Cooperation in Space

I’m old enough to remember watching moon landings on television as they happened. Admittedly, I don’t remember a lot of the details, since the last few happened when I was in Kindergarten and First Grade. I do remember being fascinated by the lunar buggy rolling around on the moon’s surface. However, the first mission I watched with rapt attention was the Apollo-Soyuz link-up mission of July 1975. I would have been eight years old and I remember being utterly fascinated by the Soyuz spacecraft which looked nothing like what I thought a space ship should look like. It looked more like a bug than a proper space ship. It had a round “head” and a body with wing-like solar panels. What’s more, much of the ship was green! Who had ever heard of a green spaceship in 1975? That said, even at eight years old, I was already aware of the tensions between the Soviet Union and the United States and just becoming aware of the dangers of nuclear war. Apollo-Soyuz felt like a way of finding a way to work together rather than being enemies. It’s with this background that I dove into the sixth volume of Keisuke Makino’s Irina: The Vampire Cosmonaut.

So far, the series has only diverged a little from the history of the space program as we know it. True, the names of the United States and the Soviet Union have been changed to the United Kingdom and the Zirnitran Union respectively and the first person in space was the young vampire woman, Irina, but overall, the parallels with real history have been easy to trace. Things started to diverge more from our history in Volume 5. Both the United Kingdom and the Zirnitran Union have suffered serious setbacks that threw both their space programs in jeopardy. What’s more, the UK’s equivalent of Kennedy, Queen Sundancia, was not assassinated in 1963 and the UZSR’s equivalent of Khrushchev, Sergei Gergiev, has not been deposed. The upshot is that the two nations realize the only way they’re going to get to the moon is to put the “space race” behind them and work together using a Zirnitran launch platform and a UK lunar lander to achieve the goal.

The previous books in the series have tended to focus on either cosmonauts Lev Leps and Irina Luminesk in the UZSR or engineers Kaye Scarlett and Bart Fifield in the United Kingdom. This volume devotes about equal time to both sets of characters in separate but connected “fish out of water” stories. Lev and Irina have to go to the United Kingdom to train on the new spacecraft and Kaye and Bart have to travel to the UZSR to work with Zirnitran engineers to make the moon landing a reality. As with the real American space program, they designed several tests along the way to be certain they could achieve their goals. This book culminates in this world’s version of the Apollo-Soyuz link up, which in this case happens before the moon landings. What’s more, both the Zirnitran and UK astronauts rode up on a Zirnitran ship and linked up with an unmanned UK module. Along for the mission, we have astronauts and cosmonauts reminiscent of Deke Slayton and Alexei Leonov.

As with most other volumes of the series, the fact that Irina is a vampire and Kaye is a dhampir, has very little influence on the plot. The way people relate to them as vampires is more a metaphor for race relations in the 1960s than as a specific supernatural story element. Still, the relationships between Irina and Lev along with Kaye and Bart continue to progress. Given how closely the real space program was tied to the politics of the age, there is some interesting political intrigue going on behind the scenes. An event at the end of this volume may have serious ramifications for the series’ final volume.

I fear that world events of the last few years have made me feel discouraged about the tentative promise offered by the Apollo-Soyuz program. Still, Russia and the United States are continue working together with the International Space Station and earlier this year Russia announced it would remain a partner through at least 2028. While the gulf between our two countries has widened considerably, this, at least, provides a faint glimmer of hope that our differences won’t continue indefinitely.

You can learn about my vampire series by visiting: http://davidleesummers.com/books.html#scarlet_order

Reaching for the Moon from Behind the Iron Curtain

I recently read Volume 5 of Keisuke Makino’s Japanese light novel series, Irina: The Vampire Cosmonaut. As I’ve mentioned in earlier posts, I discovered this series through the anime, which adapted volumes 1 and 2. Those first two volumes told the story of Irina Luminesk, a vampire who was captured to be a test subject for the Zirnitran space program. In this world, the Zirnitran Union closely parallels the Soviet Union. Cosmonaut Lev Leps, who strongly resembles the real life Yuri Gagarin, is Irina’s instructor and becomes the first human to fly to space after Irina. Volumes 3 & 4 took us around the world to the United Kingdom of Arnack, this world’s analog of the United States to follow the story of engineers working to send Arnackian astronauts to the moon. In Volume 4, our engineers had the opportunity to meet Irina and Lev. Now, in Volume 5, we follow Lev and Irina back home to the Zirnitran Union to find all is not well, even though Lev himself has now risen to a leadership position within the space program.

The lead engineer of the Zirnitran space program has fallen ill and is in danger of dying. Meanwhile, the Arnackians are making great strides in their space program. The leader of the Zirnitran Union, Gergiev, needs another “win” to convince the world that the Zirnitrans really are the leaders of space development. To do that, he hatches a plan for a wedding in space. Gergiev orders Lev’s rivals Mikhail Yashin and Roza Plevitskaya to marry. Meanwhile, he orders the Zirnitran engineers to push ahead with a new spacecraft, the Rodina I, which an analog of the Soyuz spacecraft, which has been a solid workhorse in our timeline.

To me, one measure of great alternate history is that it makes me go look up real history to see how close the book came to depicting actual events. Without giving spoilers for the latest volume in the Irina: The Vampire Cosmonaut series, I learned that Nikita Khrushchev’s son Sergei served as a head of the Soviet lunar program for a time. I also learned that Sergei moved to the United States and became a naturalized American citizen. I learned that a huge Soviet theme park was built near Moscow. Roughly translated, it’s real-world name is the “Exhibition of Achievements of National Economy.” Reading the description it probably resembled the World’s Fairs held in the United States than more contemporary theme parks like Disneyland, but it served as a showcase for the Soviet Union and does have food, performance stages, exhibits, and a Ferris wheel. The book’s version of the Rodina I flight led me to read about the Soyuz I flight and there were many parallels. In the world of the light novel, this leads the characters to take actions they didn’t in our world, so it’ll be interesting to see what happens in Volume 6.

Despite the title, Irina being a vampire only plays a small role in the story. She does use being a vampire to effect events at one point, but mostly Makino uses vampires to stand in for people who are oppressed because of their nationality or ethnicity. The idea of Irina being a vampire cosmonaut hooked me on the series, but way the series looks at and humanizes the history of space travel is what keeps me hooked.

I played a little bit with my vampires expressing an interest in space travel when I wrote Ordeal of the Scarlet Order. I’m still working on edits, but you can be ready for the novel’s release by reading the Scarlet Order vampire series, which is available at: http://davidleesummers.com/books.html#scarlet_order

The Bloody Red Baron

The Bloody Red Baron

I enjoyed Kim Newman’s novel Anno Dracula and his related graphic novel 1895: Seven Days in Mayhem enough that I decided to continue to his next novel in the Anno Dracula series, The Bloody Red Baron. As one might expect from the title and the cover, this novel is set in World War I and focuses on the conflict between Allied and German pilots, in particular Baron Manfred von Richthofen. That said, the cover of the Titan Books edition is a little deceptive because Richthofen doesn’t fly his famous Fokker triplane. Instead, he’s a vampire who’s been the subject of medical experimentation and literally can transform into a deadly flying weapon. Meanwhile, Edgar Allan Poe, who long ago became a vampire and immigrated to Europe has been sent to write Richthofen’s biography to inspire the German forces. Those same German forces are now under the command of Count Dracula, who has found a position in the Kaiser’s court after being deposed from the rule of Great Britain.

On the allied side, we follow the adventures of Edwin Winthrop, a protégé of Charles Beauregard, one of the protagonists of Anno Dracula. Winthrop goes on a aerial reconnaissance mission and is shot down by the Red Baron. As he fights to return to allied territory, he drinks some vampire blood to survive his wounds and gains some vampire strength. He then signs up as a fighter pilot with a personal mission to get his vengeance on Richthofen. In the meantime, vampire reporter Kate Reed is trying to learn about the allied pilots and finds herself entangled in the story’s events. The novel ends in a great climactic battle which involves biplanes, monstrous German flying aces, and airships. Dracula even shows up and tries to bring some medieval battle tactics into World War I.

I enjoyed the novel, but it never quite drew me in the same way as Anno Dracula did. That said, the Titan Books edition features a nice bonus. It also includes a novella called 1923: Vampire Romance. In this story, Edwin Winthrop recruits Genevieve Dieudonné from Anno Dracula to infiltrate a gathering of high-ranking vampires who have assembled to determine who will be the next vampire leader of Europe. Among the claimants to the title are the head of Hammer Films Seven Golden Vampires, Carmilla Karnstein’s long lost brother, and a nasty hunchbacked vampire. In the middle of it all is a young lady who wants to become a vampire and is smitten by Carmilla’s brother. The whole thing both sends up the vampire romance genre and plays tribute to an Agatha Christie locked-room mystery. To me, this seemed a much stronger successor to Anno Dracula.

The Titan Books edition of The Bloody Red Baron also includes annotations by Kim Newman detailing some of his influences, inspirations and references. A final bonus is a film treatment he wrote for Roger Corman loosely based on the ideas presented in The Bloody Red Baron. All in all, I had fun with Newman’s continuation of the Anno Dracula series and I’m interested in reading more in due course.

In the meantime, you can learn more about my vampire novels by visiting http://www.davidleesummers.com/books.html#scarlet_order

Bubonicon 53

This weekend, I’m excited that Bubonicon will return in person. The convention will be held at the Albuquerque Mariott Uptown from August 26-28. This year’s theme is “After the Plague Years, Plagues and Pandemics in SF/F.” The author guests of honor are are Rae Carson who wrote the Rise of Skywalker novelization and Keith R.A. DeCandido who wrote the Serenity Movie novelization. Keith R.A. DeCandido also wrote All-the-Way House, which is volume 4 of the Systema Paradoxa series. My Breaking the Code is volume 3.The artist guest of honor is Chaz Kemp, who did the covers for the current editions of my Scarlet Order Vampire novels. The toastmaster is A. Lee Martinez, author of Constance Verity Destroys the Universe.

Among the other attendees this year will be Jane Lindskold, George R.R. Martin, S.M. Stirling, Ian Tregillis, Robert E. Vardeman, Walter Jon Williams, and Connie Willis. Hadrosaur Productions will have a table in the Flea Market. Several other familiar faces will be there with great products, including Who Else Books, Ashelon Publishing, and 7000 BC Comics.

I’ll be on the following panels at Bubonicon:

Friday, August 26

4pm – Main Room – Steampunk Versus Alternate History. Science fiction never blinks at incorporating events and icons of history but when it comes to Steampunk, an argument is bubbling in boilers about what makes something “steampunk” and what makes it “alternate history.” Why are authors hesitant to combine history with their fantasy? Where is the line (if any) between “steampunk” and “alternate history”? On the panel with me will be Reese Hogan, Ian Tregillis, and Carrie Vaughn. Chaz Kemp will be moderating.

Saturday, August 27

1pm – Main Room – Why I have Done Young Adult Fiction. Writers discuss why they have done or currently are doing Young Adult novels. What is the appeal? Are there things that can be done in YA fiction that can’t be done in so-called adult novels? How do you approach writing for the YA or Middle School market? Do you have to write the tales differently? How do you avoid talking down to young readers? What makes a tale good for YA as opposed to adult SF/F? What can other genres learn from YA in terms of story, theme, or vision of the future? Why should other writers read YA works? On the panel with me will be Rae Carson, Darynda Jones and Emily Mah. Betsy James will be moderating.

3pm – Cimarron/Las Cruces Room – Snack Writes: Writing Exercises. Josh Gentry will be moderating this panel where he gives three writers a prompt and then 5 minutes to write something. Then the writers read what they have and audience also gets to read their writing. Also on the panel are Robert E. Vardeman and Jane Lindskold.

4:25pm – Main Room – Mass Autographing. The authors of Bubonicon will be on hand to autograph your books.

Sunday, August 28

10am – Main Room – Ray Bradbury: Beyond Green Town and Mars. I’ll be moderating this panel discussing Ray Bradbury’s short stories not under his Green Town or Mars mythology. Why was the platform of a short story so alluring to him and why should readers return to reading them? What were some of his works that are even more relevant today? What was it about his language, his plot timing, and the genius of his work? Is he as lyrical in his stories as the writing in his few true novels? On the panel are Lou J. Berger, Sheila Finch, Wil McCarthy, Patricia Rogers, and Connie Willis.

12:30pm – Main Room – Editing: The Good, the Bad, and the Ugly. Come and hear stories about edits which went above and beyond clarity and reason. Writers discuss different editing styles they’ve encountered, and talk about some of the good and bad experiences they’ve had with editors. (Names will be withheld to protect the innocent!) On the panel with me will be Jane Lindskold, Jim Sorenson, and Sarina Ulibarri. C.C. Finlay will be moderating.

2:30pm – Salons A-D – 50 Minutes with David Lee Summers. I will read a selection or two from my stories including my novella “Breaking the Code.” I’ll also likely discuss a little of what’s new in my astronomy life.

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If you’re in Albuquerque this coming weekend, I hope to see you at Bubonicon 53!

Irina: The Vampire Cosmonaut

As a writer and an avid reader, I find myself subscribed to the newsletters for several publishers. One of those is Seven Seas Entertainment, which translates Japanese manga and light novels into English. In their latest newsletter, they mentioned a forthcoming light novel which caught my eye simply because of the title: Irina: The Vampire Cosmonaut. According to Seven Seas, the novel tells the story of how a space race between two global superpowers led to the “Nosferatu Project.” After sending dogs into space, one of the superpowers decides to send vampires into space before sending humans. This seemed right up my alley! Effectively it’s an atompunk alternate history with vampires. After a little more searching, I discovered the light novel series inspired an anime of the same name and the anime had recently been released in the United States via Funimation.

Irina: The Vampire Cosmonaut

In the world of this story, the space race is between the Zirnitra Union of the East and the United Kingdom of Arnack in the West. The reason these countries arose instead of the superpowers we know from our history is never discussed. The UZSR has a red flag with snakes. The United Kingdom has a flag with stars and stripes, so it’s not hard to guess who stands in for whom. This world also contains vampires who live predominantly in Eastern Europe. These vampires aren’t the monsters of our mythology, but simply another race of people who happen to be sensitive to sunlight, have pointed ears, and sharp teeth. They eat normal food, but they can gain an energy boost from drinking blood. It’s almost as though Neanderthals survived into the modern world. In the alternate world of the anime, the vampire legends arose as a kind of propaganda to stir hatred and revulsion of vampire kind, and to justify invasions into their lands. It becomes a rather clever way to discuss hatred and bigotry without invoking the all-too-numerous examples we can draw from our real history.

In 1960, the UZSR recruits a vampire to be trained as a cosmonaut. This vampire is the Irina Luminesk of the title. She’s to be trained by Lev Leps, a reserve cosmonaut candidate. Lev was supposed to be one of the regular cosmonaut candidates except that he has a temper and attacked a man who abused one of his fellow cosmonaut candidates. The anime follows Irina’s training along with Lev and Irina’s growing affection for one another. As a fan of the world’s space programs, I found it delightful to see space craft based on early Soviet designs, rather than the oft seen American designs. Characters in the story seem to have historical parallels as well. Party Chairman Fyodor Gergiev is clearly based on Nikita Khrushchev. Lev Leps is basically Yuri Gagarin and his chief rival Mikhail seems based on Gherman Titov. One fun thing I noticed is that while the writing on shops and containers in the anime appears to be in Cyrillic script, the words are actually in English.

Of course, the vampire Irina is the focus of the show. We watch as she trains to be every bit as capable as the human cosmonaut candidates, even when many of the scientists testing and training her buy into the superstitions about vampires. I found myself cheering as she overcame her fear of heights to master parachuting. Given that she’s treated as an animal by many of the scientists and politicians, there’s a real tension about whether or not she’ll survive her first space flight and I won’t spoil things by saying whether or not she does.

It’s a shame this anime came out so close to the Russian invasion of Ukraine. I suspect many will shun it because of a perceived connection with Russia even though I suspect no such connection actually exists. In some ways, the series is actually rather critical of the Soviets and their treatment of those countries they took control of. What’s more, one of the themes of the anime is that people can change and become better. In a very real way, it reflects the spirit of Yuri Gagarin who said, “Orbiting Earth in the spaceship, I saw how beautiful our planet is. People, let us preserve and increase this beauty, not destroy it!”

I enjoyed the anime enough that I decided to pre-order the light novel so I can get to know the characters better. It will be released on June 23. While waiting for the light novel’s release, you can check out my vampire novels at http://davidleesummers.com/books.html#scarlet_order

The Ghost Ship

Now that I’ve finally caught up with my long-term project of getting all my books back into print, I’m starting to set my sights on some new writing projects. I’ve had an idea for a steampunk short story sitting on the back burner for some time now and hope I can work on it this week. To get my mind focused on steampunk again, I decided to listen to an audio steampunk story on my long commute to work last week. The story I listened to is The Ghost Ship by Madeleine Holly-Rosing and it’s set in the world of her wonderful comic, The Boston Metaphysical Society.

The comic and the audio book are set in an 1895 that’s just a little different than the one we know from history. You’ll find rudimentary steam-driven computers, airships, and a United States ruled by the wealthy of “the great houses.” In the Boston of this world, ex-Pinkerton Detective Samuel Hunter, medium and spirit photographer Caitlin O’Sullivan, and scientist Granville Woods investigate supernatural mysteries. I’ve been reading the comic since it began and I was excited when Madeleine Holly-Rosing announced that she planned to release a long-form audio story set in the world of the comic.

In the audio story, a mysterious, derelict ship sails into Boston Harbor. Anyone who tries to board is attacked by spirits and soon meets their end. Samuel, Caitlin, and Granville are brought in to try to find a way to end the menace of the mysterious ship. To do so, they must first find out what ship has actually arrived. When getting aboard the ship proves too perilous, they turn to Boston’s new library where Caitlin discovers more restless spirits and a young man who bears an uncanny resemblance to one of the spirits on the ship. It soon becomes clear that the ghost ship’s very presence may create a scandal for at least one of the great houses. The audio drama is told in eight half-hour episodes and features the voice talents of Emily C.A. Snyder as Caitlin O’Sullivan, Ryan Philbrook as Samuel Hunter, and Martin Davis as Granville Woods.

I wasn’t quite sure what to expect when hearing a favorite comic translated into audio. I was pleased to say that all the main characters sounded very much like I imagined they would sound. The supporting characters had distinct voices and the action was easy to follow. The serial nature of the audio story felt very much like an adapted comic adventure, even though this story only appears in audio. The piece was well produced by Eddie Louise and Chip Michael. It would be delightful if Madeleine was able to bring us more audio adventures set in her world. At this point, it appears that the best way to order your own copy of The Ghost Ship is to pre-order a copy through the Backerkit site set up for the recent Kickstarter campaign. It’s at: https://the-ghost-ship-audio-drama.backerkit.com/hosted_preorders/396663 and you can get updates on the audio book at at https://bostonmetaphysicalsociety.com/the-ghost-ship-audio-drama/

I’m happy to say that her story has, indeed, put me in the mood to work on a story in one of my own worlds. I’m already plotting my own machinations. My story won’t have ghosts, but I do have some automata and at least one airship disaster planned. Now, it may be a little while before you get to read that story, but I do have something planned for tomorrow. Sheriff Chuck Davis from my novella Breaking the Code finds himself in the world of the fae, paying an unexpected visit to Queen Titania’s Court. Learn more about him and the novella tomorrow, June 8, at Deby Fredericks’ blog: https://wyrmflight.wordpress.com/

Peering Into Distorted Mirrors

The first time I encountered the idea of parallel worlds — where you might encounter familiar faces existing in an altered reality — was the classic Star Trek episode “Mirror, Mirror,” written by Jerome Bixby. The episode imagines Kirk, McCoy, Scotty, and Uhura entering an alternate version of their world where a totalitarian Imperial Earth controls the galaxy instead of a benevolent Federation of Planets. Crewmembers move up in rank by assassinating superior officers and starships are sent to dominate worlds. To me, and I believe many other fans as well, it stands out as one of the more memorable episodes. Despite that, Star Trek would not revisit the “mirror universe” again until Deep Space Nine. At that time, we learn that Spock of the mirror universe attempted to affect changes to the Earth Empire, which, in turn, made the empire weak and allowed the Klingons and Cardassians to take over much of the galaxy. Of course, one wonders what the Mirror Universe equivalents of Captain Picard and the crew of the Enterprise-D were doing during this time.

Mirror Universe Collection

IDW Comics decided to explore this idea in a set of comic book miniseries which have been collected in the graphic novel Star Trek: The Next Generation, Mirror Universe Collection. The graphic novel contains three complete story arcs. The first, “Mirror Broken,” tells the story of how the mirror universe Jean-Luc Picard took command of his version of the Enterprise. This story features beautiful painted artwork by J.M. Woodward and is possibly the best artwork I’ve seen in a Star Trek comic. The story by David & Scott Tipton does a nice job of weaving a Next Generation story out of our glimpses of the mirror universe from the TV series. The second arc is “Through the Mirror” which imagines the mirror universe Picard and his crew finding a way into our universe to plunder technology and resources. Of course the Picard of our universe must do what he can to thwart the mirror Picard. The final story arc is “Terra Incognita” in which the mirror universe engineer Reginald Barclay is stranded in our universe and must find a way to blend in. This proved to be my favorite story since it focused on one character, how he was the same and different from his counterpart in “our” universe and how he had to learn to fit in to survive and thrive.

The graphic novel also contains two one-shot stories: “Origin of Data” and “Ripe for Plunder.” Both stories were interesting. The latter involves the mirror universe Data seeking out the deposed Emperor Spock in exile. The idea was interesting, but I thought the tale deserved more nuance than a one-shot story allowed.

To me, the appeal of parallel universe stories is that they allow us to explore “the road not traveled.” We can look back at history and ask what if historical figures made different choices than they did in the history we know? This is what I do in my Clockwork Legion novels. Such alternate universes don’t have to be “dark” universes like the one presented in Star Trek’s mirror universe. They can be an exploration of human drives under different conditions. They can provide for a fun character study. Although I have issues with Star Trek: Into Darkness, I still love the idea of exploring the Enterprise’s encounter with Khan Noonien Singh under different circumstances than we knew in the original series.

In an interesting piece of real-world alternate history, I gather Jerome Bixby and his son Emerson wrote a sequel to “Mirror, Mirror” called “Broken Mirror” for Star Trek: The Next Generation. This version was written before Deep Space Nine’s creation and imagined Spock from the mirror universe discovering a problem which developed when Captain Kirk and his landing party returned to their home universe many years before. Apparently matter from the two universes would have been leaking into one another creating a disaster about to happen, which required crews from both universes to work together. I would love to see this story adapted or even a published version of the screenplay.

Dark alternate universes provide an interesting approach to the cautionary tale. “Mirror, Mirror” and its sequels give us a look at what our future might be like if we give into our darker, more totalitarian natures. After all, there’s no guarantee the Star Trek universe is ours. We could be living inside the mirror.

You can explore my alternate version of the late 1800s by reading the Clockwork Legion series, which is available at: http://www.davidleesummers.com/books.html#clockwork_legion

A Master of Djinn

I have been a steampunk fan since before I knew the subgenre existed. For that matter, I’ve been writing in the subgenre before I knew it existed. My first steampunk story, “The Slayers,” was published in Realms of Fantasy Magazine in 2001 and I didn’t really become aware of the genre until the release of Cherie Priest’s Boneshaker in 2009. My love of steampunk stems from looking at history and asking “what if” questions. When I was growing up, it seemed like the only fantasy stories available were set in a world that felt like medieval Europe. So I loved the idea of fantasy and alternate historical science fiction that opened up the time periods where these stories could be set. There seems an expectation that “steampunk” must be associated with Victorian England, but again because I came at these kinds of stories from sources like The Wild Wild West and Jules Verne’s Voyages extraordinaires, I never really saw England as a necessary component. I’m always delighted when a steampunk or fantasy tale takes me someplace I’ve never been.

A Master of Djinn

Over the last few years, I’ve been delighted by the novellas of P. Djèlí Clark. The first I read was The Black God’s Drums set in post-Civil War New Orleans about a young woman who wants to escape the streets by earning the trust of an airship pirate crew. She thinks the key might be some information she’s gained about a Haitian scientist. Fortunately, the young woman, Creeper, can also manipulate the weather. As far as I’m concerned Clark told another amazing tale in The Haunting of Tram Car 015, which is set in 1912 Cairo. In the story, agents Hamed Nasr and Onsi Youssef of the Ministry of Alchemy, Enchantments, and Supernatural Entities are tasked with removing a malevolent supernatural entity from an aerial tram car.

I was delighted to see that Professor Clark returned to his alternate Cairo in a full length novel, A Master of Djinn. Although Hamed and Onsi appear in the novel, they aren’t the point of view characters. This time, we meet Fatma el-Sha’arawi, a woman working for the same ministry. The novel is basically murder mystery. Someone has killed every member of a brotherhood dedicated to al-Jahiz, who opened the veil to the magical realm allowing djinn to return to our world. The murderer claims to be al-Jahiz returned and he threatens to start a popular uprising. Agent Fatma must get to the bottom of who this person is before he disrupts an important peace conference being set up in Cairo.

A Master of Djinn proved a fun, fast-paced tale with some fascinating glimpses at North African, Islamic culture. Tucked in the narrative is a little background on the 1001 Arabian Nights, which I enjoyed, especially after some of my own research for a story I wrote called “Horse Feathers,” which I hope to say more about soon. While waiting for that, you can explore my steampunk world, which starts in the American West of 1877 and finds its way to Mexico, Japan, Russia, and Iran. You can get more details about the Clockwork Legion series at: http://davidleesummers.com/books.html#clockwork_legion

Aftershock and Awe

This has been a busy summer for my daughter. She had a remote NASA internship and took second semester physics as an intense six-week summer course. I did what I could to help with both of these areas, explaining things like orbital parameters for the internship and helping her understand physics problems. I know how intense these things are and some of what I did was simply not provide a distraction at inappropriate times by turning on the television. This caused me to turn to books and comics for more of my entertainment, which is not altogether a bad thing. In seeking things to read, I stumbled across a comic published in 2012 based on the TV series Space: 1999 called Aftershock and Awe, written by Andrew Gaska. Given my recent interest watching the show and listening to the audio re-imagining by Big Finish Productions, I thought this looked interesting. The only problem is that it had gone out of print around the time the COVID-19 pandemic began and appeared to be somewhat difficult to find. I did find some copies on eBay and most appeared to be available for a fair price, considering that it was a hardcover book. Still, I decided to ask some devoted fans whether this was worth the price.

On Facebook, there is a group devoted to a podcast hosted by Jamie Anderson, Richard James, and Chris Dale. Jamie is the son of Gerry and Sylvia Anderson, the producers of Space: 1999 and the podcast is devoted to the shows. If you enjoy shows like Thunderbird, Stingray, UFO, or Space: 1999, the podcast is well worth a listen. What’s more, the Facebook group is full of fans who genuinely enjoy these shows and have fun discussing them. So, I asked about the book there. I had some nice responses, including one from Chris Dale who said the book was worthwhile. I was surprised and delighted a few days later when they read my question on the podcast itself. Jamie Anderson indicated he was familiar with the book and liked it. The upshot of all of this is that I took the plunge and picked up a copy for my collection.

Showing off Aftershock and Awe while wearing my Space: 1999 shirt.

I’ve now had a chance to read the graphic novel and I agree, it was a good choice for my collection. The first half is a retelling of the show’s first episode, “Breakaway.” It features fabulous, classic Space: 1999 comic art by Gray Morrow along with new art and colors by Miki and dialog by Andrew Gaska. Like Big Finish’s version of “Breakaway,” it expands the story. It tells more about the backstory of Commander Gorski who leaves Moonbase Alpha at the beginning. It also suggests there is more to the moon leaving orbit rapidly than simply being propelled by a nuclear explosion. It’s not quite as satisfying as the explanation in the Big Finish audio, but it’s clearly heading in that direction and dovetails with it nicely. When I do have a chance to turn on the TV for a little while, I’m watching the second season of Space: 1999 and it was nice to see second season characters Tony Verdeschi and Shermeen Williams introduced right from the outset as minor characters. The opening title pages also give nods to both the first and second season credit sequences. Like many fans, I’m not as fond of the second season as the first, but the second season has grown on me and I think for the most part, it improved toward the end. So, it was nice to see this nod to continuity.

The second half of the book is set on Earth and sets up Space: 1999 as existing in an alternate history. As someone who has written various flavors of alternate history, I really like this approach. Featuring lovely painted illustrations by David Hueso, we find out what was happening on Earth to a group of people connected to those crewmembers on Moonbase Alpha who blasted out of orbit. Of course, the moon leaving Earth’s orbit suddenly would be catastrophic and such an event would set off numerous natural disasters. The apocalyptic events are highlighted by lines of poetry and quotes from the book of Revelation. The timing was interesting, since I’m about to embark on editing my 2007 novel, Heirs of the New Earth for a new edition, and I also highlight key elements with quotes from Revelation. The other aspect both the graphic novel and my novel share is that while they both imagine great disaster befalling the Earth, they’re both ultimately hopeful stories in that they imagine the human race persevering in the wake of the disaster. First edition copies of my novel are available for half off the cover price at: https://www.hadrosaur.com/HeirsNewEarth.php or you can support me at Patreon and support the work I’m doing on the new edition. My Patreon site is: https://www.patreon.com/davidleesummers.

I was sufficiently impressed with Aftershock and Awe that I’d recommend it to any Space: 1999 fan. There was a follow up, which also featured Gray Morrow’s art, but that book, To Everything that Was, is much rarer and much more expensive. As I understand, these books were on Comixology for a time. It would be great if a new distribution deal could be made and they could return to digital format, or a new print run ordered for more fans to discover these books.

The Watchmaker of Filigree Street

As the year starts, I have the rare treat of being able to visit the Tucson Steampunk Society’s Book Club two months in a row. This month, I visited as a reader. The club’s selection is the fine novel The Watchmaker of Filigree Street by Natasha Pulley. I’ll visit next month because the selection is my own novel, Owl Riders. It’s always a pleasure to visit the club and speak to its members about my books. This rare double visit gets to happen because my work schedule at Kitt Peak had start dates the Monday following each of the meetings.

Set in 1883, The Watchmaker of Filigree Street tells the story of Thaniel Steppleton, a telegraph operator in Britain’s Home Office who returns from work one day to find a watch in his rooms. An alarm on the watch saves him from an Irish bomb planted at Scotland Yard. Curious about the origin of the watch, he goes in search of its maker, who he suspects may be tied to the bombing. The maker is a Japanese watchmaker named Keita Mori. Not only does Mori make watches, but he makes amazing automata such as birds and an octopus named Katsu with randomized gears that make him seem almost alive.

Meanwhile, Grace Carrow, an Oxford student who anticipates the Michaelson-Morley experiment and also owns a Mori watch meets Thaniel at a party. She is frustrated by the limitations placed on academic women of her period, but she stands to inherit a house from her aunt if she can find someone to marry. She sets her sights on Thaniel.

The story takes many twists and turns and explores the nature of time, artificial intelligence, and precognition. What’s more, it’s well bounded by actual historical events. The bombing of Scotland Yard actually did happen, as did other significant events in the book. At the steampunk society book club meeting, the question was raised about whether this book was more steampunk or more historical fiction. Using my rough and ready description of steampunk as “Victorian inspired fantasia,” I call it very thoroughly steampunk in its exploration of scientific ideas and even “what ifs” through the lens of a Victorian reality.

Another interesting discussion we had at the book club was about whether or not the novel has an actual villain. Throughout the novel, we’re interested in figuring out who bombed Scotland Yard. Despite that, time itself and the time period are almost presented as greater antagonists than the actual bomber. We also discussed the characters and the characterization in the novel and we came to the insight that at this period of time, many of the people are almost treated as parts of a clockwork machine. All in all, it was a fascinating discussion.

As I say, next month, we’ll be discussing my fourth Clockwork Legion novel, Owl Riders at the Tucson Steampunk Society Book Club. If you’re in Tucson, I encourage you to join us. The club meets on the second Sunday of each month at 3:30pm at Antigone Books, located at 411 N. 4th Avenue in Tucson. The meeting to discuss Owl Riders will be on Sunday, February 10. If you can’t join us, The book club takes video of the meetings and they’re posted to the Society’s Facebook page at: https://www.facebook.com/TucsonSteampunkSociety/. If you want to learn more about the novel and where to order, visit http://www.davidleesummers.com/owl_riders.html.

On the subject of schedules, I have been posting new content to this blog every Monday and Saturday. I’ve decided to make a change and start posting every Tuesday and Saturday. I’m doing this to give more even spacing of the posts each week. Also, because of her schedule, my daughter will start updating her blog every Monday. Even though our audiences aren’t identical, it does allow some more effective cross promotion. You can find my daughter’s blog about her crochet business at http://entropycreations.wordpress.com.