Updating Book Trailers

Over the last few months, I’ve been releasing new editions of several of my novels. Some of these had video trailers associated with them. Last month, I discussed updating the trailer for The Astronomer’s Crypt. That was a really premium cinematic trailer and the only things that went out of date were the cover and information about where the book was available. I did need expert help to fix those elements because they were so well done, but most of the trailer is just the same as it was back when it was first released.

The very first book trailer I ever made was one for my novel Vampires of the Scarlet Order. I was fortunate enough to have a batch of beautiful interior illustrations by Steven Gilberts to work with. One of my neighbors came over and played music on guitar and I mixed that with audio of myself reading the book description. Since the illustrations were black and white, I used filters in my video editing software to give the images some film stutter and scratches, so the whole thing looked like an old film. It was pretty cool. The only thing I didn’t like was that the audio was a little muddy because I didn’t have a great microphone and it was recorded on tape rather than digitally. Two years ago, I dusted off the old trailer and gave it a new ending because the information about the book’s availability had become outdated, but I knew the whole trailer could use a thorough overhaul.

Screenshot from the new Vampires of the Scarlet Order trailer.

This year, when Chaz Kemp did a whole new cover for Vampires of the Scarlet Order, I saw that as a great opportunity to redo the trailer. As part of his work, he sent me individual illustrations of the characters. I was able to apply filters in Adobe Photoshop to photographs I have of real locations from the novel to make them look like paintings. I then placed the characters over them. Once that was done, I read the updated book description and found some cool music that matched the mood from Keven MacLeod at http://incompetech.com. Although all the images are stills, I think the trailer has a neat animated-movie like vibe.

Once I made this trailer, I realized I also wanted to update my trailer for The Solar Sea. The original version of that trailer featured illustrations Laura Givens had made for a website promoting the novel. Also, I used her illustration of the novel’s solar sail to create an old-fashioned animation of the solar sail entering orbit around Jupiter. The only thing I didn’t like about the original trailer was that the music was a little short for the video length and I didn’t narrate it. I used intertitle cards like one might find in a silent movie. This time I recorded narration and I found a really dramatic piece of music that highlighted the narration.

I find trailers like this fun to make, but they do take time to get right. The tech required is pretty simple. I used Windows Live Movie Maker for the first video. I used the OpenShot Video Editor for the second one. This was necessary when I found Windows Live Movie Maker wouldn’t import the Movie Maker files with my animation from a decade ago. OpenShot is available at http://openshot.org

As for creating images for this kind of trailer, the best advice I can give is to get on good terms with your cover artist or an artist who can create art to match the flavor and style of your book. Make sure you’ve paid your artist fairly for their work. Recording narration is like any skill. It takes practice. Write your script. Practice reading it at the microphone and record a few takes. It’s easy to flub a word or miss the sound of something like a motorcycle passing the house or a lawnmower next door.

Finally, have fun! I had a blast creating these videos and I hope they’re fun to watch. Of course, I hope they also tempt you to learn a little more about the novels. If you would like to, drop by http://www.davidleesummers.com

The Astronomer’s Crypt Trailer – Take Two

In March, as most of the United States began to shut down for the COVID-19 pandemic, I received word that my publisher was willing to return the publishing rights for my novel The Astronomer’s Crypt to me. This was not altogether a surprise. I knew Lachesis Publishing was changing the focus of its business. Still, Lachesis had treated the book well and they had sold lots of copies, helping it to reach Amazon’s bestseller lists a couple of times. What’s more, it meant that the beautiful trailer I helped to produce with Eric Schumacher would be out of date since the trailer showed the original cover and pointed to Lachesis as a source for the novel. Fortunately, with the help of Eric and our director of photography, R.S. Francis, I was able to turn this issue into an opportunity.

Claire and Mike in The Astronomer’s Crypt: Get Out!

First off, as anyone who has watched a movie based on a book knows, screenplays are rarely a play-by-play of scenes from the book. You may get lines from the book and scenes that look just like a moment is described, but its rare that the movie is exactly the book. This is because books and movies have different requirements. A novel gets to spend a lot of time in a character’s head, giving the reader their thoughts. In a movie, you have to see the character’s actions. When we translated a scene from the novel to the screen, we did our best to give the impression of what was happening in a tense scene where telescope operator Mike Teter must leave astronomer Claire Yarbro alone in the telescope control room. Most of the scene focuses on Claire and what happens while she’s alone.

When I got the rights back, I had the opportunity to give the novel an additional edit. For the most part, this edit was pretty superficial. My editor at Lachesis had done a great job, though there were a few dropped punctuation marks and a missing word here or there. However, one thing that was especially fun was that I had the opportunity to revise the scene with Claire and Mike that we showed in the trailer to be more like the version we depicted. Again, it’s not exact because movies and novels have different pacing issues to consider. Also, the trailer has to tell the viewer things the reader already knows by this point in the novel. Still, I think I succeeded in making the scene from the book look just a bit more like the scene from the trailer.

What’s more, our cinematographer and effects artist, R.S. Francis stepped up and revised the end of the trailer to show the new edition of the book and update the information where the book is now available. It’s also been updated to even higher definition, so it looks really great if you watch this on a big screen. Without further ado, here’s the updated trailer:

Updated movie: The Astronomer’s Crypt: Get Out!

If you dare open The Astronomer’s Crypt after watching the trailer, you can find the new edition at the following places:

In print:

As an ebook:

The Astronomer’s Crypt: Get Out!

I’m proud to announce the release of the book trailer for my novel The Astronomer’s Crypt. As you’ll see, we took a somewhat different approach from the usual book trailer and dramatized a scene from the novel, making it almost a short film in its own right. Enjoy!

It’s been a thrilling experience working with such a talented team to bring this scene from the novel to life. Our goal was to take the idea of the book trailer to a new level and give you a real sample of what the book is like.

Eric Schumacher, my co-executive producer and director who plays Mike, is an experienced actor and filmmaker living in Tucson. He’s appeared in the Fox series Legends & Lies: The Real West and the movie Tombstone Rashomon. He pulled together the talent who made this sound and look good. Sara Mirasola who played Claire has been in the films Date of the Dead and Thirst. I’m the voice of Professor Burroughs on the phone.

We had a terrific debut for the trailer at TusCon in Tucson, Arizona last week. Eric was on hand along with Assistant Director Elisa Cota-Francis and Cinematographer R.S. Francis. As Eric explained during the discussion, the assistant director isn’t the person who gets the director coffee, instead they’re the on-set supervisor. R.S., or Bobby as I know him, not only shot the film, but handled the special effects in the trailer as well.

After the trailer played, reader Lisa Garland said, “The hair on the back of my neck stood up and I knew I was creeped out.”

If you dare to open The Astronomer’s Crypt, you can find copies at: