Hearing My Own Words

Last week, I finally had the chance to hear the audio book edition of my novel Owl Dance. It might surprise you to hear that I didn’t get a chance to listen to it until after it was released, but by contract, my publisher has the right to create an audio edition and there’s nothing in the contract that says I have a right of approval. My approval process wrapped up when the publisher and I agreed the novel was ready for print.

It might sound like I’m complaining about the process, but that couldn’t be further from the truth. In fact, a lot of work goes into writing, editing, and promoting my books…not to mention my other full-time job operating telescopes. It was actually kind of nice to let my publisher handle all the logistics behind arranging the production and proofing the final product. I was glad to know another edition of my book was coming out and I didn’t have to add another task to my plate to make it happen.

So, what did I think of the final product? I think narrator Edward Mittelstedt did a fine job. He had a great range of voices and a nice delivery speed that was clear and understandable. His pronunciation of names like “Fatemeh” and “Maravilla” were somewhat different than mine, but they weren’t wrong. In particular, he pronounces “Maravilla” in a kind of a South American accent, which suits the character.

Recently a friend asked if I had a difficult time enjoying the books I read. Her thought was that as a professional writer and editor, I might be so busy critiquing books I read that I couldn’t just sit back and enjoy them. My answer was that I’ve reached a point where I can read books critically, but still enjoy them. The critical part of my brain is sort of like a background task I can access when needed.

That said, I found listening to my own book was much more difficult than listening to books by other authors. Time has passed since I wrote the book and I have gained a new perspective on my words hearing them read by another person. I found myself critiquing my word choices, plot, and character decisions all through the story. Despite that, my overall impression of the book was positive. I felt like I heard the kind of story I like. That said, there were word choices and particularly some repeated phrases I wouldn’t mind revisiting if the chance ever presented itself.

I’ve come to the point where I strongly recommend writers read their work aloud at some point during the edit. It helps you hear phrases you use too often or too close together. I hadn’t quite reached the point where I was doing that regularly when I wrote Owl Dance and I caught a few places where it showed. I’ve taken the lesson to heart and will be applying it as I go forward. Hopefully these issues attracted my attention because I was listening at a more detail-oriented level than most listeners (or readers) will.

If you’d like to travel back in time to an 1877 that wasn’t, but could have been if a sheriff and a healer started wandering the West together while a visitor from the stars encouraged the Russian Empire to unify the world under one leader, you can read a sample chapter and find links to all the books editions at http://www.davidleesummers.com/owl_dance.html

Gordon’s Alive!

This weekend I’m at El Paso Comic Con in El Paso, Texas. If you’re in the area, I hope you’ll drop by. For most of the weekend, you’ll find me at booth A77 in the Vendor Hall. You can learn more about event at http://elpasocomiccon.com/

Just over a month ago, I mentioned having the opportunity to meet Sam J. Jones, who played Flash Gordon in the 1980 movie of the same name. I bought this lovely Alex Ross poster based on the movie and he signed it for me.

Ever since then, I’ve been renewing my acquaintance with Flash Gordon. I first discovered the character watching the serials on Sunday afternoon television. I remembered them fondly enough that I was eager to see the Dino De Laurentiis film in 1980. The problem was, I was exactly the wrong age for the film. At that time in my life, I took my science fiction way too seriously. I loved Star Trek because of its serious approach to the future. Star Wars was fun, but I almost found it a guilty pleasure. The camp approach of Flash Gordon was just way over the top for me at the time.

Over the years, the 1980 Flash Gordon has grown on me. I’ve come to appreciate how fun the film is, especially with Max Von Sydow and Topol chewing the scenery as Ming the Merciless and Dr. Hans Zarkov respectively. In my most recent viewing, I even spotted a young Robbie Coltrane, best known to most people today as Hagrid from the Harry Potter films in a bit part. In a bit of twist, given my love at the time, Deep Roy who plays Keenser in the new Star Trek films even has a bit part in Flash Gordon.

Since watching the movie, I found a lovely collected edition of Alex Raymond’s original comic strips from the 1930s. I’ve been pleased to discover that the 1980 movie is, in many ways, a very faithful adaptation of the material. Really, my one disappointment is that Prince Thun of the lion men gets such a tiny moment in the film, and he’s not much of a lion man.

It strikes me that it’s very fitting to rekindle my interest in Flash Gordon at a steampunk convention. Flash Gordon really epitomizes what we mean when we talk about “retrofuturism.” Reading the original comics is a view of the future as people saw it thirty years before I was born. The 1980 movie worked to recapture that retrofuturistic perspective.

I also see a lot of the high octane excitement that fuels my adventure stories whether they be set in the future or the past. Hopefully I do slow it down a little bit. Whereas I try to make sure something exciting, or at least interesting, happens in each chapter or section of a chapter, the comics literally work to assure something exciting happen in every panel. It’s a little stunning to see how often the word “suddenly” appears leading a panel of narration.

I should note, these strips are as much or perhaps more over the top than the 1980 film. I nearly lost it when Flash, Dale, and Dr. Zarkov are suddenly beset by Squirlons—flying squirrels from the Planet Mongo whose bite induces madness! Also near the end of this volume, Flash Gordon goes on to don essentially the same outfit Zapp Branigan would wear in Futurama. Reading the comic also informed me that Jabba the Hutt makes Princess Leia do a Dale Arden cosplay in Return of the Jedi. Dale wears almost exactly that infamous outfit throughout the first half of the book.

It’s clear Flash Gordon flying around in rocket ships with fins and battling dinosaurs, dragons, and shark men isn’t serious science fiction, but it sure is fun. As I’m writing Owl Riders, I hope to emulate some of that fun as ornithopters and air ships fill the sky and Apache battle wagons give the cavalry trouble in Arizona. In the process, I hope to make it just a little more plausible so you might wonder if it really could have happened. Meanwhile, I hope to use a few less adverbs in the process. Although I might have to sneak in at least one “Suddenly” as a tribute.

Steampunk Art Fest and More Aliens With Tentacles

Today, I’ll be in El Paso, Texas for the Steampunk Art Fest, being held at Barmen Kitchen and Patio at 4130 N. Mesa from 2 until 9pm. Although work at Kitt Peak National Observatory will call me away, the fun will continue on Sunday from 4 until 9:30pm. There will be a fire show, live music, and a costume contest, plus steampunk artists. I will be there today and will have a selection of my books available and will be happy to chat with you!

This past week, I’ve been catching up with some 2016 films I missed. One of them was the fine science fiction film, Arrival, starring Amy Adams and Jeremy Renner. It tells the story of twelve mysterious alien spacecraft that land around the world. Every few hours, the aliens open the door and allow people in to talk to them. Adams plays a linguist attempting to understand their language while Renner plays a physicist.

The aliens in the film prove to be a fine example of aliens with tentacles, which I wrote about back in February. These creatures have seven legs and look like giant octopi or squids.

Another fascinating aspect of these aliens is that they don’t perceive time linearly like humans do. This leads the characters to ask whether they would make the same choices if they knew the future as they would if they didn’t. I don’t want to give away too many specifics because that risks spoiling the movie’s central mystery. However, it struck me that these aliens are not unlike the character Legion in my Clockwork Legion novels.

Legion does see time linearly like humans, but he is a living consciousness transferred into a vast computational array with tremendous predictive abilities. Legion’s appearance on Earth helps to give rise to the steampunk alternate reality. In my case, I worked to avoid the deus ex machina kind of plot where Legion simply tells humans how to build advanced technology. Rather, I use Legion as a means to clear away all doubt. Humans design the machines and Legion tells them whether or not they’re possible. This in turn means the leaders of society are willing to fund those inventions ahead of their time. Of course, another aspect of Legion is that he doesn’t always make the best choices about which humans to talk to.

If you’d like to meet Legion, be sure to check out the novels at:
http://www.davidleesummers.com/books.html#clockwork_legion

The Wild West I Wished For

Today, I’m excited to be at the Tucson Festival of Books at the University of Arizona campus in Tucson. It’s a free event, so if you’re in the area, I hope you’ll drop by. I’m participating in two panels this weekend and will be available after both to sign books.

Last weekend, I was at Wild Wild West Con, at Old Tucson Studios where many classic westerns were filmed. When I grew up, my parents were big fans of westerns. My mom, in particular, was always delighted to find a good “shoot-em-up” on television during a Sunday afternoon. Unfortunately, I wasn’t much of a fan of westerns, at least not at first. It wasn’t until I discovered TV series like The Wild Wild West and Kung Fu that westerns began to click for me. As a kid, I loved science fiction and the former mixed tropes I found familiar into the western backdrop, which helped me take notice. The latter took the clash of cultures that often happened in the west seriously and I could see similarities between that world and the multicultural world of Southern California I lived in at the time.

A lot of these elements come to life at Wild Wild West Con. The event started for me on Thursday night at opening ceremonies, where I got to catch up with some old friends from other steampunk conventions. The next morning, I drove out to Old Tucson Studios to unload books. This year, the authors were housed in the building where they filmed the exteriors for the show High Chaparral. Here you see my Smart Car parked out front!

One of the things I love about steampunk conventions is getting to see the wonderful things people have built for costume or display. This year, outside of High Chaparral, was a display of steampunk vehicles. I thought this one could almost be a reinterpretation of Larissa Crimson’s invention from Lightning Wolves, or an evolved version of the vehicle.

The person who built this amazing vehicle is David Lee, principal artist of Hatton Cross Steampunk. He’s also the man behind the mask of Steampunk Darth Vader in the short films Trial of the Mask and Mask of Vengeance. Perhaps it’s not surprising that every now and then people confuse the two of us in correspondence. So it was a pleasure to finally meet David Lee and I was delighted to find him a pleasant person, as many people in the steampunk community prove to be.

In addition to meeting Steampunk Darth Vader, I also had the opportunity to meet Sam Jones, who played Flash Gordon in the campy 1980 movie. I also enjoyed meeting the creators of the comic book Proteus about steampunk fish people who live in the sunken Atlantis. The creators are all cosplayers and came dressed as their characters.

One of the things I’ve always appreciated about steampunk is how it sometimes imagines a more civilized version of Victorian and Wild West times. One of the ways that manifests is through the sport of tea dueling. In a tea duel, participants dunk a cookie in a cup of hot tea for a set amount of time. The last one to eat the cookie without it falling apart and soiling their clothes is the winner. At many steampunk events the masters of ceremonies are Madame Askew and the Grand Arbiter. Here we see them with my daughter who is a tea dueling contestant. Not only was my daughter a contestant, she proved to be Wild Wild West Con’s tea dueling champion!

One of my goals as a writer is to inspire the imagination of people who play in steampunk worlds. What’s more, going to steampunk events helps to inspire my creativity. Wild Wild West Con came at the perfect time as I’m moving into the middle portion of my new novel Owl Riders. For me, that’s right about the point I need a little boost to keep the energy flowing. Right after Wild Wild West Con, I learned that my first steampunk novel was released as an audio book, narrated by Edward Mittelstedt. The book is available for download at Audible.com. If you’re a fan of audio books, I do hope you’ll join me for a journey into the wild west I wished for.

Read an Ebook Week

Smashwords’ ninth annual Read an Ebook Week promotion is underway and Hadrosaur Productions is proud to participate. We’re offering the following titles at a 50% discount. This includes our brand new collection of short stories about planets discovered by the Kepler space telescope: Kepler’s Cowboys. To take advantage of the discount, simply go to the link, add the book to your cart and use the discount code RAE50 on checkout.


Kepler’s Cowboys

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NASA’s Kepler Space Telescope has discovered thousands of new planets.

Visiting, much less settling, those worlds will provide innumerable challenges.

The men and women who make the journey will be those who don’t fear the odds.

They’ll be Kepler’s Cowboys.

Saddle up and take an unforgettable journey to distant star systems. Meet new life forms—some willing to be your friend and others who will see you as the invader. Fight for justice in a lawless frontier. Go on a quest for a few dollars more. David Lee Summers, author of the popular Clockwork Legion novels, and Steve B. Howell, head of the Space Sciences and Astrobiology Division at NASA Ames Research Center, have edited this exciting, fun, and rollicking anthology of fourteen stories and five poems by such authors as Patrick Thomas, Jaleta Clegg, L.J. Bonham, and many more!

Kepler’s Cowboys is available at: https://www.smashwords.com/books/view/698694


A Kepler’s Dozen

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Of course, if you’re going to explore the Kepler planets, I know you’re going to want to get them all!

A Kepler’s Dozen presents thirteen action-packed, mysterious, and humorous stories all based on real planets discovered by the NASA Kepler mission. Edited by and contributing stories are David Lee Summers, editor of Tales of the Talisman Magazine, and Steve B. Howell, project scientist for the Kepler mission. Whether on a prison colony, in a fast escape from the authorities, or encircling a binary star, these exoplanet stories will amuse, frighten, and intrigue you while you share fantasy adventures among Kepler’s real-life planets.

A Kepler’s Dozen is available at: https://www.smashwords.com/books/view/325583


Revolution of Air and Rust

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1915. Teddy Roosevelt is building an empire. Only Pancho Villa stands in his way.

The American Expeditionary Force under the command of General “Black Jack” Pershing has invaded Northern Mexico. Pancho Villa leads his revolutionary army in a desperate raid against the American force only to be outflanked. Just as Pershing’s airships prepare to deliver the death blow, Pancho Villa is transported to a parallel Earth where he finds an unexpected ally and the technology that might just turn defeat into victory.

Revolution of Air and Rust is a stand-alone novella set in the Empires of Steam and Rust world created by Robert E. Vardeman and Stephen D. Sullivan. A story filled with military action, espionage and gadgetry that’s sure to satisfy fans of steampunk and alternate history.

Revolution of Air and Rust is available at: https://www.smashwords.com/books/view/254622


Sugar Time

Sugar Time

Her name is Sugar. Sugar Sweet. But never EVER call her “Sweetie.”

When Sugar’s Uncle Max falls ill and his collaborators disappear, she investigates the old Victorian mansion where he conducted his research. She soon finds the collaborators—or what’s left of them—along with an angry Neanderthal. She also finds her uncle’s research project, a working time machine. Sugar must act quickly to unlock the secret of time travel so she can set things right and protect her uncle’s research.

Sugar Time collects Joy V. Smith’s Sugar Sweet stories into one volume.

Sugar Time is available at: https://www.smashwords.com/books/view/567992

Wild Wild West Con 6

Next weekend, I’ll be a participating author at Wild Wild West Con in Tucson Arizona! The event is being held from March 3-5 at Old Tucson Studios. Among this year’s guests are Thomas Willeford from the TV show Steampunk’d and Sam Jones from the movie Flash Gordon. There will be workshops, panel discussions, and evening concerts. The bands performing include The Cog is Dead, Frenchy and the Punk, and Celtica – Pipes Rock. For more information about the event be sure to visit the convention’s web page at: http://wildwestcon.com

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This year’s theme is “Cthulhu for President.” My schedule for the weekend is as follows:

Friday, March 3

  • Noon-1pm – Aristocrat Lounge – Reading. I will be in the Aristocrat Lounge to entertain people with a steampunk story inspired by the Cthulhu Mythos.
  • 2pm-3pm – Arizona Theater – Invaders from the Depths of Space. Percival Lowell’s observations of canals on Mars led to stories of invasion from space and ultimately helped to lay the foundation for the Cthulhu Mythos. A look at the science that gave rise to a literary movement.
  • 4pm-5pm – Courtroom Center – Steampunk Authors. The authors attending Wild Wild West Con talk about their process creating the steampunk stories you love.

Saturday, March 4

  • 11am-Noon – Chapel – Steampunk and the Cthulhu Mythos. Writers discuss the Cthulhu Mythos, the works of H.P. Lovecraft, and how they can be brought together with the steampunk aesthetic to create new tales of terror.
  • 1pm-2pm – Aristocrat Lounge – Reading. A special event for those who purchased Aristocrat tickets, Diesel Jester and I will read from our works. This reading is flagged for adults only.

Sunday, March 5

  • Noon-1pm – Sheriff’s Office – The Weird Wild West. Weird Westerns are stories that imagine strange happenings in the Wild West. Authors discuss how they are they similar and different from steampunk stories. Can they be one and the same?

If you’re in Southern Arizona next weekend, I hope to see you at Wild Wild West Con. When I’m not on panels, you can find me at High Chaparral where I’ll be selling my books.

Making Life Better Through Astronomy #SHaW

The first stirrings of what would become my interest in steampunk happened the year K.W. Jeter coined the word in a letter to Locus Magazine. During the summer of 1987, I worked at Maria Mitchell Observatory on Nantucket, observing pulsating variable stars with an early twentieth-century telescope driven by a wind-up clock drive.

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I would go on to publish those results and present them at Harvard College Observatory. The idea that I could explore the universe with equipment built in the Victorian era stuck with me through the years and eventually blossomed when I started writing steampunk and weird western stories.

When I started attending steampunk events about five years ago, the maker culture reminded me of my introduction to astronomy. A few years before I worked at Maria Mitchell Observatory, I joined an amateur astronomy club and was encouraged to build a Dobsonian telescopes. Designed by amateur astronomer John Dobson, these inexpensive, easy-to-build telescopes allow anyone with an interest to look at planets, stars, and beyond. This history combined with some extra motivation from one of my daughter’s science projects, led us to build a little steampunk Dobsonian telescope.

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The telescope’s tube is, in fact, cardboard, but I gave it a coat of brass paint as a tribute to the Alvan Clarke and Sons telescopes I worked with on Nantucket and which drove so much science through the Victorian era. Having built this telescope, we have since taken it to steampunk and science fiction conventions where we’ve viewed planets and nebulae. Here’s my daughter setting up the telescope on the deck of the Queen Mary at Her Royal Majesty’s Steampunk Symposium in 2015.

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I’ve also conducted workshops, using the steampunk telescope as an example of how easy and satisfying it is to build your own small telescope.

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It’s exciting when people look through a telescope like this and realize they can peer into moon craters, see the rings of Saturn, or the ghostly Orion Nebula. For them, science has left the textbook and become something they can access. There’s even more magic when people realize they can get those kinds of views with something they built themselves. If you’re interested in building a telescope like this for your own enjoyment, I wrote two posts that should help you get started and include links to more detailed information.

This post is part of Steampunk Hands Around the World. Visit the Airship Ambassador for more information and to visit more great posts on the topic!

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