Revisiting Dune

Back in October, at MileHiCon, I picked up a copy of the Dune graphic novel scripted by Brian Herbert and Kevin J. Anderson, based on Frank Herbert’s 1965 novel. As I prepared to revisit the world of the first novel, I realized it had been some thirty-eight years since I’d read the novel. The first time I read the novel was during the summer of 1984 around the same time as David Lynch’s movie adaptation came out. Since adapting a chapter of my novel Dragon’s Fall: Rise of the Scarlet Order Vampires into comic book format, I’ve been interested in seeing how other novel adaptations are handled. So, I decided to reread Dune and then read the graphic novel. Because Dune has recently been adapted to the big screen again, I also decided to see how the new movie compared to the book.

The novel Dune is divided into three parts titled “Dune,” “Muad’Dib,” and “The Prophet.” The graphic novel is a faithful adaptation of part 1, which takes us roughly through a third of the novel. The character and machine designs were developed by the artists Raúl Allén and Patricia Martín. They used their own interpretation and didn’t base the art on designs used for either of the movies or the SyFy Channel’s miniseries. I found most of the characters – including our young protagonist Paul Atreides, along with his parents Duke Leto and the Lady Jessica, and Baron Harkonnen – were a good match for the way I pictured those characters when I read. Overall, I liked the way they visualized machines such as the spice harvesters on the planet Arrakis. They imagined quite bird-like ornithopters in their novel, which seemed almost closer to how I picture my steampunk ornithopters in the Clockwork Legion series than how I pictured the more high tech versions of Dune. Still, it proved a valid interpretation. I was impressed by how closely the graphic novel stuck to the novel’s plot. I didn’t notice any cut scenes. Of course, description was pared down and the art was allowed to show the settings and action while the characters spoke their dialog. I haven’t checked to see if the dialogue was word-for-word, but certainly the most memorable lines were repeated in the graphic novel. I likely will add volume 2, “Muad’Dib” to my collection as well.

Denis Villeneuve’s 2021 movie adaptation of Dune is also “part 1.” In this case, the movie includes all of “Dune” and most of “Muad’Dib.” By my reckoning the movie covers a little over sixty percent of the novel, ending around the close of Chapter 33. The movie adds some scenes not in the novel, such as the scene where a contingent arrives from the emperor to notify Duke Leto that he’s been granted stewardship of the planet Arrakis. The scene cleverly shows us many important story elements without them needing to be explained, such as the importance of the Duke’s signet ring and the political power wielded by the Bene Gesserit sisterhood. The movie also does a nice job casting characters who, for the most part, resemble characters as I imagine them. In particular, I really liked Josh Brolin as Gurney Halleck and Dave Bautista as Glossu Rabban. I especially liked Stephen McKinley Henderson as the Mentat Thufir Hawat, because he reminded me of my uncle. Like Hawat, my uncle had a distinguished military career and while he was very loving to me, I always detected that there was a fierce commander underneath. As for the tech, I really liked the movie’s depiction of the ornithopters. These machines captured almost exactly what I pictured when I read the book. Given that the movie didn’t try to cover the entire novel and that the graphic novel did a very good job of including scenes of political intrigue, I was a little disappointed that many scenes from the novel were cut from the movie. Overall, the movie did a good job of telling the novel’s story, but it felt like it favored action over the complex machinations of many parties shown in the novel.

Overall, I enjoyed both the graphic novel adaptation and the movie, but I’m especially glad the two gave me an excuse to reread Frank Herbert’s classic novel. If you want to read my comic adaptation of a chapter from Dragon’s Fall, visit http://davidleesummers.com/Tales-of-the-Scarlet-Order.html to learn how to get a copy for yourself. If you want to see a scene from my novel The Astronomer’s Crypt adapted for the screen for free, visit http://davidleesummers.com/Astronomers-Crypt.html

Owl Dance Update

I hope my readers in the United States are having a good Thanksgiving weekend. I’m spending the weekend with family and reflecting on those things I’m thankful for. One of the things I’m thankful for has been the opportunity to work with some great publishers and editors over the years, such as Sky Warrior Book Publishing who published my Clockwork Legion steampunk series. Sky Warrior connected me with some great editors, gave me excellent marketing tips, and generally supported my efforts as an author. Still, after some discussion this fall, we decided it was to our mutual advantage for Sky Warrior to return the publishing rights to me. We’re parting ways, but I’m thankful that we’re parting ways as friends.

Owl Dance

The new edition of the first book in the series, published by Hadrosaur Productions, is now available. The new edition hasn’t changed much from the previous one. The paperback edition has a spiffy new layout featuring some cool-looking separators designed by Laura Givens. Laura also remixed the cover slightly to make it a little brighter. I only gave the book a cursory edit, looking for any minor copyedits that might have been missed. Partly that’s because the wonderful audiobook edition read by Edward Mittelstedt is still available and I don’t want to revise the text so the audio and text don’t match. I hope to make the new edition of Lightning Wolves available in about two weeks.

Owl Dance is set in 1876. In the novel, Sheriff Ramon Morales of Socorro, New Mexico meets a beguiling woman named Fatemeh Karimi of Persia, escaping oppression in her homeland. When an ancient lifeform called Legion comes to Earth, they are pulled into a series of events that will change the history of the world as we know it. In their journeys, Ramon and Fatemeh encounter mad inventors, dangerous outlaws and pirates. Their resources are Ramon’s fast draw and Fatemeh’s uncanny ability to communicate with owls. The question is, will that be enough to save them when a fleet of dirigibles from Czarist Russia invades the United States?

Richard Harland, author of some of my favorite steampunk novels, including Worldshaker and Song of the Slums, says, “Owl Dance has everything. Airships, owl-ornithopters, a clockwork wolf, a multiple alien entity, a fast-shooting sheriff, a Russian plot to conquer America, and a very sexy, eco-aware, Bahá’í Persian healer-woman – I mean everything! Heaps of fun!”

If you’ve already read and enjoyed Owl Dance, thank you for your support. If you haven’t discovered the series yet, this is a great time to start. As I say, the new edition of the sequel, Lightning Wolves will go live in about two weeks. After that, it’ll probably be about six weeks before the final two novels are published, since I need to finish some editing and layout work on two new Hadrosaur titles from Greg Ballan and Lyn McConchie.

You can purchase the paperback edition of Owl Dance at Amazon.com.

The ebook edition is available at Amazon.com and Smashwords.

Edward Mittelstedt’s reading of Owl Dance is available at Audible.com.

The book should be appearing at more vendors soon. You can see a book trailer and find all the places where the book is available at http://www.davidleesummers.com/owl_dance.html

Road Trip to the Grand Canyon

This year, the Airship Ambassador’s Steampunk Hands Around the World event is going on a road trip and exploring new places. One of the things I’ve enjoyed doing when writing my Clockwork Legion books is visiting places around the world and imagining them with a steampunk twist. So, I thought it would be fun to visit some of the places that appear in the novels and share my connection to them. For this first post, I’m going to the Grand Canyon in Northern Arizona.

A lot of steampunk has a very urban and gritty feel set in places like London of the nineteenth century. However, in my novel Owl Dance, I introduced Professor M.K. Maravilla, an engineer and naturalist who builds machines to mimic the animals he studies. Because of that, you don’t tend to find him in urban environments, but out in nature. In Owl Dance, Ramon Morales and Fatemeh Karimi encounter the professor at the Grand Canyon.

The reason the professor is at the Grand Canyon is that he’s built ornithopters in the shape of owls so he can study how they fly. An ornithopter is an aircraft that flies by flapping its wings like birds. I actually had the idea for the ornithopters from a visit to canyon and seeing California Condors gliding on the canyon’s air currents. This was especially amazing to me because I grew up in California and remember a museum exhibit that discussed how California Condors were near extinction. I never figured I would ever see them in real life, yet I saw them flying and swooping over the canyon and couldn’t help but think how much fun it would be to be them, swooping and flying over the canyon.

The reason I used owls instead of condors in the story is two-fold. First off, the condors were introduced to the canyon as part of a breeding program to help increase their numbers. Even in 1877, while there likely would have been condors in the canyon, their numbers wouldn’t have been numerous. Second, Professor Maravilla develops an interest in owls from his association with Fatemeh Karimi. So, the interest had a direct narrative connection.

Back in 2015, while at Her Royal Majesty’s Steampunk Symposium, artist Laura Tempest Zakroff was selling her art next to us. I admired her wonderful artwork and commissioned an illustration of Professor Maravilla’s owl ornithopter. You can see her work above. In the novels, the professor sells the ornithopters to the army and the industrialist, Captain Cisneros, also develops his own version. The owl ornithopter in Laura Givens’ cover for Owl Riders is different from Tempest’s design, but Givens’ design reflects several years of in-world development!

I hope you’ve enjoyed this steampunk road trip stop. If you would like to explore Owl Dance and all the places visited in the novel, you visit http://www.davidleesummers.com/owl_dance.html to get more information and find all the places the novel is available.

Owl Riders Cover Reveal

This week, I have a special treat for all you patient readers. I’m proud to reveal the cover of Clockwork Legion Book Four, Owl Riders. I think Laura Givens did an outstanding job. Hope you like it as well. What’s the book about? Scroll past the cover to learn more.

When Fatemeh Karimi married Ramon Morales, she neglected to share one small detail. She was already betrothed to a merchant named Hamid Farzan. She had no interest in Hamid or an arranged marriage. She wanted to live life on her own terms. Eight years after marrying Ramon, she assumed Hamid had long forgotten about her, as she had him.

Settled in New Orleans, Ramon works as an attorney, Fatemeh owns a pharmacy, and they’re proud parents of a precocious daughter. Out west, Apaches armed with powerful battle wagons have captured Fort Bowie and threaten Tucson. Businessmen with an interest in a peaceful solution ask Ramon to come west and settle the conflict. Meanwhile Hamid arrives in New Orleans and he has not forgotten Fatemeh or her vows to him.

Now, the famed Owl Riders must assemble once again to reunite Ramon and Fatemeh so they can tame the Wild West.


The book is currently scheduled for release this spring.

While you’re waiting for the book’s release, you can read a preview of the first chapter at: http://www.davidleesummers.com/Owl-Riders-Preview.html. Enjoy!