Infernal Devices

Last weekend, I was at Wild Wild West Con in Tucson, Arizona. One of the people I was on a panel with was K.W. Jeter. In 1987, Jeter sent a copy of his novel Morlock Night to Locus Magazine along with a letter that suggested there should be a collective term for “gonzo-historical” speculative fiction like his novel and the works of Tim Powers and James Blaylock. Given the popularity of cyberpunk at the time, he made the tongue-in-cheek suggestion that the three of them were “steam-punks.” Since that time, assorted authors have tried their hands at Victorian-inspired science fiction and fantasy including yours truly. However, in the early 2000s, steampunk became more than a literary subgenre. It became a whole movement of makers, musicians, and costumers. As I put the finishing touches on a batch of gonzo-historical stories for eSpec Books recently, I realized I’d never actually read any of the works by the man who coined the term Steampunk. I decided to dive into the novel Infernal Devices, which Jeter published the same year as his famous letter in Locus.

Infernal Devices opens when a mysterious man appears at the shop and residence of one George Dower. George’s father was a brilliant clockmaker who was also known for creating automata. When the famous clockmaker died, the younger Dower inherited the family business. Although George was capable of some basic work on watches and clocks, he lacked his father’s genius. The mysterious stranger, who George refers to as “the Brown Leather Man,” leaves a mysterious machine reportedly built by George’s father. Later, two more strangers appear at the shop. One is a man in blue-tinted glasses called Scape and the other is a woman named Miss McThane. They indicate their interest in devices built by George’s father. They also prove to be anachronisms, speaking more like people of the late twentieth century than people of the nineteenth. Later, George’s servant, Cref, catches them breaking into the house. It soon becomes clear they’re searching for the device left behind by the Brown Leather Man. This leads George on a quest to find out what the box is. His only clue is a coin depicting a fish-headed man left behind by the Brown Leather Man.

George eventually finds himself in a neighborhood of fish-headed people and meets the person who made the coin. When he returns to talk to the man who made the coin, George finds the man dead and is nearly killed himself. Escaping that fate, he comes across Scape and Miss McThane again and finds them in a church where George’s father had installed an automata choir and priest. They’re setting up a service for the fish-headed people. The man leading the service for the fish-headed people is a mysterious Lord Bendray. Eventually, George learns that Lord Bendray once was a patron of his father’s. Among the devices George’s father built for Lord Bendray was a machine that could destroy the world.

Over the course of Infernal Devices, George Dower is shuffled from one adventure and set of colorful characters to another. As it turns out, George himself is rather drab and really just wants to get back to his own quiet life, but finds himself learning more than he wanted about his father’s legacy. One interesting element in the novel was that Jeter introduces a way for certain characters to glimpse possibilities from the future. I also gave characters a glimpse into the future in my Clockwork Legion series. Neither Jeter nor I give our characters a perfect view. In my case the characters only know possibilities might work. In Jeter’s, some characters have caught rapid-fire glimpses of the future. In both cases, seeing the possibilities has a profound effect on the relevant characters.

All in all, I found Infernal Devices a fascinating read. You can find a copy wherever fine books or ebooks are sold.

In the meantime, you can learn about my Clockwork Legions series at: http://davidleesummers.com/books.html#clockwork_legion

Wild Wild West Con 11

This weekend, Wild Wild West Con returns! It will be held from March 9-12 at Casino Del Sol in Tucson, Arizona. Wild Wild West Steampunk Convention (WWWC) is the largest Western-style Steampunk Convention in the United States. I’ve been excited to be part of the convention since it started in 2011. With a splendid lineup of Special Guests, entertainers, panels and games, the convention organizers are planning an amazing event unlike any other. This is a great event for people who are new to Steampunk. You are not required to wear costumes or specific attire, but you are always welcome to come dressed to the nines! You can get detailed information about the convention at https://wildwestcon.com

Among this year’s Special Guests are K.W. Jeter, Bruce Rosenbaum, Tayliss Forge, Madame Askew and the Grand Arbiter. K.W. Jeter is the author of the steampunk classics Morlock Knights and Infernal Devices and also known as the man who first coined the term Steampunk back in 1987. Bruce Rosenbaum has been dubbed the Steampunk Guru by the Wall Street Journal and Steampunk Evangelist by Wired Magazine. Bruce’s functional Steampunk artwork has been featured in the Boston Globe, The Chicago Tribune, The New York Times, Architectural Digest, CNN, and NPR. Tayliss Forge is a non-binary designer, maker, and model located in Orange County, California. They are full-time bridal seamstress who specializes in full-body alterations, beading, repairs, custom sleeves, and custom accessories. Madame Askew is a time-traveling tea aficionado, obsessed with cats, fashion, and the proper uses for headgear. The Grand Arbiter is the highest authority on compliments, wit, and Tea-based Equity. Visit the Wild West Con website to learn more about these and other special guests.

I’m also delighted to say that several author friends will be on panels at Wild Wild West Con this year, including Tamsin Silver, David Boop, Diesel Jester, Chief Inspector Erasumus Drake, and Sparky McTrowell.

Here’s my schedule for the convention:

Friday, March 10

  • 2:30-3:30pm – Ballroom G – Space Western vs Weird Western – Have Raygun will Travel? Both weird westerns and space westerns have seen growth over the last decade or so. Are they the same thing? Can Cowboys & Aliens and Firefly truly be cut from the same cloth? Come here from authors who have crafted such tales of western expansion from the Old West to the Final Frontier. David Boop will be on the panel with me.
  • 9:30-10:30pm – Ballroom H – Authors of Steampunk. Get to know some of the authors who have written in the genre along with a friendly Q&A about the industry. K.W. Jeter, Diesel Jester, and David Boop are on the panel with me.

Saturday, March 11

  • 1:00-2:00pm – Ballroom F – Mars: A Land Across the Aether. I discuss the history of how Mars went from being a point of light in the sky to a place that writers would explore with particular attention to Arizona’s place in the story.
  • 2:30-3:30pm – Salon A – Drake & McTrowell’s Hot Potato School of Writing™ with CI Erasmus Drake and Dr. Sparky McTrowell. Once again, I will be one of the “celebrity” author guests in this fun exercise in spontaneous story creation.
  • 4:00-5:00pm – Ballroom G – The Many Flavors of Punk. CI Erasmus Drake, Diesel Jester and I will look at everything from steampunk to dieselpunk to atompunk and explore what these worlds have in common and what makes them unique. Is it just the trappings and the time period?

Sunday, March 12

  • 4:00-5:00pm – Ballroom I&J – Writing the Roaring 20s. Diesel Jester, Dr. Sparky McTrowell and I will talk about the Roaring 20s. What does steampunk set in the 20th century look like? What kinds of stories can be told? What makes this era different from the more traditional Victorian era of steampunk?

When I’m not on panels or giving presentations, you will be able to find me in the vendor’s hall at space Ae02. I will have all my books along with all the books published by Hadrosaur Productions. Be sure to drop by and say hello!

When Steampunks Discover Black

“Steampunks are Goths who discovered brown,” is a quote attributed to author Jess Nevins that was popularized by Cherie Priest. The quote holds at least a little truth from my personal perspective. I started writing short vampire fiction in 2000 and then published my first vampire novel in 2005. Although I wrote and published my first steampunk story in 2001, I really didn’t really appreciate it as a subgenre separate from historical fantasy until I was introduced to Cherie Priest’s novel Boneshaker in 2009. I was delighted to meet Ms. Priest at the very first Wild Wild West Con in 2011 just before my first steampunk novel Owl Dance was published.

Bloodshot by Cherie Priest

Although Cherie Priest is well known for her steampunk work, I knew she’d also written Gothic fiction, including vampire fiction. Her novel Bloodshot was published in 2011, the same year I met her at Wild Wild West Con. Given my interest in returning to my Scarlet Order vampire series and given that this week, I’ve been proofreading the new edition of my steampunk novel The Brazen Shark, I thought it would be fun to take a look at Bloodshot.

Bloodshot is a mystery thriller that tells the story of a vampire thief named Raylene Pendle who is hired by a blind vampire named Ian Stott to find and steal records that should help a doctor restore some, if not all, of his sight. The military had captured Ian and experimented on him and other vampires to find ways to develop biotechnologies that could improve the fighting skills of soldiers. Right after her first meeting with Ian, someone breaks into Raylene’s warehouse in Seattle where she keeps the stolen goods which didn’t find a home. Soon after that, she manages to open some top secret documents, which trigger the government to come hunt her down.

Raylene makes her way to a facility in Minnesota where records are literally put on ice. She breaks in and gets a lead that sends her to Atlanta, but not before she attracts even more unwelcome attention from the government. Soon, she’s working with a drag queen whose sister was a vampire in the program with Ian and wants to get to the bottom of who ran the program so he can shut them down. There’s a lot of great action along the way. Raylene is the story’s narrator and she presents herself as a loner, but reveals herself to be a little lonely and someone who cares for the other people in her life, including the homeless kids Pepper and Domino who have made a home in her warehouse.

I’ve often found it interesting how two different authors can develop similar ideas in parallel without being aware of the others’ work. Clearly Cherie Priest and I share a number of common interests and I think it’s interesting that we both wrote about a government program existing to investigate and adapt vampire abilities to soldiers. We also both explore the idea of a vampire thief. Still, there are distinct differences. In Bloodshot, it’s not clear the program actually accomplished much through its experiments. In Vampires of the Scarlet Order, the government did create a kind of vampiric soldier to horrific results. Cherie Priest told her story in first person. I used an epistolary narrative, which allowed me to retain first person intimacy, but explore multiple points of view. Bloodshot and Vampires of the Scarlet Order are by no means copies of one another, but it’s interesting that our related interests led us to explore a few similar ideas in our own unique ways. So now, I need to move on and read Bloodshot’s sequel, Hellbent.

You can learn about my Scarlet Order vampire novels at http://davidleesummers.com/books.html#scarlet_order. If you’d like to get some sneak peeks at the new book as it develops, if you just like this blog and appreciate its ad-free experience, or if you’d like the ebook of The Brazen Shark as a bonus when it’s finished, please consider supporting my Patreon at: https://www.patreon.com/davidleesummers

The Tyrant of Mongo

Today, I’m at Wild Wild West Con in Tucson, Arizona. At 3pm today, I’ll be on the “Authors of Steampunk” panel and at 11am tomorrow, I’ll be discussing the Oz novels of L. Frank Baum and related media in a panel called “Oz: A Literary Perspective.” When I’m not at those panels, you’ll be able to find me at my dealer’s table in the vendor hall. If you’re around the convention at all this weekend, please make sure to stop by and say “hello.” It seems fitting to have a post about the original Flash Gordon comics during Wild Wild West Con since I met Sam J. Jones who played Flash in the 1980 movie at the convention five years ago and I still love these comics as a wonderful piece of retrofuturism, which is one of the things Steampunk represents.

Flash Gordon: The Tyrant of Mongo

Back in January, when taking my youngest child back to college for the spring semester, we went shopping for supplies at a nearby big box store. I happened to notice two lovely action figures. One was Flash Gordon and the other was Ming the Merciless, both modeled on the characters as they appeared in the 1979 animated series produced by Filmation. As an action figure fan, I was tempted to add these to my collection, but the price tag was enough to give me pause. I thought about it and decided that what I wanted more than a couple of action figures was to read more of Alex Raymond’s original comic strips from the 1930s and 1940s. Unfortunately, I discovered that the earliest volumes of Titan Books’ wonderful Flash Gordon series had gone out of print. After searching a few online bookstores, I finally found the second volume for a price that wasn’t much more than the cover price.

As I expected, the book was a lot of fun. The original Flash Gordon comics appeared in Sunday newspapers and this second volume collects strips from 1937 through 1941. It did give me pause to realize there had been less time between the original publication to my birth than from my birth to today! The comics open with Flash at the residence of Prince Barin of Arborea. The prince has recently married Princess Aura, daughter of Ming the Merciless. A traitor in the Prince’s house tries to steal Aura and Barin’s newborn son, which leads Flash and Barin onto a harrowing rescue mission. Flash’s adventures take him to Mongo’s frozen north where he’s captured by Queen Fria of Friggia and finally into the bowels of Ming’s capital city. All the way, Flash battles giant monsters and slimy traitors while finding friends and no shortage of women who find him irresistible, all to the irritation of Gordon’s companion, Dale Arden.

What I found most interesting reading this book after reading other comics in recent months was the lack of word balloons. They occasionally appear, but most of the time, the story is told in narration panels and dialogue is narrated as it would be in prose. The upshot was that my wife and I had fun sharing the comic because I could simply read it to her while she worked on her crochet. As with volume 1, “On the Planet Mongo,” the real highlight is Alex Raymond’s highly detailed and beautiful artwork. In a very real way, Flash Gordon is less a space story and more an adventure in an exotic foreign land, where people just happen to use ray guns, talk to each other on video phones and occasionally use rocket ships to get around. One thing I liked was that although Dale Arden sometimes falls into the trope of being a femme fatale, she often shows strong will and a lot of competence. She builds things, provides first aid, rescues people, and fires weapons right alongside a lot of the men in the strip. As a writer, perhaps the most interesting thing to see was how well Raymond handled the weekly cliffhanger. When I reached the end of one strip, he made me want to keep going, even though these were meant to be read with a week between each strip.

I loved Titan Comics’ presentation of these strips. The colors are crisp and they were printed at an easy-to-read size. If you can’t find a used copy of this edition, Checker Books also collected the early comics and they seem to be a little more readily available.


If you enjoy my posts, please take a moment to learn about my novels at http://www.davidleesummers.com or consider supporting me on Patreon at https://www.patreon.com/davidleesummers so that I can maintain an ad-free experience here at the Web Journal. When supporting me at Patreon, you’ll also get a behind-the-scenes look at my creative process.

War of the Worlds: Infestation

While reading and enjoying Caliber’s Oz comics a few days ago, an ad for another comic series from Caliber caught my eye. This new comic book appeared to be inspired by the H.G. Wells novel, The War of the Worlds. I was especially captivated by the cover, shown here, which depicted Martian tripods in the Mississippi, near the Gateway Arch in St. Louis, Missouri. A quick online search revealed this to be War of the Worlds: Infestation written by Randy Zimmerman, with art by Horus Odenthal. Given that Tucson’s Wild Wild West Con is fast approaching, and that War of the Worlds is one of my favorite Victorian-era science fiction novels, I thought this comic might be just the thing to help me get into the mindset for the event.

Looking up the comic online, I discovered the Infestation comic is intended to be something of a sequel to the original version of The War of the Worlds. The Martians returned for a second invasion in 1997. The comic opens five years after that in 2003. At this point, the Martians have made great strides toward world conquest. The action is set primarily in Kansas City, Missouri and a small Kansas town called Haven, which is between Hutchison and Witchita. Given that my daughter lives in Kansas City and my wife’s aunt lives in Hutchison, I felt like this was an interesting setting and I was further intrigued to check out the comic, even though it eschewed the Victorian setting of the original.

War of the Worlds: Infestation only lasted for five issues and the issues are all collected in a single graphic novel, which is available both in print and digitally. Because the story starts very much in media res, we don’t get much background about the new invasion. Presumably the Martians found a way to fight off Earth bacteria and have slowly and steadily begun to march across the world. Most of the Martians use the familiar tripod war machines. A nice, original idea is that the Martians can combine damaged war machines to make a even larger, more formidable six-legged varieties. The comic shows a good familiarity with the novel. Not only do the Martians drive their tripod machines and fire heat rays, but they lay down thick, deadly clouds of gas, go through conquered cities and harvest humans for food, and all the while, the strange red Martian weed is growing.

The comic opens with a woman driving from Kansas City to Haven. Quite sick, she drives through a patch of the red weed, but is able to continue on until she reaches Haven, where she passes out at an outlying watch station. The woman in charge of the watch station goes into town to get help. Unfortunately, the van the woman drove picked up spores from the red weed and it begins to devour the watch station and threaten the watch station manager’s daughter. Fortunately, the watch station manager returns and is able to rescue her daughter. Along the way, the station manager realizes the van may hold some clues about how to stop the new Martian invasion. Meanwhile, we also see the story of some resistance fighters who are trying to hold the line in Kansas City after the Martian machines destroyed St. Louis, as depicted on the graphic novel’s cover.

Overall, the comic told an enjoyable story and had some good characters and thrilling action. I appreciated a cast that featured women and people of color in several prominent roles. I did feel the comic could have done with a little stronger script editing. There were some confusing lines and moments I think were meant to be humorous that felt either weird or just fell flat for me. Like Caliber’s Oz series, all the art is black and white, which again suits the grim tone. Horus did a great job visualizing the Martian machines and even imagines a truly surreal Martian structure in Kansas City. I felt like the digital edition of the graphic novel purchased through Amazon was a fair value and provided an enjoyable read, which reminded me of several compelling aspects of the original Wells novel.


If you enjoy my posts, please take a moment to learn about my novels at http://www.davidleesummers.com or consider supporting me on Patreon at https://www.patreon.com/davidleesummers so that I can maintain an ad-free experience here at the Web Journal and get a behind-the-scenes look at my creative process.

Wild Wild West Con X

The tenth Wild Wild West Con is less than a week away. This is the first time the convention has been slated to be held in person since March 2020. This year’s theme is “Over the Rainbow” and the convention will be held from Thursday, March 3 though Sunday, March 6 at the Westward Look Resort in Tucson, Arizona. This is a new venue for Wild Wild West Con since Old Tucson Studios closed during the COVID-19 pandemic. Among this year’s notable guests will be Gail Carriger, Madeleine Holly-Rosing, Diesel Jester, Madame Askew and the Grand Arbiter, Poplock Holmes and many more. Among the activities available through the weekend are live music & entertainment, panels all weekend, workshops, a film festival, a gaming room, a fashion show, steampunk vehicles, and absinthe tasting. You can find more information about the event and purchase convention passes at https://www.wildwestcon.com

My company, Hadrosaur Productions, will be sharing a space in the vendor hall with Diesel Jester. I’ll be featuring Hadrosaur’s newest story collection, The Way-Out Wild West by Lyn McConchie, which has a wonderful mix of steampunk and weird western tales. Of course, I’ll have copies of my steampunk novels as well. Diesel Jester will have his steamy adult romance books set in a steam-powered world. Be sure to stop by our table and talk to us about our novels. We’ll also be on panels throughout the weekend. I will be on the following panels:

Friday, March 4

3 to 4pm – Palm Room – Beyond the Gears and Onto the Page. In this panel, Madame Askew, Madeleine Holly-Rosing, Laura Folmer and I will be discussing our favorite steampunk reads with an emphasis on small press books that can be a challenge to find.

Saturday, March 5

11 to 11:45am – Mesa Room – Drake & McTrowell’s Hot Potato School of Writing. Sparky McTrowell and Erasmus L. Drake will lead Ashley Moore, me, and the audience in a madcap improvisational writing game show reminiscent of their signature “Hot Potato” team writing style. Two audience members will each team up with the guest authors into writing teams. The audience will select plot elements from a list provided by Drake and McTrowell. The two teams will then take turns writing the beginning, middle and end of the story with “hot potatoes” thrown in for additional thrills. It’s both instructive and fun and includes lots of audience participation.

3 to 3:45pm – Sonoran Rooftop – Authors of Steampunk. This panel will include as many of the Wild Wild West Con authors that can be rounded up at one time. This panel will include most of the Wild Wild West Con authors. Gail Carriger, Ashley Moore, Madeleine Holly-Rosing, Diesel Jester, Aprilynne Pike, Beth Dolgner, Erasmus L. Drake and Sparky McTrowell and I should all be on hand. This will be your chance to ask questions about steampunk writing, how to get published, what are the challenges of finding readers and much more.

Sunday, March 6

11 to 11:45am – Cholla Room – Oz a Literary Perspective. This panel celebrates the convention’s theme by looking at the original Oz novels of L. Frank Baum and other books and comics inspired by the Oz series. What are some of the cool things you’ll find if you go beyond the rainbow and explore the world Oz beyond Judy Garland and the Yellow Brick Road? Diesel Jester and Chief Inspector Erasmus L. Drake will be joining me for this whirlwind of a trip to faraway lands.

A Weekend in the Wild West and an Interview

This past weekend, I attended Wild Wild West Con 9 held at Old Tucson Studios in Tucson, Arizona. This is my ninth time attending the event and I am the only author who has attended every single year the event has been held. It’s a great event and I saw many good friends from Arizona, California, Texas and beyond. As with most years, I ran a booth where I sold my books and was tempted by the wares of my neighboring vendors. In the photo, you see me sporting a new outfit I assembled at the convention. In addition to selling books, I spoke on several panels throughout the weekend on topics ranging from weird westerns to steampunk mysteries.

One of the more interesting panels this weekend was one entitled “Authors After Hours” which was held at the convention hotel on the first evening. I wasn’t quite sure what to expect from this panel, but we ended up delving into the deep dark secrets of the authors on the panel. As part of the panel, I discussed the genesis of my novel The Astronomer’s Crypt. As I told the audience, this was an easy novel in the sense that I knew the setting and the themes well, but it was a difficult novel to write because of peering into those dark corners of my mind. The challenge of writing the novel was so great that I really needed to write two novels after that, Owl Riders and Firebrandt’s Legacy, before I could feel ready to even consider starting the second novel in the Wilderness of the Dead series.

One popular event at Wild Wild West Con is tea dueling. This is an event where contestants dunk a cookie in a cup of tea and must be the last one to eat it cleanly before it crumbles into bits. Heaven forbid that the cookie should besmirch one’s beautiful outfit. As it turns out, my younger daughter, who has come to be called “The Cutosity” ended up being the grand champion tea dueler for the weekend. Madame Askew and the Grand Arbiter who host the tea dueling made a big show of how much she’ll be missed as she gets ready to leave for college. In the photo below, you can see The Cutosity getting ready to face down tough competition from the West Texas town of El Paso.

Seeing the amazing costumes people make is perhaps one of the major attractions of steampunk. I was impressed by the Victorian-inspired fantasy costumes many of my friends sported at the event. Below is a gallery that features just a sampling of their amazing handiwork.

Over the weekend, friends who couldn’t attend the event asked if anyone took video of panels I was on or recorded audio. I’m sorry to say, I don’t know of any recordings. However, back at Thanksgiving, Ben Ragunton and Keith Lane came up to Kitt Peak National Observatory on a blustery winter day and interviewed me. Their interview, which went live yesterday, actually covers many of the topics we discussed on panels at Wild Wild West Con. I encourage you to listen to it. Even more, I encourage you to subscribe to their podcast and learn about even more of the fine authors and creators they interview. You can find your favorite platform to listen to their interview with me by visiting: https://www.tggeeks.com/blog/2020/03/09/tg-geeks-webcast-episode-264/

Wild Wild West Con 9

Next weekend will find me at Wild Wild West Con 9, which is being held at Old Tucson Studios in Tucson, Arizona from March 5-8. Click on the title to get more information about tickets, the venue, and places to stay.

Wild Wild West Steampunk Convention (WWWC) is America’s first and only Steampunk convention and festival that takes place in a western-themed town and amusement park. Not only that, it’s the largest Western-style Steampunk Convention in the United States! The organizers have created many successful events since 2011 and I’m pleased to be returning for the ninth time!

The event takes place within Old Tucson, the famous movie studio and amusement park built in 1939 and featured in over 300 movies and TV shows. For the weekend of WWWC, Old Tucson is transformed into America’s only Western-style Steampunk Theme Park! Concerts, street performers, special events, panels, workshops, rides, games, and much more are here for your enjoyment!

I will be participating in panel discussions and I’ll be sharing a booth in the Stage 2 Barn with Diesel Jester and Drake and McTrowell. Among the three of us, we’ll have a wide range of steampunk novels and short story collections along with science fiction, fantasy, and horror books, plus other assorted treats as well! Be sure to make the trek out to the barn and see us there. As for where you can find me on panels I’ll be at the following places:

Friday, March 6

11am-Noon – Sheriff’s Office – Weird Westerns: The Greatest Genre Nobody Ever Heard Of. David B. Riley and I will be on hand to introduce you to weird western fiction. We’ll talk about movies, books, and television that contributed to the growth of the Weird Western and give you some ideas about where you can find it today.

3-4pm – Chapel – Authors of Steampunk. Diesel Jester, David Lee Summers, CI Erasmus L. Drake, and Sparky McTrowell are several of the authors attending Wild Wild West Con. We’ll discuss how we were drawn to Steampunk, what we do and what we see as trends in the field.

5-6pm – Chapel – Steampunk Mystery Fiction. CI Erasmus L. Drake, David B. Riley, Diesel Jester, and I will talk about the ways steampunk and mystery go hand in hand. What makes a good steampunk mystery? Can you just hand Sherlock Holmes a pair of goggles and call it steampunk?

9-10pm – Cholla Room of the Westward Look Hotel – Authors After Dark. Leanna Renee Hieber, Diesel Jester, CI Erasmus L. Drake, and I hold a no-holds-bard reading and discussion of steampunk writing not suitable for the younger crowd.

Saturday, March 7

11am-Noon – Sheriff’s Office – Advance Weird Western Panel. David B. Riley and I continue our discussion of weird westerns. We’ll explore the perceived lack of popularity of these books and stories and why they keep being published anyway.

1-2pm – Chapel – Magic in Steampunk Fiction. David B. Riley, Dr. Sparky McTrowell, Diesel Jester and I talk about the ways magic and fantasy can be explored in steampunk. What makes it different than more traditional magic and fantasy? Does adding magic to your steampunk make the world your building richer?

Sunday, March 8

2-3pm – Courtroom Center – Drake and McTrowell’s Hot Potato School of Writing. CI Drasmus L. Drake and Dr. Sparky McTrowell host their game show-style presentation where Diesel Jester and I will team up with members of the audience to create wild steampunk adventures.

Holmes, Pirates, and Cthulhu. Oh my!

Back in March, I had the honor of meeting Kazumitsu Akamatsu at Wild Wild West Con in Tucson, Arizona. Akamatsu is not only a steampunk fanatic, he’s also written for anime and Japanese cinema, he’s an artist, and he’s a SOFUBI master. SOFUBI are Japanese soft vinyl figures, often depicting monsters. Here I am with Akamatsu and one of the other vendors, posing with steampunk guns he made. I’m the one with the red hair in a costume inspired by my Captain Firebrandt character.

I have been watching Gravion, one of the anime series Akamatsu contributed to. The premise is familiar to fans of anime from the early 2000s. A team of young people fly fighter craft which can combine with a smaller robot into a giant robot called Gravion, which is Earth’s best defense against alien invasion. The show has good action and a fun sense of humor. One thing that makes it stand out for me is that we have more young women in this team than men.

While at Wild Wild West Con, my wife and I bought Akamatsu’s book, The Quest for R’LYEH. In this steampunk book, a young Japanese woman named Mari enlists the aid of Sherlock Holmes and Dr. Watson to keep evil forces from traveling to Atlantis so they can wake the greatest of the old ones himself, Cthulhu. They get help from the mysterious Lady Steam and even take a ride on the Nautilus with Captain Nemo. Along the way, they must face a menagerie of Lovecraftian abominations, pirates, and even Rasputin. The story could be the basis for a terrific anime series or even a movie.

Although the plot was great fun, the prose was a challenge to follow. It felt like a word-for-word translation from the Japanese, without taking into account English grammar and idiom. The cover does say “Draft” so I wonder if a more polished translation will eventually be available. That said, the real gems in this book are Akamatsu’s beautiful illustrations of steampunk gadgets and Lovecraftian horrors. As a fan of Jules Verne, and now a fan of Kazumitsu Akamatsu’s work, I would love a model of his Nautilus design.

One of the reasons I enjoy going to conventions like Wild Wild West Con is having the opportunity to meet artists that I might not encounter in other venues. Meeting Mr. Akamatsu led me to explore his work and learn more about his art. I’ve long been inspired by Japanese television, cinema, and writing. Mr. Akamatsu’s writing has already inspired me to add an airship cameo to my novel The Pirates of Sufiro. I’m sure his work will inspire me in other ways as well.

Podcasting about Astronomy, Steampunk and More

This weekend finds me at Wild Wild West Con, which is being held at Old Tucson Studios just outside Tucson, Arizona. If you’re in the area, I hope you’ll make time to join us. We’re having an amazing time. You can get more information about the convention at https://www.wildwestcon.com/

In the run-up to the convention, I was interviewed on the podcast, Madame Perry’s Salon. Madame Perry is a little like Barbara Eden’s character in I Dream of Jeannie. After a lead in from Captain Kirk and Mr. Sulu, she invited me to sit on the cushions in her genie’s bottle. We discussed how reading Robert A. Heinlein’s Time Enough for Love and John Nichols’ The Magic Journey while thinking about the story of my mom’s family set me on the path to writing my first novel The Pirates of Sufiro. We also talked about how working at an observatory and making discoveries in the late twentieth century using nineteenth century instrumentation was an important inspiration for my steampunk writing. Madame Perry asked some great questions. We also had a listener question and a visit from Wild Wild West Con’s programming director James Breen. You can listen to the entire show at: http://www.blogtalkradio.com/madameperryssalon/2019/02/28/author-and-astronomer-david-lee-summers-visits-madame-perrys-salon

While you’re at the site, be sure to navigate up to Madame Perry’s main page. In other episodes, she interviews several other Wild Wild West Con featured artists as well, including cosplayer Tayliss Forge, maker Tobias McCurry, and musical guest Professor Elemental among others. If you can’t make it to the convention, the podcast is a great way to get to know some of the people attending. If you were able to make it Wild Wild West Con, you can listen and learn even more about those of us in attendance!

As it turns out, Madame Perry’s Salon wasn’t the only podcast I visited recently to speak about Victorian astronomy. A while back Jeff Davis invited me to speak on his show about something called the Carrington Event. In effect this was a massive solar storm in 1859 that resulted in a coronal mass ejection hitting the Earth head on sparking electrical disruption through telegraph lines, triggering auroras and making compasses go crazy. I had to admit that I didn’t know much about the Carrington Event, but Jeff recommended I read a great book called The Sun Kings by Stuart Clark.

The Sun Kings told the story of the Carrington Event and how solar observations in the nineteenth century contributed to the rise of modern astrophysics. Among other things, it discussed the advent of astrophotography and spectroscopy and how astronomers began to notice commonalities between the sun and other stars. This really gets to the root of work I’ve done studying RS CVn stars, which are sun-type binary systems where one or both of the stars have massive spots. It also ties into my work at Kitt Peak where I routinely support spectrographic observations.

Jeff’s show is on the Paranormal UK Radio Network. Despite the network title, we didn’t really get into the paranormal, even though the subject does fascinate me. You can listen to my discussion with Jeff at: http://paranormalukradio.podbean.com/