Zion’s Fiction

About a year ago, a book arrived in the mail. It was right after I had finished some reading I had to do for some projects and right before I was scheduled to leave for my daughter’s graduation in New Orleans. The book went to the back of my desk and I’m afraid it disappeared behind other work that arrived after I returned from that trip. I recently uncovered the book, started reading and couldn’t put it down.

The book is an anthology of Israeli science fiction stories called Zion’s Fiction, edited by Sheldon Teitelbaum and Emanuel Lottem and features a foreword by Robert Silverberg. Each story is accompanied by a compelling illustration by Avi Katz.

Here in the United States, with the possible exceptions of England and Canada, it can be difficult to find science fiction first published in other countries, especially if that science fiction wasn’t published in English. I find it fascinating to see how people in other parts of the world see the future and I like to learn about the “what if” questions they’re asking.

Silverberg’s foreword and the introduction by the editors help the reader understand the development of Israel’s community of speculative fiction writers against the backdrop of Israel’s history. After that, the anthology presents sixteen stories, many of which were first published within the last decade.

I enjoyed all of the stories in the collection, but among the standouts were “Burn Alexandria” by Karen Landsman, which tells the tale of a time-traveling, future Library of Alexandria that appears every couple of centuries, Brigadoon-like. In this story, it finds itself in a post-apocalyptic future and the librarians must ask whether there is a point in continuing to go forward.

In “The Perfect Girl” by Guy Hasson, a woman enters a school for psychics and is assigned a job watching the morgue, where bodies are donated for study. She learns to read the mind of a girl who killed herself and learns not only about the girl but about herself.

Some stories look at the choices we make and ask what if we could change the course of our lives such as “In the Mirror” by Rotem Baruchem. Other stories take a hard look at faith and religion and ask what they mean. In “The Believers” by Nir Yaniv, God comes to Earth as a violent, vengeful spirit.

“The Stern-Gerlach Mice” by Mordechai Sasson tells the story of scientists who experiment on animals resulting in size-shifting mice who infiltrate homes in a town to overthrow the humans. In this world, the artists are mechanical beggars who people take advantage of, but these automata may be humanity’s only hope.

In “Death in Jerusalem” by Elana Gomel, a woman literally courts death. In this case, it’s death by gunshot personified. He introduces her to his extended family and she begins playing a dangerous game reminiscent of the chess match between a knight and Death in Ingmar Bergman’s The Seventh Seal.

“Two Minutes Too Early” by Gur Shomron shows us a puzzle-solving contest of the future my wife and daughters would envy while hinting at a darker mystery.

I was delighted to read this sampling of speculative fiction from Israel. The editors hint at the possibility of more collections in the future, which would be great. Of course, I would love to see collections from other countries as well. Zion’s Fiction is available at online retailers Amazon.com and BN.com and I’m sure you can ask for it from your favorite, local independent bookstore.

The Department of Curiosities

Today, I would like to welcome my friend Karen J. Carlisle to the blog. Our works have appeared together in three different steampunk anthologies: Denizens of Steam, Den of Antiquity, and DeadSteam: A Chilling Collection of Dreadpunk Tales. Karen has a new novel coming out tomorrow and she has agreed to share an excerpt from it. So, without further ado, I will turn the floor over to Karen.


Good morning everyone and thank you to David for allowing me to guest post on his blog.

So far on this blog tour, I’ve written about why The Department of Curiosities was written, introduced our heroine, Tillie Meriwether, and other characters and exposed some background on one of the many competing groups.I’ve chatted about mechanicals (gadgets), shared book trailers and a new short story and The Department’s Australian connection.

The Department of Curiosities is a tale of adventure, a heroine, a mad scientist, traitors and secrets. All for the good of the Empire.

Buckle up and get ready for the adventure…

Now there’s just one more day until my new book goes live on 22nd May. It’s also Tillie Meriwether’s birthday! (I chose Tillie’s birthday in the first draft – and had forgotten the date. Imagine my surprise when I realised it was the week of the intended release date. So why not make them the same day?)

To celebrate the official release, and Tillie’s birthday, here’s an excerpt… Everyone does the first chapter, so this time I’m sharing the second scene from chapter eighteen:


Of Airships, Trains and Flying Machines

The crew had assembled in Little Nessie’s lower hold. Only the pilot and boilermen remained at their posts. The General had yet to arrive, and Harrow was conspicuous by his absence. Tillie frowned, and wondered what mischief he was orchestrating.

She stood behind the troop of operatives gathered before her. She stretched up on tiptoe to observe the proceedings.

Six strapping men, some of England’s finest; each wore a harness wrapped around their torso. A life-line of thick silk rope attached them securely to the winch. They were armed with pistols, grappling hooks and devilish-looking knives. Strapped to their backs were over-sized blunderbusses: a silver ball jutted from one side surrounded by brass tubes, which coiled along the rifle’s barrel to the muzzle. A mini-grappling hook perched on top of the barrel end; its cord funnelled along a tube back to a cartridge on the other side of the rifle body.

The troops eagerly jostled each other as they circled a large hatch in the floor of the hull. They checked their equipment, donned their goggles and readied to jump into oblivion below. The hatch intrigued her, as did the large brass winch secured to the floor near its rim. Sir Avery checked the gauges on the body of the winch assembly and swallowed. The colour drained from his face, until he resembled a wide-eyed Ghostman. His moustache twitched.

<<It quivered,>> said the Orb.

<<Don’t be horrible,>> said Tillie. <<If you can’t say something nice, then don’t speak at all. Or I’ll ask the General to bring his cane.>>

The Orb shuddered. The corner of her mouth curled in satisfaction. She’d finally discovered something to curb the Orb’s increased bullying.

“Are we not joining them?” she asked Sir Avery.

He stared at the floor hatch and didn’t reply.

<<Reckless,>> said the Orb.

<<Not your choice,>> she said.

The Orb fell silent.

The door behind them clanked. The men snapped to attention.

There was a faint chuckle beside her ear.

“Yes, you are going, my dear,” said the General.

“We get to fly?” Tillie squealed with delight. “How?”

Sir Avery managed only a weak smile.

“You get these.” Harrow stepped into view, carrying a large cylindrical contraption on each arm. “Personal Flying Machines.”

“Confiscated from an Australian smuggler,” said the General.

Sir Avery relieved Harrow of one of the flying machines and held it at arm’s length.

“The cylinder contains a pressurised gas…”

His words faded as Tillie ogled the brass cylinders. So shiny. She could see her own reflection in their brilliance. She ran her hands along the pipes and grabbed the harness.

“How do I put it on?” She spun around, slipped her arms through the harness straps and pulled the contraption onto her back.

Sir Avery halted his lecture and blinked; his hands, still holding the harness straps, now encircled her waist. Her bustle nudged his arm as she snatched the ends of the straps from his hand and buckled up the harness.

He took a quick step backwards, transferring his hands to cradle the gas tanks until the straps were secure. The colour had returned to his cheeks.

Harrow handed Sir Avery the second Personal Flying Machine. Sir Avery donned the contraption and demonstrated how to adjust the pack to sit securely.

“You’re not accompanying us, Harrow?” she asked.

“I have my orders,” he replied. “I am to stay here with the General. The Personal Flying Machines are restricted to those with Lower Level clearance.”

Harrow’s face remained fixed, showing no emotion. He was up to something.

The Orb jittered. Tillie eyed Harrow out of the corner of her eye. She was not comfortable with leaving him alone with the General, in such close proximity of a gaping hole hundreds of feet above the countryside.

Harrow smiled at her. It was faint, but it was there.

<<He knows I suspect him. What should I do?>>

The Orb did not reply. She frowned; this time she wanted its opinion. She glanced at the General’s cane and frowned. Blessings could also be curses.

Sir Avery jiggled the gas canisters and tapped on the pressure gauge. Tillie relaxed her muscles, trying to look as calm as possible, and returned her attention to the Personal Flying Machine.

“How do I start it?” she asked Sir Avery.

“First we…”

He swivelled two metal pipe-handles over her head. They clicked in place. She grasped them.

“Steering?” she asked.

“Yes,” he replied. “Just apply pressure in the direction you wish to travel.”

She pushed forward. The handles moved under her guidance.

“This,” he indicated a switch at the bottom of the main body of the pack, “is the ignition switch. And this…” He indicated a large button on the right side of the pack, about elbow height. “This will get you back to the ground if you lose power.”

Tillie grinned. It seemed simple enough.

The General stepped forward.

“Miss Meriwether and Gentlemen, I will remind you this is a retrieval mission. I have direct orders from Her Majesty. We need the Inventor alive.” He turned to the troops. “And intact. Is that understood?”

The men nodded.

“Once he is retrieved, and you are clear of the train, Little Nessie will descend to facilitate your extraction.” He turned to Harrow. “There is an extra flying machine prepared for you. Stop the train if there is any danger to the passengers.”

Harrow narrowed his eyelids.

“Sir?” he said. “I thought-”

“Change of plan. We need to ensure the safety of the other passengers on board. That is your priority.”

Harrow slipped on the flying machine and clicked the harness in place.

“Miss Meriwether, you are to accompany Sir Avery to First Class to apprehend the Inventor. The rest of the men will keep the Ghostmen from interfering.”

There was a murmur of assent.

She carefully lifted her goggles over her head, hoping it would not disrupt her coiffure, and wrangled a ringlet back in place. The dirigible and the General would be safer with Harrow on the ground, though she’d have preferred to have someone accompany him, to keep an eye on him. At least he wouldn’t have a chance to warn the Inventor.

The floor vibrated beneath her feet. A loud ratcheting echoed throughout the hold. A jet of air rushed through a crack at the rim of the hatch. The crack widened slowly, as the hatch slid open in front of them. Wind roared beneath them, whistling at the edge of the gaping maw.

Harrow stepped toward the hull hatch, flicked the ignition switch and stepped into the chasm. He hovered for a second, then plummeted out of sight.

She leaned forward and watched as he turned and sped northward toward the engine as it neared the bridge.

Little Nessie was now directly above the middle carriage, almost in position to drop the rest of her human cargo.

Sir Avery closed his eyes and ignited his flying machine. He winced as it rumbled into life, then took a deep breath and edged toward the hatch.

Tillie flicked the switch on her own contraption. A dull twinge gripped her rib cage as the initial vibration knocked on her spine. She took a, not too deep, breath and struggled to relax the muscles in her torso. The vibration settled into a gentle rhythm. The twinge eased until it was only a mild irritation.

Sir Avery leaned close to her. “Are your ribs still causing discomfort, Miss Meriwether?” he whispered. “You should inform the General.”

“They are healing as expected,” she replied. “There is no need to bother the General.”

He nodded. “Very well. Then follow me, Miss Meriwether, into the heavens.” He stepped into the air, screwed his eyelids shut and lowered himself out of sight.

Tillie stepped up to the edge. Her skirts fluttered in the churning air currents.

<<Oh dear, I didn’t think this through.>> She grabbed the back of her overskirt with each hand and folded the edges forward, tugging them tight to tie a knot and tucked the ends into the harness strap, then stepped forward and descended into the void.


The Department of Curiosities will be released 22nd May, 2019.

Watch the book trailers: https://karenjcarlisle.com/books/the-department-of-curiosities/book-trailers-the-department-of-curiosities/  or on Karen’s YouTube channel: https://youtu.be/kkZKisvU1Ks

If you want to follow the rest of The Department of Curiosities book launch blog tour, check out the links on Karen’s blog post: https://karenjcarlisle.com/2019/04/14/the-department-of-curiosities-book-blog-tour-schedule/

You can pre-order your eBook copy of The Department of Curiosities (for special price of US$2.99) at: https://www.smashwords.com/books/view/934976

or sign up for Karen’s newsletter at: https://karenjcarlisle.com/sign-up-email-list/

Follow Karen on:

Or support Karen on Patreon (for less than a cup of coffee a month and you get cool rewards!): https://www.patreon.com/KarenJCarlisle


Karen J Carlisle is a writer and illustrator of steampunk, Victorian mysteries and fantasy. She was short-listed in Australian Literature Review’s 2013 Murder/Mystery Short Story Competition. Her first novella, Doctor Jack & Other Tales, was published in 2015 and her short stories have featured in the 2016 Adelaide Fringe exhibition, ‘A Trail of Tales’, and the ‘Where’s Holmes’ and ‘Deadsteam’ anthologies.

Karen lives in Adelaide with her family and the ghost of her ancient Devon Rex cat.

She’s always loved dark chocolate and rarely refuses a cup of tea.

www.karenjcarlisle.com

Dracula: A Toy Theatre

Bram Stoker, the author of Dracula, worked as the manager of London’s Lyceum Theatre for some 27 years. By the accounts I read, Stoker fell in love with the theatre during his childhood days when he would watch pantomime performances in Dublin. Because of his close association with the theater, it’s perhaps no surprise that Dracula adapts well to stage. In fact, famous film Draculas, Bela Lugosi and Frank Langella, both performed the role on stage before they performed the role on film.

Langella’s debut as Dracula came in a 1977 adaptation that used sets designed by illustrator Edward Gorey. In fact, Gorey designed his sets for a 1973 revival that began its run on Nantucket, the same island where I had my first full-time astronomy job. Gorey’s designs would be used in performances starring not only Langella, but such notable actors as Raul Julia, Jeremy Brett, and Terence Stamp each taking a turn as the famous count. As a fan of both Dracula and Edward Gorey, I was curious about whether Gorey’s designs had been preserved in photographs. It turns out, Pomegranate Press went above and beyond preserving the set designs and actually created a whole miniature toy theatre. I was delighted to learn that the toy theatre was still in print and promptly ordered one.

I soon discovered the toy theatre is not small. Assembled, it’s about a foot tall and sits on a 16-inch hexagon. I ordered my copy of the toy theatre soon after Christmas, but only recently cleared enough shelf space to set it up, because as an Edward Gorey and Dracula fan, this is something worthy of display. It shows the three sets of this stage production including some simple furniture and standup figures of the cast. There’s also a short four-page booklet that describes the play’s acts. Of course, as with most theatrical adaptations of Dracula, it simplifies the plot and emphasizes certain elements.

Close up of Dr. Seward’s study. Count Dracula meets Lucy.

Although the toy theatre is large, it was easy to assemble. The pieces are printed on light card stock, perforated at the cuts and scored at the folds. The instructions call for tape to hold it together. That does seem to be the best choice since the floors don’t have overlapping tabs to hold them together. I used a combination of light strapping tape, magic tape and double-sided tape to hold it together. I did use glue on a couple of small seams and that worked well. I do imagine the tape will eventually dry out and the poor theatre will no longer stand up, but that’s the nature of the theatre. It doesn’t last forever.

I’m sorry to say I’ve never seen an adaptation of Dracula using Gorey’s designs. The 1979 movie starring Frank Langella went for a more realistic approach. I did see a lovely adaptation of the novel performed on stage at New Mexico State University in the early 2000s, shortly after my novel, Vampires of the Scarlet Order had been released. In fact, the producers raffled off a copy of the novel and asked me to come up on stage to present it to the winner. As someone who enjoys stagecraft, it was a delight to make a brief appearance on stage. What’s more, the play was great, too.

If you would like your own copy of Edward Gorey’s Dracula: A Toy Theatre, you can find them from the publisher at: https://www.pomegranate.com/a648.html. They’re also available from many online retailers. You can learn more about Vampires of the Scarlet Order at: http://www.davidleesummers.com/VSO.html. The ebook edition is available for only 99 cents, but I highly recommend the print edition which includes lovely black and white illustrations by Steven Gilberts. Like Edward Gorey, Gilberts’ illustrations are lovely and stir the imagination.

The Spirit of Rebellion

This past week, I received my signed copy of the latest Boston Metaphysical Society graphic novel, entitled “The Spirit of Rebellion.” The Boston Metaphysical Society is the brainchild of Madeleine Holly-Rosing and it’s a comic and story series set in an alternate 1895 where there are already rudimentary airships and computers, but where society has not progressed as much as it did in our world. The “Great States of America” are dominated by Great Houses and people in the lower and middle classes exist to serve the upper classes. The stories focus on ex-Pinkerton detective Samuel Hunter, a spirit photographer Caitlin O’Sullivan, and scientist Granville Woods. Together the three confront supernatural mysteries in Boston. Along the way, they encounter such historical figures as Alexander Graham Bell, Nikola Tesla, and Thomas Edison.

I first met Madeleine Holly-Rosing a few years ago at Gaslight Gathering in California soon after she started releasing the original six-issue miniseries of The Boston Metaphysical Society as a web comic. In the years since, she’s been quite adept at using Kickstarter to crowdfund new chapters in her steampunk world. “The Spirit of Rebellion” is the latest chapter in that series and is a follow-up to the original six-issue miniseries. This chapter focuses on Caitlin O’Sullivan and the consequences of her actions in the original series. It also moves the action from Boston to Philadelphia, giving more scope to the stories.

Even though “The Spirit of Rebellion” is a sequel, the story is self-contained and gives the reader the backstory needed to follow along. The change of setting also introduces all new characters for our protagonists to get to know and interact with. The story begins with a flashback to Caitlin being thrown out of her mother’s house. In the story’s present, Samuel Hunter takes Caitlin to Philadelphia to find a new place to live. While there, Pinkerton agents recruit Samuel to infiltrate a group of organizing laborers. In the meantime, Caitlin learns more about the extent of her paranormal powers.

This chapter has much of what I’ve come to appreciate about the Boston Metaphysical Society. It has a healthy respect and genuine love for the science of the time. Even though paranormal things happen in the story, they are treated as knowable with a suitable application of science. In earlier chapters, not everyone thinks before they apply their scientific know how, but that does sometimes happen in the real world. What I really like in these comics is the social sensibility, as Holly-Rosing looks at the role of class, race, immigrants, and women through the lens of steampunk to shine some light on where we are today.

You can learn more about the Boston Metaphysical Society and even read the original six-issue miniseries for free at the website http://www.bostonmetaphysicalsociety.com. Of course, you can also learn about my steampunk series with its own share of social sensibility and mad science by visiting http://www.davidleesummers.com/books.html#clockwork_legion.

El Paso Comic Con 2019

Next weekend, I’ll be at El Paso Comic Con in El Paso, Texas. The event is being held from Friday, April 12 through Sunday, April 14 at the El Paso Convention Center. Special guests for the weekend include LeVar Burton from Star Trek: The Next Generation and Reading Rainbow. Also there will be Jason David Frank, Johnny Yong Bosch, Steve Cardenas, Jason Narvy, and Paul L. Schrier II who all played in incarnations of the Power Rangers TV series. There will also be guests from the comics industry such as writer and illustrator Frank Cho and writer Donny Cates. There will be music by The Library Bards plus cosplay, vendors, and panels all weekend long. You can get more information about the event at: http://elpasocomiccon.com/

Through much of the event, you will be able to find me at booth A15 in the vendor hall. I will have all my books available for sale and I’ll be happy to answer your questions. Also, on Sunday, April 14 at 11am, I’ll join author R.H. Webster for a panel entitled “The Southwest as Inspiration” in the Juarez Panel Room. We’ll talk about the surprising ways the Southwest inspires our science fiction fantasy, and steampunk. Be sure to bring all your questions for us!

I’ll be unveiling Hadrosaur Productions latest novel, Armageddon’s Son at my booth. I edited this terrific novel by Greg Ballan, which tells how the forces of Light and Dark wage war on and above Earth as each side seeks human allies to advance either the destruction or salvation of an ignorant mankind. In one bold, desperate act, an agent of Chaos has stolen the most powerful and coveted holy relic from the very heart of Vatican City, The Ruby Crucifix of Christ. This powerful relic was carved from the very cross where the savior was nailed, and is stained with His blood. This holy relic is said to be the instrument to end Armageddon and herald a new age of Man. Fortunately, Ex-CIA Agent Erik Knight is recruited to assist his mentor, Martin Denton, to discover the identity of the mysterious thief and locate the stolen relic.

Another book that will be new to El Paso Comic Con is David B. Riley’s Fallen Angel. It tells the story of Mabel, an angel from Hell, who accompanies General Grant’s army during the last days of the Civil War only to discover that Martians are watching the Earth with envious eyes and slowly drawing their plans against us. Not only that, but Mabel has to contend with her evil sister, who wants to have humans for dinner. Although Mabel and Grant get the upper hand before the war ends, the battle of good against evil isn’t won so quickly.

Of course, I’ll have my own latest release along as well and I’ll be happy to sign copies of Firebrandt’s Legacy for you. The novel tells the story of Ellison Firebrandt who fights the good fight for Earth. Under a letter of marque. He raids the ships of Earth’s opponents, slowing down their progress and ability to compete with the home system. On the planet Epsilon Indi 2, he rescues a woman named Suki Mori from a drug lord, only to find she isn’t so happy about living a pirate’s life. However, when the captain finds a new engine that will make him the most successful pirate of all, Suki is the only one who can make it work.

I look forward to seeing you in El Paso next weekend!

Armageddon’s Son

I’m proud to announce the release of the latest novel from Hadrosaur Productions: Armageddon’s Son by Greg Ballan. In the novel, the forces of Light and Dark wage war on and above Earth as each side seeks human allies to advance either the destruction or salvation of an ignorant mankind. In one bold, desperate act, an agent of Chaos has stolen the most powerful and coveted holy relic from the very heart of Vatican City, The Ruby Crucifix of Christ. This powerful relic was carved from the very cross where the savior was nailed, and is stained with His blood. This holy relic is said to be the instrument to end Armageddon and herald a new age of Man.

Ex-CIA Agent Erik Knight is recruited to assist his mentor, Martin Denton, in discovering the identity of the mysterious thief and locate the stolen relic. The agents soon realize the clergy of Vatican City have secrets and political schemes surpassing even Washington DC’s politicians. In order to solve the mystery, the agents must break through the papal code of silence and accept that the world as they know it is mere illusion, hiding a brutal physical and spiritual war of ‘Good’ versus ‘Evil’. As Erik Knight digs deeper into the mysteries of faith, he realizes his own alien ancestry is linked to biblical prophecy. Is he the fabled ‘Armageddon’s Son’?

This is the first book of Greg’s HYBRID: Ethereal War duology. The first book is a taut suspense thriller with supernatural chills lurking in the background and manipulating events. In the second book, Battle Lines, Greg ramps up the supernatural action as Erik Knight takes the war to those who threaten his family. When Greg submitted Armageddon’s Son to me, I finished and immediately asked to see the next book and I blew right through it. We’ll be publishing the second part of the duology this fall.

The character of Erik Knight should be familiar to readers of Greg Ballan. He appeared in two other novels, Hybrid and Hybrid: Forced Vengeance. The two novels are published by Lachesis Publishing, which has been one of my long-time publishers. I read both of the earlier Hybrid novels and loved them. They tell the story of how Erik Knight learns that that he’s an alien-human hybrid with superhuman powers. Unfortunately, Lachesis recently decided not to accept new novels, but I thought it would be a shame not to see the second two Hybrid novels published. You don’t need to read the first two novels to leap into Armageddon’s Son, but I do highly recommend them. Hybrid and Hybrid: Forced Vengeance are both only 99 cents in ebook format at Amazon.

You can get Hybrid at: https://www.amazon.com/gp/product/B0041KKLLI/

Hybrid: Forced Vengeance is available at: https://www.amazon.com/gp/product/B005CBX1R6/

You can get Armageddon’s Son in print at Amazon.

You can get the ebook of Armageddon’s Son at:

A New Look for the Hadrosaur Website

Hadrosaur Productions is currently working on several new projects. We recently released my new book, Firebrandt’s Legacy, along with Fallen Angel by David B. Riley. We plan to release the exciting novel Armageddon’s Son by Greg Ballan later this month and Sheila Hartney tells me we’re currently getting some great submissions for our anthology Exchange Students. We’re also branching out and collaborating with Seelie Studios on an audio adaptation of Firebrandt’s Legacy and we have even more exciting things in discussion that I’m not at liberty to talk about yet. Because of this growth and because technologies are changing and more and more people browse the web on their mobile devices, we realized it was time to give our website an upgrade.

The goal of the new site was to create a clean layout that’s easy to navigate and understand. We have the updated logo Laura Givens designed for the company that appears on all our recent releases. New books are featured on the front page. The store link will take you to a page that shows all of our titles. Each book is now given its own unique page, which makes it easier to search for and allows authors and others to easily link to favorite books.

The new site is still something of a work in progress. The long-term goal is to put all of the books and their related data into a database which can be queried and to allow custom searches of our products. Right now, the “store” page is just a hard-coded page showing all of our products, but we know this will likely get unwieldy as our product line grows.

Much of the credit for site’s new look goes to my daughter, Autumn Summers, who went over the old site with a critical eye and re-coded much of the site into a more mobile friendly version. In order to add pages, this means I’ve had to learn the hypertext preprocessor language, PHP. Now that she’s gainfully employed as a software engineer, it’s hard to say whether she will have time to continue site development, but she has given me a solid leg up and helped me learn new skills.

People familiar our displays at conventions know that I not only carry books published by Hadrosaur Productions, but books I’ve written or edited for other presses. We used to list these books on the site, but decided in this upgrade to focus on products that actually carry the Hadrosaur Productions imprint. Again, when we develop the database capability, we’ll likely expand our offerings to include all the books we carry at conventions.

As always, if you purchase one of the books I’ve written from the Hadrosaur Productions site, I’m always happy to autograph it for your before it’s sent out. Just place your order, then go to the “Contact” page and send a message letting me know that you would like the book signed and if you would like it personalized, or if you just want a signature. Allow a little extra time to receive a signed book because my observatory schedule sometimes keeps me from being right there as orders come in.

So, what are you waiting for? Go to http://www.hadrosaur.com and browse the store. I bet you’ll find some great books to read this spring and summer. What’s more, many of the books are available for only half the cover price!