arthur. It promised to deliver a more historically accurate vision of King Arthur than other films and I was pleasantly surprised to see that it more-or-less succeeded in a Hollywood action movie sort of way. The movie came to mind when I received my contributor copies of the anthology Camelot 13.

I’ve mentioned before that I’m a fan of Arthurian history and lore. On a subject where there are nearly 1500 years’ worth of lore and fiction, no one can create a new version without people bringing their own perceptions to the table and nitpicking this element or that. With that said and before I go too much further, I’ll note that the earliest documents on which the Arthur story is based essentially say that around 500 AD during the Roman occupation of Britain, a general led the Celtic tribes in a campaign against the Saxons and there was a big battle at Badon Hill. Arthur’s name doesn’t even appear in the history’s until almost 300 years after he supposedly lived.

In the film, Arthur is the son of a Roman general and a Celtic woman who rose to the rank of general himself. He leads an elite band of Roman conscripts stationed near Hadrian’s Wall. The Saxons are invading the island and Arthur is given the mission to go retrieve the son of a Roman consul favored by the Pope who lives north of the wall before the Saxons rampage over their villa. As the Saxons move in, the Celts, led by Merlin, form an alliance with Arthur. They fall back to Hadrian’s Wall where their version of Mt. Badon exists and have a climactic battle. In this version, Guinevere is a Celtic woman who is also a fighter. Without looking too closely at the details, all the elements fit interpretations of the history I’ve seen.

As it turns out, I cover some of these same events in my novel, Dragon’s Fall: Rise of the Scarlet Order. However in my version, Arthur is a Christian Celt with some Roman training. His knights are also Celts, including Lancelot, who in my version is from Brittany. Guinevere is a Roman noble. I actually wrote a version of the battle of Badon Hill for the novel, but left it “off camera” for the novel since none of the protagonists were there. What’s fun for me is that I think both versions of the story are valid interpretations of the history such as it’s known. Of course, in the novel, I end up introducing King Arthur to a vampire who wants to find the Holy Grail because he think the artifact will help him find redemption. If you want to go on this quest, you can learn more about Dragon’s Fall: Rise of the Scarlet Order at http://www.davidleesummers.com/dragons_fall.html

Of course, if you want even more far out explorations of Arthurian Legend, be sure to check out Camelot 13. Copies will be available at Amazon next month, but you can order a copy today at http://hadrosaur.com/collections.html#Camelot13

Celebrating the Spirit of Arthur and His Knights

Back on Memorial Day weekend, two anthologies containing my stories debuted. I’ve already told you about After Punk: Steam Powered Tales of the Afterlife published by eSpec Books and introduced at Balticon in Baltimore, Maryland. The other anthology is Camelot 13: Celebrating the Spirit of Arthur and His Knights published by Padwolf Publishing and also released at Balticon.

Camelot may be gone but the dream lives on. From King Arthur’s England to the modern world and beyond come 13 tales of the spirit of the Round Table. From noir cases to outer space, from a bionic mermaid to a vampire survivor of the Nazi holocaust, from spies to high school to romance, and even the Holy Grail and Excalibur, these tales put Camelot in places it has never been yet is sorely needed. Join us for these stories celebrating the spirit of Camelot!

In addition to my story, you’ll find tales by Michael A. Black & Dave Case, John G. Hartness, Hildy Silverman, Diane Raetz, Russ Colchamiro, Austin Camacho, Quintin Peterson, Patrick Thomas, D. C. Brod, Susanne Wolf & John L. French, Edward J. McFadden III, and Robert E. Waters. That beautiful cover is by Daniel R. Horne.

My story in the anthology is called “The Power in Unity” and it’s the first new story I’ve written set on the planet Sufiro since the publication of Heirs of the New Earth in 2007. The events of this story take place between the end of part 2 and the beginning of part 3 of The Pirates of Sufiro. In Pirates I mention an incident where the people of the Tejan continent attempt to capture people from the New Granadan continent to work in their mines. When the Tejans attempted to take the New Granadans by force, a lawman named Manuel Raton stopped them at a place named for the final battle of Arthurian legend, Camlan Pass. This is the story of how Camlan Pass got its name. The story of Manuel Raton and Mary Hill bears a striking resemblance to the story of Mordred and Arthur.

My tale was inspired by the tale of Mordred and Arthur as told in The History of the Kings of Britain written by Geoffrey of Monmouth. In that story, Mordred married Guinevere while Arthur journeyed across Europe. I hope you’ll pick up a copy of the anthology to see how I twisted this tale from the dark ages into one of interplanetary intrigue, mining rites, and strange aliens with tentacles.

If you weren’t lucky enough to pick up a copy of the book at Balticon, you can order copies from me at: http://www.hadrosaur.com/collections.html#Camelot13. If you’d like me to sign your copy, just drop me an email and let me know to whom I should sign it. You can find my contact information at: http://www.davidleesummers.com/bio.html