Halloween Reading

In the lead-up to Halloween, I’ve been indulging in a mix of comic books and novels that fit the season. Throughout the year, I’ve been reading the Van Helsing Versus the League of Monsters miniseries published by Zenescope Entertainment. This month saw the release of the finale, so I took time to re-read the entire series. October’s selections for the Vampyre Library Book Club were the first two novels in Charlaine Harris’s “True Blood” series, Dead Until Dark and Living Dead in Dallas.

At their roots, Halloween and horror fiction are about humans facing the one thing they can never escape—death. The confrontation can bring out the best and worst in people. They might face death with bravery and dignity or they might do everything they can to run away from it. They may even try to cheat death, but that usually has horrible consequences.

The “True Blood” novels tell the story of telepathic cocktail waitress Sookie Stackhouse who has started dating a vampire named Bill Compton. In Dead Until Dark, a murderer is stalking women who date vampires. Of course, Sookie would like to see this murder caught before they come for her. Along the way, her grandmother is killed, her brother is thrown in jail, and Sookie must face the real murderer. In the second novel, Bill is asked to bring Sookie to Dallas to help solve the mystery of a vampire’s disappearance. She ends up a captive of a church who wants nothing more than to see all vampires destroyed. I’ve been enjoying these novels because Sookie is an ordinary person who rises to extraordinary heights when confronted by death.

Van Helsing Versus the League of Monsters is sort of a cross between a superhero comic and those great Universal Monster Mash-ups of the 1940s like Frankenstein Meets the Wolf Man or The House of Frankenstein, which adds Dracula to the mix. Zenescope’s title character is Liesel Van Helsing, daughter of the famous vampire hunter. In this set of comics she teams up with other Zenescope heroines such as Robyn Hood and Angelica Blackstone to face off against Dracula, Frankenstein’s monster, a group of werewolves and more. As with most comics, the heroines of Van Helsing face death with a quip upon their lips and stylish action, but they are ready to throw their lives on the line for humanity.

Both sets of books are good fun romps. Of course, both have vampires in common. I’ve long been fascinated by the different ways vampires are used in fiction. Sometimes they’re the implacable monsters who have seemingly defeated death. Sometimes they exist as a metaphor for addictive behavior. Some vampires are heroes and many are villains. I’ve long thought an extended life could either be a blessing or a curse. It all depends on what you do with it.

My Halloween reading doesn’t tend to stop on October 31. I’ll keep reading scary stuff well into November. Somewhere around Thanksgiving, I may turn to some lighter fare to get into the spirit of Christmas. Or maybe I’ll keep reading spooky stuff. Of course, it wouldn’t be Christmas if there weren’t a few ghosts lurking in the shadows. With that in mind, allow me to present you with a couple of Halloween treats. First is a reminder that Vampires of the Scarlet Order is November’s selection for the Vampyre Library Book Club. You can learn more by joining the Facebook group at: https://www.facebook.com/groups/663608917753704. I’ll be sharing behind the scenes looks at the novel throughout the month, then Vampyre Librarian Steven Foley will interview me at the end of the month. If you attend, you’ll be entered to win some cool prizes.

If you’re more interested in ghostly scares, you can pick up the ebook edition of my novel The Astronomer’s Crypt for just $1.00 at Smashwords until November 15. In the novel, astronomers, ghosts, drug dealers, and a monster from the beginning of time collide at a remote observatory during a violent thunderstorm. Use the coupon code YL57J on checkout. The book is at: https://www.smashwords.com/books/view/1025608

Happy Halloween!

The Astronomer’s Crypt Trailer – Take Two

In March, as most of the United States began to shut down for the COVID-19 pandemic, I received word that my publisher was willing to return the publishing rights for my novel The Astronomer’s Crypt to me. This was not altogether a surprise. I knew Lachesis Publishing was changing the focus of its business. Still, Lachesis had treated the book well and they had sold lots of copies, helping it to reach Amazon’s bestseller lists a couple of times. What’s more, it meant that the beautiful trailer I helped to produce with Eric Schumacher would be out of date since the trailer showed the original cover and pointed to Lachesis as a source for the novel. Fortunately, with the help of Eric and our director of photography, R.S. Francis, I was able to turn this issue into an opportunity.

Claire and Mike in The Astronomer’s Crypt: Get Out!

First off, as anyone who has watched a movie based on a book knows, screenplays are rarely a play-by-play of scenes from the book. You may get lines from the book and scenes that look just like a moment is described, but its rare that the movie is exactly the book. This is because books and movies have different requirements. A novel gets to spend a lot of time in a character’s head, giving the reader their thoughts. In a movie, you have to see the character’s actions. When we translated a scene from the novel to the screen, we did our best to give the impression of what was happening in a tense scene where telescope operator Mike Teter must leave astronomer Claire Yarbro alone in the telescope control room. Most of the scene focuses on Claire and what happens while she’s alone.

When I got the rights back, I had the opportunity to give the novel an additional edit. For the most part, this edit was pretty superficial. My editor at Lachesis had done a great job, though there were a few dropped punctuation marks and a missing word here or there. However, one thing that was especially fun was that I had the opportunity to revise the scene with Claire and Mike that we showed in the trailer to be more like the version we depicted. Again, it’s not exact because movies and novels have different pacing issues to consider. Also, the trailer has to tell the viewer things the reader already knows by this point in the novel. Still, I think I succeeded in making the scene from the book look just a bit more like the scene from the trailer.

What’s more, our cinematographer and effects artist, R.S. Francis stepped up and revised the end of the trailer to show the new edition of the book and update the information where the book is now available. It’s also been updated to even higher definition, so it looks really great if you watch this on a big screen. Without further ado, here’s the updated trailer:

Updated movie: The Astronomer’s Crypt: Get Out!

If you dare open The Astronomer’s Crypt after watching the trailer, you can find the new edition at the following places:

In print:

As an ebook:

Frightfully Good Deals

The annual Smashwords Summer/Winter Sale is underway. It gets its name because where I live in the northern hemisphere, readers are loading up their e-readers for great beach reading and vacations. In the southern hemisphere, it’s the middle of winter and people are spending time in a warm and cozy place reading. All of Hadrosaur’s titles are available at deep discounts this month and I’ll be highlighting them all month long here at the Web Journal. If you’re looking for a specific title, you don’t have to wait for me to highlight it, just visit http://www.hadrosaur.com/bookstore.php and click on the book you’re interested in. On its page is a link to Smashwords if its available there. The coupon codes for these discounts are automatically applied at checkout. One of the things I love about Smashwords is that they provide ebooks in all popular formats and they’re DRM free, so you can download them to your favorite device.

Today, I’m highlighting two of my horror novels. These are very different. Dragon’s Fall: Rise of the Scarlet Order Vampires is a historical novel that tells the story of a band of vampire mercenaries who came together during the dark ages. The Astronomer’s Crypt is a contemporary novel about astronomers, drug dealers, Apache spirits, and ghosts colliding on a mountaintop observatory on a terrible night. Pick these novels up now while the price is right and be ready for Halloween!


Dragon’s Fall

Three vampires. Three lives. Three stories intertwined.

Bearing the guilt of destroying the holiest of books after becoming a vampire, the Dragon, Lord Desmond searches the world for lost knowledge, but instead, discovers truth in love.

Born a slave in Ancient Greece, Alexandra craves freedom above all else, until a vampire sets her free, and then, she must pay the highest price of all … her human soul.

An assassin who lives in the shadows, Roquelaure is cloaked even from himself, until he discovers the power of friendship and loyalty.

Three vampires, traveling the world by moonlight—one woman and two men who forge a bond made in love and blood. Together they form a band of mercenaries called the Scarlet Order, and recruit others who are like them. Their mission is to protect kings and emperors against marauders, invaders, and rogue vampires as the world descends into the chaos of the Dark Ages.

Marita Wowod Crandle, author of New Orleans Vampires—History and Legend calls the novel, “A journey into the time of lords, battles, sailing the seas, and vampires. A wonderful escape into historical adventure.”

Buy Dragon’s Fall for just $1.00 this month at: https://www.smashwords.com/books/view/1025606


The Astronomer’s Crypt

Two years ago on a stormy night, in the dead of winter, Mike Teter experienced something that would change his life forever. Mike was a telescope operator at the world renowned Carson Peak Observatory in New Mexico. We won’t tell you what he saw that night on the mountain nor what happened afterward on a dark stretch of highway, because it would haunt you just as it has haunted Mike. But what we will tell you is that Mike is back at Carson Peak. And what he witnessed that night two years ago is about to become a reality…

My novel, The Astronomer’s Crypt, is pulled from over twenty years experience operating telescopes at observatories around the Southwest. You can make this journey into the dark side of astronomy for just $1.00 this month at: https://www.smashwords.com/books/view/1025608

Clearance Sale

As noted in the last two posts, I’ve released new editions of two of my novels over the last week. Unfortunately, the timing of these new editions has coincided with the Coronavirus pandemic, which means I’ve had canceled and delayed events. El Paso Comic Con has been delayed until October and Albuquerque’s Bubonicon has been canceled altogether this year. Because of that, I have a stock of the first editions of my novels that I’d like to clear out to make room for the new, updated editions and this means you can get a great bargain.

The first novel I have available is The Astronomer’s Crypt. This is my story of astronomers, drug dealers, ghosts, and a monster from Apache legend colliding on a remote mountain top during a ferocious storm. It draws a lot on my experience operating telescopes around the southwest and while it’s a good spooky story, it also gives you a sense of what it’s like behind the scenes at an observatory. There are few changes in the novel’s actual text between the two editions. The primary change in this book is a new round of proofreading. The copies I have are brand new and only have a little shelf wear from carrying them around to conventions. You can pick up a copy of the first edition for the bargain price of $4.50 plus shipping (that’s 70% off the cover price) at: http://hadrosaur.com/AstronomersCrypt.php

The other novel I have at a bargain price is Dragon’s Fall: Rise of the Scarlet Order. If you’ve been following the blog, you’ll notice that I’ve tacked on the word Vampires to the novel’s subtitle to help audiences know more what the book is about at a glance. Dragon’s Fall tells the story of three vampires, one of them known as “the Dragon” who form a band of vampire mercenaries. Staring in ancient Greece, we follow their adventures through the Middle Ages until they find themselves in the employ of Vlad the Impaler. I edited Dragon’s Fall a little more heavily than The Astronomer’s Crypt. Part of the reason is that I have learned a little more about the Arthurian lore that forms part of the story’s background and used that to enhance the mystery surrounding the vampire Roquelaure. As with The Astronomer’s Crypt, I put effort into a new proofread of the novel and I think the prose is a bit stronger, but this first edition tells substantially the same story in the same way as the new edition. You can pick up a copy of the first edition for the bargain price of $4.50 plus shipping (that’s 72% off the cover price) at: http://hadrosaur.com/DragonsFall.php

In both of these cases, I’d be delighted to autograph the books. These autographed first editions would be a great way to treat yourself in tough times or make a great gift for someone special. To request an autograph, just click the “Contact” link at the top of hadrosaur.com after you place your order and tell me you want your book autographed. If you’d like it personalized just tell me the name to sign it to.

The Astronomer’s Crypt 2nd Edition Now Available

This has been an eventful week. I spent the early part working on a draft plan for reopening Kitt Peak National Observatory during the COVID-19 pandemic. I think the team involved came up with a good, detailed plan. It came in at 13,000 words, the length of a novella! While doing this, I’ve been listening to the news of the death of George Floyd and protests associated with this terrible event. There should be no question that black lives matter and black voices need to be heard.

While all of this was going on, the second edition of my novel The Astronomer’s Crypt was released. This edition features a new cover, new formatting, plus my wife and I have gone over the new edition with a fine-toothed comb and cleaned up many typographical errors. I won’t guarantee we got them all, but this version should be an improvement over the previous edition. What’s more, it’s a little less expensive than the previous edition. So, if you haven’t yet, this is a great time to open the crypt and see what lurks within.

The story begins two years before the novel’s main events on a stormy night, in the dead of winter. On that night, Mike Teter experienced something that would change his life forever. Mike was a telescope operator at the world renowned Carson Peak Observatory in New Mexico. That night, he saw something and experienced events so terrible they would drive him to leave his job, haunted by terrible visions. Despite those events, Mike is called back to Carson Peak and the vision he had two years before becomes a reality as ghosts, gangsters and an Apache spirit from the dawn of time collide during a terrible storm. The novel is strongly inspired by my years working at observatories in California, Arizona, and New Mexico. What’s more, Mike’s vision in the novel is very close to something that happened to me several years ago at the WIYN telescope. Fortunately, my story didn’t have the tragic consequences of Mike’s tale. If you want to read the prologue, you can for free at: http://davidleesummers.com/Astronomers-Crypt-Preview.html

In July 2017, Chris Wozny wrote a review of the novel for The Nameless Zine, which is the online newsletter of the Western Science Fiction Association. She said, “In the best tradition of horror fiction, we have courageous protagonists, characters who cross the line of good and evil in both directions, unspeakable evil from a forgotten age, and a villain behind the scenes who is attempting to bring back dark powers in the (no doubt mistaken) belief that he can control them … Strongly recommended to all who enjoy Stephen King’s novels.” You can read the entire review at: http://www.westernsfa.org/Book_Nook/Books-2017/Astronomers_Crypt.php

You can buy the print edition at Amazon.com.

You can buy the ebook edition at either Amazon.com or Smashwords.com.

Fun with Text-to-Speech

This week, my wife and I have been proofreading the Hadrosaur Productions editions of The Astronomer’s Crypt and Dragon’s Fall: Rise of the Scarlet Order Vampires before these books are uploaded as ebooks and sent to the print vendor. Last week, my wife presented me with the code to upgrade Microsoft Office on my desktop computer. I upgraded the edition and began to look through the menus, making sure I knew where familiar features were located. Fortunately not much has changed, but I did accidentally stumble on the text-to-speech option while I had The Astronomer’s Crypt manuscript open. So, I decided to let it read a page or two to me. My first thought was that this is what it would be like for Stephen Hawking to read me a story. It was a fairly flat reading. Despite that, I found it surprisingly listenable. As it read over a section I had already approved, I noticed it skipped over a word. I looked closer and discovered that it had not skipped. I had omitted the word. Specifically it was a small one, the article “a.”

I began to think this could be a handy tool for proofreading. So I started playing it while I read over the formatted manuscript. Now then, I normally do a “read aloud” pass when I edit my manuscripts. However, if I get too much into the flow of the story, I can “read” words that should be there but actually don’t exist on the page. Also, reading it with my inflections means that I can overlook some weak, repetitive prose by placing the emphasis where I want it. The problem is, my intention may not match what another reader will see on the page. The upshot is that the flat reading of the Text-to-Speech actually proves useful because it helps me hear how well the prose itself is doing its job.

Not surprisingly, text-to-speech has limitations. If you write fantasy or historical fiction, be prepared for the program to mispronounce names. However, there’s a neat element to this. It will mispronounce those names the same way. Every. Single. Time. While going through Dragon’s Fall, I looked at names on the page and thought they were correct, but the text-to-speech program read the misspelled version differently than the correct version. This caused me to look closer. Humans have a tendency to read with visual clues, so a name like Myrinne will look very much like Myrrine when you read it on the page, but the text-to-speech program pronounces them differently.

Text-to-speech is functionality that has been part of Word processors and operating systems for a little while, so it’s possible this may not be new to many people, but if it is new to you, I recommend you give it a try and see how you like it as a tool. If you do give this a try, I recommend reading along on the page while the program reads to you. It’s hard to “hear” the difference between commas and periods, for example, but the program will make it clear when you have one of those in the wrong spot!

I have found that Text-to-Speech is enabled in Word 2019 and in Adobe Acrobat (though I found its interface is a bit clunky to use in Acrobat.) I gather it’s also enabled in the Mac edition of Scrivener, but it does not exist in the PC edition. Word 2019 gives you a nice “play/pause” button so you can stop when you hear a problem. If you get lost while the program is reading, I recommend pausing, going back to where you last were following and start again.

I’ll wrap up today’s post with an update about the books mentioned above. Lachesis Publishing has started to pull their editions of the books from publication. Last I looked, the only vendor that hasn’t pulled them down is Apple, but hopefully that will happen soon and I can begin uploading my editions.

The Astronomer’s Crypt – 2nd Edition Cover Reveal

Next month, the rights to my novel, The Astronomer’s Crypt, revert to me. One of my jobs this month has been preparing a new edition so its ready to launch as soon as I’m clear to do so. Overall, I was happy with the novel’s first edition and my updated edit has changed very little. I caught a handful of typos that were missed the first time. I’m not sure I believe it’s possible for a truly typo-free book to exist. Also, the editorial process on any book is a discussion between the writer and the editorial team. As the author, I find I agree with many editorial suggestions wholeheartedly. There are, of course, a few editorial suggestions that just don’t work for me and I ask to leave the section as written, or I come up with an alternative revision. There are also places where an editor makes a suggestion and while I don’t agree with it 100%, I still accept it, because I don’t disagree with it or don’t feel it substantially changes things. I’ve revisited a few of those moments in the book.

The bigger change will be the cover itself. Laura Givens who did the original cover is back to do the new take. The concept for the original cover was to present an observatory enclosure on a dark, spooky night like a haunted house. The potential problem with this concept is that unless you’re familiar with observatory enclosures, you might not know what you’re looking at. In fact, tall observatory buildings bear a close resemblance to silos. So when Laura took on the new edition, she wanted to better capture what most people think of when they think “observatory” and that’s the telescope inside. We also discussed it and decided to include one of the monsters from the book. In this case, it’s a creature from Mescalero Apache lore known as Big Owl, or He Who Kills With His Eyes.

One of the challenges of including the monster on this version of the cover is that in contemporary American society, we tend to picture owls as cute or friendly. However, in many Native American traditions, owls are harbingers of death and to the Mescalero Apache, Big Owl was considered an adversary to the first humans. To get to the idea of a scary owl in the novel, I used the idea that modern birds are the descendants of dinosaurs and I began to picture a primordial, dangerous, predatory owl. I think Laura did a great job of capturing that vision on the cover.

Of course, Big Owl isn’t the only threat you’ll meet in this novel. There are drug dealers, ghosts, and a destructive storm as well. The first edition of The Astronomer’s Crypt will still be available for two more weeks. If you want to get your hands on that edition, do it now. Otherwise, I hope to release the new edition of The Astronomer’s Crypt in June.

You can learn more about the novel, watch the book trailer, and read the prologue at: http://www.davidleesummers.com/Astronomers-Crypt.html

Return to Penny Dreadful

In my post looking at the vampires who appeared in the first season of Showtime’s Penny Dreadful, I mentioned that I had started the second season. I’ve finished the season, which overall, I enjoyed more than the first.

Our heroes, Vanessa Ives, Ethan Chandler, Sir Malcolm Murray, Sembene, and Dr. Victor Frankenstein, are all back. This time our villains prove not to be vampires but a coven of witches. What’s more, these witches, called nightcomers in the Penny Dreadful mythos, are servants of Lucifer with superhuman powers. In this season, Brona Croft is reincarnated by Dr. Frankenstein as Lily Frankenstein, meant as the monster’s bride but possessing a mind of her own. One of my favorite characters this season was Egyptologist Ferdinand Lyle played by Sir Simon Russel Beale who was introduced in season 1 but had a nice character arc in season 2.

Reeve Carney is back this season as Dorian Grey. Mostly his story takes place in the background of season 2’s main action, but it looks like they set him up to take a bigger role in the third season. We’ll have to see what happens with that story.

Although Penny Dreadful’s second season still features many characters from classic literature, they seem freed from their origins to tell their own story this season. In many ways this season felt more like a nineteenth century penny dreadful come to life. Although the series does have better writing than a real life penny dreadful like say, Varney the Vampyre, there were moments it did make baffling turns. Some of the characters’ choices seemed more designed to serve plot than make sense for what people would do when faced with these real situations. Why, for example, do the characters often go to battle the monsters at night when its known that’s when the monsters are strongest?

Despite that, there are a lot of clever plot turns and some good character moments in this season. We learn more about Sir Malcolm Murray and his relationship with his estranged wife. We also learn more about Ethan Chandler. Danny Sapani’s Sembene actually gets stuff to do. For me the standout was Billy Piper’s Lily Frankenstein. Her arc takes her from apparently lost waif betrothed to Frankenstein’s monster to woman in control of her destiny.

I’ve been watching Penny Dreadful while working on new editions of my horror novels, Dragon’s Fall, Vampires of the Scarlet Order and The Astronomer’s Crypt. One of the things I’ve enjoyed about Penny Dreadful is that it doesn’t feel too bound by linear storytelling. One episode I thought was interesting in the current season involved Vanessa recounting how she was mentored by a witch. The episode didn’t bother to pop back into the present day, it just had a simple prologue of Vanessa starting her story, then the rest of the story just happened in the series’ past.

This approach reinforced a decision I’ve made for the new edition of Vampires of the Scarlet Order. The original edition was told in very linear order. Events that happened in 1491 happened first. Events that happened in the sixteenth century happened next. That noted, the story’s main conflict actually happens in the present day. So, I’ve decided the new edition will start in the present day and the chapters set in the past will be told when it’s natural for characters in the story to tell them. You can get a sneak peak at the new first chapter at: http://davidleesummers.com/VSO-Preview.html

Of course, the buy links still point to the original novel as released in 2008, but that will change soon after the rights revert to me next month.

Beards and Horror

Let’s face it, some people think bearded men are scary. In this post, I’ll introduce you to some scary, bearded men. However these men aren’t scary because of their beards. They’re scary because of the stories they’ve created.

I grew my own beard while working on my physics degree in the late 1980s. My older brother had grown a beard during his college days and I always liked way it looked. In addition to that, I attended a technical university where many of my classmates grew beards. All those factors combined to make growing a beard an easy choice.

A decade after I first grew my beard, I experimented with writing horror. I also decided to experiment with my beard and I shaved it down to a goatee. I liked the way it looked and have, for the most part, kept it that way ever since. Some people say beards obscure a man’s appearance, but my beard has always seemed a natural part of my face. Trimming it to a goatee is a minor concession to fashion.

To write well, you must read well. Over the years I’ve read a lot of horror fiction, including many classics of the genre. It was fun to discover that many of the authors whose work influenced me and shaped the genre also had the good taste to grow beards. Without further ado, allow me to introduce you to some of the pioneers and greats of the field.


Sheridan Le Fanu

Joseph Thomas Sheridan Le Fanu was an Irish writer who lived from 1814 to 1872. His specialty was writing mysteries and ghost stories. His most famous work was undoubtedly the vampire novella “Carmilla” which he wrote in 1871 and predated Bram Stoker’s Dracula by twenty-six years.

I pay tribute to the story in my tale “Fountains of Blood” which appears in the anthology Straight Outta Tombstone edited by David Boop. In most pictures of Sheridan Le Fanu, he rocks the neck beard. However, later in life he grew a full beard. You can learn more about Straight Outta Tombstone at: https://www.amazon.com/dp/1481482696/


Lafcadio Hearn

Lafcadio Hearn was a journalist who lived from 1850 to 1904. Born in Ireland, he immigrated to the United States, lived for a time in New Orleans, and finally moved to Japan. I write a lot of stories set in the nineteenth century and I find Hearn a valuable resource. He makes the people he knew and the places he saw come alive on the page.

The reason he earns a spot on this list was that he not only wrote the obituary for Marie Laveau, Voodoo Queen of New Orleans, he also assembled collections of frightening Japanese stories. One of those collections was made into the 1965 movie Kwaidan. Most photos and illustrations of Hearn show him with only a mustache, but while in New Orleans, Hearn waxed his mustache and sported a goatee. He appears as a character in my novel Owl Riders, which you can learn about at: http://www.davidleesummers.com/owl_riders.html


Bram Stoker

Bram Stoker, who lived from 1847 to 1912, gave us Dracula. I first read his most famous novel while working at Kitt Peak National Observatory in 1994 during a fierce storm. I particularly remember reading the scene where the ship Demeter comes into Whitby harbor and the vampire, in the form of a large wolf, runs from the ship. My duties required that I had to leave my nice, comfortable reading nook periodically to check on the weather. Every time I stepped outside, I imaged the creature would run out of the shadows to attack me.

The experience of reading Dracula first led me to write my novel of vampire mercenaries called Vampires of the Scarlet Order. You can learn about this novel at http://www.davidleesummers.com/VSO.html. Years later, I would write a novel of a monster that prowled an observatory’s grounds called The Astronomer’s Crypt. You can learn about this novel at http://www.davidleesummers.com/Astronomers-Crypt.html. Mr. Stoker maintained an epic, full beard worthy of admiration!


Around the beginning of the twentieth century, beards tended to fall out of fashion. I’ve often wondered why that happened. A recent article at Vox.com suggests that beards fell victim to the Spanish Flu epidemic of 1918. Claims were made that beards were unsanitary and led to greater rates of infection. According to the article, this isn’t necessarily true. It says shaving abrades the skin and can slightly raise the risk of infection. You can read the full article here: https://www.vox.com/the-goods/2020/3/30/21195447/beard-pandemic-coronavirus-masks-1918-spanish-flu-tuberculosis.

Of course this all makes me wonder whether the current pandemic will have an impact on beards or fashion in general. Do you have any predictions? Any favorite bearded writers? Share them in the comments.

Why Pirates?

During a quiet moment at 2018’s MileHiCon, author Jane Lindskold and I sat down and had a nice conversation. In that conversation she asked why an apparently law-abiding, nice person like me would be interested in writing about pirates. After all, I’ve not only written about space pirates, but I’ve written about airship pirates in my steampunk fiction, and pirates have appeared in my vampire fiction. The drug traffickers in The Astronomer’s Crypt could also be seen as pirates of a sort. I have a two-part answer to the question. One part is related to story potential and the other is more personal.

To summarize the United Nations definition of piracy, it is a criminal act of violence, detention or depredation committed by the crew or passengers of a ship or aircraft directed against another ship or aircraft—or directed against a ship, aircraft, persons or property outside the jurisdiction of a country.  Apply that idea to any vessel that is either in space or operating on a distant world, and you open up tremendous story potential.

In fact, when I first wrote my novel, The Pirates of Sufiro, the working title was simply Sufiro. The novel really is about the history of a planet founded by pirates, the disaffected people who follow, and the unscrupulous people who find resources on the world they can exploit. I added “Pirates” to the title because the planet is not only founded by pirates, but those unscrupulous people who come later are committing acts of violence, detention and depredation against their fellows outside the jurisdiction of a country. In a very real way, they are even more piratical than the story’s avowed pirates.

On a more personal level, pirates stir the imagination despite the fact that they steal from others to make a living and often murder to do so. If you look into the history of piracy—particularly during piracy’s “golden age” of the seventeenth and eighteenth centuries—you find that discipline on military and legitimate trading vessels was brutal and crews were paid almost nothing. On pirate ships, the crews had more of a voice in how things were run and the booty was split more evenly.

Today, in the 21st century, we find ourselves in a world where companies monitor our e-mails and website usage. People can be fired for saying the wrong thing in the heat of the moment. In point of fact, the corporate world of today has nothing on the day when you could be flogged to within an inch of your life for a perceived insult. Still, the idea of setting out to sea or the stars with no one watching your every move and not having to watch your every word does have a certain appeal.

In Leiji Matsumoto’s famous Captain Harlock anime series and manga, the titular pirate captain fights under the skull and crossbones flag because it’s a symbol that one should fight to the death for freedom and that one shouldn’t be subject to corrupt and decadent governments. I wrote The Pirates of Sufiro before I got to know Harlock as any more than a cameo character in Galaxy Express 999, but the idea does capture some of what I tried to capture in my novel.

As it turns out, The Pirates of Sufiro was the first novel I ever wrote and I think it’s fair to say the idea was more ambitious than my skills were ready for almost twenty-five years ago. I’ve been spending much of the last year revising The Pirates of Sufiro for a new edition. I think I’ve made it much better, but I’m in the process of taking a good hard look and deciding whether or not I’ve succeeded in making it the book I want it to be. Much of that is making sure the characters are true to themselves as they developed in the books I wrote after Pirates.

You can help me in my quest to make The Pirates of Sufiro the book it should be by joining my Patreon campaign. My fix-up novel Firebrandt’s Legacy may be read in its entirety. Also, you can read the last published edition of The Pirates of Sufiro and the draft as it stands now. It’s likely there will be even one more draft before the book is published. Once it is published, I’ll give download codes for all the novels in the Space Pirates’ Legacy universe that are in print: The Solar Sea, Firebrandt’s Legacy, and The Pirates of Sufiro. Of course, I love to hear feedback from my patrons and it’s a great way to weigh in on what you think of the books. You can become a patron for just $1.00 a month. To learn more, click the button below. It’s time for some piracy!