The Cost of Opening the Crypt…

…just went down! Courtesy of my publisher, the ebook edition of The Astronomer’s Crypt is being offered for the special price of 99 cents for the rest of the month. The ebook normally runs $4.99, so this is a remarkable 80% discount, which means it’s a great time to pick up a copy for your ereader. If you’re already a fan, consider gifting one to a friend!

The Astronomer’s Crypt tells the story of astronomers, ghosts, drug dealers, and a monster from Apache legend colliding at a remote observatory during a violent thunderstorm. As followers of the web journal know, I’m an astronomer who operates telescopes at Kitt Peak National Observatory. The observatory is 56 miles southeast of Tucson, Arizona. The last ten miles of the drive up to the observatory are up a road that winds and twists its way up the mountain. Once you reach the summit, you find a virtual city consisting of twenty-two optical telescopes and two radio telescopes. Even so, after the sun goes down, many of the telescopes on the mountain are automated and some are only operated part time. It’s not unusual for there to be only a handful of people at the observatory at night. That all noted, Kitt Peak is both quite accessible and quite well staffed compared to some astronomical facilities where I’ve worked.

I have worked many nights in my career at observatories where I’ve been one of perhaps two or three people on a remote mountain site. It’s dark. The insides are the buildings are kept deliberately dim so your eyes can adjust if you need to go outside and evaluate sky conditions. In a wilderness situation, wild animals can and do make it inside the buildings. It’s so quiet, you hear every creak and groan of the building. You’re working late at night and you’re tired and not always thinking clearly. You’re trying to focus on the data you’re taking. It’s easy for a person in those conditions to imagine many scary things.

The Astronomer’s Crypt is a book made up of many of those dark imaginings, some of which are not far from the truth. Over the years, I’ve encountered unexpected people at observatories during the night. Fortunately, most have been cooperative and left when asked, but I have wondered what I’d do if I encountered truly bad people. I’ve been to observatories such as Lowell in Flagstaff, where there are real mausoleums on the site, where people who loved astronomy are interred. It’s not hard to imagine ghosts wandering around at those places. I’ve been through many terrible storms, sometimes with sheets of rain pushed by winds in excess of 70 miles per hour. On those nights, nature itself is terrifying. You can get a sense for how all of this combines in the novel by watching the trailer:

Two years before the events of this trailer, on a stormy night, in the dead of winter, Mike Teter experienced something that would change his life forever. Mike was a telescope operator at the world renowned Carson Peak Observatory in New Mexico. I won’t tell you what he saw that night on the mountain nor what happened afterward on a dark stretch of highway, because it would haunt you just as it has haunted Mike. But what I will tell you is that Mike is back at Carson Peak. And what he witnessed that night two years ago is about to become a reality…

You can pick up The Astronomer’s Crypt for just 99 cents at:

• Amazon.com
• Barnes and Noble
• Kobo
  

Advertisements

NEID – A New Way of Seeing Exoplanets

Last week, I talked a little about the work we’re doing refitting the Mayall 4-meter Telescope for the Dark Energy Spectrographic Instrument. However, it’s not the only construction going on at Kitt Peak. The WIYN 3.5-meter telescope, which I also work with, is getting a new spectrograph installed called NEID. Deploying NEID doesn’t require a full telescope refit like deploying DESI, but there’s still quite a bit of work happening in the building.

Most of the work right now is going into building a new bench spectrograph room. NEID is an acronym for “NN-explore Exoplanet Investigations with Dopler spectroscopy”. The word “neid” is also the Tohono O’Odham word meaning “to see.” An appropriate choice, given Kitt Peak’s location on the Tohono O’Odham Nation in Southern Arizona. The goal of NEID is to provide the astronomical community with a state-of-the-art Doppler spectrograph to investigate exoplanets around nearby stars.

The way this will work is that an optical fiber assembly will be mounted to the telescope itself at the port in the photo to the right with the sign on it. That optical fiber will carry the light from the star to the new bench spectrograph downstairs where it will be spread out, like a rainbow. The reason for doing this is not to see a pretty rainbow, but to see dark lines interspersed through the rainbow. Those dark lines are like the star’s chemical fingerprint.

Now, here’s the fun part. When a planet moves around the star, it drags the star just a tiny amount toward the Earth which causes that spectral fingerprint to shift a little bit toward the blue end of the spectrum. When the planet passes behind the star, it drags it away from the Earth and moves the spectral fingerprint toward the red end of the spectrum. Looking for this shift is the “Doppler” approach to finding planets that NEID will employ.

In addition to discovering new planets, NEID will be used to follow up observations by NASA’s Transiting Exoplanet Survey Satellite (TESS) and will help to determine masses and densities for planets TESS discovers. By the way, the NN-Explore that’s part of NEID’s acronym stands for NASA-NSF-EXoPLanet Observational REsearch. The current plan is to begin commissioning the instrument this fall and for regular observations to commence in 2019.

Being part of on-going research into planets around other stars is what inspired Dr. Steve Howell of NASA’s Ames Spaceflight Center and I to invite science fiction writers to imagine what these planets around other stars might be like. The results were our two anthologies, A Kepler’s Dozen and Kepler’s Cowboys. You can learn more about the anthologies by clicking on their titles.

Once NEID goes online and starts making discoveries, Steve and I may have to “see” into the future and collect a third anthology. This time, including stories about planets discovered by a telescope on a mountaintop in Arizona’s Tohono O’Odham Nation.

Refitting the Mayall: Teardown

I was in 8th grade when Star Trek: The Motion Picture came out. One of the things that fascinated me in that movie was the refit of the Starship Enterprise. I was captivated by how the ship looked at once much the same and yet completely different. It looked sleeker and more powerful and familiar space on the ship such as the bridge, sickbay, and the transporter room had all been updated. I’m getting to experience something much like the Enterprise refit in real life. In this case, I’m involved in refitting the Mayall 4-meter telescope at Kitt Peak National Observatory.

Like the Starship Enterprise, the Mayall has a forty-five year history of discovery. Originally built to use photographic plates, the telescope has played an important role in such discoveries as establishing the role of dark matter in the Universe from measurements of galaxy rotation, and determining the scale and structure of the Universe. Over the years, new instrumentation has been added to the telescope including advanced digital cameras and spectrographs.

The purpose of the refit is to install a new instrument called DESI, which stands for Dark Energy Spectroscopic Instrument. 5000 optical fibers will be installed at the telescope’s prime focus (the top end of the telescope) and run to cameras in another room. The goal is to observe tens of millions of galaxies and quasars, constructing a three-dimensional map spanning the nearby universe to 10 billion light years.

In order to achieve this goal, the entire top end of the telescope has to be replaced and much of the control software and electronics are being redone so that it’s truly state of the art. To achieve this goal, we literally have to gut the telescope and install new components from the inside out. During my most recent shifts at the telescope, I’ve been involved in just that. In the photo to the right, you can see that the bottom of the telescope is missing and replaced with scaffolding. That’s because the large 4-meter mirror is out for recoating. Also, all the optics are missing from the secondary mirror assembly at the top of the telescope. Ultimately, that will be removed completely and replaced with a new secondary ring. The men in the photo are removing a counterweight assembly used to precisely balance the telescope when instruments are added and removed. Electrical panels are open on the side of the telescope where control cabling going back to the photographic days will be removed and replaced with new control cabling. Modern electronics mean the telescope will have about 10% of the cables as it did when originally built!

The refit has also allowed me a rare opportunity to see parts of the telescope I’ve never been to before, even after operating it for some thirteen years. Earlier this week I got to help the electronics technicians work on some cabling in the “horseshoe.” That’s the big, blue horseshoe-shaped mount you see in the photos above. We actually ended up working down in the broad, blue, oval-shaped tube you see in the photo just above. I dubbed it the sinking submarine, because it’s a cramped space and we were standing at a 32-degree angle relative to the ground!

It’s going to be exciting to watch the telescope take shape again after the teardown process. New parts will be arriving in the coming months. A large crane will be deployed outside the 4-meter to lift out the old secondary ring and bring in the new one. The plan is to be back on sky to test components of the new instrument later this year. Once those tests are completed, other components will be finished, revised if needed and then installed. At that point, the Mayall’s new five-year mission to map the universe will begin.

---

• Learn about my novels and anthologies at: http://www.davidleesummers.com/books.html
• Learn about my short stories and poems at: http://www.davidleesummers.com/shorts.html

Rodeo Day

I’ve been working days this past week at the Mayall 4-meter telescope at Kitt Peak. The telescope is undergoing a roughly year-long refit to equip it with a 5000-fiber spectrograph which will be used to obtain optical spectra for tens of millions of galaxies and quasars, constructing a three-dimensional map spanning the nearby universe to 10 billion light years. This week, much of our work has been disassembling the telescope to prep it for new parts coming this year. In the photo below, you see the top end of the telescope with all the optics removed. That entire top end will be removed and replaced with the fiber optics which will then direct light to spectrographs some four floors below.

This past week was also a short work week. For most people in the United States that was because Monday, February 19 was President’s Day. Even though Kitt Peak is a federal contractor, we actually don’t take President’s Day as a holiday. Instead, we get Rodeo Day the Friday after President’s Day.

Before I continue, allow me to make a brief aside. I’ve mentioned before that at Kitt Peak, we work through most holidays. I should clarify that we are on sky, observing almost every night of the year. Telescope support staff such as telescope operators, electronic maintenance technicians, and even kitchen staff only take off Christmas Eve and Christmas. However, Kitt Peak also maintains a large support staff of mechanics, electricians, carpenters, and heavy equipment operators, most of which get weekends and regular holidays off. The refit work at the Mayall mostly requires this larger team of employees, so it follows a more familiar weekday schedule.

So, where did Rodeo Day come from and why is it so important in Tucson? Apparently, it started in 1925 when the president of the Arizona Polo Association, a fellow named Leighton Kramer, paraded a group of trick riders, folk dancers, and marching bands through downtown Tucson to the University of Arizona’s polo field where they held a community sponsored Wild West show and rodeo. That first rodeo featured steer wrestling, steer tying, calf roping, and saddle bronc riding. The rodeo’s official name is La Fiesta de los Vaqueros.

Over the years the event grew and it became tradition for Tucson schools to give kids the Thursday and Friday of rodeo weekend off. I think it goes to show the importance of rodeo in the Southwestern United States that it can supplant even President’s Day in some communities.

The Spanish name for the Tucson Rodeo, La Fiesta de los Vaqueros, reminds us that rodeo’s popularity isn’t limited to the Southwestern United States. It’s actually quite popular throughout central and South America. When I visited Chile in 1998, the driver for Cerro Tololo Interamerican Observatory made a point of taking me by the rodeo grounds in La Serena. He noted that it was perhaps the second most popular sport in La Serena, right behind Soccer. I’ll also note that CTIO is actually a United States Observatory in Chile and the Blanco 4-meter outside of La Serena is, for all intents and purposes a twin of the Mayall 4-meter on Kitt Peak.

As it turns out, this whole business of rodeo being important to the people I work with in the astronomy business is one of the influences on my story “Calamari Rodeo” which appears in the anthology Kepler’s Cowboys. You can learn more about the anthology at http://www.davidleesummers.com/Keplers-Cowboys.html.

Thanksgiving at Kitt Peak

For the most part, astronomy doesn’t stop for holidays. At Kitt Peak National Observatory, the only nights we don’t open to observe are Christmas Eve and Christmas. Even then, members of my team are on hand to tend instruments and keep watch over the site so things are ready to go the day after the holiday. This year, my shift happened to fall across the entire Thanksgiving weekend. Fortunately, my wife and daughter were able to come up and spend the holiday with me.

At this time of year, I work long nights. My “day” starts around 3:30pm and I work until about 7am the following morning. On Thanksgiving Day, I walked into work to discover my workstation occupied. If you’ve seen the trailer for my novel The Astronomer’s Crypt you might recognize this as something of a recurring theme in my work life! Al Cabone (the skeleton in the chair) showed up at the telescope a little over a year ago at Halloween time and has become something of a mascot.

We start in the afternoon to allow observers an opportunity to calibrate their data. This Thanksgiving, the early start allowed me a chance to bring my daughter to the telescope. She has a definite interest in the sciences with some thoughts of pursuing astronomy. So, this proved a great opportunity to give her taste of what professional astronomy is like.

During afternoon calibrations, I let her have the operator’s chair to enter some commands and try her hand at moving a 3.5-meter telescope.

After calibrations, we were able to take a break for Thanksgiving dinner. At this time of year, dinner is by necessity brief. We finished calibrations at 4:30pm. I needed to be back before the 5:25pm sunset so we could finish getting the telescope ready for the night. Fortunately, we have a kitchen staff at Kitt Peak and they prepare food for us. So my daughter and I joined my wife at the mountain cafeteria for Thanksgiving dinner.

When I speak to people about my work at the telescope, I sense that people imagine that I get to see numerous awe-inspiring sights in the night sky. In fact, some nights I do. However, some nights, the beauty comes from gaining a deeper understanding than what you see in the usual pretty pictures. On Thanksgiving, our job was to measure the spectra of stars in a couple of clusters to understand their chemical abundances. Now spectra can be very pretty, like this one of the star Arcturus, taken with the Coudé Feed telescope at Kitt Peak.

N.A.Sharp, NOAO/AURA/NSF

In that image, the interesting science is contained in the pattern of dark lines scattered among the rainbow colors. Those dark lines, or absorption lines, serve as a kind of fingerprint that tells us about the composition of the star’s atmosphere. We were using a multi-object spectrograph, which allows us to get up to 100 objects at a time. That sounds awesome, and it is. That said, this is what the raw spectra look like when we take them.

Each one of the gray stripes in the image is the spectrum of a different star in the cluster. They don’t look much like that. They’re more interesting when you use a graphics program to plot them.

That plot may not look much like the rainbow image above, but it actually contains as much information. Plotted left to right, this shows the spectrum of a star from blue to red. The downward spikes correspond to the dark lines in the rainbow images. The depth of the lines gives you information about abundances. The position of the lines relative to the light frequency can tell you such information as how fast the star is rotating, how far away it is, or even whether it has planets, all depending on the specific measurements you take.

So, the pictures we take aren’t always like those you see in the press releases on the web. Nevertheless, they do inspire dreams of faraway places and allow us to ferret out hidden information in the night sky. I’m not certain whether my daughter will ultimately choose a career in astronomy, but I am pretty sure we’ve given her something to dream about.

The Robots Are Taking Over

I spent this past weekend at Bubonicon in Albuquerque, New Mexico. Yesterday, I moderated a panel called “Are Robots Still Scary? Danger Will Robinson!” As it turns out, I suggested this panel to the event organizers because it occurred to me that I work with a robot quite a bit at Kitt Peak National Observatory and it’s a far cry from the anthropomorphic robots of pulp sci fi and probably more irritating at times than scary. The robot I’ve spent most of my time with is called the Hydra gripper. The reason it can be irritating, is that I’m one of the guys who has to go fix it when it breaks down!

The gripper is on the right-hand side of the photo above. Its job is to pick up the fibers on the left side and position them on the plate so that they line up with objects on the sky. When the telescope is pointed at the target, light from the objects will go downstairs to a spectrograph, where it will be broken into a spectrum and projected on a camera. Astronomers can take that light and analyze it to understand the chemical composition of the objects they’re studying. These objects can range from stars, to galaxies, to nebulae. Some objects are nearby, others are among the most distant in the universe.

The reason for this post’s title, is that we’re about to get another robotic spectrograph at Kitt Peak. This one is called DESI (which stands for Dark Energy Spectrographic Instrument). Hydra allows us to take spectra of upwards of 200 objects at a time. DESI will let us take spectra of 5000 objects. You can read more about DESI in this press release from the Department of Energy’s Berkeley Lab. The goal of the instrument is to get spectra of all the known galaxies obtainable by the 4-meter in order to understand the phenomenon that’s been dubbed “dark energy.” Along the way, we’ll build an incredible database of spectra available to the entire astronomical community.

This week, I’ll be helping to test a prototype of DESI on the Mayall 4-meter telescope. The fibers of DESI are so closely packed that they aren’t moved around by a system like a gripper. Instead, each fiber is a little robot that turns on its own to optimize its position on the sky. Because of this project and the number of people it takes to get a project like this off the ground, DOE has helped to fund a new, larger control room for the Mayall. You can see the original on the left below. The new control room is on the right.

As it turns out, ghosts and stories of haunted observatories feature prominently in my forthcoming novel, The Astronomer’s Crypt. Our new control room is one of the “haunted” spaces in the Mayall. It used to be an old lounge and there were two rocking chairs that would sometimes be seen to rock on their own even when no one is in there. It remains to be seen if there are any ghosts, or if this motion was just due to sway of the building. If there are ghosts in the building, I hope they like company, because there’s going to be a lot of it in the coming years!

The Earliest Sunsets

With winter solstice just a little over two weeks away, I have long working nights at Kitt Peak National Observatory. In fact, this week we’re having the earliest sunsets of the year, which means rushed dinners before heading out to observe for the night. The nights will continue to get a little longer through the solstice itself, but next week, the sunsets will start being a little later. I always consider that a big milestone. Not only do I get a little more time for dinner, but it tells me the holidays are just around the corner.

So far, this week has involved imaging with the One-Degree Imager at the WIYN telescope, so we’ve been taking a lot of long exposures of distant objects. This has allowed me time to work on my final read-through of the current draft of The Astronomer’s Crypt. I hope to return the novel to my editor this weekend if all goes well.

The Astronomer’s Crypt is told from the perspective of a telescope operator like me, who works at night alongside visiting astronomers from all around the country. However, I do note in the novel that observatories require a lot of support from people who work during the day. As it turns out, there’s a great video which looks at Mike Hawes, the daytime facilities supervisor here at Kitt Peak and the great job he does:

The observatory in The Astronomer’s Crypt is smaller than Kitt Peak, as such the staff is a bit smaller. In the novel, the character Jerome Torres does for the fictional Carson Peak Observatory some of the job Mike does for Kitt Peak, but he also does some of the job my boss, Dick Joyce does.

One of the challenges of a novel like The Astronomer’s Crypt which is based on my career in a selective and competitive profession such as astronomy is to create characters who are not exact analogs of people I know. I want to highlight what makes an observatory a great place to work, and depict professional people like Mike Hawes, but I also want to accurately portray some of the more, shall we say challenging and colorful personality types I’ve worked with as well.

I start by thinking about a person and their circumstances. The character Jerome Torres is an Apache who worked his way through college. He’s a serious guy who appreciates his heritage, but also finds science fascinating. When you read the book, I hope you won’t read about Jerome Torres and think he’s just Mike Hawes rewritten. Instead, I hope you’ll believe that he’s a different guy believably doing a similar job with his own style.

By the same token, you’ll meet some characters who feel superior to others, have vices, and succumb to temptations. None of these people are based on specific people I know. That said, I have known people over the years who have those personality traits. More than a few of them have also worked in astronomy.

In the dedication to It, Stephen King writes, “Kids, fiction is the truth inside the lie…” In The Astronomer’s Crypt I hope I have told a thrilling lie while at the same time telling the truth about a field I love.