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Terrahawks, Volume 1

As I’ve mentioned in earlier posts, I have a long drive from my home to the observatory where I work. Because of that, I like to listen to audiobooks and audio plays while on the road. This past week, I downloaded and listened to Terrahawks Volume 1 available from Big Finish Productions and the Gerry Anderson Store. The production is directed by Gerry Anderson’s son, Jamie Anderson. I gather Terrahawks was shown in the United States, but it came out when I was starting university, so I never saw it at the time. So what is Terrahawks?

Gerry Anderson was a producer well known for producing memorable science fiction and adventure stories in the United Kingdom. Among his most famous shows were Thunderbirds, which ran from 1964-66 and followed the exploits of International Rescue, an agency equipped with advanced air, sea, and space craft that went to the aid of people in trouble. This was followed by the 1967-68 series Captain Scarlet and the Mysterons which imagined a top security organization charged with protecting Earth from space invaders. Both shows were produced for younger audiences and featured marionettes. Anderson would go on to produce live action shows in the 1970s like UFO and Space: 1999. Like Captain Scarlet, UFO also featured a security organization protecting the Earth from aliens.

In 1983, Gerry Anderson returned with a new television series. Like Captain Scarlet and the Mysterons and UFO, it would feature a secret organization protecting Earth from an alien menace. This show also marked a return to a show produced with a children’s audience in mind featuring puppets. This time, the puppets would be “glove” puppets rather than marionettes, but the show would still feature Gerry Anderson’s quality model work and special effects. The show was called Terrahawks. The aliens were led by a witch-like android named Zelda. She was accompanied by her sister, Cy-star, and her son, Yung-star, plus an assortment of colorful minions. They operated from a base on Mars.

The titular Terrahawks were Earth’s defense force, led by Dr. “Tiger” Ninestein. He was one of nine clones and if he ever died, one of the other clones could be brought in to replace him. His second-in-command was Captain Mary Falconer. Working with them were Lieutenants Hawkeye, Hiro, and Kate Kestrel. Kate also worked as a pop musician and her songs were featured in the show. The Terrahawks organization also has a force of spherical robots called Zeroids. Each of the Zeroids have their own unique personality such as the gruff but loveable Sergeant Major and his right-hand, the French-accented Dix Huit. When Terrahawks started, it seemed Gerry Anderson planned to give it the same kind of earnest, serious treatment as he did Captain Scarlet and UFO. However, budget constraints and the type of puppetry, which was new for Anderson, made it hard to take the show as seriously as its predecessors. Many creators would struggle to bring such a show into line with their vision, but Anderson seems to have rolled with it and allowed the show’s more absurdist and humorous elements to come to the fore. What made the show work were the fun scripts and brilliant voice acting. As such, the show translates very well to an audio-only format.

The Terrahawks Volume 1 audio was released in 2015. It contains eight 30 to 40-minute stories plus a making-of feature. The audio opens with “The Price is Right” in which a government inspector arrives to audit the Terrahawks after Zelda has gone on hiatus for several months. Working at the National Observatory in the United States, I’ve seen many of these kind of inspections and the humor was much appreciated. In “Deadly Departed,” it appears Zelda has finally been destroyed, but everyone is surprised to discover that Tiger Ninestein is named as her heir! The episode “101 Seed” was an episode written for the original series by Gerry Anderson, but never filmed.

“A Clone of My Own” was perhaps the most interesting story. Zelda begins killing off Tiger Ninestein’s clones. Lurking in the background is a serious look at the individuals who are Tiger Ninestein’s clones and the ethics of using them as backup models for the Terrahawks’ leader. Another really interesting idea was explored in Chris Dale’s “Timesplit.” In that one, Zelda’s minion Lord Tempo creates two versions of Lieutenant Hawkeye based based on the possible outcomes of an encounter. He would either escape or be captured. In this case, both happen.

Two of the funniest episodes are “Clubbed to Death” in which Zelda starts a payday loan scam on Earth and “No Laughing Matter” in which a comedian is sent to paralyze our heroes by making them laugh to the point that they can’t effectively defend the Earth.

Throughout the stories, the Zeroid robots infuriate the always-serious Dr. Ninestein. In the final story, “Into the Breach,” the good doctor creates a new type of Zeroid called a Cyberzoid that follows orders perfectly and it looks like the Zeroids will be shelved for good in favor of new robots that sound like fans of Arnold Schwarzenegger.

I enjoyed these audio stories a great deal. The story “Deadly Departed” is free to download at the Gerry Anderson Store or from Big Finish Productions if you would like to give the stories a try. Otherwise, you can find the full volume at the links below:

Aftershock and Awe

This has been a busy summer for my daughter. She had a remote NASA internship and took second semester physics as an intense six-week summer course. I did what I could to help with both of these areas, explaining things like orbital parameters for the internship and helping her understand physics problems. I know how intense these things are and some of what I did was simply not provide a distraction at inappropriate times by turning on the television. This caused me to turn to books and comics for more of my entertainment, which is not altogether a bad thing. In seeking things to read, I stumbled across a comic published in 2012 based on the TV series Space: 1999 called Aftershock and Awe, written by Andrew Gaska. Given my recent interest watching the show and listening to the audio re-imagining by Big Finish Productions, I thought this looked interesting. The only problem is that it had gone out of print around the time the COVID-19 pandemic began and appeared to be somewhat difficult to find. I did find some copies on eBay and most appeared to be available for a fair price, considering that it was a hardcover book. Still, I decided to ask some devoted fans whether this was worth the price.

On Facebook, there is a group devoted to a podcast hosted by Jamie Anderson, Richard James, and Chris Dale. Jamie is the son of Gerry and Sylvia Anderson, the producers of Space: 1999 and the podcast is devoted to the shows. If you enjoy shows like Thunderbird, Stingray, UFO, or Space: 1999, the podcast is well worth a listen. What’s more, the Facebook group is full of fans who genuinely enjoy these shows and have fun discussing them. So, I asked about the book there. I had some nice responses, including one from Chris Dale who said the book was worthwhile. I was surprised and delighted a few days later when they read my question on the podcast itself. Jamie Anderson indicated he was familiar with the book and liked it. The upshot of all of this is that I took the plunge and picked up a copy for my collection.

Showing off Aftershock and Awe while wearing my Space: 1999 shirt.

I’ve now had a chance to read the graphic novel and I agree, it was a good choice for my collection. The first half is a retelling of the show’s first episode, “Breakaway.” It features fabulous, classic Space: 1999 comic art by Gray Morrow along with new art and colors by Miki and dialog by Andrew Gaska. Like Big Finish’s version of “Breakaway,” it expands the story. It tells more about the backstory of Commander Gorski who leaves Moonbase Alpha at the beginning. It also suggests there is more to the moon leaving orbit rapidly than simply being propelled by a nuclear explosion. It’s not quite as satisfying as the explanation in the Big Finish audio, but it’s clearly heading in that direction and dovetails with it nicely. When I do have a chance to turn on the TV for a little while, I’m watching the second season of Space: 1999 and it was nice to see second season characters Tony Verdeschi and Shermeen Williams introduced right from the outset as minor characters. The opening title pages also give nods to both the first and second season credit sequences. Like many fans, I’m not as fond of the second season as the first, but the second season has grown on me and I think for the most part, it improved toward the end. So, it was nice to see this nod to continuity.

The second half of the book is set on Earth and sets up Space: 1999 as existing in an alternate history. As someone who has written various flavors of alternate history, I really like this approach. Featuring lovely painted illustrations by David Hueso, we find out what was happening on Earth to a group of people connected to those crewmembers on Moonbase Alpha who blasted out of orbit. Of course, the moon leaving Earth’s orbit suddenly would be catastrophic and such an event would set off numerous natural disasters. The apocalyptic events are highlighted by lines of poetry and quotes from the book of Revelation. The timing was interesting, since I’m about to embark on editing my 2007 novel, Heirs of the New Earth for a new edition, and I also highlight key elements with quotes from Revelation. The other aspect both the graphic novel and my novel share is that while they both imagine great disaster befalling the Earth, they’re both ultimately hopeful stories in that they imagine the human race persevering in the wake of the disaster. First edition copies of my novel are available for half off the cover price at: https://www.hadrosaur.com/HeirsNewEarth.php or you can support me at Patreon and support the work I’m doing on the new edition. My Patreon site is: https://www.patreon.com/davidleesummers.

I was sufficiently impressed with Aftershock and Awe that I’d recommend it to any Space: 1999 fan. There was a follow up, which also featured Gray Morrow’s art, but that book, To Everything that Was, is much rarer and much more expensive. As I understand, these books were on Comixology for a time. It would be great if a new distribution deal could be made and they could return to digital format, or a new print run ordered for more fans to discover these books.