Discovery

At long last, the first season of Star Trek: Discovery has been released on DVD, BluRay, and iTunes. As a result, I was finally able to watch the season. That said, I should note that nothing actually prevented me from subscribing to CBS All-Access to watch the show there before it came out on home media. In fact, a few weeks ago, I gave in and subscribed for the trial period just to check it out. What I learned was that even when I viewed CBS All-Access from the highest speed internet I had available, I still experienced pauses and video glitches that detracted from the viewing experience. Also, as I suspected, I didn’t find enough available on CBS All-Access to feel compelled to stick with the service. I decided I’m content to wait a year for the series to appear on home media.

As for the series itself, I enjoyed it … mostly. As I’ve mentioned before, I grew up as a Star Trek fan. I would run home from school and anxiously turn on the TV to catch episodes of the original series. Star Trek was, in many ways, the series that’s responsible for the start of my writing career. This new incarnation of Star Trek is set about a decade before the original series and the first season tells the story of the Federation’s war with the Klingon Empire. The story is told from the point of view of Michael Burnham, who starts out as first officer of the U.S.S. Shenzhou. In an attempt to stave off war, she commits an act of mutiny and ultimately ends up being recruited by Captain Lorca of the Starship Discovery to help in the war effort. It turns out that the Discovery has a special new type of drive that utilizes a biophysical network to transport it almost instantaneously from one place to another. Over the course of the series, we get to see plenty of Klingon politics, the return of original series villain Harry Mudd, and a return to the Mirror Universe where humans have formed a tyrannical empire.

I liked how the series used the Klingons to explore issues of cultural assimilation and appropriation. In the original series, Harry Mudd was something of a comic foil for Captain Kirk. In the new series Rain Wilson managed to give Mudd a decidedly dark and sinister twist. I thought the deeper exploration of the mirror universe was pretty cool. I enjoyed all the actors and was especially pleased to see the navigator and helmsman of Discovery both played by women. I felt the season-long story arc suited Star Trek. I also really liked the almost “lower decks” approach to the show where we see the action through the eyes of people who are not the most senior officers. What’s more, this series improved on Star Trek: The Next Generation where for all their high-minded talk of equality, the senior officers often took an almost elitist approach to their juniors.

My main problem with the series is the so-called spore drive. While I don’t have an intrinsic problem with the idea of a biophysical network that spans the universe and perhaps even bridges universes, I wasn’t so keen on the idea that it would provide an almost magical way of letting you move instantly between two quite distant points. Also, while I liked the season-long story arc, I felt it wrapped up just a little too neatly in the final episode and the solution relied on the Klingon homeworld being constructed in a way that seems inconsistent with our understanding of planetary geology.

Those issues noted, I liked it enough that I’ll almost certainly be back for season two … when it comes out on home media.

As I mentioned earlier, Star Trek was responsible for the start of my writing career. My first, albeit unpublished, novel was set between the end of the original series and the first movie. When I learned that it was unlikely that I could publish that novel because I was a young, untested writer, I created the starship Legacy and Captain Ellison Firebrandt. Because Firebrandt is a privateer, he ended up being quite a bit different than Captain Kirk. Monday is the official release day for my latest book set in this universe, Firebrandt’s Legacy. The ebook is available right now for pre-order at Amazon, Barnes and Noble, Kobo, and Smashwords. I can’t quite control the release date for the print edition to the same degree as the ebook, but I expect it to be available by Monday. The Amazon link should indicate when it’s live.

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