Why Pirates?

During a quiet moment at 2018’s MileHiCon, author Jane Lindskold and I sat down and had a nice conversation. In that conversation she asked why an apparently law-abiding, nice person like me would be interested in writing about pirates. After all, I’ve not only written about space pirates, but I’ve written about airship pirates in my steampunk fiction, and pirates have appeared in my vampire fiction. The drug traffickers in The Astronomer’s Crypt could also be seen as pirates of a sort. I have a two-part answer to the question. One part is related to story potential and the other is more personal.

To summarize the United Nations definition of piracy, it is a criminal act of violence, detention or depredation committed by the crew or passengers of a ship or aircraft directed against another ship or aircraft—or directed against a ship, aircraft, persons or property outside the jurisdiction of a country.  Apply that idea to any vessel that is either in space or operating on a distant world, and you open up tremendous story potential.

In fact, when I first wrote my novel, The Pirates of Sufiro, the working title was simply Sufiro. The novel really is about the history of a planet founded by pirates, the disaffected people who follow, and the unscrupulous people who find resources on the world they can exploit. I added “Pirates” to the title because the planet is not only founded by pirates, but those unscrupulous people who come later are committing acts of violence, detention and depredation against their fellows outside the jurisdiction of a country. In a very real way, they are even more piratical than the story’s avowed pirates.

On a more personal level, pirates stir the imagination despite the fact that they steal from others to make a living and often murder to do so. If you look into the history of piracy—particularly during piracy’s “golden age” of the seventeenth and eighteenth centuries—you find that discipline on military and legitimate trading vessels was brutal and crews were paid almost nothing. On pirate ships, the crews had more of a voice in how things were run and the booty was split more evenly.

Today, in the 21st century, we find ourselves in a world where companies monitor our e-mails and website usage. People can be fired for saying the wrong thing in the heat of the moment. In point of fact, the corporate world of today has nothing on the day when you could be flogged to within an inch of your life for a perceived insult. Still, the idea of setting out to sea or the stars with no one watching your every move and not having to watch your every word does have a certain appeal.

In Leiji Matsumoto’s famous Captain Harlock anime series and manga, the titular pirate captain fights under the skull and crossbones flag because it’s a symbol that one should fight to the death for freedom and that one shouldn’t be subject to corrupt and decadent governments. I wrote The Pirates of Sufiro before I got to know Harlock as any more than a cameo character in Galaxy Express 999, but the idea does capture some of what I tried to capture in my novel.

As it turns out, The Pirates of Sufiro was the first novel I ever wrote and I think it’s fair to say the idea was more ambitious than my skills were ready for almost twenty-five years ago. I’ve been spending much of the last year revising The Pirates of Sufiro for a new edition. I think I’ve made it much better, but I’m in the process of taking a good hard look and deciding whether or not I’ve succeeded in making it the book I want it to be. Much of that is making sure the characters are true to themselves as they developed in the books I wrote after Pirates.

You can help me in my quest to make The Pirates of Sufiro the book it should be by joining my Patreon campaign. My fix-up novel Firebrandt’s Legacy may be read in its entirety. Also, you can read the last published edition of The Pirates of Sufiro and the draft as it stands now. It’s likely there will be even one more draft before the book is published. Once it is published, I’ll give download codes for all the novels in the Space Pirates’ Legacy universe that are in print: The Solar Sea, Firebrandt’s Legacy, and The Pirates of Sufiro. Of course, I love to hear feedback from my patrons and it’s a great way to weigh in on what you think of the books. You can become a patron for just $1.00 a month. To learn more, click the button below. It’s time for some piracy!

The Waiting Game

Two weeks ago, I mentioned that I’m about to wrap up three book projects. One is the novel Upstart Mystique by Don Braden, which I’m editing and publishing. One is the anthology Exchange Students edited by Sheila Hartney that I’m publishing. The third is my novel, The Pirates of Sufiro, which I’ve revised for its twenty-fifth anniversary release. Over the last couple of months, each of these projects has involved a lot of time at the computer. I’ve been reading, revising, sending emails and making sure that everything is ready for typesetting and final cover creation. I have completed preliminary typeset copies of Upstart Mystique and Exchange Students and I’m just waiting for the covers to proceed. The Pirates of Sufiro is out with early readers. And so now I wait…

Okay, my cover artist, Laura Givens, works fast enough, I don’t imagine I’ll be waiting long, but finishing the typesetting does depend on having a finished cover. That might surprise some readers, but the reason for this is to assure the book has a cohesive look. I like to make sure the fonts used in the headers and on the chapter titles is a close, if not exact, match for the fonts used on the cover. This is certainly not an absolute requirement for publication, but I think it gives the book a much more polished and professional look.

For me, the transition from being very busy to waiting for stuff I need to complete projects is always a bit of a challenge. I wonder what my early readers are going to think about that stuff I’ve been slaving over for the past year. Are they going to like it or tell me I was wasting my time? I always look forward to seeing the covers Laura comes up with for work. Waiting for those is more akin to waiting for Santa on Christmas Eve. I know good stuff is coming, I just don’t know exactly what it is. Of course, it’s not productive to sit around fidgeting about either of these. I think the very best things a writer can do while waiting to hear back from people is write something or read something. In that spirit, I’ve been catching up with some fun reading and will share some of that over the next couple of posts. I also started working on a model of the Enterprise from Star Trek: Discovery that I received as a Christmas present. You can see the work in progress in the photo.

I spent a day during my first break of the new year making sure I had everything I needed to complete the model. I planned to start it once these projects were all complete as a sort of reward to myself, but I decided to get an early start. It turns out this model is a very simple build, but it has a LOT of decal work. I decided that I really needed to invest in a product I’ve seen recommended to me on several modeling forums and by some friends called “Micro Sol” which really helps the decals settle onto the surface of the model. Of course, this is the one thing I needed I couldn’t find locally, so I had to order it. So, I’m waiting on that project as well! So, I’m back to reading and thinking about what writing projects are next for me. I do a lot of my thinking by walking, so I am getting some exercise in while I wait. If people keep me waiting long enough, who knows? I may just get that next writing project started.

A Stormy Holiday

This year, I spent Thanksgiving on the job at Kitt Peak National Observatory. Because my daughter had the week off, we opted to have our family celebration at home on Monday before my work week began. Over the last dozen years, I’ve spent several Thanksgivings on the job. It’s not necessarily a bad way to spend the holiday. My co-workers and I get to share a turkey dinner on Thanksgiving.

Of course we have diverse political views, so sometimes we find ourselves skirting those topics just like many families around the country. In many ways, those of us who work at the observatory are like a family, bound by a common passion for exploring and understanding the universe around us. Moving that mission forward is one of the things that makes working at the observatory on a holiday worthwhile.

Then again, working at a ground-based observatory, we’re subject to the wiles of the weather and this holiday weekend has proven to be a stormy one. Times like this do give us awesome sunsets like the one above, but not much time looking at the stars. We had rain, fog, and wind gusting upwards of 70 miles per hour. These are not conditions one should subject precision scientific instrumentation to. So, why do I have to hang around on nights like this?

First and foremost, there’s the chance the weather may improve enough for us to open. In fact, on my first two nights of this shift, even though the weather looked hopelessly bad, we did manage to get about two hours of data each night when the weather calmed and dried out briefly. Another reason I have to be available is that some of the instrumentation will be damaged if we lose power. On a remote mountaintop in the Arizona desert with 70 mile per hour winds and rain and snow, that’s a real possibility. If power goes out and doesn’t come back before battery backups drain, I may have to jump into action to start an emergency generator. What’s more, we have had circumstances where the weather has damaged buildings and I may need to take action to protect the telescopes or instrumentation.

Fortunately, our buildings and power systems are designed well enough, I don’t have to spend my entire night actually saving the telescope. So, while I’m waiting to see if my services are needed, I get a chance to do some proofreading. This weekend, I’m proofreading the novel Upstart Mystique by Don Braden, which my company Hadrosaur Productions will be publishing in early 2020. It’s a great science fiction novel about a group of colonists who are pulled off course and are forced to land on a planet they didn’t intend to settle before their ship is destroyed. The novel explores fascinating questions about human and machine intelligence.

I became a writer because I love to read. Hadrosaur Productions exists, in part, as a way to give back. The company allows me to seek out writers whose voices deserve to be heard and bring their books to readers. I know many people who read this blog are fans of my writing, but I encourage you to check out the works of the other people I publish as well. This holiday season, I’m especially thankful for writers like Greg Ballan, Joy V. Smith, and David B. Riley who have given me the privilege of editing their stories and I’m thankful to all the readers who are eager to find new, exciting fiction. As we enter this holiday season, please take a look at http://www.hadrosaur.com. I bet you’ll find a good book to share with the adventuresome readers in your life.

Fantastic Settings

Today, I’d like to welcome author Deby Fredericks to my blog. I’ve had the honor of editing her novels The Grimhold Wolf and Seven Exalted Orders. I enjoy her writing and she has a new book out called Dancer in the Grove of Ghosts. In today’s post, she discusses the importance of setting in science fiction and fantasy.


One thing that sets fantasy and science fiction apart from other literature is the incredible worlds we set forth in our pages. While stories in other genres will take place in the real world or something close to it, fantasy really takes you away. Whether to dream lands and magic kingdoms, or to domains of our nightmares, we show our readers sights they’ve never seen before.

In creating my high fantasy novella series, Minstrels of Skaythe, I’ve been showing a landscape that is fairly natural, yet nevertheless woven through with magic. Enigmatic, silvery roads criss-cross the dusty plains, leading nowhere. Pockets of gloom linger where nothing should cast a shadow.

During the first novella, The Tower in the Mist, the characters explored the Hornwood, an ancient woodland shrouded in mystery. For the latest novella, they only pass through the Hornwood to reach another legendary site.

One hundred years ago, the evil Dar-Gothull laid a curse on Seofan Holl in the form of a drakanox. This beast was so poisonous that its breath made stone crumble, metal rust, and it killed every living thing, from the magnificent oleya trees down to the fleas in the pelts of dogs. No life has recovered there in all the time since.

My heroine, Tisha, is an extraordinarily gifted healer. She is driven to discover whether the curse is like an illness that she can heal. Here is what she finds in Seofan Holl:

Gray — that was her first and most striking impression. The land formed a shallow bowl, rather oval and slightly curved to the north. This was filled with pale gray, lacy clouds that Tisha quickly recognized weren’t clouds at all. They were the leafless twigs and branches of a vast orchard. Tree trunks stood in orderly rows, spaced just so, a formation stretching as far as she could see.

Beneath those ghostly groves, the soil was pale and dry, covered with ashy dust. Even the least breath of wind raised a thin haze to muffle the sky. Rickety fences stitched between sections of orchard. On the wall above, moss had been growing on every stone. Here was none at all.

I hope you’ll journey along with Tisha to the desolate Seofan Holl, and see if she can restore life to the grove of ghosts.


Dancer in the Grove of Ghosts

“He’s dead. He just doesn’t know it yet.”

Mortally wounded, Cylass is abandoned on the battlefield by comrades who would just as soon have him out of the way. But as he waits for death, a strange savior appears. The dancer, Tisha, heals him with her forbidden magic, but also draws the wrath of his cruel former lord.

Soon guardsman and renegade mage are on the run. Will Cylass help Tisha, as she helped him? Or will he do the smart thing, and turn her over to the vicious Count Ar-Dayne?


Amazon e-book:
https://www.amazon.com/dp/B07ZXLHC62

Other e-book formats:
https://draft2digital.com/book/496360

Author website:
http://www.debyfredericks.com

Author newsletter:
http://eepurl.com/geV_nX

The Inevitable Cycle Revisited

This past summer, I paid a return visit to one of my favorite places, Lowell Observatory in Flagstaff, Arizona. In light of that visit, I thought I’d revisit a post I originally wrote for my Scarlet Order Journal three years ago on the occasion of another visit and share some new photos. Lowell Observatory is famous as the site where Percival Lowell observed Mars for many years, recording his observations of the canals he—and most mainstream scientists of the day—believed they saw. It’s also the observatory where Clyde Tombaugh discovered Pluto. Of course, in mythology, Pluto is the Roman god of the underworld and a figure closely associated with the spirits of the dead. Lowell Observatory on Mars Hill is also the site of Percival Lowell’s Crypt. The photo here is from my 2019 visit.

If you look carefully at the tomb, there is an epigraph, to the right of the door. It reads, in part, “Everything around this Earth we see is subject to one inevitable cycle of birth, growth, decay … nothing begins but comes at last to an end … though our own lives are too busy to mark the slow nearing to that eventual goal …” The words on this astronomer’s crypt go a long way to explaining what draws me to horror. Birth, growth, and decay are not only inevitable, but all can be frightening. Horror provides a mechanism for taking a look at the things that frighten us and getting a handle on them.

The epigraph continues: “Today what we already know is helping to comprehension of another world. In a not distant future we shall be repaid with interest and what that other world shall have taught us will redound to a better knowledge of our own and of the cosmos of which the two form a part.” The quote comes from Percival Lowell’s book, The Evolution of Worlds. Horror might be scary, but it reminds me that humans can overcome even the worst terrors to accomplish great things. In fiction that can be defeating a villain or a monster. In real life, we might conquer our fears to expand the borders of human understanding.

Right next to Lowell’s crypt is the telescope where he observed Mars for many years. This year, we arrived on the weekend of the 50th anniversary of the Apollo 11 moon landing. It was my second opportunity to go in, and see the telescope. I got to ask questions about the building, the original clock drive and whether the original f-stop is still on the telescope. My daughter even had a chance to move the dome around. They had a public night scheduled, but our schedule didn’t allow us to return. Back in 2016, we were able to visit at night and we had a terrific view of Saturn. We could see resolution in the clouds and the rings were sharp and beautiful. If the ghost of Percival Lowell wanders the observatory grounds, I suspect he’s proud of the job the people there do of giving the public a glimpse at the universe, which can be at once scary and beautiful.

I hope my novel The Astronomer’s Crypt scares you when you read it. I also hope you’ll see how people overcome fear and accomplish great things. Even though I hope to show you scary things in that novel, I also hope to show you some of the beauty that this universe and the people who inhabit it possess.

The Astronomer’s Crypt is on sale for just 99 cents this month of October 2019. You can get copies at:

A Puzzling Sunday

When I was a kid, I asked my parents for a Star Trek puzzle I saw in the toy store. I think the image was taken from one of the Gold Key comic book covers. I don’t remember how many pieces it was, but it wasn’t an “easy” puzzle because a lot of the pieces were black with stars. Even as a kid, I was obsessive enough that I stuck with it until it was finished.

From that point on, every time a distant relative or family friend asked what kind of gift they should give me, my parents would say jigsaw puzzles. As a parent myself, I can see why. They often have nice pictures and they’re relatively inexpensive, so it doesn’t feel like you’re imposing on those relatives asking for suggestions. The problem is, after doing that first jigsaw puzzle, even though I stuck with it and completed it, I discovered that I didn’t especially like doing it. What’s more, many later puzzles I received had pictures I didn’t even like that much. Oh, they were often pretty enough, but I’d rather see a mountain valley than put together a puzzle with a photo of one.

My wife, though, loves puzzles. She does tell people that she wants puzzles with photos or illustrations she likes, but she is very good with any jigsaw puzzle. Even without looking at the box lid, I’ve seen her pull out random pieces and start putting them together and I’ve seen her put 500-piece puzzles together in under two hours. My daughters have also inherited some of this puzzle skill. So, when our local comic shop started having puzzle tournaments, I suggested to my wife that she should enter. Up until a week ago, she competed in four tournaments with one of my daughters and a friend or two on the team and they’ve won all four. So, it surprised me this past weekend when my wife asked me to join them for the puzzle tournament.

The way these tournaments work is that every team is given the same puzzle. The team gets two hours to work on the puzzle. The first team to complete the puzzle wins. If no one completes it, the team with the largest number of assembled pieces wins. We were given a 1000-piece puzzle featuring an illustration based on John Carpenter’s The Thing. The illustration was largely shades of red and gray. On the team with me were my wife, my youngest daughter and a friend of my daughter’s from school.

Although I’m not altogether a fan of assembling jigsaw puzzles, I’m not bad at them. I’m a sufficiently old-school astronomer that I had to become really good at pattern matching to identify star fields in a telescope eyepiece or on a computer monitor. That old Star Trek puzzle way back probably helped me hone that skill. As an editor, I look for misspelled words and bad grammar. I can see how things fit together from seemingly random patterns. I went along to the tournament for the sake of family together time.

At the end of two hours, we had 261 pieces assembled, a little over a quarter of the puzzle and we were the tournament winners. Our prize—another puzzle. This one was a Scooby-Doo puzzle, that looked a little more to our taste. My wife is now five-for-five at the local comic shop’s puzzle tournaments. She plans to return for at least a couple of more rounds and will compete in the final round at the end of the year. Whether I go back and compete again will depend on how the tournament days line up with my schedule.

This was probably the most fun I had working on a jigsaw puzzle and from what I saw, all the teams had fun. I think for me, the most fun part was spending time and collaborating with my family. I did come away realizing that the obsessive part of me that sees a puzzle through to completion (or until a time limit) is a necessary part to me being a writer. When I start a story, I need to see it through until it’s finished. Stories are not unlike jigsaw puzzles for me in that they often start with flashes of scenes and moments of characters doing something and I really want to see how they all fit together. I think the reason they satisfy me more than puzzles is because I’m the one who created the picture that appears when it’s all finished.

Another fun thing that happened on Sunday is that author Stephanie Kato interviewed me at her blog. Click here to read that interview and learn a little more about me.

Plotting by the Seat of my Pants

Should you plot your stories with meticulous care or should you write spontaneously and see where the muse takes you? I know writers who have an almost religious devotion to each approach and there are certainly pros and cons to each approach. My ability to plot stories before I write them has helped me make sales before I’ve taken the time to actually compose them. In this case, plotting can effectively become a pitch. An editor might solicit an idea from me. Afterwards, I go away and think about it for a time and then throw some ideas about how I would handle the story to the editor. The editor then gives me feedback on what works and what doesn’t work. This can be a very exciting process and it’s one I recently went through with an anthology editor and it’s also how I created the outline for my novel The Astronomer’s Crypt. Hopefully I’ll be able to share news about the story I just wrote before the year is out.

Those who write by the seat of their pants argue that you don’t always know your characters when you start. The more you write, the more you understand their motivations. If you plot, there’s a danger you force your characters to take actions that aren’t true to them as they’ve developed. That’s a valid point, and one of the ways I counter that is to treat my outline more as a set of goals than as a detailed roadmap. For a short story, it tells me what my characters are going to do to set them off in a direction. It suggests complications they may encounter along the way. I don’t always write an ending. Instead, I think of ways the story might end depending on who the characters turn out to be. It’s exciting when I get to the end and the characters do something I don’t quite expect because its right for them. That happened to me this last week and I like the ending much better than any of the ones I actually plotted in advance.

In a novel, the plot points are a little more defined, but again, I try to keep them general enough that they serve as complications the characters encounter. There is a challenge if the characters diverge far enough from the original conception that they don’t encounter the complications laid out for them. At that point, there’s no choice but to revisit the outline. Figure out what path the characters are on and see whether there’s a way to get them to encounter the original complications or see if you just have to create new ones altogether.

Now, if an outline serves as the basis for a pitch, what happens if the story becomes very different from the outline? This is something I don’t worry about too much for two reasons. First off, good editors are more concerned about finding good stories than assuring your story perfectly matched the pitch you gave them. If the story works and doesn’t violate any guidelines, you’ve still got a really good chance of selling the story to an editor who solicited one from you and liked the pitch. Second, when you make your pitch, you’re not likely to give the editor your entire outline. Mostly you’re laying out the initial situation and the problem the characters are going to be faced with along the way. If you resolve those issues in a different way than you envisioned, no problem. The editor doesn’t necessarily know that. Again, what the editor will care about is whether or not the story works.

For pantsers, I recommend trying your hand at plotting a story or two. It could prove a lucrative and useful skill down the road. For plotters, I recommend leaving enough room in your outline to let your characters breathe and do things you didn’t quite expect. You might be surprised at the result!