Evolution of the Lightning Wolf

As a writer, one of the things I most appreciate is my family’s support. My family enjoys going to science fiction and steampunk conventions and is willing to help me out. They’re there to help me through the inevitable bad review and cheer me on when I get a good review. They enjoy many of the same shows I like to watch for research and inspiration. They’re also extremely creative in their own right. My youngest daughter, in particular, likes to create things inspired by my writing as well as books and movies I like. A couple of years ago, she created this interpretation of Larissa Crimson’s lightning wolf from my Clockwork Legion novels.

In the novel Lightning Wolves, the army attempts to recruit Professor Maravilla to help build more effective war machines to help repel the Russians, who have invaded America. The professor, however, has had enough of war machines and doesn’t want to go. Larissa, a bounty hunter who has apprenticed herself to the professor, agrees to go in his place.

Like most real-world inventions, the lightning wolf is a hodgepodge of things Larissa had on hand at Fort Bliss in the novel. She adds the engine from an ornithopter to power a safety bicycle, which holds one of the army’s lightning guns between the handlebars. In effect it’s an armed, steam-powered moped. In the novel, few people take this frail-looking contraption seriously until they see it in action and see the damage it can cause. It ultimately proves itself an effective weapon against much larger machines.

She returns to Professor Maravilla and the two join forces against common foes in the last act of Lightning Wolves. In many ways, Larissa and Maravilla are a family, even if they aren’t related by blood. Their relationship is fraught and sometimes tense. People on the outside don’t always understand it, but when one is in trouble, the other will be there to help out. In essence, my family is not just there to provide moral support, but they do provide the experience that helps me build effective characters and relationships on the pages of my books. As writers, we should always keep a lookout for those things around that we can use on the page.

Like most inventors, Larissa is not content with what she built. As the series proceeds, she tinkers, improves, and takes the lightning wolf to new levels. We see the upgraded version both in my novel Owl Riders and in my short story “Fountains of Blood” in the anthology Straight Outta Tombstone, which is coming out in a mass market paperback edition this fall.

If you would like to meet the family who created the lightning wolf and see this invention grow, change, and evolve, I invite you to give the Clockwork Legion series a try. You can learn about the books at: http://www.davidleesummers.com/books.html#clockwork_legion

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Branigan Library Book Talk on Wednesday

On Wednesday, June 13 at 1:30pm, the Friends of the Branigan Library in Las Cruces, New Mexico have invited me to present a Book Talk about my Clockwork Legion novels. I’ll be presenting at the library’s main branch at the corner of Picacho and Main Streets.

I’m proud to have called the Mesilla Valley my home for the last 23 years. It’s a real honor to give a presentation and reading in my home town. Garnering an interest in history from family trips as a child, I brought my interests together in the Clockwork Legion novels. The Clockwork Legion series includes four novels: Owl Dance, Lightning Wolves, The Brazen Shark, and Owl Riders. In the Clockwork Legion novels I combine science fiction and history to imagine a world that wasn’t, but could have been, weaving stories reminiscent of those told by H.G. Wells and Jules Verne.

The Clockwork Legion novels follow the adventures of Ramon Morales, a former sheriff of Socorro, and Fatemeh Karimi, a healer from Persia. During their adventures together, they meet inventors, outcasts, misfits, and even pirates who they gather together when the Russians use airships to invade the Civil War-ravaged United States in 1877.

The third novel in the series, The Brazen Shark, was voted Best Steampunk Novel in the 2017 Preditors and Editors Reader’s Poll. The fourth novel in the series, Owl Riders, was just released. I’m an active member of the Science Fiction and Fantasy Writers of America and a former vice president of the Science Fiction Poetry Association. My poems have been nominated for the Rhysling and Dwarf Stars Awards by the Science Fiction Poetry Association.

In my presentation, I plan to talk about the history of steampunk and weird western stories. I also plan to talk about how I got started writing steampunk and weird westerns in general as well as how the Clockwork Legion novels in particular came about. I’ll give a couple of readings and I will have books available for sale at the talk. I gather refreshments will be served as well. If you’re in Las Cruces, I hope you’ll join me for this fun Book Talk. I look forward to meeting you.

If you want to learn more about the books before the talk, visit: http://www.davidleesummers.com/books.html#clockwork_legion

Visiting Fort Bowie

As my forthcoming novel Owl Riders opens, we learn that the Chiricahua Apache have taken Fort Bowie in Eastern Arizona territory with the help of Battle Wagons modeled on the Javelina mining machine left behind by Professor Maravilla. I use Fort Bowie in the novel because it has both historic and symbolic significance. Fort Bowie was established at the site of the Battle of Apache Pass where the United States Army fought Cochise. The fort’s purpose was to guard the water at Apache Pass, necessary to the famous Butterfield Stage, and to “control” the Apaches in the region. If Apaches were given machines that could capture the fort, it seems likely they would take an opportunity to do so. Here’s a great classic image of soldiers riding out of Fort Bowie.

Here’s basically the same scene as it appears today.

As you can tell, even from this viewpoint, not much exists of the original fort. What this viewpoint doesn’t provide is a sense of how big the fort was. It actually was a rather extensive compound. Here’s what the fort looked like in 1886:

Pretty much what exists now are foundations and a few walls. Some of the walls stand just a little over my head. What it lacks in intact buildings, it makes up for in giving you a sense of the facility’s scale. There’s also a nice, albeit small visitor center where they talk about the history of the fort. It was great to see faces I recognized right on the visitor’s center walls. For example, I walked in the door, turned around and saw General Nelson A. Miles (at the top in the photo below) right above Albert J. Fountain (in the center below Miles). Miles is a major antagonist to both the Apaches and Ramon Morales in Owl Riders. Fountain has appeared as Billy McCarty’s defense attorney in The Brazen Shark and he returned in my story “Fountains of Blood,” which appeared in Straight Outta Tombstone. His memorial is about a quarter mile behind my back door in Las Cruces, New Mexico.

What intrigued me almost more than the story of the fort and the soldiers who served there was the connection I made to the Native Americans I talk about in the books. Along the trail to the fort, they have a setup of an Apache camp, including a wickiup. I describe these camps both in Lightning Wolves and in Owl Riders, so it was exciting to see one up close and even go inside.

Also, in both Lightning Wolves and Owl Riders, I talk about the importance of knowing where to find water. For those who drive along Interstate-10 in Southern Arizona and Southern New Mexico, it’s not obvious that there’s water anywhere in the region. However, as I mentioned at the outset of the post, part of the reason for Fort Bowie was its proximity to reliable water. So, it was great to see this actual spring a mere dozen miles from the Interstate where the land appears so barren.

Visiting Fort Bowie was a fascinating walk back in time. The site is about twelve miles south of present day Bowie, Arizona. Once you get to the parking area, you have to hike about a mile and a half to get to the site. Along the way are signposts describing aspects of the area’s history. If you go out, I’d recommend allowing at least three hours to explore the site. Be aware it can be hot and storms can come up suddenly in that part of Arizona, as they did the day I was there. I was rained on for part of my trip. Bring water and suitable clothing. A picnic lunch would also be nice.

If you would like to learn more about my novel Lightning Wolves visit: http://www.davidleesummers.com/lightning_wolves.html. You can learn more about my forthcoming novel Owl Riders at http://www.davidleesummers.com/owl_riders.html

Road Trip to the Dragoon Mountains

Today, we have another Arizona stop on the Airship Ambassador’s Steampunk Hands Around the World Road Trip. I enjoy giving places I’ve visited and read about a steampunk twist in my Clockwork Legion novels. Today’s stop is a dramatic place on Interstate-10 in Southern Arizona that I imagine many people drive by with barely a glance: The Dragoon Mountains. The Dragoons feature prominently in book two of my Clockwork Legion series, Lightning Wolves and in book four, Owl Riders.

As it turns out, I drive through the Dragoons just about every week on my commute to and from work. Some of these photos are from 2014 when I made a stop to refresh my memories about some of the details of the region while preparing the novel for release.

The Dragoons are very dramatic and rocky mountains. They were also the source of real-life wild west drama. The Apache Warrior Cochise defeated a company of Confederate dragoons there in 1862 and stole their cattle. Hence the name of the mountains. The Confederates and the Apaches clashed again just a few days later and the soldiers reclaimed their livestock. Twenty years later, during Wyatt Earp’s famous Vendetta Ride, Earp’s posse captured and killed “Indian Charlie” Cruz in the Dragoons.

Lightning Wolves is set between these two historical events. In the novel, many of the soldiers who would normally have been in the area have been called to fight a Russian invasion in the Pacific Northwest and the Apache Warrior Geronimo has set up a stronghold in the Dragoons. Needless to say, this makes some of the remaining settlers, such as Newman Clanton and his sons very nervous. In the middle of all this is exiled Mexican inventor M.K. Maravilla and the bounty hunter Larissa Crimson, who are in the area building a mining machine for a pair of prospectors. What happens makes the Gunfight at OK Corral look like a petty squabble.

As it turns out, I revisit this setting in book four of the series, Owl Riders. This fourth novel is set eight years after Lightning Wolves and the Apaches once again use the mountains as a place to make their stand against white settlers. This time, they are armed with battle wagons based on Professor Maravilla’s mining machine and they face off not against the Clantons, but Wyatt Earp and Doc Holliday.

Since we’re in the neighborhood, I’d be remiss not to drop down to the town of Tombstone. The scene of one of the wild west’s most famous gun battles might not seem very retrofuturistic, but the city of Tombstone is very welcoming to steampunks who want to strut their stuff in parades such as the Helldorado Days Parade in October. Also, Tombstone is a veritable shopper’s paradise for Victorian era clothing that you can use when building your steampunk wardrobe!

Steampunks on Parade in Tombstone

I hope you’ve enjoyed this steampunk road trip stop. If you would like to explore Lightning Wolves and all the places visited in the novel, you visit http://www.davidleesummers.com/lightning_wolves.html to get more information and find all the places the novel is available.

Owl Riders Edits

These last days of 2017 find me hard at work polishing Owl Riders, the fourth novel in my Clockwork Legion steampunk series. My editor has given me his notes and my revisions are due this Wednesday, December 20. While I don’t have a final publication date yet, Larry Bonham at Sky Warrior Publishing indicated they were shooting for a spring release.

In the series, the alien called Legion has unleashed humanity’s potential in the nineteenth century. Now, Legion has gone. The United States Army with its ornithopters has reached a standoff with Apache warriors armed with mighty war machines. Ramon and Fatemeh’s exploits have been immortalized in a novel called Owl Riders. Now Ramon is called away to solve the dispute and Fatemeh’s one-time betrothed arrives on the scene. I hope you’re looking forward to this fourth installment in the series!

Because of staffing changes at Sky Warrior, I’m working with a new editor. This is always something of a nervous thing, especially given that I’m an introvert who doesn’t find it easy to open up to new people. I’m showing something I’ve worked on for much of the past year to a complete stranger and hoping they “get it.” Of course, I hope that’s true with any reader who buys one of my books, but I’m trusting the editor to help me find ways to make my narrative clearer and more palatable to readers.

In this case, my new editor has made very few suggestions about actual scenes. Instead, he’s suggested a rearrangement of scenes to provide a more clear narrative flow. He also suggested reducing the number of point of view characters. On one hand, I feel like having a small number of limited third-person points of view is largely genre fashion right now. However, I do have to admit that applying this advice has helped me tighten several of the story arcs without having to do much rewriting.

Will there be more novels in the series after Owl Riders. The most honest answer I can give is “I hope so, but it depends.” Owl Riders was written such that I endeavored to wrap up as many dangling plot threads as possible from the first three books. Also, I built a trilogy where an alien being significantly altered the flow of history. I wanted to explore what happened after this alien influence had moved on. In that sense, this book serves as a conclusion to the series. That said, I’ve attempted to set the world up such that I could continue to tell stories with these characters in new situations. One could see it as the first book of a new story arc, or possibly a transition from the old story arc to a new one. In fact, my story “Fountains of Blood” in the anthology Straight Outta Tombstone is set about ten years after the events of Owl Riders, so new stories can definitely be told.

In the end, a lot will depend on how well all the books continue to sell. That will determine my publisher’s interest in acquiring more books in the series. If you’re already a fan of the series, please spread the word. If you’ve dropped by this post and I’ve piqued your curiosity about the books, you can explore more at the links below. You can read the first chapter of each book as well as find links to your favorite retailers.

New Orleans Pharmacy Museum

I’ve been spending much of this last week revising my fourth Clockwork Legion novel Owl Riders. This is the pass when I’m working to make sure the novel is internally consistent, clean up the prose, get rid of all but the most essential of those pesky adverbs, and make sure the scenes are not too rushed nor bogged down with info dumps. This is also the pass where I attempt to touch up the history. Although I try to get things correct in the first pass, I sometimes find there are details that add credibility to the story.

When I was recently in New Orleans, Marita Crandle of Boutique du Vampyre recommended I visit the New Orleans Pharmacy Museum. The suggestion was uncanny because I had not told her about the character of Fatemeh in my Clockwork Legion novels. Those who’ve read the books know she’s a healer. As the books continue, she seeks more formal training. By the beginning of Owl Riders, she has a pharmacy degree. The timing is not inconsistent with history. The woman to get a pharmacy degree was Mary Corinna Putnam Jacobi, who graduated from the New York College of Pharmacy in 1863. So, a trip to the Pharmacy Museum seemed in order.

The New Orleans Pharmacy Museum is on Chartres Street in New Orleans’ French Quarter on the site of America’s first licensed pharmacy. It’s about a block away from the site of the fictional pharmacy in Owl Riders. In history, the bottles of brightly colored liquids in the front window known as “show globes” weren’t just decorative. If all the bottles in the window had the same thing, you knew there was an epidemic in the city the pharmacy had plenty of the remedy in stock. If the bottles were multiple colors, the pharmacist was advertising their skills compounding a variety of medicines and cosmetics. Yes, compounding cosmetics was part of an early pharmacist’s job. They might also have a soda fountain, since the forerunners of modern soft drinks were believed to be tonics of one variety or another. Here’s a look at the kinds of bottles and shelves that would have stood behind the counter of a nineteenth century pharmacy such as the one I have in my novel.

If you visit the museum, I highly recommend going in time to hear the daily presentation. When I visited, that happened at 1pm. The museum’s website is http://www.pharmacymuseum.org/ and you can check for any updates, plus they have several photos of their exhibits. During the tour, they discussed the history of the pharmacy on the site, the practices of early pharmacies, and how early drugs were administered.

Of course the museum tour pointed out that one of the reasons New Orleans started licensing pharmacies was to make things more difficult for traditional healers, many of whom were female and people of color, a fact that’s true of my character Fatemeh. This was already a subject I’d addressed in the novel, but in this last week’s pass I added just a little bit to show how she had to work to overcome officials who might not welcome her services.

Get ready for Owl Riders by reading the three novels that come before it. Who knows, you might find the cure for what ails you!

Revision Hell

This past week, I’ve been reading and revising my rough draft of Owl Riders, getting in shape for beta readers and ultimately getting it ready to submit to my publisher. Despite the post’s title, the process hasn’t been hellish, but it does eat time. Owl Riders is the fourth novel in my Clockwork Legion series and the fun of this process is that I enjoy playing in this world. It’s because I enjoy it that I feel I have a responsibility to tell the story in the best way possible.

I’m a believer that to succeed in writing, you need to sit down and write. As with my other recent novels, I wrote Owl Riders on my weeks off from my observatory job. Typically, I managed two chapters every other week. I didn’t worry too much about getting just the right words the first time through. I wrote from an outline to keep me on track and help me know where I was in the story, but I didn’t worry too much about tracking details. So my job this time around is to assure continuity, make sure I didn’t repeat facts I already conveyed in earlier chapters, and improve the prose so I tell the story in the best way possible.

To do this, I employ a three-prong approach for each chapter. First, I make a pass through the printed manuscript, rereading and making changes. I also make notes of facts I should remember for later chapters. Some of these facts are just matters of maintaining consistency of small details through the novel. Some of these facts are things I’d forgotten I highlighted, but are fun to revisit later in the novel as the characters have grown. I recently acquired a copy of Scrivener, the book writing software from Literature and Latte. It’s been a great help keeping those notes handy so I can check them as needed.

My second pass through each chapter uses a technique highlighted in the book, The 10% Solution by Ken Rand, which I’ve mentioned in other posts. My publisher also recommends following the book’s approach before submission. In short, the book highlights several common overused words (the infamous adverbs, the verb “to be”) and filler words (things like “of,” “about,” and “by”) that are all too easy to drop in your manuscript when you’re writing. The idea is to search for these words and then evaluate the phrase where it occurs and decide if you could find a better way to say it. I tend to catch a lot of this in the first pass, but searching always highlights more of these. The important thing about Ken Rand’s technique is that he doesn’t say you must make changes when you find these things. He just suggests evaluating the sentence and seeing if you can say it better. I usually make several revisions in this pass.

My third pass is to read each chapter aloud. This helps me smooth out prose from the first two passes, helps me to hear where I may have repeated phrases, and I often catch important elements I either cut or never wrote in the first place.

At this point, I’m about halfway through the revision pass. I hope to get more work done during my next break from the observatory. In this fourth novel, the Apaches have built battle wagons and they’ve carved out a land claim in Southern Arizona. Ramon is pulled into the conflict. Meanwhile, the man Fatemeh was once betrothed to in Persia seeks retribution for her decision to run away. If you haven’t already, be sure to read the first three novels in the series. The links below will take you to pages with more information and purchase links. All of the books are available in print and as ebooks. The first two novels are also available from Audible as audio books!