Tips for a Successful Author Reading

On Friday, I had a great time giving a reading at Potions Lounge, a speakeasy bar on Bourbon Street in New Orleans managed by Marita Crandle, owner of Boutique du Vampyre. I love reading from my work and, in recent years, I almost always sell books as a result of my readings. Unfortunately, readings are not always well attended, especially at venues such as science fiction conventions. The reason is simply that many readings don’t prove to be memorable experiences and people skip them for other events. Below I present a few tips that have worked for me when giving readings.

Don’t read from the book

This may sound counterintuitive, but allow me to explain. Often at a reading, the first thing I see someone do is pull out a copy of their novel and start reading from it. It seems like a good idea because you’re reading the words as they were published and you’re showing off your book. The problem is that font sizes and bindings often mean you have to hold the book closer to your face than ideal. It also can be surprisingly easy to lose your place, especially if you look up to make eye contact with the audience.

I took a lesson from my days in choir. I print out my reading with a nice, easy to read font on one side of the paper and put it in a notebook. It allows me to hold the book further away, making it easier to look up from time to time and make eye contact. If you want to show off your cover on what you’re reading from, you can print out a nice copy and slip it into the plastic sleeve on the front of the binder. Better yet, bring your book and prop it up on a table while you read.

Go slow

When I’m nervous, I start talking faster. When I talk faster, I stumble over my words and my words become non-distinct. My mom’s family is originally from Texas and when I catch myself doing this during a reading, I summon my inner Texan and slow down. By this, I don’t mean that I drawl my words, but I take my time with each word and make sure I see and say each one in turn. It’s actually quite hard to go too slow during a reading.

Practice beforehand

I spend months and perhaps even years with a manuscript before it’s published. Therefore I must know it inside and out. Right? Maybe, but that doesn’t mean I can read it well. Again, taking a lesson from those choir days, it doesn’t matter how well you think you know a story, practicing always helps. A rehearsal session also allows you time to experiment with varying your voice for different characters. If it works, great. If it doesn’t, just work on making sure you learn to read their dialogue as naturally as possible. Some readings enforce time limits, especially if you’re reading during the same session as others. Practice helps assure that your reading will fit. Make sure you practice going slow!

Read a complete piece

I don’t necessarily mean that you should read a novel from cover to cover or even a complete chapter if your chapters are long. However, your reading should have a hook, some development, and some kind of satisfying conclusion. Let your audience feel as though they’ve had a complete storytelling experience.

Lagniappe

This is a term from Southern Louisiana and it means “a little something extra.” Always give your audience some kind of lagniappe. A baker might give you a thirteenth doughnut when you order a dozen. When I give a reading, I try to do something a little extra and fun. The photo above is from WesterCon in Phoenix where I showed a rough cut of the book trailer for The Astronomer’s Crypt during my reading. At Bubonicon, later that year, I read from my new anthology Kepler’s Cowboys and invited fellow contributor Gene Mederos to read with me. He showed off some of the artwork he’d created inspired by the stories. I’ve done Halloween readings where I give out candy. I even did a space pirate reading where we sung sea chanties. A lagniappe doesn’t have to be big. It doesn’t even have to cost you anything. What it should do is let the audience know they’re special and appreciated.

Are you an author who has given readings? If you have additional tips, please feel free to share them in the comments below.

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Bon Voyage, TESS

This past week, my daughter and I watched live as the Transiting Exoplanet Survey Satellite, or TESS, was launched into orbit. This satellite is the follow-up to NASA’s Kepler Space Telescope, which was designed to point to a specific region of space known to have many sun-like stars and get a sense for how many of them have exoplanets. As it turns out, the answer is many! The only problem is that Kepler’s region of interest didn’t include many nearby stars. TESS’s mission is to look at stars close to Earth and see which ones harbor planets. Here’s the video of the launch for those who missed it.

As I mentioned a couple of weeks ago, the NEID Spectrograph on the WIYN Telescope at Kitt Peak National Observatory where I work will be supporting and following up on TESS observations. This launch is a major milestone in the overall search for exoplanets. I gather it will take about two months for TESS to reach its final orbit. During that time, cameras and instruments will be tested to make sure everything made it through launch with no problems.

The most amazing part of the launch for me was to see how fast TESS made it into orbit, really only a couple of minutes after launch itself. And yet, with current technology, even the nearest exoplanets are still out of feasible travel range for humans. Despite that, I still have hopes that we’ll find destinations that we, as a species, will feel driven to explore. Once we do, I hope we’ll find ways to make the trip happen. In fact, one of the technologies that might allow a voyage to nearby solar systems is scheduled for testing later this year. The Planetary Society’s LightSail 2 is scheduled to launch on a SpaceX Falcon Heavy this summer. I imagine what a voyage through the solar system might be like using such a craft in my novel The Solar Sea.

Of course this is part of the reason that Steve Howell from NASA and I felt compelled to compile the anthologies A Kepler’s Dozen and Kepler’s Cowboys. They allow us to envision what the worlds we’ve been discovering might be like. They allow us to imagine life in new ways, and even to imagine exciting possibilities for things we could find on worlds that don’t harbor life as we know it. Of course, reality is such that what we discover will no doubt go far beyond what we imagine!

So, once the TESS and NEID teams start finding worlds near the Earth that we can imagine, will Steve Howell and I put together another anthology? I suspect there’s a good chance we will. Whether or not we do, I encourage writers to keep an eye on the discoveries because there will be plenty of inspiration for some cool science fiction stories in the coming years.

Learn more about the Kepler Anthologies and The Solar Sea at:

NEID – A New Way of Seeing Exoplanets

Last week, I talked a little about the work we’re doing refitting the Mayall 4-meter Telescope for the Dark Energy Spectrographic Instrument. However, it’s not the only construction going on at Kitt Peak. The WIYN 3.5-meter telescope, which I also work with, is getting a new spectrograph installed called NEID. Deploying NEID doesn’t require a full telescope refit like deploying DESI, but there’s still quite a bit of work happening in the building.

Most of the work right now is going into building a new bench spectrograph room. NEID is an acronym for “NN-explore Exoplanet Investigations with Dopler spectroscopy”. The word “neid” is also the Tohono O’Odham word meaning “to see.” An appropriate choice, given Kitt Peak’s location on the Tohono O’Odham Nation in Southern Arizona. The goal of NEID is to provide the astronomical community with a state-of-the-art Doppler spectrograph to investigate exoplanets around nearby stars.

The way this will work is that an optical fiber assembly will be mounted to the telescope itself at the port in the photo to the right with the sign on it. That optical fiber will carry the light from the star to the new bench spectrograph downstairs where it will be spread out, like a rainbow. The reason for doing this is not to see a pretty rainbow, but to see dark lines interspersed through the rainbow. Those dark lines are like the star’s chemical fingerprint.

Now, here’s the fun part. When a planet moves around the star, it drags the star just a tiny amount toward the Earth which causes that spectral fingerprint to shift a little bit toward the blue end of the spectrum. When the planet passes behind the star, it drags it away from the Earth and moves the spectral fingerprint toward the red end of the spectrum. Looking for this shift is the “Doppler” approach to finding planets that NEID will employ.

In addition to discovering new planets, NEID will be used to follow up observations by NASA’s Transiting Exoplanet Survey Satellite (TESS) and will help to determine masses and densities for planets TESS discovers. By the way, the NN-Explore that’s part of NEID’s acronym stands for NASA-NSF-EXoPLanet Observational REsearch. The current plan is to begin commissioning the instrument this fall and for regular observations to commence in 2019.

Being part of on-going research into planets around other stars is what inspired Dr. Steve Howell of NASA’s Ames Spaceflight Center and I to invite science fiction writers to imagine what these planets around other stars might be like. The results were our two anthologies, A Kepler’s Dozen and Kepler’s Cowboys. You can learn more about the anthologies by clicking on their titles.

Once NEID goes online and starts making discoveries, Steve and I may have to “see” into the future and collect a third anthology. This time, including stories about planets discovered by a telescope on a mountaintop in Arizona’s Tohono O’Odham Nation.

Rodeo Day

I’ve been working days this past week at the Mayall 4-meter telescope at Kitt Peak. The telescope is undergoing a roughly year-long refit to equip it with a 5000-fiber spectrograph which will be used to obtain optical spectra for tens of millions of galaxies and quasars, constructing a three-dimensional map spanning the nearby universe to 10 billion light years. This week, much of our work has been disassembling the telescope to prep it for new parts coming this year. In the photo below, you see the top end of the telescope with all the optics removed. That entire top end will be removed and replaced with the fiber optics which will then direct light to spectrographs some four floors below.

This past week was also a short work week. For most people in the United States that was because Monday, February 19 was President’s Day. Even though Kitt Peak is a federal contractor, we actually don’t take President’s Day as a holiday. Instead, we get Rodeo Day the Friday after President’s Day.

Before I continue, allow me to make a brief aside. I’ve mentioned before that at Kitt Peak, we work through most holidays. I should clarify that we are on sky, observing almost every night of the year. Telescope support staff such as telescope operators, electronic maintenance technicians, and even kitchen staff only take off Christmas Eve and Christmas. However, Kitt Peak also maintains a large support staff of mechanics, electricians, carpenters, and heavy equipment operators, most of which get weekends and regular holidays off. The refit work at the Mayall mostly requires this larger team of employees, so it follows a more familiar weekday schedule.

So, where did Rodeo Day come from and why is it so important in Tucson? Apparently, it started in 1925 when the president of the Arizona Polo Association, a fellow named Leighton Kramer, paraded a group of trick riders, folk dancers, and marching bands through downtown Tucson to the University of Arizona’s polo field where they held a community sponsored Wild West show and rodeo. That first rodeo featured steer wrestling, steer tying, calf roping, and saddle bronc riding. The rodeo’s official name is La Fiesta de los Vaqueros.

Over the years the event grew and it became tradition for Tucson schools to give kids the Thursday and Friday of rodeo weekend off. I think it goes to show the importance of rodeo in the Southwestern United States that it can supplant even President’s Day in some communities.

The Spanish name for the Tucson Rodeo, La Fiesta de los Vaqueros, reminds us that rodeo’s popularity isn’t limited to the Southwestern United States. It’s actually quite popular throughout central and South America. When I visited Chile in 1998, the driver for Cerro Tololo Interamerican Observatory made a point of taking me by the rodeo grounds in La Serena. He noted that it was perhaps the second most popular sport in La Serena, right behind Soccer. I’ll also note that CTIO is actually a United States Observatory in Chile and the Blanco 4-meter outside of La Serena is, for all intents and purposes a twin of the Mayall 4-meter on Kitt Peak.

As it turns out, this whole business of rodeo being important to the people I work with in the astronomy business is one of the influences on my story “Calamari Rodeo” which appears in the anthology Kepler’s Cowboys. You can learn more about the anthology at http://www.davidleesummers.com/Keplers-Cowboys.html.

A Look Back at 2017

2017 has proven another tumultuous year in the United States and around the world. Despite all that and despite my concerns for the future, I find that 2017 was another good year from a personal perspective.

I was pleased to see the release of three new books this year. Technically, my horror novel The Astronomer’s Crypt was released at the end of 2016, but the paperback edition wasn’t released until January of this year, so I’ll go ahead and count it. In addition to the novel, I released two new anthologies, Kepler’s Cowboys co-edited with Steve B. Howell of NASA and Maximum Velocity: The Best of the Full-Throttle Space Tales co-edited with Carol Hightshoe, Dayton Ward, Jennifer Brozek, and Bryan Thomas Schmidt. You can learn more about my novels and my anthologies at http://www.davidleesummers.com/books.html

I’m also proud to have stories in three outstanding new anthologies. Straight Outta Tombstone edited by David Boop features my story “Fountains of Blood” in which Larissa Seaton and Billy McCarty from my Clockwork Legion novels find the dark truth behind the 1896 Albert Fountain disappearance. Disharmony of the Spheres edited by J Alan Erwine features a brand new Captain Ellison Firebrandt story about his quest for lost treasure with his father. Finally, Extinct? edited by Dana Bell features my story “Jackson’s Hadrosaurs” in which the Battle of New Orleans is re-imagined in a world of dinosaurs. You can find links to these books and other short stories I’ve written at http://www.davidleesummers.com/shorts.html

I contributed introductions to two books. The first is the wonderful Astropoetry by Christina Sng. I published many of Christina’s poems over the years in Tales of the Talisman magazine and have always marveled at her use of words. As I say in the introduction, “We glimpse a wonder, ponder it for a time, then move on to another. The experience doesn’t diminish with time. Instead, it builds, layer upon layer.” You can find Christina’s fine collection at http://store.albanlake.com/product/astropoetry/

I also edited and wrote the introduction to Legends of the Dragon Cowboys which presents two weird western novellas, one by David B. Riley and the other by Laura Givens. You can learn more about the collection at http://hadrosaur.com/bookstore.html#Dragon-Cowboys

My novels Owl Dance and Lightning Wolves appeared on Audible.com in editions read by Edward Mittelstedt. The timing of these audio releases proved quite fortuitous, because they allowed me to revisit the earliest chapters of the series while plotting out the fourth novel. My editor and I have just finished our work on that novel and I hope to have more news about its release soon. You can explore the entire Clockwork Legion series at http://www.davidleesummers.com/books.html#clockwork_legion

Perhaps the accomplishment I feel most proud of is the production of the short film and trailer based on my novel The Astronomer’s Crypt. Of course, many writers dream of seeing their creations come to life on the screen and I’m no exception. What’s more, this exercise expanded my horizons as I explored screenplay writing and I learned a lot about the movie making process from the wonderful professionals I worked with. Watch the trailer at https://www.youtube.com/watch?v=jIcXPxmnVmQ

As we reach the end of 2017, I find I have a lot to be thankful for. Not only for the projects I’ve just mentioned, but my daughters have had good academic success this year and my wife was able to get knee surgery that has improved her mobility considerably. My work at Kitt Peak National Observatory continues to be fulfilling and I’m proud of the work I’ve done helping scientists obtain the data they need to further their understanding of the universe.

Of course, this all begs the question, where do I go from here? I’ll take a look at things to come in Monday’s post.

Cowboys and Battles

Back when I was editing the anthology Space Horrors, I was trying to entice a very good horror and suspense author to write a story for me. Unfortunately, commitments didn’t allow him to deliver a story, but he did recommend a writer he knew named Gene Mederos. I approached Gene with an invitation and he delivered a creepy tale called “A Touch of Frost.” The characters grabbed me right from the start and I could visualize everything in the story. It should then come as no surprise that Gene teaches film making and film editing at Santa Fe Community College. Ever since that first story, Gene has been one of my go-to authors when I have a new anthology project.

One of the things I most enjoyed about editing Tales of the Talisman were the beautiful story illustrations the artists delivered. Unfortunately, Gene has only written for my anthologies and not for the magazine, so I’ve never had the opportunity to see his stories illustrated…until now that is. Gene has recently turned his great visual sense into creating some beautiful illustrations of his stories. He recently shared them on Facebook and I asked permission to share them with you.

After writing “A Touch of Frost” for Space Horrors, I was delighted to hear he submitted a story to Bryan Thomas Schmidt for Space Battles. Bryan bought Gene’s story “The Thirteens.” In the story, Captain Andromeda Sax and the crew of La Espada investigate a bogey, and come up against Purists, a religious sect dedicated to ridding the galaxy of impurities—like the diverse alien and human species crewing Sax’s ship. The story not only delivered exciting battle scenes but explored issues of diversity and what makes us human. I’m especially pleased that Gene’s story was selected to appear in the best-of collection we assembled from the original anthologies and is now back in print.

Gene has gone on to submit stories for both A Kepler’s Dozen and Kepler’s Cowboys. In the latter story, Gene tackles the subject of how we’ll recognize alien life when we see it, especially when the aliens are very different than the life we know on Earth. He also imagined a rough and tumble frontier world with exotic landscapes that very much captured the essence of the space cowboy subgenre. One of the things that really makes Gene’s work stand out is the attention to detail, such as imagining a genetically engineered creature called a camule, bred to survive in harsh environments, and shown in the illustration above.

Gene and I have stories in both Maximum Velocity: The Best of the Full-Throttle Space Tales and Kepler’s Cowboys. I’ve invited Gene to read one of his stories with me during the “55 Minutes with David Lee Summers” session at Bubonicon which is going on this weekend in Albuquerque. I’ll read my story in the other anthology. If you happen to be there, we’ll be reading in the Carlsbad Room at 10am on Sunday, August 27. I hope you’ll join us for an hour of exciting science fiction.

If you aren’t fortunate enough to be at Bubonicon this weekend, you can learn more about the anthologies by clicking on the links below:

Saturday Morning Cartoons

Perhaps one of the things I miss most from years gone by is the ability to tune in to network television on Saturday morning and find a wide variety of animated cartoon programming. Much of this is due to television networks in the period of 1992 to 2002 deciding they didn’t make enough money to continue supporting animated programming. Also, around 2001 my wife and I decided that neither cable nor satellite TV were necessary items for our budget and we could see all the TV we wanted with other media such as DVDs. Of course, our decision was all part of the national trend that helped to kill animation in the first place. Not many people eschewed broadcast TV altogether as we did that early, but the number of choices available made it harder for networks to justify the expense of animation when certain cable networks specialized in it.

I grew up watching cartoons in the 1970s. I fondly remember many teams of crime-solving kids from shows such as Scooby-Doo and Josie and the Pussycats. The Bugs Bunny/Roadrunner Hour provided some great comedy, much of it originally produced much before my time. I was already a Star Trek fan and loved the animated adaptation that aired in the mid 70s. There were even some cool live action experiments during that time such as Land of the Lost about a family trapped in a land of dinosaurs and the superhero-themed Shazam/Isis Hour.

I never really fell out of love with cartoons, but the 1990s ended up being another high point for me. That was in the early days of my astronomy career and cartoons became an escape from my working life. They were also a welcome treat when my first daughter was young. What I particularly remember from that period were some exceptional superhero shows such as Batman: The Animated Series and X-Men. There were also some great animated superhero parodies such as Earthworm Jim, The Tick and Freakazoid.

Of course, for all the gems, there were many forgettable shows as well. Still, what I find amazing living in the times we do is how many of these shows that I thought I would never see again are readily available on video or with the touch of a button on the internet. For a guy like me who occasionally wants a dose of nostalgia, these are great times. That said, the real joy of those Saturday mornings was the fun of discovery and I think that’s what I really miss is having that easy means of discovering new favorites.

Giving people a way to discover new authors was much of the reason I edited Hadrosaur Tales followed by Tales of the Talisman. Publishing those magazines also helped me appreciate the economic reality that caused the networks to take Saturday morning cartoons off the air. Like TV shows gone by, you can still get most of the back issues of both magazines. There are some great stories there by authors such as Neal Asher, Nicole Givens Kurtz, David Boop, and Janni Lee Simner and many more. You can find the back issues of each at:

As it turns out, I can do better than just give you nostalgia, Hadrosaur Productions has published two anthologies of stories set around planets discovered by NASA’s Kepler mission. Be sure to check out: