Coming Soon – Straight Outta Tombstone

As of today, we’re just about six weeks from the release of Straight Outta Tombstone, a weird western anthology edited by David Boop. I’m excited about this anthology for several reasons. First of all, I was able to bring two of my favorite worlds together in one story. Larissa and Billy from the Clockwork Legion series encounter Marcella and Rosen from my Scarlet Order Vampire series during the historical Albert Fountain disappearance. What’s more, this story appears in an anthology including several people who I admire, many of whom I’m lucky enough to call friends, including Jim Butcher, Jody Lynn Nye, Phil Foglio, Robert E. Vardeman, Nicole Kurtz and more!

People who have read both the Clockwork Legion novels and the Scarlet Order novels may wonder how I can bring the two together. I only briefly mentioned vampires in Owl Dance, and more as a literary concept than a reality. Also, savvy readers will notice that I killed off one of the Clockwork Legion characters in Vampires of the Scarlet Order. The way I could make this work was to realize that the Scarlet Order novels are essentially a “secret history.” They’re set in the shadows of our world. However, the Clockwork Legion novels are set in a distinctly alternate history. So the Scarlet Order vampires you meet in my story “Fountains of Blood” are the ones who exist in my Clockwork Legion world!

I’m not the only author playing with a world of my creation in this book. Larry Correia explores the roots of his best-selling Monster Hunter International series in “Bubba Shackleford’s Professional Monster Killers.” Jim Butcher reveals the origin of one of the Dresden Files’ most popular characters in “Fistful of Warlock.” Kevin J. Anderson’s Dan Shamble, Zombie P.I., finds himself in a showdown in “High Midnight.” Alan Dean Foster brings us a new Mad Amos Malone story in “The Treefold Problem.”

Here’s the complete table of contents:

  • Bubba Shackleford’s Professional Monster Killers by Larry Correia
  • Trouble in an Hourglass by Jody Lynn Nye
  • The Buffalo Hunters by Sam Knight
  • The Sixth World by Robert E. Vardeman
  • Easy Money by Phil Foglio
  • The Wicked Wild by Nicole Givens Kurtz
  • Chance Corrigan and the Lord of the Underworld by Michael A. Stackpole
  • The Greatest Guns in the Galaxy by Bryan Thomas Schmidt & Ken Scholes
  • Dance of Bones by Maurice Broaddus
  • Dry Gulch Dragon by Sarah A. Hoyt
  • The Treefold Problem by Alan Dean Foster
  • Fountains of Blood by David Lee Summers
  • High Midnight by Kevin J. Anderson
  • Coyote by Naomi Brett Rourke
  • The Key by Peter J. Wacks
  • A Fistful of Warlocks by Jim Butcher

Hope you’ll join us for ride out to an old west far stranger and scarier than the one your granpappy told you about. This one includes soul-sucking ghosts, steam-powered demons and wayward aliens. The book will be released on July 4. You can preorder it right now at Amazon. You can also visit the book’s page at Baen Books, where you can get a sneak peak of the entire first half.

Lightning Wolves on Audible

Lightning Wolves, the second novel in my Clockwork Legion steampunk series, is now available as an audiobook at Audible.com. In the novel, it’s 1877 and Russian forces occupy the Pacific Northwest. They are advancing into California. New weapons have proven ineffective or dangerously unstable. The one man who can help has disappeared into Apache Country, hunting ghosts. A healer and a former sheriff lead a band into the heart of the invasion to determine what makes the Russian forces so unstoppable while a young inventor attempts to unleash the power of the lightning wolves.

One thing that makes this release special is that I love to listen to audiobooks while I’m driving from my home in New Mexico to the observatory where I work in Arizona. Elements of this novel were inspired by the very same commute. Almost every week, I pass the Whetstone Mountains which house Kartchner Caverns State Park. I drive by the turnoff for Tombstone, famous for the gunfight at the O.K. Corral. I drive through the Dragoon Mountains where Apache warriors made camp. All of these locations feature in Lightning Wolves. I look forward to giving the book a listen during a couple of my upcoming commutes through the region. Here we have a look at one of the real-world settings in the novel.

As it turns out, I’m revisiting a lot of these same locations in the novel I’m currently writing. I left a few plot threads dangling at the end of Lightning Wolves which didn’t get resolved in The Brazen Shark because pirate captain Onofre Cisneros took my protagonists Ramon and Fatemeh first to Hawaii and then to Japan. Also, it seemed like it would be fun to leave those dangling plot threads alone for a few years worth of story time and see how they develop. The result is that Southern Arizona is in quite a mess by the opening of Owl Riders and you know Ramon and Fatemeh will be right in the middle of it, presuming other aspects of their life don’t get in the way.

The audiobook is narrated by Edward Mittelstedt who did a terrific job on Owl Dance. What’s more, Lightning Wolves was a top ten finisher in the best steampunk novel category of the 2014 Preditors and Editors Reader’s Poll. My daughter Autumn created Larissa, the young inventor mentioned in the story’s description. She served as the model for Larissa on the book’s cover.

You can listen to a sample and buy a copy of the Lightning Wolves audiobook at: https://www.audible.com/pd/Sci-Fi-Fantasy/Lightning-Wolves-Audiobook/B0716QC53Y

The Space Pirate’s Legacy

As of today, all rights for the so-called “Old Star/New Earth” series have been reverted to me from Lachesis Publishing. This includes my novels The Solar Sea, The Pirates of Sufiro, Children of the Old Stars, and Heirs of the New Earth. For the time being, this means that ebook editions are no longer available and the only print copies available are copies retailers have in stock, or used copies.

It’s a little sad to see these titles go out of print, but in the long run, I think this will be for the best. Also, I should mention that Lachesis did offer to renew my contracts, but I’m the one who terminated them, not because I’m unhappy with Lachesis, but because I think the time has come for new editions of these books. In fact, I still have three titles with Lachesis: The Astronomer’s Crypt, Dragon’s Fall: Rise of the Scarlet Order, and Vampires of the Scarlet Order. I still have a good relationship with them and nothing but respect and goodwill toward the company.

To better explain the reason I terminated my contracts, I should step back and give you some history. All four of these novels were originally acquired and published by LBF Books. Lachesis Publishing acquired LBF and Lachesis itself has gone through a couple of ownership changes since then.

When I sold The Pirates of Sufiro and Children of the Old Stars to LBF, they asked me for a series title. The obvious title to me at the time was “The Cluster series” because the series is about solving the mystery of the alien known as the “the Cluster.” The problem is that a series of that title already existed and I wanted to avoid confusion. So, in a rush to come up with something, I called it “The Old Star Saga” based on the title of the second book. I never was happy with the title but LBF’s editorial team didn’t question it, so it stuck.

Another issue was that I was not satisfied with the ebook editions generated soon after ebooks started taking off in popularity. The books were converted directly from the PDF files using optical character recognition software. The work was adequate for the time, but the process introduced numerous typos and formatting errors. I spoke to the current owners a while back about correcting these editions and they decided the errors weren’t serious enough to warrant the work needed to make corrections.

Finally, The Solar Sea was never intended to be part of this series. I wrote it as a standalone novel set in the same universe, but much earlier in time. Despite that, Lachesis marketed The Solar Sea as “Book 4,” which I think created some confusion.

So, by getting the rights to these books back, I hope to correct these issues. Over the coming months, I plan to re-edit the books and put out new editions through my company, Hadrosaur Productions. Since publishing the Old Star Saga, I’ve written numerous short stories featuring Captain Firebrandt of The Pirates of Sufiro. I want to put those stories together in a standalone book. To my mind, it makes sense that this new book should be “Book 1” of the rebranded series.

The revised series will be called “The Space Pirate’s Legacy Series” because it’s about Captain Firebrandt and his descendants. There’s also a play on the fact that Firebrandt’s ship is the Legacy. My goal in the re-edit will simply be to correct faults, update the science, improve the prose a bit, and clarify some things. If you already have the original editions, I don’t want you to feel you need to buy the updates unless you just want to! And of course, there will be a whole new book 1.

I want to take a moment and thank everyone who has read these books, written reviews, and shared them. Later this year, I’ll share ways you can help with the revised series. There will be opportunities to help shape the revisions, bonus perks and more pirate loot to come! I hope you’ll join me for this exciting voyage to the galaxy’s far side and back!

Marketing Buzzwords

One of the things that drives me crazy about the publishing business is that as writers and editors we strive to be clear, concise, and avoid clichés and hackneyed phrases. Yet, when it comes time to market books, many people including some very talented writers and editors will fall back on some very tired and overused phrases to describe the process. One phrase in particular that sets my teeth on edge every time I hear it is “building buzz.”

The idea here is that when a new book comes out, an author should make a concerted effort to get word out about the book. Because there are only so many people an author can interact with personally, the author wants to encourage others to talk and write about their book. And just to be clear, this is a good thing and authors absolutely need to do this. My problem is with the hackneyed phrase used to describe this activity.

My first problem with the phrase is that it sounds horribly egotistical. It’s like what you’ve written is so totally amazing that everyone is going to drop what they’re doing and talk incessantly about it until it becomes a drone, like the buzzing of bees. Let’s be real, no one has ever written a book that’s set people talking that much before they even read them. The closest I can think of are the Harry Potter novels. Of course, these books were discovered, read, recommended and discussed enough that they became best sellers, then had movies made of them, and remain popular years after they were written.

“Buzz” is earned through engaging writing. It’s not something manipulated and built artificially after the book has gone to press. People talked and wrote about the Harry Potter books because they liked them, not because J.K. Rowling, Scholastic Publishing, or some marketing company told them to talk about them. The buzz happened because the books touched the imagination of the audience.

What’s more, I think clichés like “building buzz” do a disservice to writers and publishers trying to navigate the complicated and ever-changing world of book marketing. It lends credence to the notion that there’s some magical recipe that will make your book so successful that everyone talks about it. If you didn’t successfully “build buzz” with your first attempts, you’ve failed and you should stop trying. As I implied earlier, the hard work of “building buzz” happens when you write the book and create something people want to read. Once the book is out, your job is to find creative ways to tell people about your book without droning on like the buzz of a bee.

When your book comes out, do tell people it exists. Tell them what it’s about in concise, clear words. Find creative ways to get that message out. Talk to other writers and find out what worked for them. Those almost certainly include such things as newsletters, blog posts, sending out free copies to reviewers, book trailers, social networking, bookmarks, and lots more. That said, don’t limit yourself to those things people have told you work. Don’t be afraid to think outside the box and try new things. This is not a recipe. It’s a process.

Finally, if I ever use the phrase “building buzz” as a shorthand for getting the word out about your books or mine, you’re more than welcome to call me on it!

Meet Mike and Claire

This past weekend, I’ve been working on a book trailer for my novel, The Astronomer’s Crypt. To make this trailer, I’ve been collaborating with actor, director, and producer Eric Schumacher, who played Wyatt Earp in the Fox Network TV series, Legends and Lies: The Real West.

Over the years, I’ve seen a lot of book trailers. Some are more successful than others. I’ve even made a few using graphics provided by the wonderful artists who worked on my covers. For this trailer, Eric and I wanted to kick it up a notch, and make a more cinematic trailer featuring a scene from the novel. Eric is playing telescope operator Mike Teter and Sara Mirasola is playing astronomy graduate student Claire Yarbro. Here’s a sneak peak of the actors in character.

I have tried my hand at writing a couple of screenplays, and even submitted one to Star Trek: The Next Generation when it was on TV, but this marks the first time I get to see my words translated to the screen. Eric and I collaborated on the screenplay. Like most book screenplays, it’s not a word-for-word translation of what happens in the book, but we worked hard to keep the essence of one of the book’s scariest moments. As the scene opens, Mike and Claire’s dialog teases what’s been happening in the novel so far, then Mike leaves Claire alone. In the book, Claire goes through an internal monologue as she waits to find out what’s happening to the others with a few exclamations. We worked to translate enough of the words to give you a sense of what she’s thinking without giving you a Shakespearean-style monologue. I’ll leave the description there to avoid spoilers both for the book and the trailer.

The writing process started with me picking a handful of scenes I thought might be suitable. We developed one in hopes that Kitt Peak National Observatory could be a stand-in for the novel’s fictional observatory. However, that request was denied. The powers that be felt the Mayall 4-meter was just a little too recognizable and such a film would imply organizational endorsement for the project. Disappointing, but fair enough.

The new scene is set in an observatory control room, which is easier to mock up without implying institutional endorsement. So we went to one of our backup scenes. The scene I picked only had Claire. Eric roughed out a draft based on that scene, then I suggested an opening based on the previous scene where Mike and Claire are together. This allowed two actors to play off each other and set up the scene before Claire has to carry the ending alone. We then sent the script back and forth a few times. I checked for both scientific accuracy and assuring the script was true to the flavor of the book, while Eric worked to assure the scene could be filmed and actors could speak the lines.

It’s been exciting to see Eric and Sara bring Mike and Claire to life. In a future post, closer to the trailer’s release, I’ll discuss more of the technical aspects of making our short film. In the event you don’t want to wait for the trailer’s release to read the book, you can learn more about The Astronomer’s Crypt, read a sample chapter, and find places to buy the book at: http://www.davidleesummers.com/Astronomers-Crypt.html

Roughing It

Since the beginning of this year, I’ve been plugging away on the rough draft of my eleventh novel, Owl Riders. The novel will be the fourth in my Clockwork Legion series, which includes Owl Dance, Lightning Wolves, and The Brazen Shark.

I haven’t said much about the new novel as I’m writing it, partly since it’s novel four, it’s tricky to discuss it without giving spoilers for the first three novels. However, what I will say is that I hope this novel closes up some loose ends from the first three novels while possibly serving as the first book of a second trilogy featuring these characters. Whether that last part happens will depend on demand.

Those who follow this blog, know that I’ve also been busy with several other tasks, which have included the release and promotion of my novel The Astronomer’s Crypt and the anthology Kepler’s Cowboys, plus, of course, I’ve been shepherding the anthology Maximum Velocity: The Best of the Full-Throttle Space Tales toward completion. Of course, on top of these are visits to conventions and, oh yeah! I have an actual “day” job operating telescopes!

Ideally, I like to luxuriate in the drafting process. I’m the kind of author who likes to spend time in a scene, really immersing myself in it. I write fast, so in the past I’ve often done things like think about a scene for two or three days, then furiously write four or five thousand words in a sitting. Afterwards, I would go back and reread what I’ve written, making corrections and generally trying to make sure I haven’t left out parts or repeated parts. My hope is that when I’m done with this, I’ll have a rough draft that won’t need all that much work to turn into a published novel. Yeah, right.

My beta readers and my editors always find stuff I missed. It’s partly because of time and partly because of this realization that I’ve been taking more of a NaNoWriMo approach to this novel. For those who don’t know what that is, NaNoWriMo is the National Novel Writing Month and the formal event happens in November. The goal is to write 50,000 words in a month. To do this, you just draft and don’t look back at what you’ve written, just keep plunging forward.

In fact, my novels, The Solar Sea and Dragon’s Fall: Rise of the Scarlet Order started as NaNoWriMo novels, when I was challenged to participate by my publisher.

The best strategy I found to complete NaNoWriMo was to set myself a daily word count goal and stick to it. That’s essentially what I’ve been doing with Owl Riders. On an ideal day, I wake up, have breakfast, check my mail for important messages, go for a two-mile walk, write 1000 words, have lunch, go for another walk, write another 1000 words, go for a final walk, then get on with the other business of the day. I find that during the walks, I can spend time visualizing the scenes as I prefer, plus it gets me up and moving around, so I can avoid a repeat of the thrombosis scare I had earlier this year.

As I say, this is an ideal routine. Because of the nature of my “day” job operating telescopes from sunset to sunrise, I can’t easily write on those days. Also, if I have a time-critical item on of my other projects, I’ll give myself a break and only require myself to complete 1000 words, rather than 2000 words in a day. As it is, I’m making steady progress. I know I’ll have to go back over the whole thing with a fine tooth comb and make sure the whole book works together. I’m sure there are wordy places I’ll cut and places where I’ll need to add detail, but I’d do that even if I took my time drafting the manuscript.

While waiting around to see how well I succeed, you can read the first three Clockwork Legion novels. All the links above will take you to my pages describing the books which include links to retailers where you can purchase the book. Also, all three of the original Clockwork Legion novels are available in a single budget edition from Kobo and Barnes and Noble.

Beautiful Sunsets

My work “day” at Kitt Peak National Observatory gets going in earnest when the sun sets. We have a saying at the observatory that beautiful sunsets mean poor observing. For better or worse, we’ve had some beautiful sunsets this past week.

There is some truth to the notion. Clouds can make dramatic sunsets, but they also obscure the view of even the most powerful optical telescopes. Red sunsets are often caused by dust or smoke in the air. Both are bad for observing in their own right. They make the sky hazy, but they can also settle out on telescope optics, which then becomes a problem when the weather gets even better. Unfortunately, big telescope optics are not easy to clean and the particulates can even damage them.

The wind that kicks up particulates or dries out the brush, giving us fire conditions, can also be a problem for observing. An unsettled atmosphere can make objects magnified with a telescope look fuzzy and distorted. It’s what we call bad “seeing.”

Nights with these kinds of poor, but not stormy conditions, can be the most difficult in my work life. We have to be ever vigilant to make sure the winds don’t get too high to safely operate the telescopes or the clouds don’t build up to ones that might drizzle. Even a little bit of water on telescope optics can ruin a telescope operator’s night. The wind can actually blow the telescopes around enough that we have a difficult time tracking targets precisely.

Our best nights are those when the sky is clear and calm at sunset. A few high clouds on the horizon aren’t ideal, but they’re not necessarily terrible. This was a sunset taken on a pretty good night.

This sunset’s pretty cool because I caught just a little of the “green flash” effect. I was just using the camera on my Kindle, so it doesn’t look as green as it did watching it, but you can see the after image of the sun just above the setting sun itself. That’s caused by atmospheric dispersion stretching the image of the sun like a prism or a rainbow. So you see the green/blue light of the sun set after the yellow light.

So, yeah, you can have pretty sunsets on good nights, too. They may just be a little less dramatic than the sunsets on the difficult nights.

If you want to see what happens when I imagine a truly dramatic night at an observatory, read my book The Astronomer’s Crypt. You can learn more about it here: http://www.davidleesummers.com/Astronomers-Crypt.html.

Like telescope operators, vampires also come out when the sun sets. I imagine a vampire telescope operator in my novel Vampires of the Scarlet Order. Read a sample chapter and learn more at: http://www.davidleesummers.com/VSO.html.