My Life With Vampires

Today finds me in Denver, Colorado at MileHiCon 50! If you’re in town, I hope you’ll drop by. You can get more information about the event at: http://www.milehicon.org.

As we approach Halloween, I find myself looking back at how I developed an interest in vampire fiction. I think the first vampires I encountered were the Scooby-Doo episodes “A Gaggle of Galloping Ghosts” and “Vampire Bats and Scaredy Cats.” At the risk of spoilers, we find that both vampires are really criminals engaged in a scam. Somewhat scarier to me was the 1979 version of Dracula starring Frank Langella. That opened up an interest in Bram Stoker’s novel, which I remember starting, but not finishing at the time because I was 12 and easily distracted.

Illustration for Vampires of the Scarlet Order by Steven Gilberts

It was another 1979 film that really got me thinking about vampires and that was Werner Herzog’s Nosferatu, which I saw in 1984. The film’s atmospheric quality and Klaus Kinski’s genuinely creepy portrayal of Dracula set a standard for me. Even so, I didn’t really get captivated by vampires until I started working at Kitt Peak National Observatory in 1992. At the time, the observatory had both solar astronomers working at the McMath Solar Telescope (as it was known then) and “stellar” astronomers working at night on the other telescopes. Those of us who worked at night jokingly referred to ourselves as the vampires of the observatory because we weren’t seen before sunset and went to bed before sunrise.

As it turns out, one of my co-workers at the time was a fan of vampire fiction. She encouraged me to finally read Dracula from start to finish. I read much of it during a stormy night on the mountain. Periodically I had to go check conditions outside and I kept imagining that predatory eyes were upon me. This really hooked me on vampire fiction. Soon after this, she encouraged me to read Anne Rice’s Interview with the Vampire. From there, I dove right into The Vampire Lestat and Queen of the Damned. Even so, I didn’t really think about writing my own vampire fiction until nearly a decade later.

In 1995, I had moved to Las Cruces, New Mexico and soon got involved with the Border Book Festival. I hosted a panel in 2000 and afterward, my friend Janni Lee Simner asked, “What do you suppose a vampire would make of Las Cruces, the city of crosses?” She followed that with a comment by telling me if it sparked a story idea, I was welcome to it. A few days later, while driving to Apache Point Observatory, I had an idea for a story about a vampire astronomer who moved to Las Cruces. That story became “Vampire in the City of Crosses” and I sold it a few weeks later to the magazine The Vampire’s Crypt.

The story and those that followed suggested that the vampire was on a quest. His quest led him to discover the vampire mercenaries who called themselves the Scarlet Order. Those stories all came together to become the novel Vampires of the Scarlet Order. Once I got that far, I wanted to explore how the vampires decided to fight for human kings and that led me to the prequel, Dragon’s Fall: Rise of the Scarlet Order. As mercenaries who fight for human causes, my vampires aren’t the kind to sit around and brood about their immortal existence, seduce mortal girls a fraction of their age, or sparkle in the sunlight. In short, I’ve enjoyed spending time with them these last seventeen years. They make great companions in the Halloween season. If you’re looking for a good read this time of year, learn more about the books at http://www.davidleesummers.com/books.html#scarlet_order.

Advertisements

DeadSteam Trailer

Two weeks from today, on October 1, Grimmer and Grimmer Books will release its dreadpunk anthology DeadSteam. The term dreadpunk refers to Gothic inspired horror and fantasy, often with something of a steampunk flavor. The TV series Penny Dreadful was a good example.

As for the book itself? Reader beware: to open this tome is to invite dread into your heart. Every page you turn will bring you closer to something wicked. And when the dead begin to rise from the steaming pits of hell, only then will you discover that it is already too late. Your life is forfeit.

Featuring an introduction by Leanna Renee Hieber, author of The Eterna Files and Strangely Beautiful saga, DeadSteam plays host to the scintillating writing of Jen Ponce (The Bazaar, Demon’s Cradle), Wendy Nikel (The Continuum), Karen J Carlisle (The Adventures of Viola Stewart), Jonah Buck (Carrion Safari), and more…

With seventeen chilling tales of dreadpunk, gaslamp, and dark steampunk, DeadSteam will leave you tearing at the pages, desperate for more. For within these pages, the dead rise from their graves to haunt the London Underground, witches whisper their incantations to the wind, a sisterhood of bitten necks hunts fog-drenched alleyways lit only by gaslight, and only one thing is certain: that dread will follow you until you turn that final page.

And that sinking feeling in the pit of your chest? That fear that something is following you, watching you, hunting you? It is not for nothing. Look over your shoulder, dear reader. Watch behind you. Listen to the whispers in the darkness.

But know this … it is all inevitable.

I’m excited that my story, “A Specter in the Light,” is part of this anthology. The story was first published in the anthology Six-Guns Straight to Hell, which has been out of print for five years now. So if you missed the story in its first incarnation, be sure to catch it in this new volume. It’s a truly chilling tale of mining engineers using a Tesla coil to bring light to a mine, only to reveal an ancient horror.

If this has not been enough to tantalize your interest in the anthology, editor Bryce Raffle has debuted the book’s trailer today. Take a look:

I think this will make a great book for getting into the Halloween spirit. What’s more, you don’t have to wait to order. It can be preordered from major retailer’s right now. If you’re a book collector and prefer your books in hardcover, they can accommodate that as well! Drop over to https://deadsteam.wordpress.com/pre-order/ and order your copy today so you can have your copy right at the beginning of October. While you’re at the site, be sure to visit the blog links and read interviews with the authors, including yours truly!

Bombshells

While visiting Bisbee, Arizona a couple of weeks ago, I found a fun figurine of Batgirl with something of a steampunk makeover in a boutique called Va Voom! I walked around the shop two or three times and finally decided she had to come home with me. I also decided I had to know whether she had a formal appearance in the comics. As it turns out, she did. She was the star of DC’s Bombshells Annual #1.

For those not familiar with DC’s Bombshells, the comic was set during an alternate World War II and imagines that many of the DC Universe’s female superheroes have gathered together to fight for the Allied cause. Among the Bombshells are familiar heroines such as Wonder Woman and Supergirl. Batwoman, who I remember discovering in reprints of vintage Batman comics, also takes a major role here. The team is spearheaded by Amanda Waller, who readers of Suicide Squad are sure to recognize. I’m sad to say the comic has ceased publication, but the last three years are widely available in collected graphic novels both in print and ebook editions.

The Batgirl story in this world actually opens in the swamps of Louisiana during 1941. Killer Croc has gone in search of the Batgirl of the swamps and he succeeds. What’s more, he discovers she’s a vampire! The action moves to West Point in 1941 where Amanda Waller is talking to a new recruit named Francine Charles. Waller sends Charles on a mission to recruit Batgirl to the Bombshells. When she asks why, Waller tells her Batgirl’s story.

We learn that Barbara Gourdon was a French girl living during World War I who loved tinkering with machinery. Her mother has fields of lavender and her father is a police officer. He buys her an airplane and she learns to fly. She ultimately falls in love, but disappears when she must save her lover. It’s up to Francine Charles to learn how the ace pilot became a vampire and to see if that vampire can be recruited to the Bombshells.

At the beginning of the summer, I talked about “superhero fatigue.” In that case, I spoke primarily of finding nothing but superhero movies at the cinema. One place I rarely suffer superhero fatigue is in my local comic shop. There are many fun and innovative titles on the shelves and I see the superheroes I grew up with being taken in new and interesting directions. Superhero fatigue in the movies has much to do with the fact that we’re seeing stuff that happened 20 years ago or more in the comic pages!

I love the idea of a feminist superhero team like the Bombshells. After reading Annual #1, I picked up the entire first year of collected stories and was impressed by the writing and the artwork. I love the exploration of characters who received too little page time back when I read comics more regularly many years ago. In the Batgirl comic in particular, I liked how they gave her a lavender bat costume like she had in the Adam West series, but also created a good reason for her to have that costume.

I also liked how Batgirl took a dark turn and became a vampire. The opening scenes in the Louisiana swamps with Killer Croc reminded me not a little of Marcella DuBois’s debut in my own novel Vampires of the Scarlet Order. What’s more, Marcella is one of my own characters who I’ve explored in an alternate timeline. That version of Marcella appears in Straight Outta Tombstone which has just appeared in a nifty trade paperback edition. I have a feeling Marcella would be right at home with Amanda Waller’s Bombshells

You can learn more about Vampires of the Scarlet Order at http://www.davidleesummers.com/VSO.html

You can learn more about Straight Outta Tombstone at https://www.amazon.com/Straight-Outta-Tombstone-David-Boop/dp/1481483498/

Vampyr

A few weeks ago, I discovered a vampire film from the 1930s that I had never encountered before. Directed by Carl Theodor Dreyer, the movie Vampyr was filmed about the same time as Universal’s Dracula but was released about a year later. The film features an original script with elements inspired by Sheridan Le Fanu’s stories “Carmilla” and “The Room in the Dragon Volant” which appeared in the collection In a Glass Darkly.

Unlike other vampire films of the period, this doesn’t involve sinister castles in Eastern Europe. Instead, at its heart, the film feels a lot like some of Hammer Studio’s better vampire films from the 1960s. We meet a fellow named Allan Gray, ostensibly on a fishing trip in the French countryside, who stops at an inn. We learn at the beginning that Gray is interested in the occult and soon strange things happen. A man visits his room on his first night and leaves him a package, with the instructions that the package should not be opened unless the man dies. Gray then takes the package and follows ghostly shadows to a neighboring mill. A shadow of a rifleman seems to guide him to a point where the shadow then joins the corporeal rifleman who has been sitting in one place the whole time.

Gray ultimately leaves the mill and goes to a nearby manor house. Right as he arrives, the Lord of the manner drops over, as though dead. It appears that he’s killed by a gunshot from the shadowy rifleman, but that’s not all clear. He may easily have had a heart attack or a stroke or been harmed by some other supernatural force. At this point, the film takes on a more familiar vampire narrative flow, at least for a while. We learn that the lord’s older daughter, Léon has been preyed upon by a local vampire and she cannot be allowed to die, or she will turn into a vampire too. The lord’s younger daughter, Gisèle is also under threat of becoming a vampire. When the lord does succumb to the gunshot, or other injury, Gray discovers that his parcel is a book about vampires and how to deal with them. He teams up with the servants of the house to hunt the vampire.

Like Dracula, Vampyr is an early sound picture. The movie works to keep dialogue at a minimum and gives us a lot of information on narrative intertitle cards and on the pages of the vampire book. The movie also relies a lot on visual imagery to tell the story. I’ve already mentioned a little about shadows that become detached from their owners, but there are other odd elements, such as skulls that turn to face the room’s occupants and hints that we’re seeing what characters perceive rather than what they literally see. At one point, Allan himself seems to split into two spiritual forms. One form is left behind. The other form returns to the mill and finds both where the younger daughter is locked up and his own dead body in a coffin. He then becomes the dead body who is transported from the mill to the graveyard whereupon his spiritual selves reunite.

As a fan of vampire literature, one thing I love about this film is how it associates the vampires with ghosts and phantoms. The only other film I’ve seen that used is Nosferatu and even there, it’s only hinted at. I also liked the fact that the film’s “Master Vampire” appeared as an elderly woman who has men in her thrall. One of those men may also be a vampire, though it’s never entirely clear. I also love the experimental nature of this film. On Monday, I talked a little about “superhero fatigue” and really that’s a subset of seeing the same things over and over again in film. It’s nice to see a film dare to experiment with images and trust the audience to interpret what it’s seeing. And that’s what makes this film special. I’ve given it an interpretation, but you may see some elements differently depending on whether you take them literally or symbolically.

If you’re a vampire fan, it’s definitely worth checking out Vampyr. Of course, you can check out my vampire fiction by visiting http://www.davidleesummers.com/books.html#scarlet_order

Superheroes

This past weekend I saw Deadpool 2 with my daughter. I enjoyed the film and particularly its theme of seeking out love and family in the wake of violence and chaos. It’s funny with a lot of self-aware, and sometimes inappropriate, humor. It also left me pondering Hollywood’s current obsession with superheroes. I sometimes feel like I suffer something I call “superhero fatigue.” Sort of a groan that escapes involuntarily when I see another new superhero film announced. Yet, I do go back to some that particularly grab my eye. Films like Logan, Wonder Woman, and Deadpool have engaged me in spite of my fatigue.

I loved superheroes as a kid, both from comic books and on television. I probably discovered them on television first through such shows as Filmation’s Superman/Aquaman Hour of Adventure and the famous Batman television series starring Adam West and Burt Ward. Discovering my friends from TV in comic book form no doubt helped me improve my reading. Because of when my birthday fell, I was only four when I started Kindergarten. I was younger than most of my classmates and smaller. My size probably wasn’t helped by my mom smoking while she was pregnant with me. As such, I have the familiar story of being the small kid picked on relentlessly by his classmates. I know I loved superheroes because I loved to imagine myself having super powers and impressing the other kids in class. Of course, super powers would also have given me the ability to beat up the worst of the bullies.

As an adult and a writer, I see superheroes in a different light. I’ve come to recognize that all good superheroes have limits or weaknesses and the best stories are when the villain pushes past those limits and weaknesses. All the best superheroes have people they love and they can be hurt when the people around them are hurt. That’s how Deadpool 2 starts.

As an adult, there are still dangerous forces I sometimes feel powerless to stop, such as climate change, poverty, and overblown man-children with nuclear arms who like to taunt each other through social media. Because of that, there’s still appeal in wondering whether I could do something about them if I had superpowers. Yet, it’s often the more mundane, day-to-day challenges that cause the most anxiety. Will my daughter be safe at school? How can I afford that bill I forgot about? Where did that bad Amazon review come from? Did they even read the book I wrote? Even if I had superpowers, those things probably wouldn’t change. I have to work through my limitations to find solutions to those things. I have to teach my daughter to be aware of possible dangers and avoid them when possible. I maybe have to sacrifice something for that bill, or reevaluate my finances. I should be brave like a superhero and look at that review and see whether or not there’s something I can learn from it.

The closest thing I’ve ever written to superhero fiction is Vampires of the Scarlet Order about a team of vampire mercenaries who must save humanity from itself. Can vampires be superheroes? Just ask Marvel’s Blade, who was brilliantly portrayed a few years ago by Wesley Snipes. As it turns out, I first learned about Blade when Neal Asher compared my book to Marvel’s movie and comic book series. My vampires have great power. They can move fast and have great strength. They’re hunters, but they have limits. Among other things, they can only work at night and they can be destroyed. As with the heroes in Deadpool 2, they also find family in unexpected places. If you care to see my take on superheroes, visit http://www.davidleesummers.com/VSO.html to learn more.

New Orleans Book Signing

This Friday, May 25, I’ll be signing copies of my novels, Dragon’s Fall: Rise of the Scarlet Order, Vampires of the Scarlet Order, The Astronomer’s Crypt, and Owl Riders at Boutique du Vampyre at 709 1/2 St. Ann Street in the French Quarter of New Orleans.

Boutique du Vampyre is a unique store that offers everything from jewelry and apparel to art and dolls to both vampires and mortals who are friends of vampires. My two Scarlet Order novels are clearly right at home at Boutique du Vampyre and I’m proud to be featured on their shelves alongside such authors as Alys Arden and Bruce T. Jones.

While The Astronomer’s Crypt doesn’t feature literal vampires, I’ve long thought of those of us who work all night long at observatories as kindred. We start work at sunset and leave before sunrise. It’s possible to avoid the daylight entirely in the job. Some observatories do have actually have crypts on site, and perhaps it’s not surprising that we hear our share of ghost stories. There are also more than a few mundane dangers that come with working at remote high-altitude locations late at night. The book imagines what happens when ghosts, gangsters, a monster from Apache lore, and astronomers collide during a terrible thunder storm. The Astronomer’s Crypt may not be a vampire novel, but it sits comfortably in their company!

Owl Riders is my latest novel and like The Astronomer’s Crypt does not feature vampires. Much of the novel, though, is set in the New Orleans French Quarter and the character Marie Lalande is a Voodoo practitioner. What’s more the novel’s protagonists, Ramon and Fatemeh Morales, live on the same French Quarter block as Boutique du Vampyre. This will be the novel’s first official book signing and it seems fitting to release it so close to Ramon and Fatemeh’s fictional home.

While getting ready for the signing event, I was going through files on my computer and found a book trailer I’d created for the novel Vampires of the Scarlet Order about twelve years ago, but never released. Overall, I felt like it held up. The only problem was that some of the information at the end was incorrect, but I was able to fix that with some judicious editing. So now, the trailer is live on YouTube and you can watch it here.

I created the trailer from illustrations Steven C. Gilberts did for the novel and gave it some film stutter and scratches, so it had the feeling of old vampire films I remember watching, such as Dracula or Nosferatu.

After the signing, I’ll be reading from my vampire novels at Potions Lounge on Bourbon Street. If you come by the signing the staff at Boutique du Vampyre will give you all the details about when to join us. If you’re in New Orleans for Memorial Day weekend, I hope you’ll join us for a truly special event. If you can’t make it, you can order signed books from Boutique du Vampyre by visiting http://www.feelthebite.com.

Croquet in the Old West

About three years ago came news that a new photo of Billy the Kid might have been unearthed. Experts hired by National Geographic purported that the tintype showed Billy and a number of his associates on John Tunstall’s ranch in Lincoln County, New Mexico playing croquet. You can see the full photo and learn more at National Geographic’s site. The detail below supposedly shows Billy on the left with Tom O’Folliard in the center pointing at him. On the right may be Sallie Chisum.

I love this photo on many levels. If this is Billy the Kid, we now have an image of him wearing a cardigan and a bow tie, playing croquet with his gang. Tom O’Folliard was Billy’s best friend. Like Billy, O’Folliard was shot and killed by Pat Garrett. Sallie Chisum was the niece of prominent rancher John Chisum, who in turn was a business partner of Billy and Tom’s boss John Tunstall. Sallie Chisum lived in Lincoln County until her death in 1934. To put that date in perspective, my mom, the daughter of New Mexico homesteaders, would have been seven years old. Sallie Chisum is important to historians because her diary contains stories about both Billy the Kid and Pat Garrett.

Historians have been debating whether or not this photo actually shows Billy the Kid, the Regulators, and their associates. Whether or not Billy the Kid is in this photo, we do see a scene of people in the Old West playing croquet. We know croquet sets were sold in New Mexico because Gazette of Las Vegas, New Mexico ran an ad featuring croquet sets in 1878.

In my Clockwork Legion novels, I have a character named Billy McCarty. When pressed, I tell people Billy may or may not be Billy the Kid. In many ways, he’s like the person in the photo, who also may or may not be Billy the Kid. I’m not a historian, but a fiction writer. As a fiction writer, I’m allowed to ask, what if this photo really depicts the Billy of my stories. What if his boss, Englishman John Tunstall, introduced him and his friends to croquet? What if he was an aficionado of the game?

I play with this idea in my latest novel, Owl Riders. In the novel, Ramon Morales first encounters Billy teaching the men who work at Onofre Cisneros’s warehouse in Nogales how to play croquet. As the novel progresses, we find that Billy has skills with a croquet ball and mallet that rival his skills with a six-gun.

You can learn more about Owl Riders and read the first chapter at http://www.davidleesummers.com/owl_riders.html

On Saturday, I mentioned that I’ll be signing my vampire books at Boutique du Vampyre in New Orleans. This will also be the formal debut event for Owl Riders. You might wonder if that means that there are vampires in my new steampunk novel, especially in light of my Billy encountering vampires in last year’s Straight Outta Tombstone. In fact, there are no vampires in the new novel, but Boutique du Vampyre is in the same block of the French Quarter where Ramon and Fatemeh Morales live in the novel.

Saddle up and take flight with the Owl Riders!